András Schiff plays Bach - Italian Concerto BWV 971, Capriccio BWV 992, French Suite BWV 816
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- Опубликовано: 26 сен 2024
- András Schiff plays some of the most representative Bach's work demonstrating the many varied facets of the composer's fertile imagination.
András Schiff - Piano
Johann Sebastian Bach - Italian Concerto, BWV 971
0:29 Allegro
4:26 Andante
9:07 Presto
Johann Sebastian Bach - Capriccio in B-flat major, BWV 992
12:49 Arioso: Adagio
14:35 (Andante)
16:03 Adagissimo
19:24 Aria di Postiglione
21:17 Fuga all'imitazione della cornetta di Postiglione
Johann Sebastian Bach - French Suite No. 5 in G major, BWV 816
23:48 Allemande
26:33 Courante
28:08 Sarabande
32:28 Gavotte
33:46 Bourrée
34:56 Loure
36:59 Gigue
Johann Sebastian Bach - Chromatic Fantasia and Fugue in D minor, BWV 903
40:47 Fantasia
47:43 Fugue
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Deep pathos is constrasted with witty humour, serenity is paired with fleetness of foot, and all these emotions prove that this brilliantly expressive musician is as "unique and unequalled" today as he was when his first briographer, J.N. Forkel, wrote so eloquently about him more than two centuries ago. These performances exemplify perfectly the thoughful and persuasive approach that András Schiff adopts when playing Bach.
He used pedal in Bach and came around using it now. Mid life crisis is probably over now thank god
Classical music is often referred to as the universal language, and for good reason. Its emotive power transcends linguistic and cultural barriers, communicating directly with the human spirit. Whether you're in a concert hall in Vienna, a living room in Tokyo, or a cafe in New York, the language of classical music speaks to people from all walks of life, fostering a sense of unity and shared human experience.
Bach was an inventor, he was open minded and did welcome any improvements on musical instruments and new inventions. I am sure he would adore the Grand. Schiff gives us his outmost personal interpretation - in the moment, he nows the music, it's in his heart and soul, he doesn't need to read it. Bach lives.
Realy!!!
Magnificent performance! Schiff shapes every phrase with subtlety and expressiveness, bringing out the depth and richness of this glorious piece.
Credo che Schiff sia uno dei migliori interpreti di Bach per la chiarezza, l'eleganza e la misura del fraseggio e del tocco. Ineffabile.
Proprio così
Per me lui ha spiegato delle sonate di Beethoven molto semplice e intuitivo ma con senso chiaro
Ha aperto la porta
Semplice! Quests è the word.
Es maravilloso escuchar al joven Andras Schiff. Impresionante cómo ya se manifestaba su excepcional talento interpretativo
I had kind of a bad day today. All better now!!
4⁴
Fantastic performance of the beautiful Adagissimo starting at 16:05. This is pure Bach magic, similar to the Dreistimmige Sinfonie in f minor BWV 795
Perfect, well paced, lyrical and soft. How on earth could Bach “hear” this?
Maybe it wasn't on Earth.
Amo demais esse pianista!
Thank you Sir Andràs Schiff!
Hmmm... I distinctly remember an interview with a (much older) Andras Schiff who said, unequivocally, that he NEVER uses pedal when playing Bach 0:38.
Of course, being the Master, he can do what he wants. His interpretations are absolutely brilliant, and I honestly cannot understand how everything is live, everything is memorized, everything is played beautifully and I don't think he's ever made an error.
He said that stopped using the pedal on bach at certain time.
Been a big fan of Bach's music for a very long time, and this one has to be one of my favourites. He was a blessed person in a formidable sense. Thank you!
Hermosa interpretacion lo admiro muchisimo.
Mesmerising. Such beauty defies speech.
un tempo de merveille,une rectitude absolue,admiration complète
Wonderful. The greatest pianist since Claudio Arrau, with a similar breadth of repertoire.
I also Love bouth
I liked this performance
Belíssimo.
Величайший талант, покоряющий людских сердец. Оно пропитано, многолетними трудами настойчивости, и любви к совершенствование к прекрасному из прекрасных пожелание в мире.
So beautiful
Simply magic
Beautiful.
pelodelperro 進
I have heard a more recent version yesterday. The context of hall is different, in both cases. I like both versions very much, but I think I prefer this one too. I think this one is more fluid. But it can be caused by the fact that the other hall was having much more of echoe. The problem with that, is that you have to play more lightly for the people in the hall, but the microphones are placed nearer then the public.
Back when Schiff used pedal in Bach
Yes that's right but if you couldn't see it you 'd hardly notice.
@@ΑπστολίαΧατζησαρόγλου Indeed. He's a master.
And in more recent recordings of the Italian Concerto, I've seen he uses his rh to play the repeated Ds in the opening of the 2nd mvt, whereas here he just pedalled a little and used just lh
He’s using pedal now albeit sparingly. Probably his midlife crisis is over
Superb.
FUGUE 47:43 : GRANDIOSE, INSURPASSABLE !
i just listened to this in Ernen! omg
Genius
Apreciez foarte mult acest canal.
Belíssima
Grande musica pura armoniosa interessante da ascoltare quando si vuole ascoltare in uno stato condizioni di pieno rilassamento concentrazione distensione della mente umana
Darling Andras Schiffer como você é expressivo .
