daisan de mukau mekki ga ōu NIGHT aimai ni gikō iki OR DIE uso no nekkyō ikidōru LIFE tomu tanin no michi no wadai kōru minikui meiro wa nai oi no imi henkō o CRITICAL wa? Umaranai garari sarani mawari kurikaesu mirai ga irai kī ni naru gūzō o haki shinai e ni dō dai? bokutachi no LATEST saishin no NUMBER kuyashī omoi wa yasashiku naita bokutachi no LATEST saishin no NUMBER kanashī omoide tadashī miraida ai ni betsudan iki taenai isō ni michitarinai hoemi no BLUE ai ni betsudan iki taenai WE SAW A RAINBOW bokutachi no LATEST saishin no NUMBER kuyashī omoi wa yasashiku naita kimitachi no LATEST saishin no NUMBER kanashī kurai ga atarashī mirai sa mirai ka? Aita (tōei suru) bokutachi no LATEST saishin no NUMBER kanashī omoi ga atarashī mirai da? Mirai da
It does sound like it'll be a long tomorrow though. I wonder if there is a significance to that. This song is so sad: realizing the meaninglessness in a relationship where one does not feel it. "Our Latest Number" like it's the end and looking back at what it was: imagining at one time... But no, it was devoid... I get the feeling she's gone. "You go"... This isn't the future we imagined, but regrettable refusal is the reality. I feel the ebb and flow, and I think the connection is more than just a drum beat. I think it's understood people would recognize the connection from the drum beat to "You Go", but that drummer is one of the most creative I've ever heard, so I can't help but think there is some connection and meaning to it. I mean, this isn't AC/DC where every beat is the same lol. Though, I feel like the girl at the end in writing this (or the director speaking through her??) [It is my understanding she is saying something along the lines of "I couldn't convey it well"]. In that, there is ambiguity that language can't clarify: I don't know if I can "convey it well", but we are all interpreters, and I believe any interpretation that can be supported is fair and true. After all, music is the medium that doesn't require a message. While there are relative themes that we can feel together, it's not the artist that creates the meaning, it's the music and we are all just as valid in interpreting that meaning. I think of it like Kahlil Gibran talks about parents and children: they come through you, not from you.
Damn, dude, this was a good analysis. I'm not sure if this helps, but they do say some words in "You Go" during the breakdown. The lyrics go as: Meet me outside See you I want you To go Meet me out (Then he whispers something, which is probably in Japanese). Also, what I realized about your analysis is that you go past the basic sound, but the similar things in both songs. To me, I would've never really put this together, due to how happy You Go seems, and the downtempo'd-ness of this song. However, whenever I listen to You Go, I imagine it as a song which can be used as a song which goes to a photo album of sorts. Like, memories flow through my head as I listen to this song, like a photo album. So, this goes back to your theory about looking back to the relationship.
I don't why but I feel that same. I just love that part and I thought it was very weird for me to like that part. Nice to see that there are more people that like this part. Also have you listened to the live version they make a variation which I really like maybe you also gonna like it. It's on the 2018 live concert.
![toe - Our Latest Number [Full Album]](http://i.ytimg.com/vi/BgB6kDPRiIc/mqdefault.jpg)
![toe - Our Latest Number [Full Album]](/img/tr.png)
Damn, I’ve never fallen in love with a song so quick
I don't know what he's saying, but I felt that
the percusion in the start is the same in "You Go"
This is the song I ran to when I found my life falling apart
SAME SAME SAME
Me rn
We're all struggling
fr
hits me right in the feels
daisan de mukau mekki ga ōu NIGHT
aimai ni gikō iki OR DIE
uso no nekkyō ikidōru LIFE
tomu tanin no michi no wadai
kōru minikui meiro wa nai
oi no imi henkō o CRITICAL wa? Umaranai
garari sarani mawari kurikaesu mirai ga irai
kī ni naru gūzō o haki shinai e ni dō dai?
bokutachi no LATEST saishin no NUMBER
kuyashī omoi wa yasashiku naita
bokutachi no LATEST saishin no NUMBER
kanashī omoide tadashī miraida
ai ni betsudan iki taenai
isō ni michitarinai hoemi no BLUE
ai ni betsudan iki taenai
WE SAW A RAINBOW
bokutachi no LATEST saishin no NUMBER
kuyashī omoi wa yasashiku naita
kimitachi no LATEST saishin no NUMBER
kanashī kurai ga atarashī mirai sa mirai ka?
