Alessandro Carbonare Clarinet Trio - Divertimento Primo KV 439b Wolfgang Amadeus Mozart -
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- Опубликовано: 14 окт 2024
- ROMA
Divertimento Primo Wolfgang Amadeus Mozart KV 439b
Ed. Barenreiter
Many thanks to "Associazione Musicale Sibemolle"
Alessandro Carbonare: Basset Horn
Perla Cormani: Basset Horn
Luca Cipriano: Basset Horn
Alessandro Carbonare Clarinet Trio play Vandoren reeds and mouthpieces (B40 with V•12 reeds)
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Siete magnifici
Eccellente esecuzione
Bravissimi❤
This the very first time I have heard basset horns , what a beautiful sound . Perfect understanding between the three of you made this a very enjoyable performance. Thank you and best wishes.
Bravi tutti
som maravilhoso parabéns
Já escutei muito esse trio de Mozart, mas essa interpretação está brilhante, especialmente na dinâmica, no pianíssimo, e na defasagem sonora de uma finalização (execução da nota).
👏🏽👏🏽👏🏽👏🏽❤💐💐💐💐💐
👏🏽👏🏽👏🏽
Interesting how the basset horns on the left and centre have some sort of mechanism attached to the throat A key, while the basset horn on the right does not, despite all three being Buffet Prestige basset horns.
Bravo to you guys from Haifa, Israel. You sound great! I'm curious, could you give a little information on the instruments you are playing? Also, was the original written for three basset horns or two clarinets and one basset horn?
3 basset horns
The Basset Horn is a member of the clarinet family (if that wasn't obvious) that exists between the regular "soprano" clarinets and the bass clarinet, like the alto clarinet (and you wouldn't be totally wrong in referring to it as one). It's pitched in F, and instead of the normal written low E or E-flat that clarinets generally go down to, it goes down to a low C like modern bass clarinets. It's an instrument that predates the bass and alto clarinets, and was a favorite of Mozart's.
And yes, this piece was specifically written for 3 basset horns. Mozart loved the instrument so much that he wrote fairly extensively for it, having written a bunch of chamber music pieces for multiple basset horns, and had two basset horns as primary members of the wind sections of his Grand Partita and Requiem. His clarinet concerto was also originally written for basset horn and was pitched in G, but he changed it later to be for the basset clarinet in A (which basically just a normal clarinet in A that extends down to a low C; an instrument commissioned by Anton Stadler, Mozart's clarinet virtuoso friend for whom most of the repertoire is written).