My #1 piano chord hack.
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- Опубликовано: 17 июл 2024
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LESSON SUMMARY
Piano students who embark on the journey to learn jazz usually discover early on that the learning curve is pretty steep. In fact, some jazz lead sheets contain chords symbols that look about as random as alphabet soup. For example, how can professional jazz pianists effortlessly play chords such as G7(♯9♭13)? It’s because they use “chord hacks” that allow them to secretly navigate complex jazz harmonies with simplicity. In today’s Quick Tip, Jonny May explains how to hack into a professional jazz piano sound using Upper Structure Triads-The Ultimate Piano Chord Hack.
► Piano Chord Extensions:
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► Piano Chord Alterations:
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Chapters:
00:00 - Intro
00:31 - Common Jazz Chord
01:29 - Step 1: Remove the 5th
02:08 - Step 2: Learn 5 Upper Structure Triads
09:43 - Step 3: Apply to a Progression
10:24 - Variation 1
12:56 - Variation 2
14:39 - Variation 3
16:26 - Conclusion
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Happy practicing!
Jonny May
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00:00 - Intro
00:31 - Common Jazz Chord
01:29 - Step 1: Remove the 5th
02:08 - Step 2: Learn 5 Upper Structure Triads
09:43 - Step 3: Apply to a Progression
10:24 - Variation 1
12:56 - Variation 2
14:39 - Variation 3
16:26 - Conclusion
Great stuff as always Jonny!. Love your energy and knowledge
This year I am enjoying learning and playing piano very much with sparkle joy because I found your lessons.
Thank you very much. from Japan
Outstanding lesson! Thank you sir.
Thank you very much for this!
THANK YOU VERY MUCH!!!
HAPPY NEW YEAR
Like all of your video lessons this is very good. It’s a great format and everything is explained and demonstrated in a very understandable manner.
Another amazing lesson! What a great way to look at chord extensions! So much easier than trying to wrap your head around #11's, etc. Thanks Jonny!
This is how a good piano teacher should teach! The good thing about Jonny's tutorials is it covers the full learning curve of piano playing... Unlike other tutorials when they expect you to be advanced by blabbering and just showing off all those sharp and flat chord extensions, and you are left clueless with what they have played, so you would be lured to buy their lessons. 🤷♂
What a fantastic lesson! So many advanced techniques are well explained and applied in a real-life context. Thank you so much!
Thank you for teaching. You are contributing to the world in a meaningful way
Thanks Jonny, you're an Awesome teacher
Cool stuff! So much easier than counting up to 9, 11, 13. Thank you!
Grande, Grande Grande!!!. Fenomenalmente explicado. Gracias!
Really love your videos
Great as usual ❤️
Outstanding
crunchy is my new favorite adjective for jazz chords. love the content, Jonny!
but what does it mean? haha
I like that II/I7 chord!!
Amazing!
Nice chords, thanks
I'm still a beginner so this is above my pay grade. I've made lots of progress, but I don't have all the inversions in my head without thinking about it. So I'll stick to building on my technique. This is the second time I've watched one of your videos, so the language is becoming more familiar. I don't want to play crunchy for now, but as soon as things are clearer, I'll tackle this.
Lawrence, learn the hand shapes associated with chord inversions and you won't ever have to think about how it is done. It really works, trust me.
Got to see you play tonight at Rudy’s Jazz Club, it’s was nice to met you, and thanks for the advice.
Notes for myself
2 upper structure
b3 Upper Structure
b5 upper structure
b6 Upper structure
6 upper structure
Apply it to a chord progression. E.g. 12 bar blues
b6 - 2 - 2
12:22
2 - 6 - 6
14:04
b3 - b5 - b5
15:55
very beautiful music
watching full stay
happy a weekend 🎹🎹🎶🎶💐💝💞💖
Estou aprendendo com você obrigado Silas Att Brasil
Absolutely brilliant always !!! -- Jonny's virtuostic talents at the piano are only secondary to his incredible ability to teach. I continue to find tremendous value in all these instructional videos and my "people" (audience / friends / family) notice. ! Most of these features are worthy of a 2nd and 3rd viewing - Take the time to learn and practice them !!. It will make you and your jams sound, feel and even better, - ...
(* 'VIRTUOSTIC' may not be a real word. - But you get it.) -
Wow this is a great way to think about this: triads on top of shell. Easier to remember that way.
The Best piano course Channel in the World from Ivory coast
You just changed my life
Thank you Captain Crunch !
What the program that you use to show the notes on the keyboard is mac or pc app and what is it please
Just a Q. What to do if you can't reach those LH 10ths ! Octaves or slightly over, total reach???
Curl up and cry. Atleast that's what I do
16:23^^
Could I ask why you’re labelling the F# as a Gb if you’re referring to it as a #11? 4:49
Are you referring to 2:49?? I think the software is making that choice. Gb and F# are, of course the same note (they are enharmonic) but since the 5th was omitted in the left hand the software wants to complete the C triad with the Gb. I suspect that had he played G in left hand it would recognize the note as a sharp 11. You could argue that since the 9th has been defiined with D, that the software should recognize the [F#/Gb enharmonic】 as a sharp 11, so I might consider this a flaw in the software. Orherwise we would have to call it a flat 12 . And no one wants to see that!
You've done it again and obviously you don't care. Anyone taking piano lessons and theory at the moment is confused that you consistently spell your chords incorrectly. D major does NOT have a Gb in it, it has an F#. Stop being sloppy. You have students that will fail their theory tests if they follow your example.
Good question brother, but he did say “SHARP 11 chord”. As a student and most importantly a musician, you should listen before you speak. You sound foolish when calling this man sloppy.
The language of Music is Italian. So correct is not "F#" or "Gb", but "Fa Diesis"!
@@trifonp 👍🏾 blessings brother. Learned something new. 🙏🏾
@@miguelb7424 well said lol, this guy is probably frustrated cause he’s sloppy himself. Johnny is a great instructor & I don’t see how he’ll make people fail their tests following his lessons
Pretty sure it's the software doing that. He's calling it an F# in the video, as well as a #11. For whatever reason, the software wants to render it as a Gb. That's all it is. The b6 example is perhaps a little confusing, as he does call it a Gb, though later he does say that technically it is a #11. But for ease of playing without thinking too much about it, it's easier to say "play a major triad on the b6 over a 7 chord". That's how I think of it when I play. I know it's a #11 with a minor 7th and a b9, but no need to know that in the moment. I just want to find the shape/notes quickly.