It's hard being in a band with awesome musicians like John and Keith. Then you have a great songwriter and part time singer and underrated guitarist with Pete. Lots of others screaming for attention. Sometimes history just isn't fair.
THIS could be Ricks greatest air performance ever!...air timpani's, air drums, air Pete Townsend swoop guitar, and last but not least- air vocals!!!...fantastic!!!
I remember finding it strange when i was a kid and would get in the car to see not all families sing to songs on the radio and air-play various instruments.
I think its fair to say that Townshend wrote the song in Daltrey's wheelhouse & that is probably an overlooked aspect of Townshends compositional abilities- he made his bandmates sound the best they ever could... he'd probably call that a bargain I know I would!
I've read that when Pete was looking to start a band, he wanted to find a singer that sounded like himself to voice his musical ideas, and then he met Daltrey!
@@Jekylnhyde55 NOPE Daltry was the one that started the band & Pete joined because he was afraid if he didn't Roger would beat him up... I don't think at that point in time Pete considered himself the leader of anything- that of course would very quickly change... see look on Daltry's face during very early live recording where Moon destroys his drum kit... throughout the whole thing you can see he is totally pissed like what kind of nonsense is this... it was not long before Townshend's compositional genius required him to be the band leader... and also not too long before Daltry could no longer intimidate Entwhistle
@@MrAdamNTProtester Not to mention how Roger was nearly kicked out of the band after their first album. He had a penchant for settling disputes with his fists at the time, which his bandmates didn't find endearing.
I've always thought that this was THE most magnificent rock and roll song of all time. Hard to hear without tears streaming down my face. Beauty, rage and elegance, all magically woven together in a way that leaves me breathless.
Pete Townshend originally intended to sing lead vocals for "Love, Reign o'er Me", because it's subtitled "Pete's Theme" and he wanted the vocal delivery to be a plaintive whimper. It made sense at first--this song marks the end of "Quadrophenia", where the main character, Jimmy the mod, is drunk, strung-out, and stranded on a rock in the middle of the ocean. He's depressed and disillusioned with his mod lifestyle, and on the verge of death. He's sitting in the rain with his life flashing before his eyes, and he does something he's never done before--he prays. When Roger Daltrey wanted to sing lead vocals instead, Pete was skeptical. But when Roger came through with this towering vocal performance, Pete finally understood. It was sung from Jimmy's INTERNAL voice!
I’ve gotten into legitimate fights over entwistle as a bassist. There are very few non-musicians who recognize his pioneering work on the bass and Im one of them. I’ve talked with a lot of musicians who’ve said that entwistle is the greatest bassist of all time. Honestly I think that entwistle was great because he got to play off Keith Moon.
Old "THUNDER FINGERS"... His widow brought John's sterling silver Sony Walkman (1979) into Rick Harrson's pawn shop (Pawn Stars) on one episode, and I believe that's where I heard her mention the nickname - or at least that he was known to break strings on his guitars being so thorough! When I picked up a bass I wanted to "fly" like John : )
Gotta throw out a mention of the greatness of the lyrics while we're at it. The double meaning of reign and rain, then comparing love to rain that's soothing, and then rain to tears. Magnificent poetry. This song really is a masterpiece on all levels. It's hard to believe that Pete Townsend could write this, and that there exist four musicians who could do it justice.
The Who was truly a miracle of a band. The fact that 4 men who were so volatile and individualistic could somehow keep it together for 15 years up until Keith Moon's death is unreal. On stage, they almost played against each other more than they played together, yet they were all such gifted and unique talents that it worked. Of course, none of that would matter if the songs weren't great, and thankfully Pete Townshend was more than up to the task in that regard.
that's in my opinion one of the reasons for the longevity of the music, and for Pete and Roger professionally: rock music with lyrics that go deep, high, and wide!
Carlo Von Sexron Who’s Next has some of their best songs, but I personally think it’s a bit weak on the back end. Tommy and Quadrophenia are stronger imo just because they are finished, fully realized projects.
I was moved by this post! We used Love Rain O'er Me as the recessional for my son's memorial service. He was a huge fan and considered Quadrophenia to be the Who's greatest album.
Sorry for your loss Erik. This may sound strange, but I’m a bit jealous because I’m not sure my dad would have a clue what my favorite band or song was. Anyway, that was very cool of you. Hope you find peace.
By far my favourite album from them. The 2011 deluxe edition that includes more Pete demos from that period has some great material that never made the album.
For me it is far superior to Tommy, which unfortunately took a lot of the spotlight away from Quadrophenia. 1973 was THE greatest year for rock albums - it was a very crowded field that year, and maybe Quadrophenia didn't get the attention it deserved.
I had a music teacher in high school who was an amazing jazz pianist. One day I came to school with my "Best of the who" song book. He saw me looking through it, and grabbed it from me. He went over to the piano, and within 20 seconds he said, "This guy uses alot of suspended chords doesn't he". Rick saying that brought me back to that moment. Thanks Rick!
Exactly how many times Is Rick going to introduce us to a song we've heard a million times and you listen as if it's the first, Mr Beato cannot be praised enough !
@@LechDharma Everything about it dude. I got chills as soon as the intro was done, and I haven’t heard this in a good 5-10 years; Chills all over again! And cutting off the intro kinda ruins it a little bit-much better in-album than radio...
As an avid listener of The Who, it’s really interesting to see someone who really knows what they’re taking about to break down a masterpiece such as this
One of my favorites. I wish I could label one album the Best ever, but there is an undefined and changing group of albums that keep stealing that title each time I listen to any one. There was so much extraordinary talent that managed to run free and unhindered over the years. But I will say the Who have always been my favorite band.
"On the dry and dusty road The nights we spend apart alone I need to get back home to cool, cool rain I can't sleep and I lay and I think The night is hot and black as ink Oh God, I need a drink of cool, cool rain" Pete Townshend is simply one of the greatest lyricists ever.
Makes perfect sense when you think of a Brit, on tour in the US, missing his home & loved ones back in rainy Blighty, counting the days till he can get back again.
agree, he's up there. In Tommy, you can look at his lyrics and imagine them just being spoken, naturally, not at all scripted or parsed. No "poetic license" required.
What amazes me the most about these WMTSG episodes is that you can take a song I've been hearing for 40+ years and open my ears up to hearing things I never heard before. In essence making an old song new again. Awesome. Thank-you!
Agreed. Every time I hear a WMTSG song that I know, in the car, I'm saying to my 12 yr.old... Okay listen to this fill... Or did you hear that bass slide... Or can you tell what the key signature is...etc. I've even pointed out double tracked vocals, which I never knew were a thing. Thx Rick, and my girl thx you.
Completely agree. Since I’ve started watching these videos I’ve begun listening to all of the parts of the songs with more attention. Not just the song but it is really made of. Thanks Rick
Rick's passion on this song is soooo infectious. I will never hear this song the same way again. Rick has transformed it from a great song to an anthem.
This is Roger's OPUS. The sea, the piano and the soaring guitar.... Entwistle and Moon were just amazing on this one. One of Townshend's best written and composed tunes of his entire catalog of songs.
Every person has that ONE album in their life and for me, that album was Quadrophenia. This song has all the things that make The Who great, but Daltrey's performance is just superstar. When you think of a "perfect" song, it's hard to argue against this masterpiece.
@@andynator501 So very true. Its what set them apart from everyone else. Its also why they just aren't the same band anymore, BUT their latest album is still very good.
@@doctorr2 Absolutely love Led Zep, but my feel for their albums is that individually, they will intentionally hold back to support the lead parts. The Who always sound to me like they're each trying to outplay each other in levels of intensity, and leave it up to the engineers to mix it down. It's just...different. Zep is a more cohesive band. The Who is just...The Who.
My best friend in high school, who was also my best man when I married the first time, was an alcoholic from the time he was 15. He was a Who fan, big time. I can remember him singing with this song, and when it got to the line, "oh God I need a drink, of cool, cool rain....", the emotion on his face betrayed the hopelessness of his dependency. He died in his early 40's. I played Heart of Gold, on guitar, at his funeral.
Unfortunately, that is how we alcoholics think and feel ... and why so much of The Who's lyrics speak to me -- even in sobriety. So sorry to hear about your friend.
Another sober alcoholic here, 25 years. Alcoholism absolutely took me to a place of hopelessness. I'm sorry your friend couldn't escape it. I still love this song, and I love knowing I will wake up in the morning knowing where I am and what I did last night!
I agree. I saw them perform Tommy in 1970 at the Metropolitan Opera House in NYC and I never thought they would top that, but in 1973 when Quad came out, I knew they did. Amazing.
@@wburke121 I love all the Tommy sound tracks and never got to see moonie due to being in my 50s but still nothing musically by the Who ever matched the genius and vibe and overall sound more than Quad .Music of my youth
@@blakegilliam8223 yes great album some great songs for sure Hand or Face and Success story are my favorite on the album.The thing about Quad is the music was actually so brilliantly written And orchestrated .Its without any doubt moons best drumming ever .Its the most unorthodox drumming I ever heard so bizarre and unlike any drummer even by today's standard. He vwas truely nutz and yet played so brilliant. I am thinking and even heard Daltrey say moonie may of had Autistic tendencys.The other thing is everyone especially The Ox were on their game .Johns bass work was off the charts as well as Rogers vocals but Pete really shined the most the guitar work was stellar ,he did all the keyboards or most ,the synthesizer emulating strings ,horns ,even entire brass sections well for the time to achieve those sounds took a lot of work unlike today where you twist a couple nobs on a synth or have programs built in your computer to make any sound possible.The Who in that moment were as awesome as ELP or some of those other Prog bands. THEY went way out of thier comfort zone and the Box .Then there's the whole concept of the album, mods and rockers and documentary of what was truely going on in Englands culture at the time .The album only got better with time to me .
@mbwfreedom you nailed it. in fact, those words,.. "a fiery mix of love, anger, desperation and masculinity all in one" pretty much explains the band, which is why live they were quite possibly unmatched to this day. At the height of their powers they just blew us away.
This's gotta be one of the greatest songs ever recorded in the history of music. Daltrey's performance on this one is just unbelievable. I saw The Who on Rock in Rio 2017 and he just NAILED the vocals when they played it. A truly remarkable singer.
