The Parallel Bandpass Trick The resonant bandpass filter can give you a super punchy and aggressive midrange, or a shockingly deep bass boost, depending on where you've set the cutoff. By sending one oscillator to the bandpass filter (with the resonance cranked), and the other oscillator straight to the VCA or lowpass filter, we were able to achieve some of the warmest but simultaneously aggressive basses we've ever heard. No other synth at this time (or now?) was capable of this type of processing. In fact, after using this technique extensively we read a Human League interview where they describe how discovering this bandpass filter changed their entire synth sound - pretty much the same experience we had.
Hi Anton, great work with the sounds! One question, i'm about to buy a MS-5, but I have read that there isn't arpeggiator or sequencer on this machine. Do the sample/hold faders work as the arpeggiator/sequencer? Or do you use a external seq/arp? Thanks again for the nice work!
These sound great as always. How do you get all the variations on bass sounds - are things like cutoff being controlled with each note by a sequencer, or is that just keyboard tracking?
Very usable patches indeed - lovely work. I don't have this synth but bought your patches for the Sirin. I always enjoy the drum programming on your demos - if you don't mind me asking, which drum machine do you use ? Cheers
📥 Get the soundset: antonanru.sellfy.store/p/ms-5-analog-essentials/
Great demo! Subscribed!
Welcome!
The Parallel Bandpass Trick
The resonant bandpass filter can give you a super punchy and aggressive midrange, or a shockingly deep bass boost, depending on where you've set the cutoff. By sending one oscillator to the bandpass filter (with the resonance cranked), and the other oscillator straight to the VCA or lowpass filter, we were able to achieve some of the warmest but simultaneously aggressive basses we've ever heard. No other synth at this time (or now?) was capable of this type of processing. In fact, after using this technique extensively we read a Human League interview where they describe how discovering this bandpass filter changed their entire synth sound - pretty much the same experience we had.
Thank you, Nice information
Shockingly well done demo. Big up👏
Thanks
Nice set of patches Anton (as to be expected) - the MS-5 looks like my next purchase
Thank you
@@AntonAnru Oh dear - just ordered one (price just dropped £100) - on its way.
Congrats
Finally someone makes a video showing usable synths sounds that aren’t resembling the screeching sounds of bats and cats being water tortured.
welcome to my channel)
Great work man. LD Battery reminds me of a Neptune's beat!
thank you
Hi Anton, great work with the sounds! One question, i'm about to buy a MS-5, but I have read that there isn't arpeggiator or sequencer on this machine. Do the sample/hold faders work as the arpeggiator/sequencer? Or do you use a external seq/arp? Thanks again for the nice work!
hello! yes, ms-5 doesn't have arp/seq and I use external arps or midi notes. S&H will not help with arps
These sound great as always. How do you get all the variations on bass sounds - are things like cutoff being controlled with each note by a sequencer, or is that just keyboard tracking?
i use key tracking a lot
Very nice man. Do you use preamps in the signal chain?
No, i just connected it to my audio interface line in
Very usable patches indeed - lovely work. I don't have this synth but bought your patches for the Sirin. I always enjoy the drum programming on your demos - if you don't mind me asking, which drum machine do you use ? Cheers
Thank you for the feedback. I use drum samples from splice for my demos
In my top five Behringer synths.
I guess it's in my top 5 too
You have a cat, don't you?
Yes. According to my hands