Ilya Grubert plays Wieniawski Variations on an Original Theme - video 1978
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- Опубликовано: 14 окт 2024
- Ilya Grubert at the 1978 Tchaikovsky Competition winners' concert, playing Henryk Wieniawski's Variations on an Original Theme, op. 15. Grubert shared first prize with Elmar Oliveira. The pianist is Margarita Kravchenko.
Илья Груберт - Генрик Венявский
Why wasn’t this guy more well known? Phenomenal. The emotional intensity of his playing is immense. Not to mention the technical mastery. Also he takes the technique of a ‘slightly slanted bow’ to a whole new level!
I am a concert violinist. His
playing is of a great master
and the best I ever heard.
I am speechless!!!
А как ваше имя, концертируюший скрипач? Что то мне подсказывает, что мне виднее, насколько вы концертирующий скрипач
@@Steinbrennerheit Why cannot you read it?
He was my teacher together with Zinaida Gilels …humbling life experience…
I have studied with Zinaida Gilels too...She was incredible❤
That left thumb leaving the neck whenever a powerful vibrato is required is such an original way to relax the wrist.
Ну, это необходимо, если ладонь узкая....
@@sophiebokova3571 Would you mind translating to English?
Musically Tasteful and technically perfect !
Мне было 17лет тогда, я закончила 1й курс музучилища и я не понимала масштаба молодых советских музыкантов, выступавших на том конкурсе. А сейчас, прослушав, я просто поражена. Скрипичная школа во всем блеске! А какая экспрессия! Неслучайно публика не отпускала скрипача - тогдашняя публика обладала большим опытом слушания отличных музыкантов, следовательно, развитой интуицией, и была весьма грамотна. И. Груберт стал несомненным открытием и украшением конкурса.
Супер
Bravissimo Maestro ❤
I am highly alarmed by the way he entirely releases his left thumb for juicy vibrato
He releases it only for a glissando.
@@valeriakuchment2602 and for the vibrato in higher positions
My favorite version!! Definitely wild enough and not held back by the technicality of the piece.. this piece needs to be played so fluently as to where the you need to be able to bend the mathematics of Music with ease.. most players play too on the beat and too organized because they’re concentrated on not making a mistake or concentrated on maintains a full sound.. pieces like variations need to transcend those steps and truly bring the theme to life!! Wonderfully executed and controlled playing here!
@@rubbishcomments7269 listen to Kogan, he is the best imo. In fact, Grubert steals that run in tenths before the final chord from Kogan! Wieniawski didn't write that in.
.@@rubbishcomments7269
C’est d’une telle intensité ce son qui va chercher au fond de notre cœur. Cet artiste donne vraiment tout. C’est incandescent. Là on peut dire que la virtuosité est au service de la musique. Une technique éblouissante mais pas pour éblouir. Chaque note est trempée dans la lave de son âme avant de nous être servie. Le violon est un instrument diabolique mais tellement beau. Merci d’avoir posté ce chef d’Oeuvre.
Великолепный дуэт!
Superb! Brilliant! I like him much more than Gedeon Kramer. But he is less known.
Vorrei sapere perché quei sedici hanno cliccato su non mi piace.. Un' violinista con una bellezza musicale e violinistica superlativa.. Grande.
L'invidia è una brutta bestia...
@@f3dyt😂
Et encore un magnifique représentant de la TRÈS GRANDE école Russe de violon...
Bravo.!
Душа скрипача с инструментом просто слитна, технически умезавараживающе!
Потресающще, брависсимо!!!
Such beautiful music, brings tears to my eyes played with such virtuosity, makes me think for some reason of Paganini
He looks like Paganini a bit..
Superb playing!! Also the way he holds the violin,looks like the instrument may fall on the floor at any moment kkk
Thanks for posting this, wonderful playing. His elder brother is a superb pianist.
Beautiful, thank you 🙏
Sublime. Massimo livello storico. Per ora l'avrò ascoltata 50 volte. Spero di arrivare a 50 000!!
Tutti i motivi che rendono il violino grato al genere umano sono formidabilmente presenti in questo magnifico artista . PUNTO !
Great live performance
Bravo!!!!!!
Абсолютно безупречно! Думаю Веняский Там улыбается сейчас от радости ,что его скрипка и его музыка ожила в самом лучшем ее возможном варианте! Мы слышим Венявского! Это встретились две родственные души!
ФАНТАСТИКА!!!
Какое изяшество игры.
Какая красота рук.
Рожден для скрипки а скрипка для него.
Damn, this dude is a machine
He's really amazing! Great interpretation.
His fingers are so long!!
longer than phrases of a lot of violinists ))9)0)
Superrr
That orchestra face is something special
MAESTRU🤔😯🎻👏👏👏🥰💐💐🍀🍀🍀👍🙋
Гениально!