Daltrey lost his voice 20 years ago. And after entwhistle died the band is a shell of its former self. Their great run ended with moon and the band was done once john died.
The greatest work of Keith Moon's career. He obviously played drums on who by numbers and who are you, but Quadrophenia was the last time he was truly on top of his game
@@steveoglesby4120 I guess I was talking more about the fact that this era was where he was truly at the top of his game. He had many memorable and Powerhouse performances before this, but I feel like here this was the final climax before his bad habits and lack of playing made him a shadow of his former self. It says though this is the last time in his career he truly took his drumming seriously enough to be sharp. From this point on, it seemed like he almost was lampooning the life of a rock and roll drummer
@@richardbullwood5941I had watched the who in concert several times.1975 tour was the last time I saw moon live and he killed it.i had watched the Simon Philips era and the other guy.
The strings were an ARP synthesizer. Pretty sure the main ostinato was a programmed sequence. Pete also gets overlooked as a pioneering electronic musician!
Pete was quoted as saying he programmed in Meher Baba’s “numbers” into his sequencer to come up with the keyboard for the song. He is a very esoteric dude. Just finished “Who I Am”, great, but like every other Rock book, would like to read more about the music, and less about the “Birds” and lifestyle excesses. It’s the music that made him famous.
@@davefiano4172 Yep, that was for Baba O'Riley. His original sequence went on for quite a long time & they had to edit it down for the song. You can hear Pete's original demo on his "Who Came First" album. That was not an uncommon occurrence with Pete... for "Who Are You" the middle section went on for much longer than we hear on the final song; Pete left it to the production team to decide what bits to actually use in the song!
There is nothing like this being made today. Pure artisan-ship, craftsmanship and musicianship bundled beautifully. Thanks to The Who, Glynn Johns and Rick Beato for making and keeping this music alive.
What I love in these series of "What Makes This Song Great" is that Rick Beato passionaly loves the songs as real fan, but unlike the majority of them, he also knows perfectly why, and explains and plays them for us. I am a Rick Beato fan! (from Brazil).
My musician buddies used to be in awe of the way that I could dissect a song. Then, I turned them onto Rick. Now, they recognize me for the amateur that I really am. Tip of the cap to Rick. 🎩
Those opening notes still give me chills! I am 69 years old, so I was a teenager when this song was released. I got to see The Who twice in concert in the 1970s. All these decades later I still love their music.
Both the Stones and Zeplin interpreted the blues in their own unique ways to create powerful and enduring rock classics... but Pete... he created something altogether new and different in almost every song he wrote - never more evident than here on 'Love Reign O'er Me' ...and Roger, well, he sang this one like his life depended on it. The rhythm section was merely great on this one. Thanks Rick for shining a light on one of Rock's greatest songs.
I saw The Who in September 2019. I pretty much know many of their hits but not a lot from Quadrophenia. When they played The Rock (right before Reign O’er Me), with the orchestra, I was transcended. It was so good it was ethereal.
Quadrophenia is one of the true under-the-radar concept albums in Rock. Many people know Tommy or even Jesus Christ Superstar as rock operas, but Quadrophenia somehow is forgotten in that category. IMHO - it is better than Tommy, both musically and conceptually. Every single song is incredible. Put them all together and you have one of the best albums in Rock History.
To me, this is the greatest rock and roll album ever made. The premise for the album (in case you didn't know) was each album side represented the personality of each band member. I still listen to it. It never gets played out for me.
It is quite possible this is the greatest song ever recorded. Best Composer Best Vocals Best Drums Best Bass Best Song that completely destroys me everytime.
Even by itself, this song is an absolute masterpiece...but then when you listen to it after listening to the whole album....I feel like everyone should listen to this album at least once during lifetime...All the emotions the album makes you go through...
Well said. It stands alone as this video shows. But when it completes the double album....wow! Such an amazing ending to a phenomenal concept album. Love, love, love this song. My favorite Who song.
Mike Gervasi I agree there are so many great albums that if you listen to them as a whole are so much greater than the sum of their parts. And their parts are great in and of themselves.
In the early days of classic R&R, the Who were THE premiere pioneers of Apocalytic Rock. And each member of the band contributed mightily to the proverbial "whole that's greater than the sum of its [outstanding] parts."
Quadrophenia is probably my favorite album of all time. This is The Who at their absolute best with powerful vocals from Roger, John being a badass bass player as always, especially in The Real Me, Keith at the height of his playing, and genius lyrics and great guitar work by Pete. This is definitely a must for musicians and rock fans.
greg f 515 is one of my top 5 favorite Who songs. When they played it live and John does his bass solo, particularly during the 1996 Quadrophenia tour, it would be so amazing.
Genius. Bob Heil is a friend. He told me one day he got a call from Pete asking him to come over. Bob flew to London. Pete asked him if he could make Roger's vocal bounce to the 4 corners of the concert hall. Bob said yes, I can build a board for that. Pete said you build it, I'll write it. Quadrophenia. That board is in the Rock Hall. FYI: Bob is also the guy behind the Talk Box that Frampton and Walsh helped make famous. Talking with that guy is like a master's course in whatever he has on his mind.
@@johnmorone4588 There were many versions of the talk box, but Bob created the high power version that was reliable and was more of a production model than the one-off's made by others, including Bill West.
[A drummer writes] There are so many crazy stories about Moon the Loon - it detracts from the fact that he was an astonishingly creative and brilliant drummer.
He was also a huge Beach Boys’ fan, which was totally “ uncool” at that time. Dennis Wilson was Keith Moon “lite”, but he was the heart and soul sex symbol of the RocknRoll Beach Boys era.
ok...the stones maybe they couldnt do this one song. But--THE BEATLES? Could've done it better! (Runs out of the room to curley joe going, "WOOB! WOOB! WOOB!"}
The talent overflowing in The Who is demonstrated by this thorough breakdown, without a single mention of John Entwistle, arguably the best rock bassist of all time. There barely was room for him to distinguish himself, with Townshend and his writing and playing, and Daltrey and Moon all knocking this song out of the park.
Somebody had to the the adult in the room and still lay down a solid and inspiring track. That's my take on Entwhistle, he was the glue that held things together.
@@raygunsforronnie847 He was one of the pioneers of lead bass, though, too. He could do both. Townshend has talked about that after having to simulate his playing, after he died. It took several people.
I got to see The Who with my sister in 1979 (I was 13). We had 3rd row on the floor seats at the Forum in L.A. Roger Daltrey had the audience in the palm of his hand during this song. His powerful, towering vocal I have never forgotten. Thank you for this episode, Rick!
I can only listen to Quadrophenia maybe, 2x a year-front to back. When it’s over, I have to sleep for a few hours because I’m totally wrung out-which seems appropriate, considering the album’s underlying water themes. I would have to say that “Drowned” is my be all, end all fave from this album! “Bellboy” is a close second, because you can really hear the fatigue and despair in Keith’s voice when he sings “you know how I feel, always running at somebody’s heel.”
@@joro8604 Drowned is awesome....the whole album is, I remember hearing all the classic Who tunes on radio, then I heard Quadrophenia and thought this is their masterpiece!
Yes, totally agree! It's a work of art. Even if he didn't add the rain sound effects you 'd know that "raining" was what he was expressing. Or maybe, it's a double entendre '. He is saying LOVE REIGN OVER ME....Something to think about.
Daltrey is unique in that he loses little power the higher he sings. In the bridge, the way he adds a little tail at the end of "reign", going higher with the note but with even more power, is a favorite Daltrey moment of mine.
god I'm so glad there weren't just a couple of good power singers. Daltry has the most masculine power voice of the 70's. I love King Crimson's vocals, Plant and Gillan's power screams and head voice, but Paltry had a real cut in his voice. Quadrophenia is his best work as well as Townshend,Moon, and gosh maybe even Entwistle if you consider "The Real Me' is sort of the stairway to heaven of bass performances
Entwhistle was remarkably restrained on this song. One of the few pieces where he e wasn't playing "lead bass." He really shows his ability to play exactly what the song needs here, as he does on something like The Real Me.
@@HueyRocks23 A Quick One or Water would be good examples too. Actually, Water from the Live from Tanglewood set is in my opinion the greatest Who song that doesnt include a pre-recorded part.
The Who greatest live band. Townshend and Paul Mc are two of the greatest singer/songwriters, musicians, performers ever. They can play any instrument well. Best all around musicians.
Roger helped me out in an Irish pub once. A great band was playing and no friends could make it, so I went alone. was a huge crowd of guys at the bar and I couldn't get close to put in my order. And there he is, he comes up (was so loud we had to yell) and asks if I was trying to order, (yes, but this crowd...) he asks what I would like (Guiness) he flashes his huge smile and nods his head and goes to the bar... the crowd parts like the Red Sea! He got me my Guiness (and wouldn't let me pay him for it) Great guy!💕 He always had been one of my favorites, more so after that interaction!
Damn! That's how you order a pint. Like a boss! ;) Certainly much better as a true and personal story but... this could have also been a great commercial :))))
Confession; When I was initially introduced to this channel, I had mixed feelings (leaning toward skepticism combined with no small amount of bewilderment). Then ... I discovered Mr. Beato's "What Makes This Song Great" series and my sensibilities have been dramatically altered. This series has not only been quite enjoyable and entertaining, it has (on several levels) been fascinatingly informative. Mr. Beato's insights and obvious love for music with which I, myself, am extremely familiar is a joy to see. The fact is, Mr. Beato and this series has helped my writing and improved my arrangements and mixes. Thanks, Mr. Beato.
Pete Townshend is a truly amazing artist. He shall go down in history as one of the greats. Even some of the simplest of tunes from The Who prove this. Thanks for this Rick.
It's refreshing to see someone so enthusiastically give POSITIVE comments about what is good, versus what is wrong with something. Especially from an expert like Beato.
This song never fails to bring me to tears. It taps in to that moment of shear heartbreak we have all experienced at some point in our lives. It is true art at its best - depicting life at the most dramatic of moments. Genius!
