A bundle of talent with a direction pointing toward his later development. Very atypical music especially for an eighteen year old at the time he composed this. He defined the perfection of very modal approach in relation to Mahler's or Richard Strauss's style of writing. This sound was never in this form before Debussy. Quasi an inventor of a new musical language.
@@julienjulien6228 Hi I know everything from Faure and I find him an instrumental step to receive Debussy but Debussy devised a new harmony concepts based on tieing modes together .
@@paulamrod537 I don't think that's entirely fair. One of the hallmarks of Fauré's style was integrating modes into a harmonic context; he never used them just as an isolated sonority (I think Orledge might agree).
These performances are stellar and flawless, and full of tribute, acclaim and deep emotion, and comfortable to the ear and the mind . I am a Japanese Debussyiest It is bliss itself to fall asleep while listening to these Debussy's works in my comfortable bed. From Tokyo of the Land of the Rising Sun🇯🇵
Wow, I actually thought this was at least 5 years later, if not so by a full decade! If I was totally ignorant, I might have even mistaken this as one of Ravel's neoclassicist pieces.
Bill Adams not at all. I honestly think that naming a piece is cliche and cheesy (not all the time). It’s not like a song where it’s easier to name it because there’s a defined theme to the lyrics
@@hghg2185 it would at least make it more accesible to the public. these pieces could describe alot of things and naming them would make them memorable if the name describes the piece. But i do i agree with you
In many cases, a title makes it cheap sounding. I heard one piece and thought it was cool but was immediately turned of to learn it was called the super unicorn or something.
Assuming you're talking about the cello part - it works if you use the thumb for the C and extend the third finger for the B. But it's very difficult for sure.
@@Kris9kris Brahms, with his teutonic heaviness, never had written such a transparent piano texture - look just at Saint-Saens piano trios, Debussy follows just him, it's obvious, for me at least
@@Kris9kris It differs from Tchaikovsky, too - P. Tch. was a Schumann follower in his piano writing (do you know his piece titled "A Bit of Schumann" ?). Just is more reasonable to compare C.D. with Gabriel Faure, if one wants to look for his Romantic predecessors
@@speravi1000 You're right about Schumann and Tchaikovsky - the latter borrowed subconsciously (or consciously?) a heap ton of material from the former. (see the Trio in the Scherzo of Schumann's second symphony vs. the Pathetique's third movement among other things). I think another influence that is rather overlooked in Tchaikovsky's life is Liszt, especially in regards to his symphonic works.
esta cansion me recuerda a esos dias en que estava en la pradera comiendo bacalaoo , i venia mi abuela en pelotas a decirme que la nocilla estava caliente
MuseDuCafe But wouldn’t the alternative be these melodies be just left aside unheard? I find this one of my favorite pieces, namely because I love all four movements equally, which I rarely find my self admitting for a lot of pieces
Claude Debussy:G-dúr Zongoratrió
1.Andante con moto allegro 00:05
2.Scherzo - Intermezzo:Moderato con allegro 09:12
3.Andante epressivo 12:45
4.Finálé: Appasionato 16:44
Stradivari Trió
Köszönöm az értékelést Damon J.H.K.
After hearing this I realized I felt in love with Debussy
You're not alone
same
A bundle of talent with a direction pointing toward his later development. Very atypical music especially for an eighteen year old at the time he composed this. He defined the perfection of very modal approach in relation to Mahler's or Richard Strauss's style of writing. This sound was never in this form before Debussy. Quasi an inventor of a new musical language.
Yes indeed this piece is wonderful, but you should not forget Gabriel Fauré....
I mean that the climate is really Fauré
@@julienjulien6228 Hi I know everything from Faure and I find him an instrumental step to receive Debussy but Debussy devised a new harmony concepts based on tieing modes together .
@@paulamrod537 Hi Paul. Sure and yes of course, elements of this piece herald the Debussy to come. This is also what is very exciting. Greetings.
@@paulamrod537 I don't think that's entirely fair. One of the hallmarks of Fauré's style was integrating modes into a harmonic context; he never used them just as an isolated sonority (I think Orledge might agree).
Comment ne pas tomber amoureux d'une telle musique...Merci encore.
These performances are stellar and flawless,
and full of tribute, acclaim and deep emotion, and comfortable to the ear and the mind .
I am a Japanese Debussyiest
It is bliss itself to fall asleep while listening to these Debussy's works in my comfortable bed.
From
Tokyo of the Land of the Rising Sun🇯🇵
Agree, it’s beautiful! I love Debussy. Cheers from Poland 🇵🇱
@@MichaelLoda
Thank you so much to your wonderful comment
I am a Japanese Debussyiest
Take care of yourself
Good luck
Go for it
Debussy is one of the best French composers ever.
