A wonderfully romantic version of Bach's work. Yes, it is fascinating what surprises can be brought out of his works and Poline Osetinskaya did it really wonderfully!
There are some very romantic works by Bach. Every man who loves women is a romantic. There are passages in Bach that can sound like Ravel, one in one of his Triple Concerti and the second movement of the Concerto for Keyboard in F.
Ah, Polina *_Amadea_* Osetinskaya! The mistress of the pianoforte, beloved by God. She is the pianist _sans pareille_ - proof that God exists! I have never heard Bach played so exquisitely by anyone as she does.
Полина играет на только мозгами и пальцами, а ещё и Душой и Сердцем!!! Именно после войны, только от нее дождалась не предвзятой позиции и честного хоть небезопасного пути в России.
I fully agree that nobody plays Bach better than Ms. Osetinskaya but I disagree that she is beloved by God. At least he had a blind eye when Polina was a child. Will make you cry if you know the story of her childhood.
Ich muss sagen, dass mir das Spiel von Bach, auch von bekannten Pianisten nicht so gut gefällt, aber diese Frau spielt wirklich wunderbar und sucht ihresgleichen, auch wenn es heutzutage nicht in ist, russische Pianisten zu hören.
I cannot, for the life of me, understand this comment. To me, it is the equivalent of you saying that you do not like Music. More than that, for me, it is the equivalent of you saying that you do not like the greatest composer of all time. You must be hard of hearing in some way!!
@@jktekkerz8735Ich meine damit, dass ich einige Interpretationen von Bach bekannter Pianisten nicht so gut finde, aber diese Interpretationen finde ich besonders gut Verstanden? Vielleicht ist Ihr Übersetzer schlecht.
Thank you for the clarification. This second comment was read with some relief. The first comment is what I was responding to. It read: ‘I don’t really like the playing of Bach, even of well known pianists’. This is what I struggled to understand. The translation into English seemed to imply that you do not like ANY playing of Bach. Perhaps something was lost in translation. Now this second comment I can whole heartedly agree with. I listen to a lot of Bach. Mainly because I play mostly Bach keyboard music. There are a lot of interpretations that fall well short of the standards that anyone may reasonably expect from the performing of such sublime music. For me, Bach and his music are Supreme. Every player ought to be performing his music to an exceptionally high standard. If it is not, then, for me, it has no place in the public domain. I am all for musicians of all types experimenting and trying new techniques in performance. But spare us the trials and the many errors and just deliver us the ultimate performance. Excellence demands excellence. Excellent music requires exceptional performance. It is up to all of us to deliver that in abundance. Thank you for your response. I am very grateful for your clarification. Kind Regards, a passionate life-long student of the music of J S Bach.
Well, to be honest, it's quite hard to play JSB's Passacaglia alone with just two hands. In fact, the execution is not really so perfect, but. But i love the way she tried
Ich habe niemals zuvor etwas so wunderbares gehört. Es berührt mich Polinas kraftvolles und seelenvolles Spiel im tiefsten Inneren. Vom Herzen danke dafür!!!❤
Ja, aber man sollte darauf hinweisen, dass es nicht ein originales Werk für Klavier ist, was Polina Osetinskaya gespielt hat. Es was für Klavier übertragen von Josef Weiss (Josef Weiß).
Ich kann das voll ganz nachvollziehen. unglaublich Polinas Spiel. Sie spielt keine Noten, sondern erfasst den Geist dieser Musik. Als wenn sich der Himmel öffnet.
Certainly one of the better versions of this piece I have heard. She has mastered her technique and is putting it on for the world to see and listen to. For that, I am thankful. Keep up the good work and never stop. This piece of music will be forever etched in the minds as the best emotional support piece Bach wrote.
Ms Osetinskaya has taken the interpretaion of Bach to another level. What a superb performance, makes one rejoice to be alive to hear this. Many thanks
Polina, maravillosa Polina, virtuosa y extraordinaria intérprete del maestro Bach. Gracias a todos los dioses por tener una vida para disfrutar este regalo. ¡Aleluya!
Doña Polina, feliz encuentro de la exactitud, la delicadeza, la exquisita elegancia, la belleza de ser, de saber estar y saber hacer música y modales: un gran ejemplo que a mí mismo me empuja a seguir. Muchas gracias Señora Osetinskaya. Amdiez
Beautiful, beautiful! Thank you for making this available. When listening to Bach, it makes me wonder why I would need to listen to anything else! Such clarity, poise, passion dear Ms Osetinskaya. Thank you for continuing to play for us all.