Incredible. Keith Moon REALLY followed Roger's singing and Roger drew his energy from Keith's playing. Such a powerful song on an truly powerful album. Thanks, Rick!
Every time I watch one of these, I'm reminded of the scene in The Big Chill where William Hurt's character says to Kevin Kline's character, "You're SO analytical. Sometimes, you just have to let art flow over you." I have no idea what Rick's talking about, but I know a great song when I hear it.
BTW - this is my favorite Who album, even over Tommy. I think there is more rock in this opera than in Tommy. The Real Me still makes me want to be a bass player.
I wanted to play drums like my hero, Keith Moon, but dad wouldn't buy me a drum kit so my mom bought me a green sunburst Rick copy, because she figured I liked John Entwistle, too. Forty five years later, still playing the bass, still wish I could play as well as Entwistle. I can play "The Real Me," but it took a minute or two to learn how to play it.
Oh man....I was in an amateur band a few years back, but we had a semi-retired pro bass player who OWNED that song. (I picked it for him but I ended up loving singing that song - anything Daltrey FTM. ) It was always my favorite song in our lineup just because the guy was so tight. Any given time we could just jam on that song and let it keep going. We only practiced less than an our a week, had a small set list, good little amateur band - but any time we'd crank that song out any crowd was like WTF just happened? God I miss that group.
9:10 The reason Keith Moon plays straight beats during that section is because Roger Daltrey is singing in a fairly strict metre -- Keith played drums to Roger's vocals. Listen to 'Pinball Wizard', 'Won't Get Fooled Again', "I Can See For Miles'... so many songs. Keith always reacted to the rhythm of the vocal rather than keeping an actual beat. That's why he's such a unique drummer. He doesn't have a groove like Bonham, he's playing to what's going on rather than laying it down from the bottom up.
Agreed. Ive always maintained that as a drummer that's both one of Moon's greatest strengths and weaknesses as a drummer. He has very few equivalents because his style is as such. He'll add a fill to a part just for the sake of flourish, but he makes it sound good too. I'm not convinced he'd be a great drummer for too many bands out there at least with the style he's known for, but as the drummer for The Who he fit perfectly with them and is unmistakable. Absolutely one of rock's most distinct and energetic out there.
I can't imagine another drummer playing "Happy Jack", "I Can See For Miles" and "Behind Blue Eyes". He owned those songs. The loss of Moon's support of the vocals is why Daltrey had such a hard time adjusting to Kenny Jones. Jones is a great drummer but he's more of a straight time playing guy. Daltrey no longer had that fireball pushing him forward. God I miss Keith Moon!
@@bmac4 Moon’s playing was/is sensational! He was so unorthodox, that that is what truly made him a drumming genius. I don’t think he ever received his credit for helping ‘create’ The Who’s sound. And has been mentioned before, he played to Daltry, as opposed to creating a groove, ala Bonham. By doing so, he made Entwistle a better player, which made Townsend play better, which made Daltry sing better. The playing of Moon created a ‘circular’ effect on the whole band. When Jones joined the band, their whole musicianship changed. And that’s not a knock on Kenny Jones. It’s just that Moon had that much effect on The Who. When the discussion of “Stones or Beatles?” comes up, it should really be, “Stones or The Who?”
I think you may be right. I think having an incredibly solid bass player in Entwhistle to hold down the groove (and riff on it too), teh band coudl play to the bass, and Moon could play to everyone else.
Saw The Who in Tahoe, August 2017 and they did this song. Haven't heard them do it since I saw their Cow Palace performance of Quadrophenia in 1973. Daltry's vocals were unbelievable especially for his age. Rick is right...truly an underrated song, band and composition! One of my favorites of all time! The lyrics are some of the best also!
Rick provides an outstanding dissection and analysis of this gem of a song. He truly explains and helps me re-appreciate how great the song is. Quadrophenia the entire album is a masterpiece, with this song being its crowning glory.
Quadrophenia is one of the albums that totally broke open my appreciation of what was possible in music. Like a dam exploding. And this song is one of the pinnacles of the album. The best final song of any album ever. Thank you for another excellent video Rick.
How Roger Daltrey managed to sing those incredibly high notes with such power yet seemingly not 'changing gear' into falsetto is absolutely beyond me. Towering, masterful vocal performance. Each member of the Who was indispensable - they were unique, a magnificent one off.
Roger Daltrey is one of the most Effective interpreters of the Wide Range of Emotion of Rock and Roll who has Ever Lived.. And while listening to the music of the Who is almost always a Complete Sensory Overload of Talent, it's Roger's ability to uncover the layers of hidden beauty, buried deep inside Pete Townsend's work, that seems to be the real secret behind the Who's enduring popularity.. Townsend's songwriting is inspired by the ideas from his own Personal soul-searching, which is quite often no more than just a rough sketch, or a basic expression of feelings that he may have carried with him for Many Years.. Yet Roger Daltrey somehow manages to turn these Abstracted images into the kind of Everyday Language that nearly Everyone can relate to.. Despite all the stories about the deep rooted disagreements between them, and the feelings of disrespect, there is an Obvious connection between All of them, it's the Love of Brothers that has managed to make their lives easier as a Group.. It shows how a bunch of wildly Independent young men, with completely different backgrounds, could find Common Ground in their devotion to their Art, and their Music.. The band has explored everything from wild, youthful abandon, to deep, internal reflection, and have Always been sincere, and dedicated.. The band's work is often sarcastic, even Cold and sometimes Bitter, but in This song Roger's voice presents him at his most vulnerable.. One verse is a Soft, almost Melancholic Whisper and then Opens Up into a Passionate Scream-Like Growl.. This man can Sing, and This song is a Brilliant Showcase of this Band At Its Best, as well as a shining spotlight on the individual musicianship of Each Member of the band, and really offering up a Great Example of a Rock and Roll Band that has managed to get Everything Right ! Lary .
@Nick Thornberry Valdivia You know Nick, it's always been surprising that there have never been any articles or reviews that really take a long deep look at just how complex the structure of this band really is.. All through the years most of the profiles, biographies and descriptions have all been pretty much the same.. Some of Pete's solo work is really strong, and effective.. But, except for an exception like Eminence Front, it doesn't have the Hard, Honest Rock and Roll punch that the Who are known for.. And that seems to be where Roger Daltrey comes to the rescue.. Roger instinctively understands how to interpret Townsend, and Townsend provides the perfect material for Roger's voice.. And That helps to make Everything right in the World... Lary
@John E Haase - Thank you John, for your kind words.. The dynamic of The Who, as a band, and as Individual Musicians, has so often been overlooked, sometimes even glossed over.. Far too many writers, and articles, seem to be primarily concerned with the Disturbances within the band, rather than the actual Chemistry between the players.. These men have found the Magic in their music, and are as Close, and yet as Different, as any Brothers could ever be.. They each bring their own Power to the band, but, more than Anyone else, it has been Roger's vocals that are the Cement, the Foundation, that has always been the Heart, and the Soul, that brings it All Together.. They are totally Unique in that respect.. You could almost find a certain Ethereal quality in both their work, and in their relationships, with one another.. It's all really quite remarkable... Lary
I saw them in concert a month or so ago and even at 78 Roger can absolutely still crush this song, especially the rock scream part in the middle. Unbelievably impressive
Finally, a moment of shine for The Who on your channel. Been waiting for this for couple of years straight. The most underrated legendary rock band ever and one of top-notch bands in the aspect of idea, performance, quality and individuality. Full respect on this one, Rick
Rick, what I love about your WMTSG series is that even though it might be a song I've heard a thousand times before you always manage to make me hear it with fresh ears. Thanks for doing The Who at long last.
Not enough people explore the lyrics of this great lyricist. Pete Townsend wrote some of the most plaintive and heart-rending and soul searching lyrics ever produced. And of course, Roger Daltry brings a powerful and insistent vocal, like a preacher reaching deep into the soul and wrenching out the truth of human experience. Wow. There are few songs that I can lose myself in, and this is one of them. Every time I hear it, I feel the humanity of love, loss, and of painful need. Thanks, Rick! Now I know why I get crazy when I listen to truly moving music.
Correct to DALTREY & TOWNSHEND please. I understand mistakes happen, but please spell the band's names correctly, regardless of device, language, etc... Capisce? That is so disrespectful, and will not be tolerated by any Who down in Whoville, least of all me. I demand perfection. I take spelling and factual errors very seriously, and will correct people when needed.
so glad The Who aren't blockers! Opens up so much! From "I Can See For Miles" and "Magic Bus" to "Won't Get Fooled Again" , "Join Together" "Drowned", "The Rock" and all the rest. Pete is genius personified. Thanks for this. Cheers!
In addition to Rick's many talents, and outstanding videos, he could also be the king of music reaction videos if he wanted. Love the song and love this video!
Roger's vocals are legendary for sure. With distinctive and unique tone, great range, unbridled POWER and massive control. IMO, his performances will never be matched. Rick you really help me fall in love all over again with the music I already love. You have mad skills with your trained ear. Impressive barely describes this gift of yours.
When you're been spoon fed a song on FM radio for so many years it's easy to forget to stop and taste what they're feeding you. As always, Rick has given me the opportunity to listen to a song in a different way. His talent and his knowledge allows me to notice the details and nuances and to hear the song in a new and deeper way. I'm still amazed by his understanding of theory and inspired by his love of the music itself. Thank you again Rick.
The main descending guitar riff is a PERFECT example of why The Edge once told me (interview in 1982) that Pete Townshend -- as a COMPOSER on the guitar -- was one of the most powerful influences on U2, from Day 1.
Yes, obvious. Even the great Peter Gabriel was hugely influenced by Townshend. I remember an interview where he says he was "trying to persuade Rutherford to play guitar like Townshend."
One of the more dramatic songs in rock history. It just tells such a beautiful story with such tension and suspense. Almost an operatic quality to this song.
