Valery Afanassiev plays Schubert Piano Sonata D. 960 - video 2013
HTML-код
- Опубликовано: 28 авг 2024
- Valery Afanassiev playing Schubert's Piano Sonata no. 21 in B-flat major, D. 960, live in Moscow in 2013. This recital was given in memory of Afanassiev's teacher, Yakov Zak, to celebrate the centenary of his birth. It takes something special for a Russian audience to applaud between movements. More info here -
www.greatpiani...
Валерий Афанасьев - Франц Шуберт
I can't imagine anybody younger accomplishing this with such maturity and perfection; thank you!
Perhaps not even his younger self. Just bought his CD; great but this is [insert the superlative adjective of yourchoice].
why would you?
This is the greatest interpretation I've heard since Kovacevich and Uchida. Extremely difficult to play convincingly. And of course his teacher is that master of gentleness and patience, Yakov Zak.
you should listen to how Richter plays it
52 merveilleuses minutes , et plus encore . Afanassiev rend le silence musical.
When I was young and even Alfred Brendel was young, people used to say to me about Schnabel, "Listen to the pauses."
an impeccable performance............ simply marvelous
Slowest interpretation I've ever heard, but refreshing in its own way! Really exploring the music, enjoying each wonderful melody in a unique way. Loved it.
Listen to the Richter‘s interpretation. It’s slower. Not better, or worse. Just slower.
Art in its purest form
the best performance of this piece ever
nobody can efford to play like him
right you are!
BRILLIANT. AS GOOD AS IT GETS.
Божественно!
Es una gran interpretación digna de sumarse a las de María Yudina, Clara Haskill, Mitsuko Ushida, Arrau, Richter, Brendel y otros grandes. Las preferencias van unidas a la subjetividad de tres universos, el del compositor, el del intérprete y el del auditor; son tres puntos en que las líneas del universo se cruzan solo una vez de una cierta manera y nunca más y que la música logra aproximar. Luis Díaz López
Meravigliosa esplorazione del mondo sconfinato di Schubert, un mondo denso di significati profondi , i significati dello Spirito.
You can think what you want, but this recording from Valery is one of my most favourite. He is playing Schubert with so strong muscles, so great as it would be Beethoven. He makes Schubert very huge and strong!
sehr schön!
It's very unique. He plays it his own way, his own inner rhythm, never succumbs to the prevalent interpretative cliches of this so-often played sonata
I first listened to him live was with Beethoven's Tempest Sonata long time ago - the introduction arpeggio was probably the world record for "how long you can extend the sound". It was most peculiar interpretation but after a while peolpe got used to him. 52 minutes for this sonata is quite daring!
bravissimo on a very fine performance. i hope to hear you live some day, if not perhaps you have a CD.
MARAVILLOSA VERSIÓN , MUY PERSONAL , FUERA DE TODOS LOS CANONES GENERALES DE LOS DEMÁS PIANISTAS QUE LA ABORDAN. REALMENTE ME HA EMOCIONADO MUCHO ESTA VERSIÓN
"To applaud between movements" - you are right, o tempora, o mores!
Когда я учился, то есть во второй пол. 80-х, это было ещё из ряда вон выходящим явлением, теперь уже в порядке вещей. Последние времена...
Anyway, the rendition is marvellous. Спасибо!
Actually applause between movements was quite normal in the 19th century
I didn't know Riff Raff from Rocky Horror could play piano so well
I still don’t know.
To me, not slow, but many pauses, that make all sounds meaningful, and musical. Fantastic play!
El segundo movimiento es muy profundo y el tercero muy apasionado
Lighting, as if on the subway at 1 am. At the last station..
if you want to hear more about this marvellous artist that is Valery Afanassiev and know more about CD's, Writings and News you can find it here :
www.valeryafanassiev.com/
Schubert ... Grund eine Menschen Geschichte klingen lassen - mehr Ordnung, mehr Sinn und Seele, mehr Farben ... wünscht man sich.
even Richter plays it faster. Every single detail is disclosed.
Richter don't plays it faster....he plays it also años! The andante (2do movt) is tenebrous inclusive!!!
@@oscarignacioolavarriaaquev8363 If you think so
tengo casi el mismo apellido 😮😮😮
あんまり素晴らしいので、たった今、AmazonでCDポチッとしてしまいました。
アファナシエフの術中にはまった感じ。彼は音符だけでなく、身体全体を使って曲を表現している。彼の演奏を聴いたら、他の演奏は聴けない。
Brahms sonata violi
Idiosyncratic, sometimes annoyingly so. Can't say I enjoyed it.
Idiosyncratic, yes, and hand/arm flourishes alarming. For me, not enjoyable. A bit like a great, slow Galapagos turtle, but the turtle is beautiful.
This is perversity for perversity's sake. And even playing so slowly he still manages to hit wrong notes. All in all, a laughable interpretation. One would imagine from this abomination that Schubert never wrote a song in his life.
unfortunately agree, here -- far too much read into / and done unto / those very, very few notes which say all they have to, by themselves; the sort of performance that reminds me a little of listening to blind pianists, who tend to do too much even to a single note, for the sake of interpretation (sound 'effects', to me), or is it a backdoor for not being able to hit the right notes in the right time ...
One would imagine, due to your speaking arrogantly in the third person, that you seek attention. Congratulations. You've drawn attention to yourself.
idiot : all Schubert 's tragedy is there and you don't want to know about it
@billinrio: "This is perversity for perversity's sake."
In other words, he has understood Schubert. Wonderful!
@@EdLuhrs He or she is not writing in the third person. The use of "one" in this context is perfectly ordinary rhetoric. The writer could not easily phrase it using the first person. He would have to say, "I could imagine from this abomination that Schubert neveer wrote a song in his life," which makes no sense.
Poor Schubert.