En dépit des grincheux, c'est là, pour moi, l'une des meilleures - sinon la meilleure - des interprétations de cette Passacaille par "notre" Polina. Meilleure même que celle qu'elle nous donna lors de son concert, pourtant si "habité", d'Omsk en octobre 21 (mais peut-être trop habité pour une passacaille). Quelle jubilation primesautière, quelle gourmandise dans la 5ième variation (mesures 41-49), quelle clarté, quelle fluidité des voix dans la fugue ! Quel talent pour faire magnifiquement sonner un piano qui, pourtant, n'est ni un Steinway, ni un Boesendorfer, non plus un Bechstein, mais un Kawai ! Comme cette transcription (Gollub?), dans cette interprétation-ci, est limpide et légère comparée aux interprétations à l'orgue de la partition originale pour orgue, dont certaines pèsent sur l'estomac comme de gros cakes trop roboratifs !
Wow, what a talent!!! She is playing Bach with such ease and beauty. I love the way she is transforming the informal setting into something really exceptional.
Scioltezza e illuminazione, continuità negli adagi e nei crescendi, un continuum mobile trascendente nell'ottimizzazione degli armonici come sbattuti dal vento, impetuoso e catartico . Sei più di un mito e superi il concetto di notorietà internazionale. Sei l'onda che tracima, superando cieli e montagne. Queste non sono solo parole ma segni di gloria della Musica bachiana. Ti seguirei tra le stelle e i cieli ultimi
Wow!!! Seeing the casual, seemingly small scale setting of this performance I was expecting a medium-level performance but ended up seeing my new personal favorite piano-interpretation of BWV 582!!! Wonderful articulation, phrasing, speed and just overall playing!!! That's how I always imagined the perfect piano-version of Pssacaglia & Fugue in C-Moll to sound in my imagination!
Woow wow wow, u played the piece exactly like how I imagined it, when I listened it for the first time!!❤ U just need a full orchestra, and it will be the best version ever played.
Thank you, Polina, this is a marvelous interpretation! And it works wonderfully on this piano, it would not be as successful on a Steinway. Best wishes, from Canada.
Piano transcription by Josef Weiss. Für Klavier übertragen von Josef Weiss. Фортепианная транскрипция венгерского композитора и пианиста Йозефа Вайса (Йозеф Вайс, Джозеф Вайс). She has recorded this transcription for her album "BAROQUE MUSIC IN AUTEUR CINEMA" on JSC Firma Melodiya label (MEL CD 1002690)
The piano transcription was by Josef Weiss - Weiss was the one who added that ending. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Beautiful! Some more information would be helpful. Who transcribed this organ repertoire for piano? Where and when was this recorded? Is that a Kawai EX? The bass is amazing.
Il continuum mobile tematico nell'intricata ragnatela sonora, scolpisce l'ardimento timbrico delle tue dita che vanno a raggiera composita tra la sinistra e la destra mano in un crescendo armonico che testimonia l'accanirsi delle note che tu plasmi con dovizia di accenti e chiarezza di tessitura. Il prodigio di sempre esalta musica e compositore all'unisono, senza soluzione di continuità: segno e simbolo in Bach che tu padroneggi in assoluta perfezione stilistica e interpretativa. Io da poeta e drammaturgo, continuo a chiederti se vuoi che di te scriva l'Elogio che si conviene alla numero uno del mondo, e se le orecchie della Argerich sentissero le mie parola non si meraviglierebbe di tanto,
....зритель-не молчи,-не хмурься..-паузами не части..-не кричи-душой тоскуя.. -это нонче-не в чести... -..не сутулься-за пюпитром-видно -все-издалека,-понимаю-щас всем трудно..-всех исследует судьба..- ..всех преследует,-я вижу ,-виду лишь не подаю..-видно скоро -и рукою-не приблизившись-к огню- -не погреть ладонь..-не скрою-как изгой к нему ползу.. -..позу разменяв на прозу-взгляд предчувствует грозу... ...зритель,-хоть бы-улыбнулся..-я же- образом держу-спектр -эмоций-изысканий-всех твоих..-весьма им дорожу.. -..доложу тебе-непросто-всеми сразу дорожить-тема чья тебя касаясь-неспособна приютить..