Strauss II-Fledermaus Overture REHEARSAL-Kleiber (1970)(1/4)

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  • Опубликовано: 7 авг 2024
  • Südfunk-Sinfonieorchester
    1970
    Carlos Kleiber
    ----
    From a video 30 years ago, featuring the rehearsal and concert performances of Weber's Der Freischütz overture and Strauss II's Die Fledermaus overture.
    Spoken in German with Italian subtitles, the footage is a testament to the musicality and lively personality of dear Carlos.
    Judging from the popularity and interest over the concert performance, i'm sure you will enjoy these too!
  • ВидеоклипыВидеоклипы

Комментарии • 21

  • @Hwillijonl
    @Hwillijonl 14 лет назад +1

    It is amazing to watch this man as he strives to actualize the potential which these extremely talented (but intimidating!) musicians have within them to reveal to us the genius that was Strauss.

  • @atrebil71
    @atrebil71 14 лет назад +1

    Era un grande

  • @hmaren
    @hmaren 16 лет назад

    He was what every orchestral musician looks for in a conductor - he knew what he wanted and he knew how to get it.

  • @vendasnutran5596
    @vendasnutran5596 4 года назад

    PERFEITO TOP.

  • @anonymusum
    @anonymusum 16 лет назад +1

    4:15 it´s cold here - so that´s why the
    trombones don´t have that virgin sound
    like on the last rehearsal
    in general: this part has to sound
    dangerous - everything could happen -
    and it probably will-
    the bell dos not sound like a bell -
    maybe it will be better more distanced -
    after he carries it away: and you will
    play by ear then?

  • @anonymusum
    @anonymusum 16 лет назад +1

    Sorry my translation is a bit out of order. I gave my best but RUclips obviously did not react like it should.

  • @MarkHatlestad
    @MarkHatlestad 13 лет назад +1

    Did anyone else notice the violist at 1:12 who had left-handed viola?

  • @janiscortese
    @janiscortese 12 лет назад

    @Farnik01 -- As a left-handed violist myself, I most certainly did! :-)

  • @anonymusum
    @anonymusum 16 лет назад +1

    O.k. folks - here we go:
    0:32 welcome everybody etc.
    1:25 brass sectn. - not that heavy, much
    lighter
    1st oboe - please talk with your lines
    like `I´m so unlucky´
    2:15 I want it slower - calmer - - -
    and now the oboe is the conductor

  • @miguelconser
    @miguelconser 14 лет назад

    1:12-1:21 I had never seen anyone playing like that!

  • @SecretsOfGarden
    @SecretsOfGarden 9 лет назад +2

    Dmitry Shostakovich at 7:44 !!!!

  • @ilmaestro18
    @ilmaestro18 16 лет назад

    You don't have to type in every single word. Just the main ideas, or just a brief summary of what he's getting at would be most appreciated. Thank you so much.

  • @ilmaestro18
    @ilmaestro18 16 лет назад

    Could someone please translate what he is saying? That would be most appreciated. Thank you so much.

  • @anonymusum
    @anonymusum 16 лет назад

    I would, but it´s a lot of work and the limitation of words in one com makes it even harder ....

  • @anonymusum
    @anonymusum 16 лет назад

    3:00 there are 2 parts that demand more
    virtuosity (fast tone repetitions)
    even if it fails - just have the courage
    to do , that counts
    and do it very light -
    1st oboe: same problem - but please try
    to 1st violins: please produce a little
    booming in that part

  • @user-lp9ck4hp7v
    @user-lp9ck4hp7v 3 года назад

    皆さん、なんて集中して音符は一つしかないのにクライバーの要求する音を出そうとしているのでしょう。ドイツ語を勉強して彼が何と言っているのかつぶさに知りたくなりました。でも、美しい音楽と映像だけで我慢します。どうもありがとう。

  • @anonymusum
    @anonymusum 16 лет назад

    9:05 to violins: you have to play so dominant
    that you won´t need a conductor anymore -
    that´s my dream and we could achieve it
    as there´s enough rehearsal time -
    you must play without any brakes, very
    fluently and charming -
    maybe describing a beautiful woman with
    long legs walking around, who arrogantly
    looks down at you - what makes her even
    more attractive for you.

  • @anonymusum
    @anonymusum 16 лет назад

    5:55 to the violins: not that honest, should
    be more sensitive and double-tongued,
    attack much softer, like before you
    touch the skin you touch the hairs, same
    thing with your strings in this part
    7:30 the staccato is too clumsy - like if you
    had too many pounds of weight -
    you got to describe a very posh man - or
    who thinks he is posh -
    now without interruption

  • @anonymusum
    @anonymusum 16 лет назад

    O.k. folks - here we go:
    0:32 welcome everybody etc.
    1:25 brass sectn. - not that heavy, much
    lighter
    1st oboe - please talk with your lines
    like `I´m so unlucky´
    2:15 I want it slower - calmer - - -
    and now the oboe is the conductor