Zelenka - Beati omnes, ZWV 94

The score / sheet music to Zelenka's motet Beati omnes on Psalm 128:1, /Z. 94/.
Composed 1730 circa 1728 and required for Vespers I and II for the feast of Corpus Christi, this brief, tightly constructed through-composed setting of 101 bars is written for tenor soloist, SATB chorus, violins I and II, viola, oboes I and II, and continuo. According to Zelenka scholar Janice B. Stockigt, the writing for the tenor soloist suggests that Zelenka had the solo Italian singer of the Dresden court, Matteo Lucchini, in mind whereas the simplicity of the duet for soprano and alto to the text “Gloria Patri” hints that selected Kapellknaben might have sung these solo parts.
Score: www.baroquemus...
Performer(s):
Beati omnes, ZWV 94 · Prague Baroque Soloists · Adam Viktora · Lenka Coufalová · Pascal Bertin · Virgil Hartinger · Ensemble Inégal
Jan Dismas Zelenka: Psalmi Vespertini IIII
℗ Nibiru
Released on: 2018-01-02
Orchestra: Prague Baroque Soloists
Orchestra: Ensemble Inégal
Conductor: Adam Viktora
vocalist: Lenka Coufalová
vocalist: Pascal Bertin
vocalist: Virgil Hartinger

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Other Psalm, Magnificat, and Hymn Settings (Z. 66-120) > ruclips.net/p/PLBbL1YJd7_Wq4sFE0tQRirOplJ1VwCJy7

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[@TheOneAndOnlyZelenkaGuru]

Composed 1730 circa 1728 and required for Vespers I and II for the feast of Corpus Christi, this brief, tightly constructed through-composed setting of 101 bars is written for tenor soloist, SATB chorus, violins I and II, viola, oboes I and II, and continuo. According to Zelenka scholar Janice B. Stockigt, the writing for the tenor soloist suggests that Zelenka had the solo Italian singer of the Dresden court, Matteo Lucchini, in mind whereas the simplicity of the duet for soprano and alto to the text “Gloria Patri” hints that selected Kapellknaben might have sung these solo parts.