My favorite artist, my favorite album, and my favorite song. Came out when I was a moody teenager and it captured everything I was going through. To this day one of the only songs that will actually bring tears to my eyes. For over twenty years (before marriage and kids) I kept a second electric guitar, tuned down one half step, just to play this song. When Pearl Jam performed for the VH1 special I was transfixed and almost incapacitated. My wife and my son simply do not understand why I love this song so much, and I will never be able to explain it to them. Even Pete has been quoted as saying he never wrote another album as good as this one. You are correct when you lament Pete's underestimated guitar work. Some say he is a rhythm guitarist, or just played power cords, or fills. You only have to hear him play banjo to know he is capable of amazing works. But his music is not an excuse to solo, or about any one instrument, it is about expressing his stories in music. His guitar serves the needs of the song, not the other way around. I am not putting down those who play a thousand notes a measure in long solo over three cords, I am just saying there are many ways to be great on guitar, and Pete seems less flashy, but actually places the perfect notes where they need to be. You said nothing, however, about John Entwistle, and as a bassist, I find it hard to forgive you. However, here John restrains himself in service of the song. (Although, I think he said he produced the orchestral parts.)
I'm so glad he spent time highlighting Roger's vocal performance--there's so much more to it than screaming and posturing (there always is with Roger). There are all sorts of textures and colors in there: breaths, hoots, pauses, shouts, little moments of falsetto, and a gamut of emotions. The album as a whole contains some of his best recorded singing. A unique vocalist and a hugely moving performance in this song especially. Thanks, Rick!
No kidding! This album made getting through some pretty painful teen years bearable. Can't imagine what it would have been like to grow up without Pete Townshend and The Who!
@@fredhamilton1701 This is why Quadrophenia is the best Who album. Tommy is great, but EVERYONE at some point in their lives has felt disillusioned, cynical, and troubled like Jimmy (the 'hero' of the album). Jimmy is way more relatable than Tommy is.
That song is the reason I bought the album. I heard it on WNEW NYC, and went the next day to get it. Never a regret, even though it cost me two weekends of 16-year old kitchen wages.
This song, and especially Daltrey's vocals still give me chills...EVERY time I hear it. Even after hearing it for literally decades. Very possibly the best performances by a genius, and a monster vocalist. A brilliant song. Add in one of the greatest rhythm sections that ever was and...yeesh. Great choice. Peace.
There is nothing that could've made me love this song any more than I did growing up with it, watching them perform it live, until I watched this video. . .Thank You Rick Beato. ..
I always notice that Keith Moon does something interesting with the cymbals where they're timed to the triplets in the verses (especially the first two verses). The cymbals build, crescendo and fade, build, crescendo and fade and it always makes me think of distant waves crashing the beach AND it's done both gently and subtly, which you don't always get from Mr. Moon. I'm not a drummer, so apologies if I didn't explain this well. It's just a beautiful little element in an already impeccable song. What I have always liked about this song is that it's the last track of Quadrophenia where the narrator of the story (Jimmy) is on a beach and coming to terms with how he's going to approach his very uncertain life. He opts to not take the route of bitterness and anger, hoping that he will find love and acceptance somewhere.
This is just one of MANY great songs written by Pete Townsend. What surprises me is that he comes in 29th of the all time greatest song writers according to Rolling Stone Magazine. 11 higher than Prince? For gosh sake, Townsend wrote rock operas, and Prince wrote Red Corvette. I wonder who Townsend pissed off on the voting committee? Townsend is top 3
The Who were so incredible live that it was hard to record properly. I think Pete was always trying to strive to get there. He was an honest to god maestro. Pete was a true innovator.
Daltrey rarely gets credit for being one of the greatest rock n roll singers.
I've actually seen people dump on him for some reason. No accounting for taste.
@@RCAvhstape probably because he rarely holds back
It's hard being in a band with awesome musicians like John and Keith. Then you have a great songwriter and part time singer and underrated guitarist with Pete. Lots of others screaming for attention. Sometimes history just isn't fair.
I saw The Who this past summer at the Hollywood Bowl and Roger's voice was hitting those same notes!
@@crunchers9 NO WAY
THIS could be Ricks greatest air performance ever!...air timpani's, air drums, air Pete Townsend swoop guitar, and last but not least- air vocals!!!...fantastic!!!
I remember finding it strange when i was a kid and would get in the car to see not all families sing to songs on the radio and air-play various instruments.
This might be my favorite WMTSG of all time.
Rick - you are so fun to watch and validates I am not a sole alien my wife believes when I react similarly.
@@the_original_Bilb_Ono needs to be in your blood/DNA
@@johntremblay6552 I think you're not human if this song doesn't kick you in the chest.
Daltrey in my opinion went to another level with his vocals on this song.
I think its fair to say that Townshend wrote the song in Daltrey's wheelhouse & that is probably an overlooked aspect of Townshends compositional abilities- he made his bandmates sound the best they ever could... he'd probably call that a bargain I know I would!
@@MrAdamNTProtester Ha ha ha.....
I've read that when Pete was looking to start a band, he wanted to find a singer that sounded like himself to voice his musical ideas, and then he met Daltrey!
@@Jekylnhyde55 NOPE Daltry was the one that started the band & Pete joined because he was afraid if he didn't Roger would beat him up... I don't think at that point in time Pete considered himself the leader of anything- that of course would very quickly change... see look on Daltry's face during very early live recording where Moon destroys his drum kit... throughout the whole thing you can see he is totally pissed like what kind of nonsense is this... it was not long before Townshend's compositional genius required him to be the band leader... and also not too long before Daltry could no longer intimidate Entwhistle
@@MrAdamNTProtester Not to mention how Roger was nearly kicked out of the band after their first album. He had a penchant for settling disputes with his fists at the time, which his bandmates didn't find endearing.
I've always thought that this was THE most magnificent rock and roll song of all time. Hard to hear without tears streaming down my face. Beauty, rage and elegance, all magically woven together in a way that leaves me breathless.
Oh, man, it's that same exact feeling for me. I was just listening to the song before watching Rick's video, and had tears in my eyes.
Beauty, rage and elegance...Couldn't have described it any better.
A rock song that equals the majesty of the best classical pieces... superb.
@@Saltee323 INDEED
And i thought i was the only one feeling the same ......
Pete Townshend originally intended to sing lead vocals for "Love, Reign o'er Me", because it's subtitled "Pete's Theme" and he wanted the vocal delivery to be a plaintive whimper. It made sense at first--this song marks the end of "Quadrophenia", where the main character, Jimmy the mod, is drunk, strung-out, and stranded on a rock in the middle of the ocean. He's depressed and disillusioned with his mod lifestyle, and on the verge of death. He's sitting in the rain with his life flashing before his eyes, and he does something he's never done before--he prays.
When Roger Daltrey wanted to sing lead vocals instead, Pete was skeptical. But when Roger came through with this towering vocal performance, Pete finally understood. It was sung from Jimmy's INTERNAL voice!
I flip between liking Pete's original demo of Love Reign O'er Me over the Who release. Must be I like whichever one that's playing at the time.
the demo where PETE's singing is amazing. ROGER's vocal is basically identical but with more guttural power.
Amazing insight there Maria thank you so much for posting that!
@Roger Coley yes like THE BEATLES kept all their early demos wonderful to hear.
What a well written short story of a short story! I’m sure Who fans likely know all of this stuff, but it’s all new to me.
No one ever mentions Entwhistle’s bass work. The reason being it is so flawless and perfectly layers into the rest of the music.
Even Rick doesn’t mention Ox’s bass on this song, because there is so much going on between Roger and Pete
@@saintndacity4814 Not a massive factor on this track. But he has a monster groove for the bridge/solo.
I’ve gotten into legitimate fights over entwistle as a bassist. There are very few non-musicians who recognize his pioneering work on the bass and Im one of them. I’ve talked with a lot of musicians who’ve said that entwistle is the greatest bassist of all time. Honestly I think that entwistle was great because he got to play off Keith Moon.
He is regarded as the greatest bass player ever.
Old "THUNDER FINGERS"...
His widow brought John's sterling silver Sony Walkman (1979) into Rick Harrson's pawn shop (Pawn Stars) on one episode, and I believe that's where I heard her mention the nickname - or at least that he was known to break strings on his guitars being so thorough!
When I picked up a bass I wanted to "fly" like John : )
From the greatest rock album of all time.
Gotta throw out a mention of the greatness of the lyrics while we're at it. The double meaning of reign and rain, then comparing love to rain that's soothing, and then rain to tears. Magnificent poetry. This song really is a masterpiece on all levels. It's hard to believe that Pete Townsend could write this, and that there exist four musicians who could do it justice.
The Who was truly a miracle of a band. The fact that 4 men who were so volatile and individualistic could somehow keep it together for 15 years up until Keith Moon's death is unreal. On stage, they almost played against each other more than they played together, yet they were all such gifted and unique talents that it worked. Of course, none of that would matter if the songs weren't great, and thankfully Pete Townshend was more than up to the task in that regard.
that's in my opinion one of the reasons for the longevity of the music, and for Pete and Roger professionally: rock music with lyrics that go deep, high, and wide!
If you score a Pete or Roger interview you will be my hero forever
If you score a Keith interview I will wash your car for life!
@@marcg1001 If he scores a Keith interview then I will give up a lifetime's atheism and believe in God!
I did get to meet Roger a few years ago, talked a bit and he signed my copy of Quadrophenia....
One of the most surreal moments of my life.
I’ve met Roger a couple of times, he’s a real sweetheart!
And very patient and polite with the fans.
The greatest rock scream in my opinion, only to be topped by Daltrey himself in Wont Get Fooled Again.....Goosebumps quality notes
Wont get fooled again scream is the best ever in rock.
100%. Always said that very same thing.
ticks and leeches would like a word
Jim Morrison had some epic screams himself.
SOME of DEEP PURPLE’s IAN GILLAN vocals were real ‘screamers’ too, especially around ‘MADE IN JAPAN’ era !
Quadrophenia is, for me, the greatest concept album of all time. All 4 members at their absolute best
It’s so good. There are musical aspects of Tommy I like more, but Quadrophenia is a more consistent and mature work.
i will take hemispheres or 2112
Carlo Von Sexron Who’s Next has some of their best songs, but I personally think it’s a bit weak on the back end. Tommy and Quadrophenia are stronger imo just because they are finished, fully realized projects.
Same thoughts, it's the album of my teenage years
Quadrophenia is complete. By the time we get to this song, it hits so much harder.
