Wow. That additional engineering is really great. It supports the clarity of the musical intentions of the arranger and the musicians. For sure, the changes are audible! Here I pick three favorite examples to compare before and after „mastering“: A) Lucy Woodward's intense phrasing in „You might think“ now jumps out into your face. Before: ruclips.net/video/r_VQ1YAqFPA/видео.html After: 32:00 B) Martin Scales' solo in „Spoonful“ is now perfectly centered and connected with the rest of the band: Before: ruclips.net/video/r_VQ1YAqFPA/видео.html After: 27:02 C) Hans Glawischnig’s double bass and the bass clarinet now march balanced together. And the bass flute of Rainer Heute is more intense, too. Before: ruclips.net/video/r_VQ1YAqFPA/видео.html After: 54:29 Keep it goin'.
I simply LOVE this woman
Beautiful arrangements! Mr McNeely is brilliant at what he does, this is the second concert I watch and him being a conductor 👏🏾🔥
Х00х0
My sony wh-1000xm4 and me are very happy with his recording! Thanks!
Wow. That additional engineering is really great.
It supports the clarity of the musical intentions of the arranger and the musicians.
For sure, the changes are audible!
Here I pick three favorite examples to compare before and after „mastering“:
A) Lucy Woodward's intense phrasing in „You might think“ now jumps out into your face.
Before: ruclips.net/video/r_VQ1YAqFPA/видео.html
After: 32:00
B) Martin Scales' solo in „Spoonful“ is now perfectly centered and connected with the rest of the band:
Before: ruclips.net/video/r_VQ1YAqFPA/видео.html
After: 27:02
C) Hans Glawischnig’s double bass and the bass clarinet now march balanced together.
And the bass flute of Rainer Heute is more intense, too.
Before: ruclips.net/video/r_VQ1YAqFPA/видео.html
After: 54:29
Keep it goin'.
Thanks for the details Gido! Wonderful to have the direct links from you...
Excellent