-звука -смыслом,-вздоха-взглядом,-не способна обольстить-принужденностью-обеда,-терпким чаем,-накормить-согревающим застольем-рецептурой-кулича-утонченностью-дизайном-дня рожденья-сгоряча-с пылом- жаром-откровений-рождества,-с её кутьей...-как фантазия-трепещет...как клеврещет-за судьбой-спрятавшийся тенью-образ..-раньше с ним был не знаком..лишь у классиков-местами-он не находил покой-душу колкостей тревожа,-вызывая гнев -огнем-назидания- -примеров-утомляя тень...прием..-зритель-не молчи,-не хмурься,-это мысли-не мои..-я всего-то-передатчик-как -вещая-позади-вслед за ними-чувства помня-слышу их небесный фон-неуместных откровений,-неуемный перезвон- -как -вечерний звон немеет-и не только по утрам-сердце в лузу загоняя-по нечетно-четным дням-память-сверившись с часами-продолжает свой сеанс..-процедурно истязая-наш душевный декаданс... ...зритель,-не молчи,-быть может-я всего-то-пошутил..-ты же помнишь-как мой фатер-генетически-острил... ...до него-ох как далеко..-этот -Луи де Фюнес-мог заткнуть-кого угодно-свой за пояс..-я в него -местами -весь.. -...влез я братцы с вами в тему..-и не знаю как уйти,-этот лес судьбой покинув,-в шутку хоть бы..-впереди- -лишь-Булгаковские темы..-тени -окаяанных дней-неуживчивые -взгляды-неродивщихся-детей-неустойчивые души- -..-их молчание,-и -стариков-невостребованный профиль..-с дальнозоркостью -очков... ...ну чего ты нос повесил -зритель..я всего-то -конферанс...выйдет щас-солист на сцену...приготовьте свои души..их приветствует наш -ас...
Да,Полина одна из немногих пианистов, которая не боиться за свою шкуру,высказывая свое мнени. Увы,женщины у нас намного великодушнее и смелее " сильного пола" так называемого. Огромное ей за это уважение и благодарность ❤🙏🙌🧡💙💚
This is Josef Weiss version. Maybe the only one by Weiss in RUclips (anywhere?) with also the fugue, so praised be Osetinskaya. Earlier an amateur guy has played the Passacalia part: ruclips.net/video/eYMkomW9K94/видео.html
Yes indeed, she performed the Josef Weiss piano transcription. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Organ piece isn't it. Osetinskaya is always magnificent, althought quite surprisingly there are a few hiccups on the Passaglia. I was wondering if she is actually mostly sightreading it. ❤
@@iota- , sono d'accordo, è una grande pianista. Purtroppo gli errori possono capitare a chiunque. La maestosità dell' Organo rende la Passacaglia un "monumento di granito, grandiosa.
It's ok. But the P&F is actually written quite simply. This is on purpose by Bach, because he assumed it would be played on the organ, where a single key can sound 10 or more notes of varied pitches and voicing. On the organ, there can easily be 40 or 50 notes sounding at one time. So a simple transcription P&F to piano is like transcribing a work by Liszt to the banjo. It would take the transcribing genius of a Reger or Godowsky to do it, by adding real inner note structure, not just octave fill.
I HAVE ALWEAYS BEEN UNABLE TO SEPARATE THE BEAUTIFUL WOMAN , FROM THE MUSCIAN. In all fairness, you can't help but notice the exceptional skill , one that must have taken the necessary sacrifice and unending study and rehearsal, to develop
Há execucoes melhores. A pianista chega a errar notas! Falta vigor em determinados momentos. Quem está a elogiando como se ela fosse uma deusa do piano está em delírios! É uma boa pianista, mas a execucao desta peça tem muitas falhas
She began playing the piano at the age of five. She performed on stage for the first time at the age of six.At the age of eight, she performed Johann Sebastian Bach's Concerto in D minor with the Lithuanian Chamber Orchestra conducted by Saulius Sondeckis. She has performed at Vienna’s Musikverein, London’s Barbican Centre, Rome’s Teatro Argentina, as well as in Italy, Germany, Poland, The USA (Carnegie Hall, in duo recital with Maxim Vengerov), Russia and Israel. Since the beginning of the Russian invasion of Ukraine, Polina has repeatedly expressed her pacifist position, consequently her concerts in Russia were canceled by the government. On the contrary, you dedicate yourself to commenting nonsense on RUclips.
