About Caribbean music and its influences on Brazilian cultural scene, it must be noticed that there's a reason why these rhythms tended to be popular in the North and Northeastern regions of my country: the remoteness of some regions made people buy radio sets that were able to tune short waves and this allowed for them to listen to some foreign stations from the Antilles, meaning that they had access to rhythms and artists virtually unknown for compatriots living in more developed regions that at most owned a sound system able to catch AM and FM. Depending on where in North or Northeast you were, your shortwave radio would catch a station from a given place, meaning that foreign influences varied from region to region. If you were at the state of Maranhão, for example, it was more probable that you would be able to listen to Jamaican stations, being no surprise that reggae fixed deep roots there and even people from that state dancing it as a ballroom dance, something that I don't know if happens in Jamaica. If you were at Pará, chances are that you loved to listen to merengue and, in this case, a local rhythm even was heavily influenced by the beats coming overseas: the local brega, that has also influences from the first year of rock and roll and is something very loved by the inhabitants of that part of Northern region. If you were at Pernambuco, probably you have listened to a lot of salsa and this was the foreign rhythm of preference there, to a point that there are some clubs in Recife specialized in this kind of music, so ingrained it became there. Also from Pará came the lambada that took from assault the world in early 1990s. After being born in Pará, this rhythm also caught a lot in Bahia, that served as launch pad for the rest of the world, as this state is a destination for more tourists than Pará. The success of lambada in Bahia also allowed for it to spread across the rest of Brazil and specially in the Southeastern region (states of São Paulo, Rio de Janeiro, Minas Gerais and Espírito Santo). As the lambada fad passed, lots of people that knew how to dance it but didn't have any new lambada song to continue the instantly formed ballroom dance scene were saved by another rhythm from Caribbean: the zouk, typical from the French island of Martinica and Guadeloupe, that had an almost similar tempo and could be danced with little adaptations (mainly changing the shake from the legs to the hips and dancing in a three-step progression). The Lambar, a club in São Paulo's south side, was one of the places where the zouk as a dance born and the name of the stablishment clearly says what was playing originally there. As the three-step progression can be found in songs that have nothing Caribbean in them, suddenly other rhythms were also danced in the same way that zouk was danced, to a point that if you say "zouk" to a Brazilian fan of ballroom dance, you have to specify if you are talking about the French Caribbean rhythm or the dance created by Brazilians that resembles a bit the lambada.
Wow! What a background story 🤩 wild to think that whole dance scenes and tastes came by way of what your radio could simply pick up. Thanks for sharing 🇧🇷🌎 📻❤
@@sleepdestroyer27 Here in Brazil even today we have cultural effects of what the radio broadcasted in places that weren't supposed to have that liaison. An example of this is why there are so many Flamengo's supporters in places very far from Rio de Janeiro, the city where this soccer team is headquarted. We see Flamengo's supporters in good quantities in North and Northeastern regions. The reason for this is the fact that Rádio Nacional (an important cultural mark on our history due to be the first station that reached the entire Brazilian territory with its AM waves) broadcasted live soccer matches mainly from Rio and these tunes could be catched very far away from our former capital city, meaning that remote regions suddenly became interested in its teams (other than Flamengo, there are Fluminense, Botafogo and Vasco da Gama that also have fanbases far from Rio).
@@sleepdestroyer27 There's a massive Reggae scene in Maranhão cos of the radio too, I have sent many UK lovers records over to collectors there. Check out Reggae Maranhense if you wanna check stuff out, they dance in couples which is really cool!
This time all songs were identified and this was one of the easiest to find the songs, despite how obscure they are. Follows below Daniel Cantagalo's setlist with timestamps: 1) 0:10 "Eu Quero Mais" (Banda Warilou); 2) 3:59 "Woman" (Borba de Paula); 3) 6:56 "Vamos Fazer Tchi Tchi" (Marcinho); 4) 9:09 "Lambando com Você" (Tininha); 5) 12:38 "Onda e Magia" (Osvaldo Lemos); 6) 15:12 "Dance e Balance" (Márcia Rodrigues); 7) 18:19 "Mistura de Ritmo" (Ronnier); 8) 21:20 "A Saudade Não Mata" (Tato Júnior); 9) 24:41 ""Você Arrasou (Bosco Chaves); 10) 27:32 "Coração de Vidro" (Tony Nunes); 11) 29:44 "Lamborregue" (Dennis Jr.); 12) 33:28 "Como Dançar o Baião" (Jorge Miranda); 13) 35:%2 "A Dança do Mel" (Evandro Cordeiro); 14) 39:27 "Dançando Rumba" (Éden Moura).
