It’s always amazing how you choose to include the rap part of Calli’s songs in all your arrangements. As far as I can tell, almost everybody who arranged it for piano just decided to leave it out (including me) 😂 See you in your next arrangement then ✌️
Thanks for the comment 😄 I like how your arrangement is done for two voices-it's clear and captures the essence of the song concisely! I'm always interested in seeing how different people interpret the same song 😁 Adapting rap for me is just...it's kind of like noodling around with the general vibe of the song, if you listen to jazz it's pretty much like improv with a lead sheet. I'd be happy to see how others adapt rap to melody as well, whether with their voice or with an instrument. Thanks again for stopping by!
@@staccatz3271 Ah, thanks for checking mine out as well and subbing if I saw correctly 😄 I didn’t think of rap as jazz in that way so thanks for the tip. I’ll definitely keep it in mind for maybe next time
@@staccatz3271 same! thats something i've been experimentin with also, trying to include the rap parts. It's so much fun. Espeically with all the voices, and the swingsssss (I really want to arrange this song too when i get the chance)
No problem, and feel free to change it up as you learn it based on your preferences! I always view arrangements as suggestions rather than rigid pieces. Good luck! 😁
i just realized you're the one who made Lively Bopping to Bread's Knocking it is so absolutely UNREAL to find out that this is the same person and that that was 8 months ago,
No wonder I couldn't transcribe it. It's full of triplets lmao. I'm looking for an arrangement for the soprano saxophone. Is there one out there? Vocals would also work.
Yeah, I was surprised by the triplets too haha. I'm assuming just taking the melody line from this arrangement won't work for you cuz the sax is in a different key? 🤔 Hopefully someone can help you out!
@@staccatz3271 Tip! I'm not trying to be rude, just a little critique. The triplets you've written in are really just swung semiquavers. It would really reduce the clutter in the peice.
@@TheMosquitto Hi there, naw you're not being rude! I'm aware of this and actually mentioned it in my description, I just haven't (hadn't?) played around with MuseScore enough at the time of arranging to see how to make playback work with swing. And since not every sixteenth note in the song is swung (even though most are), and there are some swung eighth notes as well, I decided at that time that it wasn't worth the headache of figuring out the global/local split of swinging different note types in the program compared to just brute forcing it like this. It might not be super easy to read, but consider it a conscious decision after weighing the pros and cons. But others have brought up since then that there in fact *is* a way to make swing work with playback, so I'll make an effort to learn it if I arrange another swing-heavy piece in the future. Take care!
@@staccatz3271 In the 'text' palette, there is a swing text option. by default it's swung quavers but if you place down the swing text, then click it and right click on it, you can select 'system text properties'. Then in the popup window you can select 'swing settings in the tabs and then you have the option to select swung semiquavers. Hope this helps!
![[MV] end of a life - Calliope Mori (Original Song)](http://i.ytimg.com/vi/BXB26PzV31k/mqdefault.jpg)
![Towa Flexes Her Piano Skills in Front of Subaru - SubaTowa Off Collab [Hololive/ENG SUB]](http://i.ytimg.com/vi/gO5-olgDSUI/mqdefault.jpg)
It’s always amazing how you choose to include the rap part of Calli’s songs in all your arrangements. As far as I can tell, almost everybody who arranged it for piano just decided to leave it out (including me) 😂 See you in your next arrangement then ✌️
Thanks for the comment 😄 I like how your arrangement is done for two voices-it's clear and captures the essence of the song concisely! I'm always interested in seeing how different people interpret the same song 😁 Adapting rap for me is just...it's kind of like noodling around with the general vibe of the song, if you listen to jazz it's pretty much like improv with a lead sheet. I'd be happy to see how others adapt rap to melody as well, whether with their voice or with an instrument. Thanks again for stopping by!
@@staccatz3271 Ah, thanks for checking mine out as well and subbing if I saw correctly 😄 I didn’t think of rap as jazz in that way so thanks for the tip. I’ll definitely keep it in mind for maybe next time
@@staccatz3271 same! thats something i've been experimentin with also, trying to include the rap parts. It's so much fun. Espeically with all the voices, and the swingsssss (I really want to arrange this song too when i get the chance)
This is the first one I've seen with the rap part included. Can't wait to learn it. Thank you so much!
No problem, and feel free to change it up as you learn it based on your preferences! I always view arrangements as suggestions rather than rigid pieces. Good luck! 😁
This particular arrangement is the best I’ve seen so far 😏
This is an amazing arrangement! I especially love how the non pedal parts complement the other pedaled parts it's just so beautiful ahhhhhhhhhh
Thank you for listening, I’m happy you like it so much! 😁
DUUDE THIS IS EASILY THE BEST PIANO COVER OF THIS IT'S SO GOOD
i love how accurate it is to the original song
i just realized you're the one who made Lively Bopping to Bread's Knocking it is so absolutely UNREAL to find out that this is the same person and that that was 8 months ago,
Oh thank you, I think I remember your username 😆 I’m glad you’re still enjoying the stuff I put out!
Precious
This is amazing, appreciate💜
No wonder I couldn't transcribe it. It's full of triplets lmao.
I'm looking for an arrangement for the soprano saxophone. Is there one out there? Vocals would also work.
Yeah, I was surprised by the triplets too haha. I'm assuming just taking the melody line from this arrangement won't work for you cuz the sax is in a different key? 🤔 Hopefully someone can help you out!
@@staccatz3271 Tip! I'm not trying to be rude, just a little critique. The triplets you've written in are really just swung semiquavers. It would really reduce the clutter in the peice.
@@TheMosquitto Hi there, naw you're not being rude! I'm aware of this and actually mentioned it in my description, I just haven't (hadn't?) played around with MuseScore enough at the time of arranging to see how to make playback work with swing. And since not every sixteenth note in the song is swung (even though most are), and there are some swung eighth notes as well, I decided at that time that it wasn't worth the headache of figuring out the global/local split of swinging different note types in the program compared to just brute forcing it like this. It might not be super easy to read, but consider it a conscious decision after weighing the pros and cons.
But others have brought up since then that there in fact *is* a way to make swing work with playback, so I'll make an effort to learn it if I arrange another swing-heavy piece in the future. Take care!
@@staccatz3271 In the 'text' palette, there is a swing text option. by default it's swung quavers but if you place down the swing text, then click it and right click on it, you can select 'system text properties'. Then in the popup window you can select 'swing settings in the tabs and then you have the option to select swung semiquavers.
Hope this helps!
holy, i forgot how fast you can get lol