Part 3 - Working with Variable Tempos, starting at 4:54 is an indispensable technique in Digital Performer. I've used it often for remastering live performances and adding extra instruments and parts.
Hi David and thank you to help people ! What do you think of this technique ? Suppose many tracks like a symphonic orchestra. I quantize everything... and yes it is NOT beautiful at all. But when everything is well balanced, I use the conductor track, put the Mac as a slave and I conduct the whole piece. For me the result is amazing because you really are the conductor and the tempo is the same as if you were conducting a real orchestra. The problem of quantizing disappears and I live to work this way but of course only with a classical orchestra. This technique is not so easy at the beginning but after a while it's ok. You need at least 4 bars before the music starts so that you can feel the tempo. Do you use this techniqe sometimes ?
Crazy this didn't work for me at all just using a simple drum track recorded around 119 bpm.I followed step by step... The track kept sliding to the right the average bpm slowed down to 35...when I started at 120 3/4...
You showed what I needed to do within 30 seconds into the video. Thanks.
Expertly explained! Thank you!
Thank you very much for the excellent demonstrations!
Part 3 - Working with Variable Tempos, starting at 4:54 is an indispensable technique in Digital Performer. I've used it often for remastering live performances and adding extra instruments and parts.
My updated version of DP doesn't have convert to sequence temp now in the Automatic conversion window..
Hi David and thank you to help people !
What do you think of this technique ?
Suppose many tracks like a symphonic orchestra.
I quantize everything... and yes it is NOT beautiful at all.
But when everything is well balanced, I use the conductor track, put the Mac as a slave and I conduct the whole piece.
For me the result is amazing because you really are the conductor and the tempo is the same as if you were conducting a real orchestra. The problem of quantizing disappears and I live to work this way but of course only with a classical orchestra.
This technique is not so easy at the beginning but after a while it's ok. You need at least 4 bars before the music starts so that you can feel the tempo.
Do you use this techniqe sometimes ?
I discovered this Tip; many thanks
Crazy this didn't work for me at all just using a simple drum track recorded around 119 bpm.I followed step by step... The track kept sliding to the right the average bpm slowed down to 35...when I started at 120 3/4...