Aita (tōei suru)
bokutachi no LATEST saishin no NUMBER
kanashī omoi ga atarashī mirai da? Mirai da
thank you for the lyrics, i couldn't find them anywhere
I love Toe and anytime I hear this song in particular, I think I'm watching FLCL.
such cool feelings...
It does sound like it'll be a long tomorrow though. I wonder if there is a significance to that. This song is so sad: realizing the meaninglessness in a relationship where one does not feel it. "Our Latest Number" like it's the end and looking back at what it was: imagining at one time... But no, it was devoid... I get the feeling she's gone. "You go"... This isn't the future we imagined, but regrettable refusal is the reality. I feel the ebb and flow, and I think the connection is more than just a drum beat. I think it's understood people would recognize the connection from the drum beat to "You Go", but that drummer is one of the most creative I've ever heard, so I can't help but think there is some connection and meaning to it. I mean, this isn't AC/DC where every beat is the same lol. Though, I feel like the girl at the end in writing this (or the director speaking through her??) [It is my understanding she is saying something along the lines of "I couldn't convey it well"]. In that, there is ambiguity that language can't clarify: I don't know if I can "convey it well", but we are all interpreters, and I believe any interpretation that can be supported is fair and true. After all, music is the medium that doesn't require a message. While there are relative themes that we can feel together, it's not the artist that creates the meaning, it's the music and we are all just as valid in interpreting that meaning. I think of it like Kahlil Gibran talks about parents and children: they come through you, not from you.
Damn, dude, this was a good analysis. I'm not sure if this helps, but they do say some words in "You Go" during the breakdown.
The lyrics go as:
Meet me outside
See you
I want you
To go
Meet me out
(Then he whispers something, which is probably in Japanese).
Also, what I realized about your analysis is that you go past the basic sound, but the similar things in both songs. To me, I would've never really put this together, due to how happy You Go seems, and the downtempo'd-ness of this song. However, whenever I listen to You Go, I imagine it as a song which can be used as a song which goes to a photo album of sorts. Like, memories flow through my head as I listen to this song, like a photo album. So, this goes back to your theory about looking back to the relationship.
we definitely need more serious analysis like this one sir, thanks a lot
really well said in everyway and I think we would really get along. happy life
Those first 45 seconds is pure art
Right? It's amazing
@@mohammadshabih5293 yeah true mastery
I don't why but I feel that same. I just love that part and I thought it was very weird for me to like that part. Nice to see that there are more people that like this part. Also have you listened to the live version they make a variation which I really like maybe you also gonna like it. It's on the 2018 live concert.
I'll take a look thanks@@laika4048
How can someone dislike this man smh
what do you mean dislike? This video has zero dislike lmao
@@pixelwoody6493 hahaha
probably because its mediocre, no offense
@@slikedollar4656/I forgot what the next line is, but if you can cover it please do
Thank you!
Atlast wait is over... Been waiting for all these years, toe to release such a beautiful songs... U guys r amazing..
This song is happiness.
Beautiful
Love this group
incredibly chill
best song
Sempre muito inspirador ! Parabéns !!! Não se esqueçam de voltar ao Brazil.
E já vieram pra cá? Qual cidade e quando?
@@kevinlima3840 sim, vieram. janeiro de 18, São Paulo.
@@victorpereiradebarros1068 sdds desse dia
Queria ter ido a esse show, mas eu era menor na época :c
Não fiquei sabendo! Que triste ter perdido. Deve ter sido uma experiência e tanto
Dont know Japanese but damn the feels.
bestest song
ชอบมากครับ ทำมาอีกเรื่อยๆนะครับ ผมฟังวงคุณอยู่
спасибо!
2:28 Can't avoid to shout a Wuuuuu at this moment.
2:30 best part
The basss
Is Toe still active?
yup
yup
@@kipkipfulyup
yup
I know rain.
Based