Это не то) Слишком много всех ваших пианистических эмоциональных дел.. К чему?.. Это произведение, где не нужно ни с кем соревноваться, зная оригинал и тд. ..огалтело так в гастиной, несмотря на контрасты в динамике, - такое себе.
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
Настолько великолепное исполнение, что даже далёкий от музыки человек может проникнуться её красотой и глубиной.
I really love her playing of baroque music and that of Bach. It is very moving.
A wonderfully romantic version of Bach's work.
Yes, it is fascinating what surprises can be brought out of his works
and Poline Osetinskaya did it really wonderfully!
There are some very romantic works by Bach. Every man who loves women is a romantic. There are passages in Bach that can sound like Ravel, one in one of his Triple Concerti and the second movement of the Concerto for Keyboard in F.
Você está em delírios. Há execuções muito melhores. A pianista chega a errar notas, inclusive
@@lucasf1676 To quote Beethoven. playing a wrong note is insignificant... Playing without passion is inexcusable...
The piano transcription was by Josef Weiss.
Ah, Polina *_Amadea_* Osetinskaya! The mistress of the pianoforte, beloved by God. She is the pianist _sans pareille_ - proof that God exists! I have never heard Bach played so exquisitely by anyone as she does.
Полина играет на только мозгами и пальцами, а ещё и Душой и Сердцем!!! Именно после войны, только от нее дождалась не предвзятой позиции и честного хоть небезопасного пути в России.
Дядю Гленна послушайте
Well said!!
I fully agree that nobody plays Bach better than Ms. Osetinskaya but I disagree that she is beloved by God. At least he had a blind eye when Polina was a child. Will make you cry if you know the story of her childhood.
@@Raku-MaruTo the contrary, it made her all that she is today❣️
Ich muss sagen, dass mir das Spiel von Bach, auch von bekannten Pianisten nicht so gut gefällt, aber diese Frau spielt wirklich wunderbar und sucht ihresgleichen,
auch wenn es heutzutage nicht in ist, russische Pianisten zu hören.
diese Frau auch ersagt gegen raschiste Krig !
I cannot, for the life of me, understand this comment. To me, it is the equivalent of you saying that you do not like Music. More than that, for me, it is the equivalent of you saying that you do not like the greatest composer of all time. You must be hard of hearing in some way!!
@@jktekkerz8735Ich meine damit, dass ich einige Interpretationen von Bach bekannter Pianisten nicht so gut finde, aber diese Interpretationen finde ich besonders gut
Verstanden? Vielleicht ist Ihr Übersetzer schlecht.
Thank you for the clarification. This second comment was read with some relief. The first comment is what I was responding to. It read: ‘I don’t really like the playing of Bach, even of well known pianists’. This is what I struggled to understand. The translation into English seemed to imply that you do not like ANY playing of Bach. Perhaps something was lost in translation. Now this second comment I can whole heartedly agree with. I listen to a lot of Bach. Mainly because I play mostly Bach keyboard music. There are a lot of interpretations that fall well short of the standards that anyone may reasonably expect from the performing of such sublime music. For me, Bach and his music are Supreme. Every player ought to be performing his music to an exceptionally high standard. If it is not, then, for me, it has no place in the public domain. I am all for musicians of all types experimenting and trying new techniques in performance. But spare us the trials and the many errors and just deliver us the ultimate performance. Excellence demands excellence. Excellent music requires exceptional performance. It is up to all of us to deliver that in abundance. Thank you for your response. I am very grateful for your clarification. Kind Regards, a passionate life-long student of the music of J S Bach.
Пассакалия - Баха, грандиозное и очень сложное произведение, исполнено великолепно. Полина - прекрасная пианистка.
Да, но обязательно помните, что это не оригинальное фортепианное произведение. Эта фортепианная транскрипция была сделана Йозефом Вайсом.
В ее интерпретации столько силы, какая глубокая экспрессия. Феноменальна!
There is no day without listening to her wonderful playing. Bach's Goldberg Variations she plays are another example of her talent and beauty.
J.S.Bach must be smiling. Paulina is above any praise. The most beautiful interpretation!
💙 🎶
Well, to be honest, it's quite hard to play JSB's Passacaglia alone with just two hands. In fact, the execution is not really so perfect, but. But i love the way she tried
@@francesco5957 To quote Beethoven, playing a wrong note is insignificant... Playing without passion is inexcusable...