I saw The Who in 2019. At age 75 Roger could still sing this song. He got a standing ovation!
And he's going to be the big 8-0 next March.
@@sralyn I saw them perform it in June 2023. Still amazingly powerful
He recently mentioned it's still his favorite song to sing!
I was moved by this post! We used Love Rain O'er Me as the recessional for my son's memorial service. He was a huge fan and considered Quadrophenia to be the Who's greatest album.
Erik, so sorry you lost your son. Playing The Who at his memorial was a classy move and nice way to honor what he loved. You are a fine dad. Be well.
@@jacquiwinter6282 Thanks, Jacqui he passed away two years ago next week.
Sorry for your loss Erik.
This may sound strange, but I’m a bit jealous because I’m not sure my dad would have a clue what my favorite band or song was.
Anyway, that was very cool of you. Hope you find peace.
Wow Erik, that was an amazing thing to do for your son! Sorry for your loss...I'm sure Mr. Townshend would be moved and honored by what you did.
@@benavich8 ~ I know I am !
Couldn’t stop smiling at his love for the music. Especially the vocals
This entire album is one Pete Townshend stroke of genius after another..
The entire history of The Who is one Pete Townshend stroke of genius after another.
By far my favourite album from them. The 2011 deluxe edition that includes more Pete demos from that period has some great material that never made the album.
Start to finish. Astonishing masterpiece.
For me it is far superior to Tommy, which unfortunately took a lot of the spotlight away from Quadrophenia. 1973 was THE greatest year for rock albums - it was a very crowded field that year, and maybe Quadrophenia didn't get the attention it deserved.
@@davearonow65 I agree
God I miss Keith Moon and John Entwistle. The world was decreased on the day each of them died. Great video as always, Rick.
I had a music teacher in high school who was an amazing jazz pianist. One day I came to school with my "Best of the who" song book. He saw me looking through it, and grabbed it from me. He went over to the piano, and within 20 seconds he said, "This guy uses alot of suspended chords doesn't he". Rick saying that brought me back to that moment. Thanks Rick!
Exactly how many times Is Rick going to introduce us to a song we've heard a million times and you listen as if it's the first, Mr Beato cannot be praised enough !
Roger Daltrey’s vocals in this song represent one of those musical moments that bring chills. Thanks Rick for commemorating that in your video.
AMEN! I still get chills all over my body when I hear it; sometimes I tear-up from the emotional power of his vocals and the lyrics
@@LechDharma
Everything about it dude. I got chills as soon as the intro was done, and I haven’t heard this in a good 5-10 years; Chills all over again! And cutting off the intro kinda ruins it a little bit-much better in-album than radio...
Multiple Whogasms
As an avid listener of The Who, it’s really interesting to see someone who really knows what they’re taking about to break down a masterpiece such as this
same! and I'm delighted to hear Rick speak about THE WHO because he rarely does (unless I missed it);
The whole album, Quadrophenia, Is a masterpiece. In my opinion the best rock album ever.
Agreed, and how well the first scene of this opera is set!
All day long jonas
One of my favorites. I wish I could label one album the Best ever, but there is an undefined and changing group of albums that keep stealing that title each time I listen to any one. There was so much extraordinary talent that managed to run free and unhindered over the years. But I will say the Who have always been my favorite band.
I totally agree this album saved my life.
My favorite album of all time
"On the dry and dusty road
The nights we spend apart alone
I need to get back home to cool, cool rain
I can't sleep and I lay and I think
The night is hot and black as ink
Oh God, I need a drink of cool, cool rain"
Pete Townshend is simply one of the greatest lyricists ever.
That’s actually one of my favorite lyrics by Townshend and any song writer period
Makes perfect sense when you think of a Brit, on tour in the US, missing his home & loved ones back in rainy Blighty, counting the days till he can get back again.
@@JBroughton2 Mine too.
It's impossible for me to listen to this part of the song and not get chills. Beautiful stuff.
agree, he's up there. In Tommy, you can look at his lyrics and imagine them just being spoken, naturally, not at all scripted or parsed. No "poetic license" required.
What amazes me the most about these WMTSG episodes is that you can take a song I've been hearing for 40+ years and open my ears up to hearing things I never heard before. In essence making an old song new again. Awesome. Thank-you!
Agreed. Every time I hear a WMTSG song that I know, in the car, I'm saying to my 12 yr.old... Okay listen to this fill... Or did you hear that bass slide... Or can you tell what the key signature is...etc. I've even pointed out double tracked vocals, which I never knew were a thing. Thx Rick, and my girl thx you.
Yes, I agree, shame on us for hearing these songs when we should have been listening...
Completely agree. Since I’ve started watching these videos I’ve begun listening to all of the parts of the songs with more attention. Not just the song but it is really made of. Thanks Rick
Bingo.
Me as well. I’ve had so much fun with these.
Rick's passion on this song is soooo infectious. I will never hear this song the same way again. Rick has transformed it from a great song to an anthem.
This is Roger's OPUS. The sea, the piano and the soaring guitar.... Entwistle and Moon were just amazing on this one. One of Townshend's best written and composed tunes of his entire catalog of songs.
Every person has that ONE album in their life and for me, that album was Quadrophenia. This song has all the things that make The Who great, but Daltrey's performance is just superstar. When you think of a "perfect" song, it's hard to argue against this masterpiece.
Mine too.
This song is why I say Pete Townshend is a musical genius and why I say Roger Daltrey is unequaled as a singer.
Two true statements.
The Who was the first and only band with a lead singer, a lead guitarist, a lead bassist and a lead drummer.
@@andynator501 So very true. Its what set them apart from everyone else. Its also why they just aren't the same band anymore, BUT their latest album is still very good.
@@andynator501 only? What about Led Zeppelin?
@@doctorr2 Absolutely love Led Zep, but my feel for their albums is that individually, they will intentionally hold back to support the lead parts. The Who always sound to me like they're each trying to outplay each other in levels of intensity, and leave it up to the engineers to mix it down. It's just...different. Zep is a more cohesive band. The Who is just...The Who.
My best friend in high school, who was also my best man when I married the first time, was an alcoholic from the time he was 15. He was a Who fan, big time. I can remember him singing with this song, and when it got to the line, "oh God I need a drink, of cool, cool rain....", the emotion on his face betrayed the hopelessness of his dependency. He died in his early 40's. I played Heart of Gold, on guitar, at his funeral.
my condolences, respect to you for playing that at his funeral
Unfortunately, that is how we alcoholics think and feel ... and why so much of The Who's lyrics speak to me -- even in sobriety. So sorry to hear about your friend.
So sorry for your loss. I'm alcoholic as well...but sober for 26 yrs. This song moved me in the same way...still does
Another sober alcoholic here, 25 years. Alcoholism absolutely took me to a place of hopelessness. I'm sorry your friend couldn't escape it.
I still love this song, and I love knowing I will wake up in the morning knowing where I am and what I did last night!
sorry for your loss...it is testimonial of your love for him you performed...kudos and RIP, "can you see the real me?"
Quadrophenia is The Who's greatest work. Hugely underrated.
i agree drums are awesome but petes brilliance was never matched after this , i think this album burnt him out
Yep... and this is the band that did Who’s Next.
I agree. I saw them perform Tommy in 1970 at the Metropolitan Opera House in NYC and I never thought they would top that, but in 1973 when Quad came out, I knew they did. Amazing.
@@wburke121 I love all the Tommy sound tracks and never got to see moonie due to being in my 50s but still nothing musically by the Who ever matched the genius and vibe and overall sound more than Quad .Music of my youth
@@blakegilliam8223 yes great album some great songs for sure Hand or Face and Success story are my favorite on the album.The thing about Quad is the music was actually so brilliantly written And orchestrated .Its without any doubt moons best drumming ever .Its the most unorthodox drumming I ever heard so bizarre and unlike any drummer even by today's standard. He vwas truely nutz and yet played so brilliant. I am thinking and even heard Daltrey say moonie may of had Autistic tendencys.The other thing is everyone especially The Ox were on their game .Johns bass work was off the charts as well as Rogers vocals but Pete really shined the most the guitar work was stellar ,he did all the keyboards or most ,the synthesizer emulating strings ,horns ,even entire brass sections well for the time to achieve those sounds took a lot of work unlike today where you twist a couple nobs on a synth or have programs built in your computer to make any sound possible.The Who in that moment were as awesome as ELP or some of those other Prog bands. THEY went way out of thier comfort zone and the Box .Then there's the whole concept of the album, mods and rockers and documentary of what was truely going on in Englands culture at the time .The album only got better with time to me .
Wow, Rick - you didn’t just pick one of The Who’s best songs - you picked one of the greatest songs of all time!
What makes this song great?
Pulling Muscles(from the Shell) by Squeeze
@@untappedpotential2761 So true its untrue....
What nakes Rick Beato great ??? Eposode 97
Hello, EXACTLY!!!
@mbwfreedom you nailed it. in fact, those words,.. "a fiery mix of love, anger, desperation and masculinity all in one" pretty much explains the band, which is why live they were quite possibly unmatched to this day. At the height of their powers they just blew us away.
This's gotta be one of the greatest songs ever recorded in the history of music. Daltrey's performance on this one is just unbelievable. I saw The Who on Rock in Rio 2017 and he just NAILED the vocals when they played it. A truly remarkable singer.
It's a flawless song in every respect. Also one of the most intense and unbearably beautiful love songs.
In my opinion he’s the greatest rock vocalist, just amazing.
Daltrey nailed it in 2019 In Indy too it was an amazing show!
I saw them nail it in Atlanta! Fucking amazing!
Daltrey lost his voice 20 years ago. And after entwhistle died the band is a shell of its former self. Their great run ended with moon and the band was done once john died.
The greatest work of Keith Moon's career. He obviously played drums on who by numbers and who are you, but Quadrophenia was the last time he was truly on top of his game
I'd say Moon's absolute best "Moon" was "My Generation" on "Live at Leeds", but "Rain" is better in showing how Moon can play to the song.