Tenho uma pergunta André: what about the resemblance between Salsa, cumbia y Carimbo ? where is the link ? i've always wondered about that... Why are Dona Onete, Celia Cruz and Totó la Momposina so and similar ? They're like triplets !!! they sing the same kind of music in their respective countries... help me understand it
@@lindasoares7123 Carimbó precedes the existence of radio, as there are registries of it in the 19th century in its state of origin (Pará). A possibility about the resemblances with Caribbean rhythms are probably due to African influence, specially considering the percussive elements. Despite this, Pará itself isn't a specially Africanized state of Brazil, being Bahia the most one on this case. We must also consider that all Western music tends to follow some tempo patterns that are spread around the part of the world where we live, meaning that two different rhythms can resemble each other despite being separated by huge distances and coming from different cultures. When reggae started being known by Brazilians (the first artist to make a concert here is Jimmy Cliff, in 1969), some people joked saying that it was a badly played xote (the slowest tempo of the beat that also originates the forró, more or less like a ska is the intermediate tempo of the reggae beat pattern and the fastest one is the punk rock). The resemblances between forró and reggae also made some artists create what we call forreggae, in which the beat of the zabumba is combined to the way a bass is played on the Jamaican way, as can be seen on some examples below: ruclips.net/video/kjaIEDXZcY0/видео.html ruclips.net/video/ZA1I4M5YvMo/видео.html See that due to this Western tempo pattern that all songs played in this part of the world, some unusual combinations can surge, like Forró de Ka (a forró band formed by Brazilians expatriated in Germany) making a version of Foo Fighters' "Times Like These": ruclips.net/video/ODFGutS-mXA/видео.html Not that we as Brazilians would strange that much, considering that Raça Negra, the most iconic pagode band from the 1990s, made covers of songs that were originally rock ballads from the most prolific epoch of our rock scene (the 1980s): ruclips.net/video/aALA4zGHsoc/видео.html ruclips.net/video/ZWYr-LA4I4w/видео.html Again, that Western song tempo pattern allowing some very different cover versions.
you are great !!! this set is nomber 1-ever!
Thanks!
Daniel Cantagalo is a Brazilian icon of music research. It’s so great for us, Brazilian DJs, see his work recognized here at MAJ.
Does he travel to DJ? Because id love to try and get him to perform in CT in the US.
@djjjbz no MAJ quando???
@@oedubarato Looking forward for an opportunity!
Thanks, bro!
@@TheCrimsonCat89 Yes, amigo. I can do
About Caribbean music and its influences on Brazilian cultural scene, it must be noticed that there's a reason why these rhythms tended to be popular in the North and Northeastern regions of my country: the remoteness of some regions made people buy radio sets that were able to tune short waves and this allowed for them to listen to some foreign stations from the Antilles, meaning that they had access to rhythms and artists virtually unknown for compatriots living in more developed regions that at most owned a sound system able to catch AM and FM.
Depending on where in North or Northeast you were, your shortwave radio would catch a station from a given place, meaning that foreign influences varied from region to region. If you were at the state of Maranhão, for example, it was more probable that you would be able to listen to Jamaican stations, being no surprise that reggae fixed deep roots there and even people from that state dancing it as a ballroom dance, something that I don't know if happens in Jamaica. If you were at Pará, chances are that you loved to listen to merengue and, in this case, a local rhythm even was heavily influenced by the beats coming overseas: the local brega, that has also influences from the first year of rock and roll and is something very loved by the inhabitants of that part of Northern region. If you were at Pernambuco, probably you have listened to a lot of salsa and this was the foreign rhythm of preference there, to a point that there are some clubs in Recife specialized in this kind of music, so ingrained it became there.
Also from Pará came the lambada that took from assault the world in early 1990s. After being born in Pará, this rhythm also caught a lot in Bahia, that served as launch pad for the rest of the world, as this state is a destination for more tourists than Pará. The success of lambada in Bahia also allowed for it to spread across the rest of Brazil and specially in the Southeastern region (states of São Paulo, Rio de Janeiro, Minas Gerais and Espírito Santo).
As the lambada fad passed, lots of people that knew how to dance it but didn't have any new lambada song to continue the instantly formed ballroom dance scene were saved by another rhythm from Caribbean: the zouk, typical from the French island of Martinica and Guadeloupe, that had an almost similar tempo and could be danced with little adaptations (mainly changing the shake from the legs to the hips and dancing in a three-step progression). The Lambar, a club in São Paulo's south side, was one of the places where the zouk as a dance born and the name of the stablishment clearly says what was playing originally there. As the three-step progression can be found in songs that have nothing Caribbean in them, suddenly other rhythms were also danced in the same way that zouk was danced, to a point that if you say "zouk" to a Brazilian fan of ballroom dance, you have to specify if you are talking about the French Caribbean rhythm or the dance created by Brazilians that resembles a bit the lambada.
Wow! What a background story 🤩 wild to think that whole dance scenes and tastes came by way of what your radio could simply pick up. Thanks for sharing
🇧🇷🌎 📻❤
@@sleepdestroyer27 Here in Brazil even today we have cultural effects of what the radio broadcasted in places that weren't supposed to have that liaison. An example of this is why there are so many Flamengo's supporters in places very far from Rio de Janeiro, the city where this soccer team is headquarted.
We see Flamengo's supporters in good quantities in North and Northeastern regions. The reason for this is the fact that Rádio Nacional (an important cultural mark on our history due to be the first station that reached the entire Brazilian territory with its AM waves) broadcasted live soccer matches mainly from Rio and these tunes could be catched very far away from our former capital city, meaning that remote regions suddenly became interested in its teams (other than Flamengo, there are Fluminense, Botafogo and Vasco da Gama that also have fanbases far from Rio).
