The n.2 by ATOS Trio is definitly marvellous... Even that is beautiful.... It Is a good thing that Chaminade is object of revival, because in her enormous production there are a lot of beautiful pieces....but in the world of music there is also a lot of snobism....so Chaminade is salon music....
Thank you. We don't often hear Chaminade's longer works. Perhaps she had more commissions for the brief ones. She can be concise and beautiful. There is a recent video on youTube of the Flute Concertino from the Royal College of Music, London. Excellent performance.
I find the first movement the most intersting, maybe the most "French" part of this piece with some really nice edgies harmonies and especially the theme introduced at 1:50 (the melody could be well written by Ravel for "Le tombeau de Couperin")
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That first movement is really stunning. Masterfully written, lovely melodies, and some harmonies that would have been quite progressive for 1881.
Cécile Chaminade - Piano Trio No. 1 in G minor, Op. 11 (1881)
I. Allegro - 0:00
II. Andante - 8:28
III. Presto - 13:20
IV. Allegro molto - 17:22
Easy to grasp, but interesting definitely. I notice that Chaminade has quite the revival. She composed a lot of works...
The n.2 by ATOS Trio is definitly marvellous... Even that is beautiful.... It Is a good thing that Chaminade is object of revival, because in her enormous production there are a lot of beautiful pieces....but in the world of music there is also a lot of snobism....so Chaminade is salon music....
Thank you. We don't often hear Chaminade's longer works. Perhaps she had more commissions for the brief ones. She can be concise and beautiful. There is a recent video on youTube of the Flute Concertino from the Royal College of Music, London. Excellent performance.
the opening of the 1st mov is so satisfying
Beautiful .. fascinating! Thankyou for posting this ..
I SECOND the MOTION! Must re-hear right now......
Thank you for sharing this well-constructed piano trio!
Obrigado.
I find the first movement the most intersting, maybe the most "French" part of this piece with some really nice edgies harmonies and especially the theme introduced at 1:50 (the melody could be well written by Ravel for "Le tombeau de Couperin")
❤
00:30 A
01:06 B
13:19
15:19 oooo
2e mvt 8:29