@@steveoglesby4120 I guess I was talking more about the fact that this era was where he was truly at the top of his game. He had many memorable and Powerhouse performances before this, but I feel like here this was the final climax before his bad habits and lack of playing made him a shadow of his former self. It says though this is the last time in his career he truly took his drumming seriously enough to be sharp. From this point on, it seemed like he almost was lampooning the life of a rock and roll drummer
@@richardbullwood5941I had watched the who in concert several times.1975 tour was the last time I saw moon live and he killed it.i had watched the Simon Philips era and the other guy.
The strings were an ARP synthesizer. Pretty sure the main ostinato was a programmed sequence. Pete also gets overlooked as a pioneering electronic musician!
Agreed!
TRUTH
Pete was quoted as saying he programmed in Meher Baba’s “numbers” into his sequencer to come up with the keyboard for the song. He is a very esoteric dude. Just finished “Who I Am”, great, but like every other Rock book, would like to read more about the music, and less about the “Birds” and lifestyle excesses. It’s the music that made him famous.
@@davefiano4172 Yep, that was for Baba O'Riley. His original sequence went on for quite a long time & they had to edit it down for the song. You can hear Pete's original demo on his "Who Came First" album. That was not an uncommon occurrence with Pete... for "Who Are You" the middle section went on for much longer than we hear on the final song; Pete left it to the production team to decide what bits to actually use in the song!
@@brianostube I was saying the same thing as Rick was talking about Pete's synthesizer work. I said: "Yep, that's Pete's ARP that he loved dearly!"
There is nothing like this being made today. Pure artisan-ship, craftsmanship and musicianship bundled beautifully. Thanks to The Who, Glynn Johns and Rick Beato for making and keeping this music alive.
Barf
What I love in these series of "What Makes This Song Great" is that Rick Beato passionaly loves the songs as real fan, but unlike the majority of them, he also knows perfectly why, and explains and plays them for us.
I am a Rick Beato fan! (from Brazil).
It’s a great gift.
One that he has and also a gift for everyone who loves music and these great Rock n Roll songs.
so much better than Phil from Pegasus ...
I really like the explanations
Me too Marcelo! (from U.S.A.)
My musician buddies used to be in awe of the way that I could dissect a song. Then, I turned them onto Rick. Now, they recognize me for the amateur that I really am. Tip of the cap to Rick. 🎩
Those opening notes still give me chills! I am 69 years old, so I was a teenager when this song was released. I got to see The Who twice in concert in the 1970s. All these decades later I still love their music.
Both the Stones and Zeplin interpreted the blues in their own unique ways to create powerful and enduring rock classics... but Pete... he created something altogether new and different in almost every song he wrote - never more evident than here on 'Love Reign O'er Me' ...and Roger, well, he sang this one like his life depended on it. The rhythm section was merely great on this one. Thanks Rick for shining a light on one of Rock's greatest songs.
I'm so happy Rick chose this of all of The Who's back catalogue, what an incredible piece of music!
Rick could do an episode of What Makes This Song Great for every song on this album.
I saw The Who in September 2019. I pretty much know many of their hits but not a lot from Quadrophenia. When they played The Rock (right before Reign O’er Me), with the orchestra, I was transcended. It was so good it was ethereal.
Quadrophenia is one of the true under-the-radar concept albums in Rock. Many people know Tommy or even Jesus Christ Superstar as rock operas, but Quadrophenia somehow is forgotten in that category. IMHO - it is better than Tommy, both musically and conceptually. Every single song is incredible. Put them all together and you have one of the best albums in Rock History.
@@johnheer69 Right there with 'ya on this being better than Tommy. Quadrophenia is a masterpiece.
Agreed, just look at how many famous rock artists have stated that Quadrophenia was their most influential album in developing their own music brand.
To me, this is the greatest rock and roll album ever made. The premise for the album (in case you didn't know) was each album side represented the personality of each band member. I still listen to it. It never gets played out for me.
It is quite possible this is the greatest song ever recorded.
Best Composer
Best Vocals
Best Drums
Best Bass
Best Song that completely destroys me everytime.
Even by itself, this song is an absolute masterpiece...but then when you listen to it after listening to the whole album....I feel like everyone should listen to this album at least once during lifetime...All the emotions the album makes you go through...
Well said. It stands alone as this video shows. But when it completes the double album....wow! Such an amazing ending to a phenomenal concept album.
Love, love, love this song. My favorite Who song.
And it works perfectly with the final scene of the movie.
Like so many Who efforts, Quadrophenia is not just an album, it’s an emotional thrill ride.
100 %
Mike Gervasi I agree there are so many great albums that if you listen to them as a whole are so much greater than the sum of their parts. And their parts are great in and of themselves.
Such a great song in all respects. Daltrey's vocals are so epic and emotional.
Ur comment was 14 hours ago the videos out for 4 mins 🤔 . R u a time traveler?
@@clear_gray_sky539 I imagine people in the Beato Club get the vids early
@@clear_gray_sky539 it was included in the playlist last night but unlisted.
In the early days of classic R&R, the Who were THE premiere pioneers of Apocalytic Rock. And each member of the band contributed mightily to the proverbial "whole that's greater than the sum of its [outstanding] parts."
Quadrophenia is probably my favorite album of all time. This is The Who at their absolute best with powerful vocals from Roger, John being a badass bass player as always, especially in The Real Me, Keith at the height of his playing, and genius lyrics and great guitar work by Pete. This is definitely a must for musicians and rock fans.
I always turn up the volume for the opening of "5:15" :)
Yessir! The album kicks ass from start to finish. There's not a weak moment.
greg f 515 is one of my top 5 favorite Who songs. When they played it live and John does his bass solo, particularly during the 1996 Quadrophenia tour, it would be so amazing.
Agreed - when I was a college DJ in the mid 70s, I'd usually start my show with "Dr. Jimmy."
Once again, Pete Townsend was the best composer of the super bands of that era. He changed pop or rock music.
This song is one of the greatest songs of all time. Pete is a genius. Quadrophenia is one of the top ten rock albums. Thank you Rick!!!!!!!!!!!!!!
Genius. Bob Heil is a friend. He told me one day he got a call from Pete asking him to come over. Bob flew to London. Pete asked him if he could make Roger's vocal bounce to the 4 corners of the concert hall. Bob said yes, I can build a board for that. Pete said you build it, I'll write it. Quadrophenia. That board is in the Rock Hall. FYI: Bob is also the guy behind the Talk Box that Frampton and Walsh helped make famous. Talking with that guy is like a master's course in whatever he has on his mind.
Bob Heil is one amazing guy. His stories on the early years of Rock is great.
Don, great to see you’re a fan of Rick’s as well. I enjoy your work on Ham Nation and Newsline quite a bit. 73, Steve, W1SDR
@@sdritzi Thanks Steve! 73 de AE5DW.
Wasent the talk box developed by Dottie West’s husband?
@@johnmorone4588 There were many versions of the talk box, but Bob created the high power version that was reliable and was more of a production model than the one-off's made by others, including Bill West.
[A drummer writes] There are so many crazy stories about Moon the Loon - it detracts from the fact that he was an astonishingly creative and brilliant drummer.
His fill in Baba O'Riley (at 2:20) is the greatest drum fill in rock. Don't @ me
Moon called it "Painting with the drum kit"..a great description.
He was also a huge Beach Boys’ fan, which was totally “ uncool” at that time. Dennis Wilson was Keith Moon “lite”, but he was the heart and soul sex symbol of the RocknRoll Beach Boys era.
I don't think there's any question - Moon was a trainwreck - and quite probably the greatest drummer that has ever existed ..
Moon was the most insane drummer of his time nobody could touch his fills and yes he was the best at that time
I saw the Who live in Buffalo, NY at Rich Stadium and it started to rain during this song. Pete quipped "Let's see the Rolling Stones do *that*".
ok...the stones maybe they couldnt do this one song. But--THE BEATLES? Could've done it better! (Runs out of the room to curley joe going, "WOOB! WOOB! WOOB!"}
Epic quip, eh? 👍
@@m1ster3d He must've meant, the Stones couldn't make it rain to go with lyrics of the song.
@@geruto17760 of course that's what Zonker meant. 👍 I'm still trying to figure out what misterEd thought it was about. 🤔😖🤪
I saw The Who in '89 in Buffalo.
The talent overflowing in The Who is demonstrated by this thorough breakdown, without a single mention of John Entwistle, arguably the best rock bassist of all time. There barely was room for him to distinguish himself, with Townshend and his writing and playing, and Daltrey and Moon all knocking this song out of the park.
Somebody had to the the adult in the room and still lay down a solid and inspiring track. That's my take on Entwhistle, he was the glue that held things together.
@@raygunsforronnie847 He was one of the pioneers of lead bass, though, too. He could do both. Townshend has talked about that after having to simulate his playing, after he died. It took several people.
I got to see The Who with my sister in 1979 (I was 13). We had 3rd row on the floor seats at the Forum in L.A. Roger Daltrey had the audience in the palm of his hand during this song. His powerful, towering vocal I have never forgotten. Thank you for this episode, Rick!
I can only listen to Quadrophenia maybe, 2x a year-front to back. When it’s over, I have to sleep for a few hours because I’m totally wrung out-which seems appropriate, considering the album’s underlying water themes. I would have to say that “Drowned” is my be all, end all fave from this album! “Bellboy” is a close second, because you can really hear the fatigue and despair in Keith’s voice when he sings “you know how I feel, always running at somebody’s heel.”
Ahhh, someone else who loves Drowned. I feel human!
Quadrophenia is played in my car on long trips. The miles just roll away!
@@joro8604 Drowned is awesome....the whole album is, I remember hearing all the classic Who tunes on radio, then I heard Quadrophenia and thought this is their masterpiece!
It's impressionism. The beginning, the rain, thunder. Very memorable.
Yes, totally agree! It's a work of art. Even if he didn't add the rain sound effects you 'd know that "raining" was what he was expressing. Or maybe, it's a double entendre '. He is saying LOVE REIGN OVER ME....Something to think about.
Daltrey is unique in that he loses little power the higher he sings. In the bridge, the way he adds a little tail at the end of "reign", going higher with the note but with even more power, is a favorite Daltrey moment of mine.
Tommy was always considered ‘THE’ rock opera. But this was pure brilliance. Tommy was just a practice run. 😎
YUP!