Я открыла для себя Андраша Шиффа!Потрясающий,глубокий,умный…
16:05 3. Adagissimo - Ist ein allgemeines Lamento der Freunde
so beautiful
1:15 magical moment
Click "Show More" to see the wonderful fourth work Schiff played.
Bach's music helps me to fell better.Thanks for sharing.
Gould and Schiff do marvelous performances, Schiff preferring the faster style o& performance, both pianists showing great precision..... and then there is Lang Lang, who prefers a sloppy, stylized, unpredictable and inconsistent version of his own. It’s a pity this fabulously gifted pianist can’t maintain the disciplined concentration necessary to play Bach properly, although he seems to be getting steadily better as time goes on. However, for all we know, Bach might have enjoyed the looser style if he had been able to hear the miraculous sound of a modern piano. One can romanticize about the instruments of the past but if a non-Earthling were to be presented with a clavichord, a harpsichord, a 19th century piano and a modern concert piano, there’s surely no discussion about which would have won the choice.
Sehr gut gespielt Bravissimo .¨!!!!!!!
Of course I meant in the first movement...yump dah, da da da da da da da da da da, In Dir ist Freude...gosh
Compare the theme of the third movement to the Chorale Prelude in the Orgelbuchlein (BWV 615): 'In Dir ist Freude - In Thee is Joy.' I suspect there may be a little more of a spiritual underpinning to this "Italian" concerto.
Amused by the little comments of people that harshly , and anonymously criticizes a giant of music like András Schiff, as if they have the moral, musical, pianistic and intelectual stature to do so.
I am sorry. But you are a huge tool.
Sergio Valenzuela : Very well said. Wish I had said it! Needed saying.
das stück ist schwer zu spielen,Bach ist nicht einfach.Bravissimo
.me salvó de una pesadilla en medio de la noche
imp no one writes better for left hand than Bach
Where can I get that huge Clavierwerke book from the beginning?
👏🥰🌹
Exquisitely played - they might have given him a tuned piano to play on though...
It's the upload. I have the DVD and the piano sounds fine.
Bach 🇩🇪🇩🇪🇩🇪
This capriccio is wonderful
Is it originally written for piano (keyboard) ?
Clave
The title is absolutely mistaken.
Thank you for your comment. We corrected the mistake and changed the title. Enjoy the performances!
By the way, the last piece is the Cromatic Fantasy and Fugue BWV 903.
Yes, we know. It's in the description. It just don't fits all in the title field.
Agreed
0:28〜
Gaeb's den Andras Schiff nicht waer's Pflicht Ihn zu erfinden !!
🤣🤣🤣
Glenn Gould
To those who disliked this video, I pity you.
Noch sehr jung.
He's using pedal .....I thought he was very anti with Bach ....I suppose it softens the sound
He is using so much pedal here.
It's for compensating for the lack of echoe in his hall. I do the same when necessary.
Anne-Marie Dubois no, he just preferred to use pedal at this point in his Bach interpretation
ali abrahimi
If Bach had a sustain pedal you know darn well he would would have used it. I truly believe these composers were writing keyboard works thinking in orchestral terms
De la délicatesse
I find Schiff too delicate and pretty.There should, in my opinion, be really loud joyous moments...an elevator music version of Bach, nothing more...perhaps his style would be more suitable to Schubert walzes
Modesmente io l' andante lo suono meglio!!!! Molto più espressivo per il resto non ho questa velocità ma mi va bene lo stesso
Superb! Especially in the Chromatic Fantasy and Fugue, which is not even mentioned in the title!!
Andras!! With all that brown hair!! (6.29.20)
Woow desconocia esta version de Schiff joven, la ejecucion es infinitamente mejor a la grabacion que haría décadas después y que se encuentra también aquí en youtube. Es mas fresco, brillante y sin tantas libertades, una verdadera joya.
This is why he is a genius
This is the first I have seen a video of a younger Schiff. I knew still photos of the young man and I know videos of the mature pianist. I have never been able to reconcile the two versions. Finally seeing a video of the younger artist I can immediately see it: the facial expressions are unmistakable.
I always find that young Schiff is the better version. The older he gets, his mannerism becomes saccharine, his playing becomes more self-indulgent (comparing his first and more recent WTC), prioritizing himself & ego in front of the music (check his Goldberg in Albert Hall. Appaling rhythm swings), and his total denouncement of the pedals (however minimal) for Bach is unwise (Here, he's using plenty enough.)
Человек, - как времена года; то, - теплее, то, - хладнокровна, то, - рассветает, а, то, - таинственно, и скрытно. Самое главное в сердце любовь к преображение - наилучшему в светлых лучах души.
He is just as indulgent here imo. He is too obsessed with his own articulations. I listen to Schiff for interesting articulations but I go somewhere else when I want to be immersed in the music. He has no understanding of how to develop energy at all. He disperses energy too much with his articulation choices (which are wonderful in many places but unnecessary in others) and the impression is the music never moves horizontally or reaches sufficient climax.
remsan03 fine, but Bach had no sustain pedal. So, his denouncement of the pedal is not unwise.
Daniel Wilkins false equivalency. Vaccines and airplanes are nothing like keyboard instruments and the need for them is totally different. Bach would likely not have used pedal for his music as the musical styles of the time necessitated it.
@@youre100right3 You're not necessarily right.