The reason you may have sticky pads is because you may not be getting all of the moisture out of your instrument after your finished playing. @Brendan Toohey
THANK YOU for pointing out the drawbacks of hot glue. I'm a fan of shellaque with cork...I find I get more feedback. It's very important that I FEEL the core & center of my sound (if now, how can I tune?) I prefer manual to automatic transmission. Also, I find I don't have control with the squishiness of valentino masters (even when properly put in). It's maximum press is seal, so I find my wrists become more encumbered. And finally, I simply feel that I have more control over colors when the seat is absolute with minimum effort, and with as least-deceptive feedback (again, strong resonating center entering into my skull and ears). But, I understand that many clarinetists today are averse to said feedback. But that is a lack of pedagogy, as proper education is needed to inform the differences between "near" sound and "far" (the audience's perception).
I would love to see more of these repair/adjustments/options type videos so when we send our clarinets to a shop we know what some questions/options to ask about. #12daysofbackun
What is the melting point of the pelletized glue? The "flexible stick," if it's what I think it is, has a working temp around 150-200C. I haven't found it to be stringy, but I usually do a little twirl at the end, like they do with soft-serve ice cream:-) When you've used a stick, did you ever apply it directly to the pad, rather than to the cup?
What kind of pallatised glue do you use? How is it called? And another question if I may, I have a wooden Irish flute and, the pads are about 1-1.5 mm thick (not all of them are the same thickness) and 15mm in diameter. I want top quality synthetic pads, do you know where can I get some? I live in Israel, so I want to order online.
I try to match up what is in the clarinet unless it is a full repad. If a skin pad sticks I don't try to clean it, just clean the tone hole with a microfiber cloth and replace the pad. If a pad sticks the skin has pulled away from the felt and will usually buzz.
Which type of pads do you prefer?
I prefer the LP-Gortex pads. They are waterproof, and they feel quite firm to the touch.
I like any pad that seals without sticking. Any tips for cleaning sticky pads?
The reason you may have sticky pads is because you may not be getting all of the moisture out of your instrument after your finished playing. @Brendan Toohey
@@alexandergasparyan6173 yes, but any tips on how to clean them if they're sticky?
@Brendan Toohey That is a really good question that I can’t seem to find the answer to.
Thank you! This was extremely helpful.
You're welcome!
THANK YOU for pointing out the drawbacks of hot glue. I'm a fan of shellaque with cork...I find I get more feedback. It's very important that I FEEL the core & center of my sound (if now, how can I tune?) I prefer manual to automatic transmission. Also, I find I don't have control with the squishiness of valentino masters (even when properly put in). It's maximum press is seal, so I find my wrists become more encumbered. And finally, I simply feel that I have more control over colors when the seat is absolute with minimum effort, and with as least-deceptive feedback (again, strong resonating center entering into my skull and ears). But, I understand that many clarinetists today are averse to said feedback. But that is a lack of pedagogy, as proper education is needed to inform the differences between "near" sound and "far" (the audience's perception).
Thanks for sharing by putting out this video!!
Glad you enjoyed it!
Thank you, this was very, very helpful. I repair instruments for a San Francisco non-profit and am new to all of this.
Glad it was helpful!
I would love to see more of these repair/adjustments/options type videos so when we send our clarinets to a shop we know what some questions/options to ask about. #12daysofbackun
Noted!
What kind of material is the white clarinet in the back made of?
It is a 3d printed prototype!
My B flat key on the lower barrel doesnt want to seal properly, do you think the needle spring is simply too weak? Its a new instrument
What is the melting point of the pelletized glue? The "flexible stick," if it's what I think it is, has a working temp around 150-200C. I haven't found it to be stringy, but I usually do a little twirl at the end, like they do with soft-serve ice cream:-) When you've used a stick, did you ever apply it directly to the pad, rather than to the cup?
I have a old clarinet and the pad on my register key is cork. the rest are regular white, not sure why it's like that.
What kind of pallatised glue do you use? How is it called?
And another question if I may, I have a wooden Irish flute and, the pads are about 1-1.5 mm thick (not all of them are the same thickness) and 15mm in diameter.
I want top quality synthetic pads, do you know where can I get some?
I live in Israel, so I want to order online.
I try to match up what is in the clarinet unless it is a full repad. If a skin pad sticks I don't try to clean it, just clean the tone hole with a microfiber cloth and replace the pad. If a pad sticks the skin has pulled away from the felt and will usually buzz.
This is so beautiful, how do I get your contact details?
Thank you for your kind comment! Please feel free to email us at sales@backunmusical.com if you have any questions about Backun or our products.
let's talk about that clear clarinet...
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