loved it!..u r the only one going to these details at this level..not too beginner, not too advanced..just right..pls support us by providing more of similar sort sir
Very nice. Finely explained. Very Beautiful phrase. I would like if you could please explain "na ka-dhi dhi mi- dhi dhi mi". Here mi after dhi is again middle finger I have seen umayalpuram sir plays this at high speed. How to strengthen the middle finger? Can you please give some practice steps? In fact, it's very common in Tabla fingering, to play middle finger. Ustad Zakir Hussain is master in this.
@@saishivmusic I need a fast rolling pattern in adi thala for example thadhi thadhin thadhin thadhin this is one nadai. In this nadai how to show variations for the same nadai
Namaskaram sir.. appreciate your teachings … I started learning Mridamgam since two months trying to adapt to speed . What are the tips to have fingers adapt to the speed ??
no it has to be played using middle finger. but if you're using middle finger as the supporting finger for num (like sri patri satish kumar) you have to play ka using ring finger
Wonderful and important exposition! I have been playing the ka after dhin with my middle finger, but I play the ka after nam with my ring finger, which currently is quite a bit stronger than the middle finger. Thank you for sharing!
loved it!..u r the only one going to these details at this level..not too beginner, not too advanced..just right..pls support us by providing more of similar sort sir
yes definitely will be posting more videos.
Great explanation...looks simple but tough to play..well explained Sir. Thanks
Hello Shiv Sir. Requesting more high speed nadai tutorials. Thank you so much for this 🙏🏼🙏🏼
Excellent and very useful. Appreciate your efforts 👍🙏
thank you 🙏
Great Sir. Thanks so much for obligingly creating this tutorial.
Ram ram. Very nice sir...it is very useful for me... thank you so much. 🙏
i’m glad you found it helpful
Great teaching...sir...
Very nice
Very nice sir
Can yu please refer this practice lesson in the description.. 🙏.. Full lesson...
Very Neatly Explained Thank You So Mich 🙏🏻🙏🏻🙏🏻
Glad it was helpful!
@@saishivmusic yes it was
Very helpfull video Thanks
welcome
Thanks
🙏🙏🙏
Good one
thanks
excellent
🙏👍🏻
Very nice. Finely explained. Very Beautiful phrase. I would like if you could please explain "na ka-dhi dhi mi- dhi dhi mi". Here mi after dhi is again middle finger I have seen umayalpuram sir plays this at high speed. How to strengthen the middle finger? Can you please give some practice steps? In fact, it's very common in Tabla fingering, to play middle finger. Ustad Zakir Hussain is master in this.
Sir can you please upload how to create a nadai patterns
which nadai are you referring to?
@@saishivmusic I need a fast rolling pattern in adi thala for example thadhi thadhin thadhin thadhin this is one nadai. In this nadai how to show variations for the same nadai
@@saishivmusic especially I need to know more nadai to play for song in adi thalam
Sir how to get practice 3 speed. 2 speed clarity is there, 3rd speed hand becomes rugged not easy movement! Any tips ?.
it takes time to master this. you’ll need atleast 6 months practice
Namaskaram sir.. appreciate your teachings … I started learning Mridamgam since two months trying to adapt to speed . What are the tips to have fingers adapt to the speed ??
we should never try to play fast for the first year of learning. everything should practiced at slow speeds
Awesome.. Can the kha after dhim be played using ring finger alone?
no it has to be played using middle finger. but if you're using middle finger as the supporting finger for num (like sri patri satish kumar) you have to play ka using ring finger
Wonderful and important exposition! I have been playing the ka after dhin with my middle finger, but I play the ka after nam with my ring finger, which currently is quite a bit stronger than the middle finger. Thank you for sharing!
ruclips.net/video/TN5OlSbbgfM/видео.html
UKS explains at 1:50
Different sollu kattu