@@Andrepaulistano_ When is your book about Brazilian radio geographic notes coming out? 😸 This is so cool to learn about!
@@sleepdestroyer27 There's a massive Reggae scene in Maranhão cos of the radio too, I have sent many UK lovers records over to collectors there. Check out Reggae Maranhense if you wanna check stuff out, they dance in couples which is really cool!
This time all songs were identified and this was one of the easiest to find the songs, despite how obscure they are. Follows below Daniel Cantagalo's setlist with timestamps:
1) 0:10 "Eu Quero Mais" (Banda Warilou);
2) 3:59 "Woman" (Borba de Paula);
3) 6:56 "Vamos Fazer Tchi Tchi" (Marcinho);
4) 9:09 "Lambando com Você" (Tininha);
5) 12:38 "Onda e Magia" (Osvaldo Lemos);
6) 15:12 "Dance e Balance" (Márcia Rodrigues);
7) 18:19 "Mistura de Ritmo" (Ronnier);
8) 21:20 "A Saudade Não Mata" (Tato Júnior);
9) 24:41 ""Você Arrasou (Bosco Chaves);
10) 27:32 "Coração de Vidro" (Tony Nunes);
11) 29:44 "Lamborregue" (Dennis Jr.);
12) 33:28 "Como Dançar o Baião" (Jorge Miranda);
13) 35:%2 "A Dança do Mel" (Evandro Cordeiro);
14) 39:27 "Dançando Rumba" (Éden Moura).
André, vc é f0d4!!!!!
Tenho uma pergunta André: what about the resemblance between Salsa, cumbia y Carimbo ? where is the link ? i've always wondered about that... Why are Dona Onete, Celia Cruz and Totó la Momposina
so and similar ? They're like triplets !!! they sing the same kind of music in their respective countries... help me understand it
@@lindasoares7123 Carimbó precedes the existence of radio, as there are registries of it in the 19th century in its state of origin (Pará). A possibility about the resemblances with Caribbean rhythms are probably due to African influence, specially considering the percussive elements. Despite this, Pará itself isn't a specially Africanized state of Brazil, being Bahia the most one on this case.
We must also consider that all Western music tends to follow some tempo patterns that are spread around the part of the world where we live, meaning that two different rhythms can resemble each other despite being separated by huge distances and coming from different cultures. When reggae started being known by Brazilians (the first artist to make a concert here is Jimmy Cliff, in 1969), some people joked saying that it was a badly played xote (the slowest tempo of the beat that also originates the forró, more or less like a ska is the intermediate tempo of the reggae beat pattern and the fastest one is the punk rock). The resemblances between forró and reggae also made some artists create what we call forreggae, in which the beat of the zabumba is combined to the way a bass is played on the Jamaican way, as can be seen on some examples below:
ruclips.net/video/kjaIEDXZcY0/видео.html
ruclips.net/video/ZA1I4M5YvMo/видео.html
See that due to this Western tempo pattern that all songs played in this part of the world, some unusual combinations can surge, like Forró de Ka (a forró band formed by Brazilians expatriated in Germany) making a version of Foo Fighters' "Times Like These":
ruclips.net/video/ODFGutS-mXA/видео.html
Not that we as Brazilians would strange that much, considering that Raça Negra, the most iconic pagode band from the 1990s, made covers of songs that were originally rock ballads from the most prolific epoch of our rock scene (the 1980s):
ruclips.net/video/aALA4zGHsoc/видео.html
ruclips.net/video/ZWYr-LA4I4w/видео.html
Again, that Western song tempo pattern allowing some very different cover versions.
Great selection! Nobody knows more about Brazilian music than Daniel. Amazing!
Thanks, bro!!
Bom demais Daniel! Botou quente! Viva a musica nordestina caribenha!
Valeu mano!
This was great! Non-stop dancing!
maravilhoso! viva a musica brasileiraaa
Orgulho do Brasil 💫💫💫💫
Obrigado, amiga
foda daniel !!!!
valeu mano
What a selection!! we are waiting for the tracklist!! 🇧🇷❤
The tracklist can be seen in this comment: ruclips.net/video/NwGWWjeUyCE/видео.html&lc=UgyjCVh0Wv2MGtkXwod4AaABAg
@@Andrepaulistano_thank you!!!!🎉🎉🎉
Well we all know that first song 😂
Пушка!
Muito bom!
Parabéns
14:39 no malabarismo da lambada , aí simmm❤❤❤❤
ma sei bellissimo🤩😘😍🥰
Foda! ❤
❤❤❤❤❤
Save me from AI music influx!
Such great music, can anyone pls help me out with 11:05 well appreciated 🫶
What's the song at 7min.?
Hi
Is there enybody that go a trak list
🇩🇰👋
The complete tracklist can be found on the following comment: ruclips.net/video/NwGWWjeUyCE/видео.html&lc=UgyjCVh0Wv2MGtkXwod4AaABAg