Brava! Give me a singer like this today! Projection, full chest voice, well integrated voices, and a sound based on release with a staccato that is the envy of everyone. Viva!
Surprisingly loud and graceless. I’m amazed. Nordica’s recording, made the same year as this, shows a Wagnerian soprano at 54 singing it superbly, trills, runs and all.
Italian vowels are much BETTER suited for opera, seen that they created the pentagram and basically the entire structure of classical music and opera itself. It's actually close French vowels that are much less suited for opera, in fact as a language it sounds 'musical' because of the constant liasons fonetiques all over the place. But in terms of music, it's not really suited. BTW, I am bilingual
![[Great sound] Luisa Tetrazzini: "Bel raggio lusinghier" (Semiramide), 1910](http://i.ytimg.com/vi/s1e2sx8OFMw/mqdefault.jpg)
![[Great sound] Luisa Tetrazzini: "Bel raggio lusinghier" (Semiramide), 1910](/img/tr.png)
Wow! What a woman and what a great singer! I love this recording
Brava! Give me a singer like this today! Projection, full chest voice, well integrated voices, and a sound based on release with a staccato that is the envy of everyone. Viva!
Stunning what a large sound and flexibility.The trill @ 2:30 comes from other solar/sonar systems.
magnificent transfer of the the incomparable miss t!!
It’s not a good transfer. It’s the restoration job.
She was great, perfect singing, just amazing!!!
La più grande di tutti i tempi!
Unsurpassable.
PERFECT!!!!!!!
Great
ADORA ADOR te!!!
Surprisingly loud and graceless. I’m amazed. Nordica’s recording, made the same year as this, shows a Wagnerian soprano at 54 singing it superbly, trills, runs and all.
Graceless? Are you deaf?
Nordica has to sing it at half speed.
The recording made in 1910 by her is better in my opinion.
Another amazing display of lost talent. That aria is hard enough as “Je suis Titania”, but to do that with Italian vowels....
Italian vowels are much BETTER suited for opera, seen that they created the pentagram and basically the entire structure of classical music and opera itself. It's actually close French vowels that are much less suited for opera, in fact as a language it sounds 'musical' because of the constant liasons fonetiques all over the place. But in terms of music, it's not really suited. BTW, I am bilingual
4:17
le classifiche non si fanno lo so! ma rispetto alla Tetrazzini alcune Divine(così chiamate dai loro fans)sembrano delle impedite!