14:26 If this is not properly locked, you will get light leaks. This just happened to me. Always make sure the rotating back mechanism is properly locked.
The KL lenses don’t have the rotating knob for mirror lockup. Screwing a cable release into the mirror lockup port puts it into mirror lockup mode and removing the cable resets it.
Amazing informative video. I learnt medium format photography on an RB67 many many years ago. Sadly I don't have one of my own, but am considering purchasing. Your video brought back many memories. I have one question, will the RB pro lens fit the RB Pro SD or is this a different mount? Thanks in advance
they're great solid cameras👌🏼 The Pro/Pro S lenses don't fit straight into the Pro SD they require an adapter which can be tricky to come across these days
i'd be impressed, the shutter in the RZ lenses is electronically controlled so although you could reset the shutter mechanism in theory you wouldn't actually be able to practically use the lens. They could be confusing it with the KL lenses which were designed for the RB67 ProSD and did have mechanical shutter speeds while looking like the RZ lenses
I've been planning on getting a M645 as soon as I can find one with a WLF for a good price but I'm wondering how long I can take the pressure before I crack and get one of these instead...
the M645 cameras are good when they work but do suffer from some electronic faults, if you want 6x4.5 i'd recommend the Bronica ETRS system over the Mamiya as they were made more recently but the fully mechanical RB will always be a good choice
@@MaxLamdin I have considered the bronica alternative but I've heard less than flattering things about their reliability and I also do prefer the mamiya styling in all honestly. Ultimately with these things it's more down to what opportunities may present themselves and how much money I can afford to waste when they do.
they M645s can be reliable if you get a good one, but it's not as customisable as the Bronica and they do stop working from time to time i've generally found them to still be more reliable that the Mamiya 645 stuff
@@no.7893 most of these cameras were good in their hay days..now, you will taking a big gamble and chance to buy one that won't disappoint you..most people you see taut the rb67 have had to buy a couple before they settled in with it..( it's all mechanical but that's what makes it fragile as well.. ) electronics last longer unless salt water has messed up with it.. Go for something more modern and I am not saying the rb67 SD cuz those are also no longer reliable.. just my 2 cent
I find the RB67 shines in the studio. I use Hasselblad 500 CM in the field for architecture and landscape and even the image has to be cropped to 645, the print is still acceptable at 13x19.
you're right it does shine in the studio as it's a bit of a lump to carry around, i've personally never got on with the Hasselblad system as well and just found it a bit more fiddly to use
@@MaxLamdin I agree with you. When I got the Hasselblad, it seems it just doesn’t have the wow factor of the Mamiya or Bronica’s but the lenses are sharp.
true the lenses are sharp and they have their own character, i prefer the character of the Bronica lenses myself but the Mamiya lenses can come across as a bit clinical with their sharpness
14:26 If this is not properly locked, you will get light leaks. This just happened to me. Always make sure the rotating back mechanism is properly locked.
that's true, i learnt that one the hard way too
The KL lenses don’t have the rotating knob for mirror lockup. Screwing a cable release into the mirror lockup port puts it into mirror lockup mode and removing the cable resets it.
true, they use the same design as the RZ lenses
Do i have to slide the dark slide back in after taking every shot? Or can i just leave it out and keep taking shots
you can leave it out, the shutter doesn't open after you've taken the exposure
Do all these models have focusing locks? I have my doubts about a bellows-focusing system which does not include that feature.
i don't believe the first version has the focus lock, later models all do
Amazing informative video. I learnt medium format photography on an RB67 many many years ago. Sadly I don't have one of my own, but am considering purchasing. Your video brought back many memories. I have one question, will the RB pro lens fit the RB Pro SD or is this a different mount? Thanks in advance
they're great solid cameras👌🏼 The Pro/Pro S lenses don't fit straight into the Pro SD they require an adapter which can be tricky to come across these days
Thank you so much for getting back to me, I really appreciate it. I will no doubt look at getting the RB Pro S. thanks again
This machine is a beast and meant for studio work with a tripod ,or handheld with a flash,very heavy camera for all day use.(my experience)
definitely can be tricky for everyday use but it's possible just needs time to get used to it👍🏼
I’m 64 and carry this camera, lenses, and tripod around all day in the field without breaking a sweat.
Just today I saw a pro photographer thinking he could use rz lenses on rb "if you hold the aperture in place"? Right or wrong?
i'd be impressed, the shutter in the RZ lenses is electronically controlled so although you could reset the shutter mechanism in theory you wouldn't actually be able to practically use the lens. They could be confusing it with the KL lenses which were designed for the RB67 ProSD and did have mechanical shutter speeds while looking like the RZ lenses
I've been planning on getting a M645 as soon as I can find one with a WLF for a good price but I'm wondering how long I can take the pressure before I crack and get one of these instead...
the M645 cameras are good when they work but do suffer from some electronic faults, if you want 6x4.5 i'd recommend the Bronica ETRS system over the Mamiya as they were made more recently but the fully mechanical RB will always be a good choice
@@MaxLamdin I have considered the bronica alternative but I've heard less than flattering things about their reliability and I also do prefer the mamiya styling in all honestly. Ultimately with these things it's more down to what opportunities may present themselves and how much money I can afford to waste when they do.
they M645s can be reliable if you get a good one, but it's not as customisable as the Bronica and they do stop working from time to time i've generally found them to still be more reliable that the Mamiya 645 stuff
@@no.7893 most of these cameras were good in their hay days..now, you will taking a big gamble and chance to buy one that won't disappoint you..most people you see taut the rb67 have had to buy a couple before they settled in with it..( it's all mechanical but that's what makes it fragile as well.. ) electronics last longer unless salt water has messed up with it.. Go for something more modern and I am not saying the rb67 SD cuz those are also no longer reliable.. just my 2 cent
is true but the mechanical cameras are generally easier to get repaired if something does go wrong but they are all a gamble these days
question: do you think it better to buy a light meter? or get a viewfinder with light meter?
personally for the RB i would recommend a separate light meter, the viewfinders with light meters are unreliable and often faulty
I find the RB67 shines in the studio. I use Hasselblad 500 CM in the field for architecture and landscape and even the image has to be cropped to 645, the print is still acceptable at 13x19.
you're right it does shine in the studio as it's a bit of a lump to carry around, i've personally never got on with the Hasselblad system as well and just found it a bit more fiddly to use
@@MaxLamdin I agree with you. When I got the Hasselblad, it seems it just doesn’t have the wow factor of the Mamiya or Bronica’s but the lenses are sharp.
true the lenses are sharp and they have their own character, i prefer the character of the Bronica lenses myself but the Mamiya lenses can come across as a bit clinical with their sharpness
Pro SD backs don’t use foam for light seals, so no need to replace worn out foam.
yes they use light traps like the RZ Pro II film backs
I use a monopod for my RBS. It still feels like I’m lugging around my Canon EOS 5d with a 300/2.8 lens.
that sounds about right😂 both are well worth it though
Only 400th shutter speed ?? 😭😭
yep maximum shutter speed, as it's a leaf shutter (basically meaning it's a global shutter) you can flash sync up to that speed without issue