Could This Be the Future of Music Production? - DAACI Full Masterclass | BIMM Music Institute

We couldn't be more thrilled to welcome Dr. Joe Lyske, the dynamic CTO and Co-Founder of DAACI, to BIMM Music Institute London for an insightful masterclass on AI technologies in the music industry.
DAACI stands at the forefront of AI music tools, providing creators with patented technologies that fuel the demand for personalised music experiences. From dynamically composing fresh tunes to seamlessly tweaking existing tracks, their tools turbocharge the creative process.
During the masterclass, we dove headfirst into the captivating world of AI and music, exploring DAACI's game-changing impact and uncovering the latest jaw-dropping advancements in music tech.
You can find out more about the masterclass and internships available through DAACI here:
www.bimm.ac.uk...
Read more about the partnership between BIMM University and DAACI here: www.bimm.ac.uk...
Check out the story from when we launched our “Introduction to AI” course here:
www.bimm.ac.uk...
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BIMM opens the doors to the music industry. We encourage creative freedom, provide real-world industry experiences, and build a community across our seven campuses in the UK, Ireland, and Germany. BIMM Institute music courses equip you with the best tools and expertise required to develop a fulfilling and sustainable music industry career.
BIMM Institute Berlin is also home to our unique Screen and Film Faculty that offers unrivalled opportunities for collaboration across both music and film in the heart of Europe’s creative capital.
Find out more: www.bimm.ac.uk

[@alexadigitalradio]

As someone who has music in Ai training data, I don't really care about being compensated for the training or getting 17.45% of a few pennies from a download on a subscription service, basically nothing from streaming, or a fraction of a penny from a broadcast license with 0.000000001 cents in performance royalties. At some point, I think the reality here is that people aren't going to be licensing or paying royalties. For production music, those needing music in their productions will hire people good at generating music and focus more on lobbying for digital rights on the AI tracks generated. Personally, I think all the discussion on who gets what piece of the pie is a bit of a waste because I can't see the old school methods holding up much longer. Sure, there will still be big orchestras, bans, people writing manually, etc. The question is about the amount of work they will get when you can generate something just as good in a far shorter period. We can't forget that AI music is just starting. It will get to the point where it sounds just as good as Hans Zimmer unless it is intentionally sabotaged and has it's wings clipped.

[@zedboiii]

is it specifically for edm/electronic music? I'd love to see one for metal genre

[@Lumina97]

Can this software be used for orchestration in the future?