I've listened to many, many recordings of the 4th movement, and this is the very first time I've ever heard the quintuplets played correctly as Respighi intended. To be fair, that rhythm plays serious tricks on the performers' minds, and it defeats even the best ensembles in the world, but bravo to Jens and pals for nailing it!
Fantastic rendering of fantastic music. Hard to believe that this tonal, rhythmically coherent masterpiece was coincident with Schoenberg's psychosis !! Note the horn riff at 1:55 ans 3:45. also visit the Lindemann website. Next should be Pictures At An Exhibition. Who are the percussionists?
Never seen Mr Trudel with a euphonium in his hands (or sitting in a section for that matter)! :-) Great arrangement, right up there with some of the Pictures arrangements for brass floating around. Well done, Jens.
Dietrich von Hildebrand remarked that "“…the beauty of the dome of Florence or of St. Peter’s, the beauty of the first chorale in St. Matthew’s Passion,...in their quality they speak about another, higher reality-they make God known.” I believe he would agree that this stunning performance does the same. Well done Jens, Spanky, et. al. --Luke Arredondo
Please take a look at 1991 Star of Indiana for comparison. Things to consider: what is played while on the move (and at fff) vs while seated. Both are worth their merit and respect. ruclips.net/video/iKSakr0_sVE/видео.html
Wonderful playing. Great piece. The arrangement doesn't quite have the gravitas of the 30 year old Howard Snell brass band original but he was/is a genius this fine attempt is very close though. Bravo!
Did you read the intro? It is critical for future generations of brass players to have aspirational goals when it comes to musical and technical development. Arrangements have been a staple not only for our own instruments but were also done by the 'masters' of days gone by with other music. Not saying you have to like it, but an observance of the arrangements' magnitude and respecting the legacy of groups like Canadian Brass in particular might have been a softer opening or closing line.
I'm sorry but the intro was too long and boring---don't throw accolades at yourself. Leave it for the listeners. If we didn't know AHEAD OF TIME that this was about the pines in Rome we would not imagine it by listening to this beautiful music. It's a trick to think that the music "paints a picture" when we are first given the picture and then are asked to confirm that the music paints the image.
The music does paint a picture as outlined by the composer himself. That being said, skip the intro next time and remember that our job is not only to take on major musical challenges but also to educate a public that has no idea of the demands put on brass players who even try something like this. This arrangement is clearly out there to try and inspire a new generation to also take it on. Having a sense of humour helps as a brass player and every major professional understands the double entendre behind that statement.
Ryan Anthony nailing the offstage solo at 6:34. Rest in piece to him, a legend in the brass community.
I've listened to many, many recordings of the 4th movement, and this is the very first time I've ever heard the quintuplets played correctly as Respighi intended. To be fair, that rhythm plays serious tricks on the performers' minds, and it defeats even the best ensembles in the world, but bravo to Jens and pals for nailing it!
That horn player is so amazing!!
Martin Hackleman
Rodrok Hornplayer yes it is. PAXMAN's triple horn
@@Art_Gendai
Is it the 75 or the 85a?
Bruno Maia .'. I'm very sorry ;(
this triple horn is not PAXMAN's
it is D.Otto's triple horn Model 185
.......maybe........
indeed. I'm a horn player and it's really nice to see some good horn player playing a incredible score such as this.
The chops on all of these guys, especially Jens Lindeman..... is superhuman
Divine!
These guys are beasts. Jens, so relaxed and musical on those high passages at pp!
WOW! That was seriously impressive that such a relatively small group produced such a rich and full sound on this piece.
Greetings from Italy! Bravi! Please continue to play and spread this beautiful music around the world!
Such a rich low register from the Eb bass & timpani. So full and sonorous for such a small ensemble.
I love the muted trumpet playing the solo originally written for cor angli.
How to make Pines of Rome harder than it already is:
Condense the entire score for 8 brass players (+percussion). That outta blow their faces off
1:41 - 1. Pines of the Villa Borghese
4:35 - 2. Pines near a Catacomb
11:00 - 3. Pines of the Janiculum
16:14 - 4. Pines of the Appian Way
Fantastic music!