Ich habe niemals zuvor etwas so wunderbares gehört. Es berührt mich Polinas kraftvolles und seelenvolles Spiel im tiefsten Inneren. Vom Herzen danke dafür!!!❤
Ja, aber man sollte darauf hinweisen, dass es nicht ein originales Werk für Klavier ist, was Polina Osetinskaya gespielt hat. Es was für Klavier übertragen von Josef Weiss (Josef Weiß).
Ich kann das voll ganz nachvollziehen. unglaublich Polinas Spiel.
Sie spielt keine Noten, sondern erfasst den Geist dieser Musik.
Als wenn sich der Himmel öffnet.
Bach inventó el metall y el minimalismo al mismo tiempo...do deja de asombrarnos 300 años después
Masterful interpretation by an extraordinary pianist, infinitely grateful to this monumental artist..
Bellezza assoluta. Grazie Polina! Dio è nelle tue dita
What a courage it takes to play this titanic ascent to God at the piano!
Certainly one of the better versions of this piece I have heard. She has mastered her technique and is putting it on for the world to see and listen to. For that, I am thankful. Keep up the good work and never stop. This piece of music will be forever etched in the minds as the best emotional support piece Bach wrote.
Потрясающее исполнение, спасибо огромное!!!
Ms Osetinskaya has taken the interpretaion of Bach to another level. What a superb performance, makes one rejoice to be alive to hear this. Many thanks
She has a perfect conception about this piece played in the piano! Congratulations!
Это восхитительный опыт - слушать, как вы играете Баха.
Polina, maravillosa Polina, virtuosa y extraordinaria intérprete del maestro Bach. Gracias a todos los dioses por tener una vida para disfrutar este regalo. ¡Aleluya!
Meraviglioso e YAHsome❤in-DEED 🎼🎶😇
The greatest piece ever written performed by one of my favourite pianists! Thank you! ❤
Magnificent. Thank you. 🩷
訴えかける様な響かせ方が素敵です。しびれました。
Doña Polina, feliz encuentro de la exactitud, la delicadeza, la exquisita elegancia, la belleza de ser, de saber estar y saber hacer música y modales: un gran ejemplo que a mí mismo me empuja a seguir. Muchas gracias Señora Osetinskaya. Amdiez
beautiful in and out
Beautiful, beautiful! Thank you for making this available. When listening to Bach, it makes me wonder why I would need to listen to anything else! Such clarity, poise, passion dear Ms Osetinskaya. Thank you for continuing to play for us all.
Amazing, had no idea Bach was also Rachmaninov
or Chopin.
Bach is Bach, the musician's musician.
Let's clarify, I think she's adding a romantic flair to Bach, and its not just his notes.
En dépit des grincheux, c'est là, pour moi, l'une des meilleures - sinon la meilleure - des interprétations de cette Passacaille par "notre" Polina. Meilleure même que celle qu'elle nous donna lors de son concert, pourtant si "habité", d'Omsk en octobre 21 (mais peut-être trop habité pour une passacaille). Quelle jubilation primesautière, quelle gourmandise dans la 5ième variation (mesures 41-49), quelle clarté, quelle fluidité des voix dans la fugue ! Quel talent pour faire magnifiquement sonner un piano qui, pourtant, n'est ni un Steinway, ni un Boesendorfer, non plus un Bechstein, mais un Kawai ! Comme cette transcription (Gollub?), dans cette interprétation-ci, est limpide et légère comparée aux interprétations à l'orgue de la partition originale pour orgue, dont certaines pèsent sur l'estomac comme de gros cakes trop roboratifs !
Вот оно вражденное благородство!!!! Только музыка и никаких раздеваний за роялем !! Здоровья и везения Полине!!!
Сильно...какая экспрессия!
Mesmerising. The closest a human can get to God on this earth - truly blessed. The tone of that piano is also incredible.
My thaught. It must not always be a Steinway, or a Bechstein.
oh how could I forget to mention Boesendorfer !?
@@hansjuergenkohlhaas871 of the three you mention, this Kawai is closest to the Boesendorfer I think.
@@chrislee518 I second. Most certainly.
Bravissima!!!😊
Слушая это не земное исполнение, хочется творить благие дела.
Шедевр! Прекрасное исполнение прекрасного глубокого произведения!
Божественно.
Impressive ❤
Veramente è bravissima. bwv 1052 da Polina è stata interpretata magnificamente!!!! Sente e riproduce proprio molto bene Bach.
Bach au ciel est au anges !
Wow, what a talent!!!