Tommy is mostly dreck
fewwiggle define “dreck.”
@@christopherchild4022 Tommy
fewwiggle Edgy.
Daltry at his finest. Some of the best power singing ever.
god I'm so glad there weren't just a couple of good power singers. Daltry has the most masculine power voice of the 70's. I love King Crimson's vocals, Plant and Gillan's power screams and head voice, but Paltry had a real cut in his voice. Quadrophenia is his best work as well as Townshend,Moon, and gosh maybe even Entwistle if you consider "The Real Me' is sort of the stairway to heaven of bass performances
@@connorclarke1218 DALTREY. Correct the spelling stat!
No mention of Entwistle who is playing what is needed perfectly.
One those overlooked musicians that just deliver what need to be delivered without any fuss. Brilliant bass player :)
The whole band brought their game to this recording session. Keith's best drumming IMHO, all of them, just a stunning album.
Probably saving that for "The Real Me".
Entwhistle was remarkably restrained on this song. One of the few pieces where he e wasn't playing "lead bass." He really shows his ability to play exactly what the song needs here, as he does on something like The Real Me.
@@HueyRocks23 A Quick One or Water would be good examples too. Actually, Water from the Live from Tanglewood set is in my opinion the greatest Who song that doesnt include a pre-recorded part.
The Who greatest live band. Townshend and Paul Mc are two of the greatest singer/songwriters, musicians, performers ever. They can play any instrument well. Best all around musicians.
Roger helped me out in an Irish pub once. A great band was playing and no friends could make it, so I went alone. was a huge crowd of guys at the bar and I couldn't get close to put in my order. And there he is, he comes up (was so loud we had to yell) and asks if I was trying to order, (yes, but this crowd...) he asks what I would like (Guiness) he flashes his huge smile and nods his head and goes to the bar... the crowd parts like the Red Sea! He got me my Guiness (and wouldn't let me pay him for it) Great guy!💕 He always had been one of my favorites, more so after that interaction!
That is an awesome story - thanks for sharing :)
Guiness Dark by any chance? That's my fave.
Damn! That's how you order a pint. Like a boss! ;) Certainly much better as a true and personal story but... this could have also been a great commercial :))))
@@DarkSideofSynth that would make a great commercial! Lol
@@rkb2092 that's right, mine too! Took him by surprise, Lol
“That’s one of the greatest notes ever in rock and roll”. Peak Beato.
I could not agree more though!
Time stamp for this comment?
A note pure and easy.
Second only to the one near the end of Won't get fooled again.
Confession;
When I was initially introduced to this channel, I had mixed feelings (leaning toward skepticism combined with no small amount of bewilderment). Then ... I discovered Mr. Beato's "What Makes This Song Great" series and my sensibilities have been dramatically altered. This series has not only been quite enjoyable and entertaining, it has (on several levels) been fascinatingly informative. Mr. Beato's insights and obvious love for music with which I, myself, am extremely familiar is a joy to see. The fact is, Mr. Beato and this series has helped my writing and improved my arrangements and mixes. Thanks, Mr. Beato.
Pete Townshend is a truly amazing artist. He shall go down in history as one of the greats. Even some of the simplest of tunes from The Who prove this. Thanks for this Rick.
well said!
It's refreshing to see someone so enthusiastically give POSITIVE comments about what is good, versus what is wrong with something. Especially from an expert like Beato.
Thank you.
This song never fails to bring me to tears. It taps in to that moment of shear heartbreak we have all experienced at some point in our lives. It is true art at its best - depicting life at the most dramatic of moments. Genius!
Incredible. Keith Moon REALLY followed Roger's singing and Roger drew his energy from Keith's playing. Such a powerful song on an truly powerful album. Thanks, Rick!
Entwistle always drew energy from Moon too
Every time I watch one of these, I'm reminded of the scene in The Big Chill where William Hurt's character says to Kevin Kline's character, "You're SO analytical. Sometimes, you just have to let art flow over you."
I have no idea what Rick's talking about, but I know a great song when I hear it.
Pound for pound, The Who are the greatest ROCK band of all time.
For strict rock, you may be right, Pete never gave Led Zep much credit too.
James P Totally
And you win the master of elitist pontification award. Aka "you're a cork sniffer"
BTW - this is my favorite Who album, even over Tommy. I think there is more rock in this opera than in Tommy. The Real Me still makes me want to be a bass player.
It's why I play bass now!
The Real Me has to be one of the greatest rock bass performance of all time - I've been waiting for it to appear in one of Rick's list but not so far.
I wanted to play drums like my hero, Keith Moon, but dad wouldn't buy me a drum kit so my mom bought me a green sunburst Rick copy, because she figured I liked John Entwistle, too. Forty five years later, still playing the bass, still wish I could play as well as Entwistle. I can play "The Real Me," but it took a minute or two to learn how to play it.
@@aprilkurtz1589 Hey...it is never too late to pick up some drumsticks!! I started playing the guitar at 51!
Oh man....I was in an amateur band a few years back, but we had a semi-retired pro bass player who OWNED that song. (I picked it for him but I ended up loving singing that song - anything Daltrey FTM. ) It was always my favorite song in our lineup just because the guy was so tight. Any given time we could just jam on that song and let it keep going. We only practiced less than an our a week, had a small set list, good little amateur band - but any time we'd crank that song out any crowd was like WTF just happened? God I miss that group.
9:10 The reason Keith Moon plays straight beats during that section is because Roger Daltrey is singing in a fairly strict metre -- Keith played drums to Roger's vocals. Listen to 'Pinball Wizard', 'Won't Get Fooled Again', "I Can See For Miles'... so many songs. Keith always reacted to the rhythm of the vocal rather than keeping an actual beat. That's why he's such a unique drummer. He doesn't have a groove like Bonham, he's playing to what's going on rather than laying it down from the bottom up.
Agreed. Ive always maintained that as a drummer that's both one of Moon's greatest strengths and weaknesses as a drummer. He has very few equivalents because his style is as such. He'll add a fill to a part just for the sake of flourish, but he makes it sound good too. I'm not convinced he'd be a great drummer for too many bands out there at least with the style he's known for, but as the drummer for The Who he fit perfectly with them and is unmistakable. Absolutely one of rock's most distinct and energetic out there.
I can't imagine another drummer playing "Happy Jack", "I Can See For Miles" and "Behind Blue Eyes". He owned those songs. The loss of Moon's support of the vocals is why Daltrey had such a hard time adjusting to Kenny Jones. Jones is a great drummer but he's more of a straight time playing guy. Daltrey no longer had that fireball pushing him forward. God I miss Keith Moon!
@@bmac4 Moon’s playing was/is sensational! He was so unorthodox, that that is what truly made him a drumming genius. I don’t think he ever received his credit for helping ‘create’ The Who’s sound. And has been mentioned before, he played to Daltry, as opposed to creating a groove, ala Bonham. By doing so, he made Entwistle a better player, which made Townsend play better, which made Daltry sing better. The playing of Moon created a ‘circular’ effect on the whole band. When Jones joined the band, their whole musicianship changed. And that’s not a knock on Kenny Jones. It’s just that Moon had that much effect on The Who. When the discussion of “Stones or Beatles?” comes up, it should really be, “Stones or The Who?”
I think you may be right. I think having an incredibly solid bass player in Entwhistle to hold down the groove (and riff on it too), teh band coudl play to the bass, and Moon could play to everyone else.
I think this was Glyn Johns making Keith wear headphones with a click track. Keith was not good at keeping straight time.
Saw The Who in Tahoe, August 2017 and they did this song. Haven't heard them do it since I saw their Cow Palace performance of Quadrophenia in 1973. Daltry's vocals were unbelievable especially for his age. Rick is right...truly an underrated song, band and composition! One of my favorites of all time! The lyrics are some of the best also!
Rick provides an outstanding dissection and analysis of this gem of a song.
He truly explains and helps me re-appreciate how great the song is.
Quadrophenia the entire album is a masterpiece, with this song being its crowning glory.
Was that the show where Moon took the elephant tranquilizer?
Quadrophenia is one of the albums that totally broke open my appreciation of what was possible in music. Like a dam exploding. And this song is one of the pinnacles of the album. The best final song of any album ever. Thank you for another excellent video Rick.
How Roger Daltrey managed to sing those incredibly high notes with such power yet seemingly not 'changing gear' into falsetto is absolutely beyond me. Towering, masterful vocal performance. Each member of the Who was indispensable - they were unique, a magnificent one off.
Roger Daltrey is one of the most Effective interpreters of the Wide Range of Emotion of Rock and Roll who has Ever Lived.. And while listening to the music of the Who is almost always a Complete Sensory Overload of Talent, it's Roger's ability to uncover the layers of hidden beauty, buried deep inside Pete Townsend's work, that seems to be the real secret behind the Who's enduring popularity.. Townsend's songwriting is inspired by the ideas from his own Personal soul-searching, which is quite often no more than just a rough sketch, or a basic expression of feelings that he may have carried with him for Many Years.. Yet Roger Daltrey somehow manages to turn these Abstracted images into the kind of Everyday Language that nearly Everyone can relate to.. Despite all the stories about the deep rooted disagreements between them, and the feelings of disrespect, there is an Obvious connection between All of them, it's the Love of Brothers that has managed to make their lives easier as a Group.. It shows how a bunch of wildly Independent young men, with completely different backgrounds, could find Common Ground in their devotion to their Art, and their Music.. The band has explored everything from wild, youthful abandon, to deep, internal reflection, and have Always been sincere, and dedicated.. The band's work is often sarcastic, even Cold and sometimes Bitter, but in This song Roger's voice presents him at his most vulnerable.. One verse is a Soft, almost Melancholic Whisper and then Opens Up into a Passionate Scream-Like Growl.. This man can Sing, and This song is a Brilliant Showcase of this Band At Its Best, as well as a shining spotlight on the individual musicianship of Each Member of the band, and really offering up a Great Example of a Rock and Roll Band that has managed to get Everything Right ! Lary
.