Been listening to this in my head and on YT for the last few days; really romantic opening...
This is beautiful. Thank you
That plagal cadence at bar line 24; 14:11; Andante espressivo. Just enjoy it.
ascoltare Debussy è sempre un bel piacere
The F7 at 4:21
That hits so good.
4:17 too
The fire of Leo was always evident in Debussy and this piece from his 18th year shows no difference.
Wow, I actually thought this was at least 5 years later, if not so by a full decade! If I was totally ignorant, I might have even mistaken this as one of Ravel's neoclassicist pieces.
Uma grande composição! Uma leveza! Um convite a vida!
Classical music is so underrated. If only it didnt have composers not bothering to name their pieces properly it would be more popular.
Bill Adams not at all. I honestly think that naming a piece is cliche and cheesy (not all the time). It’s not like a song where it’s easier to name it because there’s a defined theme to the lyrics
@@hghg2185 it would at least make it more accesible to the public. these pieces could describe alot of things and naming them would make them memorable if the name describes the piece. But i do i agree with you
millennials be like
In many cases, a title makes it cheap sounding. I heard one piece and thought it was cool but was immediately turned of to learn it was called the super unicorn or something.
That's the eternal battle between absolute and incidental music.
16:53 - My name is Debussy... Claude Debussy
It seems more early Rachmaninov there than Debussy😁
007 theme
quel talent
Voir, quel génie...Merci encore
Listen to the Scherzo with the speed at 1.5
17:19
My favorite part is at 14:14 what about you?
0:00-22:09
@@hong212626 haha such funny lol
Third movement sounds like Saint-Saens' Swan in better.
3:17
How does the violin play this double stop lol
By the sounds of it, the fourth is omitted.
it's just an error in the scoring (an editor's one)
The cello plays three notes. ;-)
He practices 40 hours a day
@@emilianoturazzi It's not an error, Debussy wrote that in. The performer must choose which note to play
The change of meter at 2:45 is seamless.
3:53... 4:04 4:16
14:28... 14:45
Genial Debussy
3:18 impossible double stop
Assuming you're talking about the cello part - it works if you use the thumb for the C and extend the third finger for the B. But it's very difficult for sure.
@@AW-xc1xcNo violin part
@@cflhighlights9370 Oh you mean the asterisk... the part left out the playable chord.
9:12
for the love of god these ads are killing me
2악장이 가장 좋다
The Scherzo is pretty
Does someone know where i can find the arrangement for piano solo of intérmede?
Maybe in Petrucci
10:38
Good thing, I’ve orchestrated this piano trio.
where can we hear it?
I didn't post it to RUclips.
@@douglasyiuchinglok307 then where?
Where are the othe two pianos?
I can't tell if you are joking or not...😂
Lmao
The piano has two lines, the left hand and the right hand (as far as i understand it)
Simply fantastic
(im fat irl)
Wtf?
was the piano in another room?
I wish they had miked the piano a little bit louder.
와ㅋㅋㅋ 생각해보니까 이거 악보 비디오 없었네요 난 왜 있다고 생각했지
Brahms influence
great composers steal
A mix of Brahms and Tchaikovsky with a hint of then-contemporary French romanticism.
@@Kris9kris Brahms, with his teutonic heaviness, never had written such a transparent piano texture - look just at Saint-Saens piano trios, Debussy follows just him, it's obvious, for me at least
@@Kris9kris It differs from Tchaikovsky, too - P. Tch. was a Schumann follower in his piano writing (do you know his piece titled "A Bit of Schumann" ?). Just is more reasonable to compare C.D. with Gabriel Faure, if one wants to look for his Romantic predecessors
@@speravi1000 You're right about Schumann and Tchaikovsky - the latter borrowed subconsciously (or consciously?) a heap ton of material from the former. (see the Trio in the Scherzo of Schumann's second symphony vs. the Pathetique's third movement among other things). I think another influence that is rather overlooked in Tchaikovsky's life is Liszt, especially in regards to his symphonic works.
The majestic beauty of God filtered through the human spirit.All praise and thanks to God for all that you do.
00:57
esta cansion me recuerda a esos dias en que estava en la pradera comiendo bacalaoo , i venia mi abuela en pelotas a decirme que la nocilla estava caliente
Que jaja
3:34
0:58
Debussy😩
Another reconstruction of a composer's early work that makes you wish they hadn't, lol.
MuseDuCafe But wouldn’t the alternative be these melodies be just left aside unheard? I find this one of my favorite pieces, namely because I love all four movements equally, which I rarely find my self admitting for a lot of pieces
me recuera a mi abuela llamada chaaa en pelotas
Too many fifths and fourths, too hard for pianist
Bloody adverts.
A real yawner. Sorry. There is a reason it isn't programmed more.
10:33
18:47
00:36
9:12