She is playing Bach with such ease and beauty.
I love the way she is transforming the informal setting into something really exceptional.
Wspaniala interpretacja! Nie mam slow zeby wyradzic moj zachwyt.
Magnífica obra interpretada por una magnífica artista.-Grande Polina
Scioltezza e illuminazione, continuità negli adagi e nei crescendi, un continuum mobile trascendente nell'ottimizzazione degli armonici come sbattuti dal vento, impetuoso e catartico . Sei più di un mito e superi il concetto di notorietà internazionale. Sei l'onda che tracima, superando cieli e montagne. Queste non sono solo parole ma segni di gloria della Musica bachiana. Ti seguirei tra le stelle e i cieli ultimi
vero, sento come lei, Bernardo,
ВОСХИЩАЮСЬ ВАШИМ ИСПОЛНЕНИЕМ.ПАВЕЛ2110 1975 ВАШ РОВЕСНИК МИРА ВАМ!!!
Wow!!! Seeing the casual, seemingly small scale setting of this performance I was expecting a medium-level performance but ended up seeing my new personal favorite piano-interpretation of BWV 582!!! Wonderful articulation, phrasing, speed and just overall playing!!! That's how I always imagined the perfect piano-version of Pssacaglia & Fugue in C-Moll to sound in my imagination!
嬉しいなぁ～ ポリーナさんが演奏されているピアノは、Ｋ.KAWAIですね。
パソコンの再生ではしかとは分からないけど、スタインウェイとは確かに違う。
素晴らしい演奏に違いないけど、ポリーナさんのバッハは心に響きます。最高です！
excellent playing ❤ love also the strong bass of the kawai grand.
Я очень далек от музыки, но мне так нравится как исполняет любое произведение Полина. Виват!!!
Gracias 🫂
splendid
the sotto voce in the left hand at 4:45 - incredible sense of tone ! Voice leading at 5:50 - уау (wow)
Woow wow wow, u played the piece exactly like how I imagined it, when I listened it for the first time!!❤
U just need a full orchestra, and it will be the best version ever played.
merveilleux, incroyable
Thank you, Polina, this is a marvelous interpretation! And it works wonderfully on this piano, it would not be as successful on a Steinway. Best wishes, from Canada.
Esecuzione, superba.
Bravaaaaaaaaaa
👏👏👏
Masterfully Executed! I have really never experienced this piece on piano; this is everything I could hope for thand then more! Well done!
The piano transcription was made by Josef Weiss. (Hungarian composer and super-virtuoso pianist)
Wonderful. I'd also urge Bach fans to listen to Igor Zhukov's 1966 recording of this piece (also on Yt).
Extraordinary pianist. Hope she is OK.
Piano transcription by Josef Weiss. Für Klavier übertragen von Josef Weiss. Фортепианная транскрипция венгерского композитора и пианиста Йозефа Вайса (Йозеф Вайс, Джозеф Вайс). She has recorded this transcription for her album "BAROQUE MUSIC IN AUTEUR CINEMA" on JSC Firma Melodiya label (MEL CD 1002690)
La Passacaglia di Bach è tanto bella anche eseguita al piano. Se poi chi la esegue è la Osentiskaya allora la sua bellezza viene esaltata.
Обалдеть 👌
Именно эту пассакалию редко играют почему-то на ф-но.
Ist ja auch eigentlich ein Orgel-Stück.
Lovely Artistry
amazing
It's really useful to know who transcribed the piece. Some really poetic sections. But what on earth was that ending?!
I'm sure she added that in as a kind of impromptu improvisation. There's no chance hat was written in
Perto do Divino.emocionante execuçao! Obrigada, Deus, por Bach ter existido em nossas vidas!
The piano transcription was by Josef Weiss - Weiss was the one who added that ending. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Magnífica interpretación. Así se toca un pasacalle. ¡ Bravo, Polina !
¡Viva Polina!
Beautiful! Some more information would be helpful. Who transcribed this organ repertoire for piano? Where and when was this recorded? Is that a Kawai EX? The bass is amazing.
Coul be Estonia 9 grand piano . She's been playing this instrument on other occasions. Amazing sound indeed
The label says K. Kawai.
Yes - it's a Kawai EX. K Kawai, not Shigeru. I have the GX6 and absolutely love it.
She performed the Josef Weiss piano transcription. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
fortunati i presenti...
