The French Clarinet, 19th & 20th Century Music for Clarinet (Aldo Botta) & Piano (Clara Dutto)
HTML-код
- Опубликовано: 21 июл 2024
- This original program of works for clarinet by French romantic composers use the full resources of the innovations brought to the clarinet
Composers: Arthur Honegger, Arthur Coquard, André Messager, Claude Debussy, Gabriel Pierné, Henri Rabaud, Jules Semler-Collery, Louis Cahuzac, Paul Pierné, Paul Jeanjean
Artists: Aldo Botta (clarinet), Clara Dutto (piano)
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, RUclips Music): brilliant-classics.lnk.to/The...
💎 More Information: www.brilliantclassics.com/art...
🎬🎮 These tracks are available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: www.brilliantclassicslicensin...
The developmental stages of the clarinet are marked by repeated interest in improving the instrument at crucial stages in its history, definitively accomplished in an ‘accelerated’ manner during the course of the 19th century thanks to daring projects that led to an extraordinary evolution. Consequently, interest in writing aimed at probing the peculiarities of the instrument was accentuated, with French composers' attention directed towards exploring the thousands of new expressive and technical possibilities, creating a catalogue of great interest demostrating both the instrumentalists’ mastery as well as musical effects to dazzle listeners. The pieces selected for this album clearly echo that production, originating in the shadow of the Parisian conservatoire and intended to test the potential of young performers while probing the musical languages of the time, whose aesthetics were as varied as ever.
Coquard's Melodie et Scherzetto, from 1904, sprang from the pen as an examination piece, a score in which technical and expressive aspects converge with a highly captivating melodic writing. In Claude Debussy's Petite pièce, the varied dynamics, combined with the near ‘improvisational’ flow of the rhythmic-melodic material, make the piece fascinating and pleasant to listen to. As is Rabaud's Solo de Concours Op.10, with its surprising texture entrusted to the clarinet right from the start in the form of a solo of considerable complexity. Messager's own Solo de Concours is rich in captivating chromaticism riven by diatonic segments. Paul Pierné's score, on the other hand, is an exercise in style, blending ‘rhetorical’ images and ‘French-style’ speculations. His cousin Gabriel’s Canzonetta of 1888 brings forth a sampler of melodies, giving rise to a path of great lyricism. The use of such sonorous imagery is in common with that of Paul Jeanjean, whose Arabesques is imbued with seductive designs aimed at enhancing the potential of the instrument, on which he was an acclaimed virtuoso. Cahuzac belongs to this category, as well, and with his Cantilène he dwells in the soundscapes of his southern France, irradiating it with a Mediterranean luminosity. Cultural belonging is a peculiar characteristic of composers living in the shadow of the Eiffel Tower, as Semler-Collery demonstrates when he pilots his Rêverie et scherzo through the turbulence of early-20th-century French style. Honegger's choice for his Sonatine has a completely different origin. With its mysterious beginning founded on skillful chromaticism with vague oriental echoes, the subsequent Lent et soutenu reveals a greater rigour in that same sound path, entrusted to the woodwind, austere and mysterious. It is with the Vif et rythmique that the “restlessness” is laid to rest in order to rely on “improvisational” sonorities that wink at agile and impertinent jazz gestures.
Tracklist:
00:00:00 Claude Debussy: Petite pièce, ICD 61
00:01:30 Gabriel Pierné: Canzonetta in E-Flat Major, Op. 19
00:05:19 Henri Rabaud: Solo de concours, IHR 7, Op. 10
00:10:59 Jules Semler-Collery: Rêverie et scherzo
Arthur Honegger: Sonatine, H.42:
00:17:38 I. Modéré
00:20:19 II. Lent et soutenu
00:22:49 III. Vif et rythmique
00:24:09 Arthur Coquard: Mélodie et scherzetto in B-Flat Major, Op. 68
00:30:26 Paul Pierné: Andante-Scherzo pour clarinette
00:36:46 Louis Cahuzac: Cantilène
00:41:56 Paul Jeanjean: Arabesques in E-flat Major
00:47:20 André Messager: Solo de concours, IAM 28
👉 Social media links:
Instagram: brilliant-classics.lnk.to/Ins...
Facebook: brilliant-classics.lnk.to/Fac...
TikTok: brilliant-classics.lnk.to/Tik...
Spotify: brilliant-classics.lnk.to/Spo...
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our RUclips channel. And visit our channel for other pieces by some of the greatest composers. We upload daily with complete albums and compilations with the best classical music. brilliant-classics.lnk.to/You...
#Clarinet #French #Piano #Debussy #Pierné #Messager #Music #ClassicalMusic #BrilliantClassics 
Видеоклипы
Clarinet,the most soothing of them all!🌷🍵
I can imagine myself strolling through a Paris park with this music providing the soundtrack.
This has been the first music I listen to each morning for about a month now. Absolutely love it. Thank you for introducing the french clarinet to me.
How complete dreamy it is !!
Exquisite and elegant
rendition..
Utterly delightful. The clarinet has such a sensual sound! Seriously loving this. Heaps of Thanks, Brilliant Classics!
What a treasure. Lovely music. You always find something nice for us. Thank you.
Beautiful interplay between pianist and clarinetist,like it,thank's very much😮🌹
Qu’est ce que c’est beau 😍 🎶🌸🤍🤍
Lovely assortment, many thanks.
Thanks❤❤❤
Bravissime
Thank you
Beautiful music
Pre schoenberg infection
Now now!
😅 @31:11 I thought saria's song was about to play
Missing Debussy's Première Rhapsodie
Is this the chalumeau or something else?
Sad that you've only had 29,000 views while a road rage incident gets millions. Music is the antidote. If only people would take some.
It’s too modern for my taste
Very well played and recorded. Unfortunately Honegger disturbs all this with his anti human rubbish. Just skip him.