@Nick Thornberry Valdivia You know Nick, it's always been surprising that there have never been any articles or reviews that really take a long deep look at just how complex the structure of this band really is.. All through the years most of the profiles, biographies and descriptions have all been pretty much the same.. Some of Pete's solo work is really strong, and effective.. But, except for an exception like Eminence Front, it doesn't have the Hard, Honest Rock and Roll punch that the Who are known for.. And that seems to be where Roger Daltrey comes to the rescue.. Roger instinctively understands how to interpret Townsend, and Townsend provides the perfect material for Roger's voice.. And That helps to make Everything right in the World...
Lary
That was one of the best tributes to The Who I've ever tesd. Every word of it is true. The are the greatest pure and complete rock band there is.
@John E Haase - Thank you John, for your kind words.. The dynamic of The Who, as a band, and as Individual Musicians, has so often been overlooked, sometimes even glossed over.. Far too many writers, and articles, seem to be primarily concerned with the Disturbances within the band, rather than the actual Chemistry between the players.. These men have found the Magic in their music, and are as Close, and yet as Different, as any Brothers could ever be.. They each bring their own Power to the band, but, more than Anyone else, it has been Roger's vocals that are the Cement, the Foundation, that has always been the Heart, and the Soul, that brings it All Together.. They are totally Unique in that respect.. You could almost find a certain Ethereal quality in both their work, and in their relationships, with one another.. It's all really quite remarkable...
Lary
Lary, I hate to break this to you but you satanically misspelled TOWNSHEND in both your comments.
@@larydixon4824 Could you please fix the TOWNSHEND typos here and in the one below?
I saw them in concert a month or so ago and even at 78 Roger can absolutely still crush this song, especially the rock scream part in the middle. Unbelievably impressive
Finally, a moment of shine for The Who on your channel. Been waiting for this for couple of years straight. The most underrated legendary rock band ever and one of top-notch bands in the aspect of idea, performance, quality and individuality. Full respect on this one, Rick
Rick, what I love about your WMTSG series is that even though it might be a song I've heard a thousand times before you always manage to make me hear it with fresh ears. Thanks for doing The Who at long last.
One of the greatest vocal performances on one of the most ambitious albums ever recorded. The Who are amazing.
Not enough people explore the lyrics of this great lyricist. Pete Townsend wrote some of the most plaintive and heart-rending and soul searching lyrics ever produced. And of course, Roger Daltry brings a powerful and insistent vocal, like a preacher reaching deep into the soul and wrenching out the truth of human experience. Wow. There are few songs that I can lose myself in, and this is one of them. Every time I hear it, I feel the humanity of love, loss, and of painful need. Thanks, Rick! Now I know why I get crazy when I listen to truly moving music.
Correct to DALTREY & TOWNSHEND please. I understand mistakes happen, but please spell the band's names correctly, regardless of device, language, etc... Capisce? That is so disrespectful, and will not be tolerated by any Who down in Whoville, least of all me. I demand perfection. I take spelling and factual errors very seriously, and will correct people when needed.
so glad The Who aren't blockers! Opens up so much! From "I Can See For Miles" and "Magic Bus" to "Won't Get Fooled Again" , "Join Together" "Drowned", "The Rock" and all the rest. Pete is genius personified. Thanks for this. Cheers!
The Rock!!
Try singing a Who song. You'll soon find out that Roger Daltrey has a uniquely powerful voice with a wide range. Love your work Rick.
That’s even after you decide to pick a Roger or Pete lyrical song
In addition to Rick's many talents, and outstanding videos, he could also be the king of music reaction videos if he wanted. Love the song and love this video!
Roger's vocals are legendary for sure. With distinctive and unique tone, great range, unbridled POWER and massive control. IMO, his performances will never be matched. Rick you really help me fall in love all over again with the music I already love. You have mad skills with your trained ear. Impressive barely describes this gift of yours.
Intensity decided to form a band, and it was called The Who.
Keith Moon was the antithesis of the modern tack beat. Rock In Perpetuity, Moon The Loon!
When you're been spoon fed a song on FM radio for so many years it's easy to forget to stop and taste what they're feeding you. As always, Rick has given me the opportunity to listen to a song in a different way. His talent and his knowledge allows me to notice the details and nuances and to hear the song in a new and deeper way.
I'm still amazed by his understanding of theory and inspired by his love of the music itself. Thank you again Rick.
I'm not a musician, never took music classes in high school, but I loved every second of this video.
The main descending guitar riff is a PERFECT example of why The Edge once told me (interview in 1982) that Pete Townshend -- as a COMPOSER on the guitar -- was one of the most powerful influences on U2, from Day 1.
Yes, obvious. Even the great Peter Gabriel was hugely influenced by Townshend. I remember an interview where he says he was "trying to persuade Rutherford to play guitar like Townshend."
I wish anyone would love me as much as Rick loves this song.
One of the more dramatic songs in rock history. It just tells such a beautiful story with such tension and suspense. Almost an operatic quality to this song.
My favorite artist, my favorite album, and my favorite song. Came out when I was a moody teenager and it captured everything I was going through. To this day one of the only songs that will actually bring tears to my eyes. For over twenty years (before marriage and kids) I kept a second electric guitar, tuned down one half step, just to play this song. When Pearl Jam performed for the VH1 special I was transfixed and almost incapacitated. My wife and my son simply do not understand why I love this song so much, and I will never be able to explain it to them. Even Pete has been quoted as saying he never wrote another album as good as this one.
You are correct when you lament Pete's underestimated guitar work. Some say he is a rhythm guitarist, or just played power cords, or fills. You only have to hear him play banjo to know he is capable of amazing works. But his music is not an excuse to solo, or about any one instrument, it is about expressing his stories in music. His guitar serves the needs of the song, not the other way around. I am not putting down those who play a thousand notes a measure in long solo over three cords, I am just saying there are many ways to be great on guitar, and Pete seems less flashy, but actually places the perfect notes where they need to be.
You said nothing, however, about John Entwistle, and as a bassist, I find it hard to forgive you. However, here John restrains himself in service of the song. (Although, I think he said he produced the orchestral parts.)
This song, Dr. Jimmy and 5:15 make this the Who's greatest album. Even the album cover is cool.
You said “Pete serves the need of the song and not vice versa.” Very true. As a true artist Pete understands the song is bigger than him.
I'm so glad he spent time highlighting Roger's vocal performance--there's so much more to it than screaming and posturing (there always is with Roger). There are all sorts of textures and colors in there: breaths, hoots, pauses, shouts, little moments of falsetto, and a gamut of emotions. The album as a whole contains some of his best recorded singing. A unique vocalist and a hugely moving performance in this song especially. Thanks, Rick!
Hear, hear.
And Daltrey never won a Grammy for best rock vocal.
Don’t forget 5:15, Punk and The Godfather, I’m one, and Drowned. Epic album that doesn’t get enough credit.
That record propelled me through one of the worst times in my life. I'll never forget hearing Love Reign O'er Me the very first time. Chills!
No kidding! This album made getting through some pretty painful teen years bearable. Can't imagine what it would have been like to grow up without Pete Townshend and The Who!
@@fredhamilton1701 This is why Quadrophenia is the best Who album. Tommy is great, but EVERYONE at some point in their lives has felt disillusioned, cynical, and troubled like Jimmy (the 'hero' of the album). Jimmy is way more relatable than Tommy is.
The Who always has been for me of great support in hard times. Their emotions and energy are very relatable.
That song is the reason I bought the album. I heard it on WNEW NYC, and went the next day to get it. Never a regret, even though it cost me two weekends of 16-year old kitchen wages.
This song, and especially Daltrey's vocals still give me chills...EVERY time I hear it. Even after hearing it for literally decades. Very possibly the best performances by a genius, and a monster vocalist. A brilliant song. Add in one of the greatest rhythm sections that ever was and...yeesh. Great choice. Peace.
There is nothing that could've made me love this song any more than I did growing up with it, watching them perform it live, until I watched this video. . .Thank You Rick Beato. ..
Whenever I get the question: "what's your favorite band, the Beatles or the Stones?" I say, "The Who."
1. Beatles
2. Who
3. Stones
Mitchell Hughes The Who, Grateful Dead, Marley
@@mitchellhughes5180 What? No Zep?
To me, they all have their own independent brilliance:)
Same here.
The amount of truly epic music on the Quadrophenia album is unparalleled.
I always notice that Keith Moon does something interesting with the cymbals where they're timed to the triplets in the verses (especially the first two verses). The cymbals build, crescendo and fade, build, crescendo and fade and it always makes me think of distant waves crashing the beach AND it's done both gently and subtly, which you don't always get from Mr. Moon. I'm not a drummer, so apologies if I didn't explain this well.
It's just a beautiful little element in an already impeccable song.
What I have always liked about this song is that it's the last track of Quadrophenia where the narrator of the story (Jimmy) is on a beach and coming to terms with how he's going to approach his very uncertain life. He opts to not take the route of bitterness and anger, hoping that he will find love and acceptance somewhere.
This is just one of MANY great songs written by Pete Townsend. What surprises me is that he comes in 29th of the all time greatest song writers according to Rolling Stone Magazine. 11 higher than Prince? For gosh sake, Townsend wrote rock operas, and Prince wrote Red Corvette. I wonder who Townsend pissed off on the voting committee? Townsend is top 3
Prince deserves to be there too. But those polls mean very little at the end of the day.
@@heftosprod For what it's worth, Townsend also comes in 9 behind Lou Reid. Lou Reid???? You're killing me Rolling Stone Magazine!
I think he's top 5 I guess, but he also goes over a lot of people's heads.
@@eak185 Reid was important though
Yeah, Prince "only" wrote Little Red Corvette. And a little ditty called, oh idk, Purple fucking Rain
With its raw emotion, power and passion, the Who's music has alway hit me right in the heart.
One of the greatest performances by one of the greatest bands ever. Townshend is a genius. My 1st guitar hero. Dude still scares the hell out of me.
Pete Townshend is a genius’s genius. The way he orchestrated the guitar and keyboard parts is Epic.
Agreed. Another level. The Who (the original) were a bit frightening. Every member a genius at what they did.
Pete Townshend is the GOAT
The Who were so incredible live that it was hard to record properly. I think Pete was always trying to strive to get there. He was an honest to god maestro. Pete was a true innovator.