I never imagined romans liked trees this much
Fantastic rendering of fantastic music. Hard to believe that this tonal, rhythmically coherent masterpiece was coincident with Schoenberg's psychosis !! Note the horn riff at 1:55 ans 3:45. also visit the Lindemann website. Next should be Pictures At An Exhibition. Who are the percussionists?
Never seen Mr Trudel with a euphonium in his hands (or sitting in a section for that matter)! :-)
Great arrangement, right up there with some of the Pictures arrangements for brass floating around. Well done, Jens.
These guys have some serious chops
As awe inspiring as the Star Wars intro is... 1:40
Amazing !!!!!!!
tout simplement in-croyable.
Jens, you have outdone yourself! I really enjoyed this arrangement and, as usual, the music was sublime. Bravo!
Dietrich von Hildebrand remarked that "“…the beauty of the dome of Florence or of St. Peter’s, the beauty of the first chorale in St. Matthew’s Passion,...in their quality they speak about another, higher reality-they make God known.” I believe he would agree that this stunning performance does the same. Well done Jens, Spanky, et. al. --Luke Arredondo
So absolutely excellent ty😍🎶
Really wish there was a bass trombone :( still a lovely performance! Love seeing the smile of that principal trumpet
My chops hurt just watching this.
Fabulous!
Wow. Absolutely beautiful
superb!
Absolutely incredible!
That was more face melting than DCI gosh dang.
Yeah, no. Not by a long shot.
Please take a look at 1991 Star of Indiana for comparison. Things to consider: what is played while on the move (and at fff) vs while seated. Both are worth their merit and respect. ruclips.net/video/iKSakr0_sVE/видео.html
Jason Donnelly ehhh I'm not sure about that.
Wow!!
Love the Vibes!
Nailed it!!!
Brilliant
Hey that’s teacher Marty Hackleman on Horn. It’s been a long time since I’ve heard him play.
Pretty awesome stuff! Badassery! Bravo!
Magnificent!
Fantastici, il corno più di tutti!!
bravo.
What about that Euph! Glenn Van Looy kicking ass :-)
Turns out the rest of the orchestra wasn't noticed missing.
the color of the english horn at 6:20 is captured so well by the muted piccolo trumpet
sorry, not piccolo trumpet, d trumpet
David S Eb trumpet not D
Wonderful playing. Great piece. The arrangement doesn't quite have the gravitas of the 30 year old Howard Snell brass band original but he was/is a genius this fine attempt is very close though. Bravo!
WOW UNCLE REGGIE KING YAAAAAAAAAAAAAAAAAAAAAAAAAAAA
Not as wonderful as a full orchestra playing this piece, but I’ve got to give them props!
Grammy worthy.
who expected to see all star the song here
anybody
Can you imagine what they would have sounded like if they had weeks to 'practice'?
Their chops... pls...
I didn't know Richard Dawkins played French horn in a brass choir.
Sounds lot a lot of great players that didn’t practice very much together.
Le immagini dei monti al posto della via Appia?
どうしたらこんな吹けるようになるんだろう
1:32
Is it me or does the horn player on the far left look like walter white
彼らをバンダで呼んだら強そう
Weird to have just one horn in the lineup ... and, what, no credit for the percussionist folk?
21:50...
Soporifique.
Such a ludicrous cacophony. Were the master still alive, he might sue the whole gang.
it must be great living with such an open mind.
Did you read the intro? It is critical for future generations of brass players to have aspirational goals when it comes to musical and technical development. Arrangements have been a staple not only for our own instruments but were also done by the 'masters' of days gone by with other music. Not saying you have to like it, but an observance of the arrangements' magnitude and respecting the legacy of groups like Canadian Brass in particular might have been a softer opening or closing line.
I'm sorry but the intro was too long and boring---don't throw accolades at yourself. Leave it for the listeners. If we didn't know AHEAD OF TIME that this was about the pines in Rome we would not imagine it by listening to this beautiful music. It's a trick to think that the music "paints a picture" when we are first given the picture and then are asked to confirm that the music paints the image.
The music does paint a picture as outlined by the composer himself. That being said, skip the intro next time and remember that our job is not only to take on major musical challenges but also to educate a public that has no idea of the demands put on brass players who even try something like this. This arrangement is clearly out there to try and inspire a new generation to also take it on. Having a sense of humour helps as a brass player and every major professional understands the double entendre behind that statement.
Magnificent!!