Il continuum mobile tematico nell'intricata ragnatela sonora, scolpisce l'ardimento timbrico delle tue dita che vanno a raggiera composita tra la sinistra e la destra mano in un crescendo armonico che testimonia l'accanirsi delle note che tu plasmi con dovizia di accenti e chiarezza di tessitura. Il prodigio di sempre esalta musica e compositore all'unisono, senza soluzione di continuità: segno e simbolo in Bach che tu padroneggi in assoluta perfezione stilistica e interpretativa. Io da poeta e drammaturgo, continuo a chiederti se vuoi che di te scriva l'Elogio che si conviene alla numero uno del mondo, e se le orecchie della Argerich sentissero le mie parola non si meraviglierebbe di tanto,
Beautifully done! This would be perfect for a very grim funeral. Cheers!
turns her own pages!
2:21 3:54 5:39 7:55
Gosh this is pretty...
🥰💌💘💘💘💌💌
Никто так не играет Баха.
and another pearl of tone control at 8:00
what arrangement is this?
Чье переложение?
Фортепианная транскрипция была сделана Йозефом Вайсом.
....зритель-не молчи,-не хмурься..-паузами не части..-не кричи-душой тоскуя.. -это нонче-не в чести...
-..не сутулься-за пюпитром-видно -все-издалека,-понимаю-щас всем трудно..-всех исследует судьба..-
..всех преследует,-я вижу ,-виду лишь не подаю..-видно скоро -и рукою-не приблизившись-к огню-
-не погреть ладонь..-не скрою-как изгой к нему ползу..
-..позу разменяв на прозу-взгляд предчувствует грозу...
...зритель,-хоть бы-улыбнулся..-я же- образом держу-спектр -эмоций-изысканий-всех твоих..-весьма им дорожу..
-..доложу тебе-непросто-всеми сразу дорожить-тема чья тебя касаясь-неспособна приютить..-звука -смыслом,-вздоха-взглядом,-не способна обольстить-принужденностью-обеда,-терпким чаем,-накормить-согревающим застольем-рецептурой-кулича-утонченностью-дизайном-дня рожденья-сгоряча-с пылом- жаром-откровений-рождества,-с её кутьей...-как фантазия-трепещет...как клеврещет-за судьбой-спрятавшийся тенью-образ..-раньше с ним был не знаком..лишь у классиков-местами-он не находил покой-душу колкостей тревожа,-вызывая гнев -огнем-назидания- -примеров-утомляя тень...прием..-зритель-не молчи,-не хмурься,-это мысли-не мои..-я всего-то-передатчик-как -вещая-позади-вслед за ними-чувства помня-слышу их небесный фон-неуместных откровений,-неуемный перезвон-
-как -вечерний звон немеет-и не только по утрам-сердце в лузу загоняя-по нечетно-четным дням-память-сверившись с часами-продолжает свой сеанс..-процедурно истязая-наш душевный декаданс...
...зритель,-не молчи,-быть может-я всего-то-пошутил..-ты же помнишь-как мой фатер-генетически-острил...
...до него-ох как далеко..-этот -Луи де Фюнес-мог заткнуть-кого угодно-свой за пояс..-я в него -местами -весь..
-...влез я братцы с вами в тему..-и не знаю как уйти,-этот лес судьбой покинув,-в шутку хоть бы..-впереди-
-лишь-Булгаковские темы..-тени -окаяанных дней-неуживчивые -взгляды-неродивщихся-детей-неустойчивые души-
-..-их молчание,-и -стариков-невостребованный профиль..-с дальнозоркостью -очков...
...ну чего ты нос повесил -зритель..я всего-то -конферанс...выйдет щас-солист на сцену...приготовьте свои души..их приветствует наш -ас...
今のロシアの状況はポリーナの演奏活動に大きな影響を与えていると思うと、とても悲しい気持ちになります。今後生演奏を聴く機会はあるでしょうか？
Да,Полина одна из немногих пианистов, которая не боиться за свою шкуру,высказывая свое мнени. Увы,женщины у нас намного великодушнее и смелее " сильного пола" так называемого. Огромное ей за это уважение и благодарность ❤🙏🙌🧡💙💚
This is Josef Weiss version. Maybe the only one by Weiss in RUclips (anywhere?) with also the fugue, so praised be Osetinskaya. Earlier an amateur guy has played the Passacalia part: ruclips.net/video/eYMkomW9K94/видео.html
Yes indeed, she performed the Josef Weiss piano transcription. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Does anyone happen to know which transcription she is using?
The piano transcription was by Josef Weiss. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Organ piece isn't it. Osetinskaya is always magnificent, althought quite surprisingly there are a few hiccups on the Passaglia. I was wondering if she is actually mostly sightreading it. ❤
Bach would never have heard a piano.
Which transcription is this? Definitely not D'Albert's
The piano transcription was by Josef Weiss. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Подскажите, пожалуйста, чья это транскрипция, кто сделал переложение для фортепиано?
Фортепианная транскрипция была сделана венгерским пианистом и композитором Йозефом Вайсом.. (Йозеф Вайс, Джозеф Вайс)
Whose transcription is this? And are there any great recordings of it?
She performed the Josef Weiss piano transcription. She recorded it in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
What transcription is this please?
She performed the Josef Weiss piano transcription. She recorded it as well, in her album "Baroque Music in Auteur Cinema" by Firma Melodiya.
Al minuto 3' 42" c'è un errore: prende due note. At minute 3' 42" there is an error: he takes two notes. На минуте 3'42" ошибка: он делает две записи.
Ci sta..infatti ha uno scatto anche lei sulla sedia. Ma suona meravigliosamente lo stesso. La preferisco all'organo
@@iota- , sono d'accordo, è una grande pianista. Purtroppo gli errori possono capitare a chiunque. La maestosità dell' Organo rende la Passacaglia un "monumento di granito, grandiosa.
@@pietrorantica8470 volevo dire la preferisco (l'interpretazione di Polina!) all'organo.😎
@@iota- ho capito, scusami.
Most organists would say just leave the Bach alone for the organ for which it was written! Ok?
Busoni has entered the chat.
😊
It's ok. But the P&F is actually written quite simply. This is on purpose by Bach, because he assumed it would be played on the organ, where a single key can sound 10 or more notes of varied pitches and voicing. On the organ, there can easily be 40 or 50 notes sounding at one time. So a simple transcription P&F to piano is like transcribing a work by Liszt to the banjo. It would take the transcribing genius of a Reger or Godowsky to do it, by adding real inner note structure, not just octave fill.
faz até parecer fácil
I HAVE ALWEAYS BEEN UNABLE TO SEPARATE THE BEAUTIFUL WOMAN , FROM THE MUSCIAN. In all fairness,
you can't help but notice the exceptional skill , one that must have taken the necessary sacrifice and unending study and rehearsal, to develop
😮
Arrangement Fazil Say
Transcriptor?
drive.google.com/file/d/1x1_6XNfHY2o1qvTB0MqpLPdmlbogv3zF/view?usp=drivesdk
@@paul12345634 This link doesn't work for me
Josef Weiss.
Оригинальная интерпретация.@@Tsobanian
По звуку больше напоминает романтизм.
La trascrizione per pianoforte di Eugen d'Albert
No, la trascrizione per pianoforte di Josef Weiss.
Das ist NICHT von Bach! Aber von Bach übernommen... Bach ist weniger bombastisch, dafür aber wesentlich BESSER!
bitte mehr infos. von wem? kann man man das original hören?
Há execucoes melhores. A pianista chega a errar notas! Falta vigor em determinados momentos. Quem está a elogiando como se ela fosse uma deusa do piano está em delírios! É uma boa pianista, mas a execucao desta peça tem muitas falhas
To quote Beethoven, playing a wrong note is insignificant... Playing without passion is inexcusable...
She began playing the piano at the age of five. She performed on stage for the first time at the age of six.At the age of eight, she performed Johann Sebastian Bach's Concerto in D minor with the Lithuanian Chamber Orchestra conducted by Saulius Sondeckis. She has performed at Vienna’s Musikverein, London’s Barbican Centre, Rome’s Teatro Argentina, as well as in Italy, Germany, Poland, The USA (Carnegie Hall, in duo recital with Maxim Vengerov), Russia and Israel. Since the beginning of the Russian invasion of Ukraine, Polina has repeatedly expressed her pacifist position, consequently her concerts in Russia were canceled by the government.
On the contrary, you dedicate yourself to commenting nonsense on RUclips.
Это не то)
Слишком много всех ваших пианистических эмоциональных дел..
К чему?.. Это произведение, где не нужно ни с кем соревноваться, зная оригинал и тд.
..огалтело так в гастиной, несмотря на контрасты в динамике, - такое себе.
Кому принадлежит фортепианная транскрипция?