Beautifull
Fantastic - wonderful that this archived material has been made available so many years later. Brilliant!
Гениальное исполнение , причём по особому гениальное скрипично
Bravo!
Lowkey want twoset to react to this.
Просто феноменальный!!!❤👏❤👏
Assolutamente una leggenda del violino. Davvero immenso
DIVINO!!! COMPLIMENTI VIVISSIMI AD ENTRAMBI 👍👌👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏 Cordiali saluti, Anna e Luigi
9:45 is that Eugene Fodor, joint second prize winner of the violin division of the 1974 Tchaikovsky competition (first prize wasn't awarded that year)? Sure looks like him.
featured in the book titled the way they play book 9
says he won the paganini competition
placed second in the sibelius competition
and as you said co-winner of the 1978 tchaikovsky competition
Music ..and pure instinct
Incredible he can play well with such low violin hold and absolutely crooked bow
I think the reason why his violin is in a low position is maybe because it allowed his arms to be in a relaxed position rather than having to raise it up to a higher unnatural position that would be achieved if he used a shoulder rest (using a shoulder rest would lift the violin up higher)
Edit: so he does use a shoulder rest but its thickness is very low so it probably didn't raise the violin a lot but only to the point that he could rest his head on the violin comfortably. That's my best guess
51. Incredibile. Mi riconcilia con l'esistenza
Wow dude ....such fire and control ..this kind of control is rarely seen
Great interpolation right at the very end but surprised at the somewhat sluggish tempo of the final section.
Listening the third time today, can't stop listening to it. It hypnotized me... Did he win the competition?
Да, разделил 1 место с Элмаром Оливейрой(США).
Si
He and Elmar Oliveira shared first prize.
I would lose both my legs for one of those right arms...
Please...can we make a trade?
@@dogpaw814 i think it's more like brain, not arms. your brain makes you to do the hand movements like this, so you can trade your legs for his brain maybe)
@@nikitamozhegov6944 thanks smart ass
Isnt that to intense? u love it so bad?
Такой невероятный, сочный звук!
Мастерски, великолепный, своеобразный скрипач! Чудесная игра, столько души в игре!
Здається саме ТАК грав сам Венявський 👏👏👏
Думаю, что хуже.
Фантастика!
Нельзя ли его 1 й Паганини с 3 го тура поставить?
И Оливеру с 5 м Вьетана..
P, S. Аккомпониатор тоже прелесть.
Гениальное исполнение
2:27 he is so calm in this place. I mean, his face mimic! And that trello was so fast. Does he only for me looks like a Paganini a bit?...:D
Есть же
Гении на Свете!!!
Шикарное исполнение солиста с аккомпаниатором! 😊😊😊
Just phenomenal!
Абсолютно фантастическое исполнение!
Bravo! My only complaint: Those microphones are distracting...
Lol whata beast...his bow arm reminds me of kogan!! Such a gentle release but such a power catch at the beginning of each note
Such 🔥
Such control
MARRIED TO MY VIOLIN cause he was a student of Kogan
Lol yeah, found out after I wrote this. AMAZING BOW
MARRIED TO MY VIOLIN amazing everything! But he has also some personal things in the bow that are not coming from the "school"
Ottimo Bravo
About 6.13 never heard such fast tempo ( flageolets )
How am I supposed to play DAT?!?!?!
Haha! In your dreams you’ll sound this good. Me too hopefully…
those fingers hahaha
Why would we want to see his bow arm during the staccato section when we could instead have a 30 second shot of the audience? 😂 Great performance, though.
Margarita Kravchenko
Thank you very much Marina
you did know that?
I didn't know that :)
then there's a prooflink
records.su/show.php?albumid=11695
Thank you
he looks like someone from 1887...
Producing sounds of furious perfection, but why looking like he is reacting to a fowl smell??
Concentration
This is the piece that I am playing now. Maxim Vergenov is my cousin and is teaching me DAT!!!
Leon Grischuk right. And Sarah Chang is my mom.
@@joelkang7113 uh-huh. And Itzhak Perlman is my grandfather.
Peasants please.
My son is Heifetz
@@guii8993 lmaoo 🤣🤣🤣🤣
@@선반영-i4b You beat me to it. 😂.
Вчера посмотрел запись Ойстраха с концертом Брамса от 1963 года...я как раз родился в этот год. Видался с Грубертом в январе 2000 года в Питере - он играл Чайковского, а в первый слушал и смотрел по телевизору на конкурсе Чайковского в 1978-м - мне было 15. Прошло 44 года. Что в итоге? - слушать его исполнение скуШно...потому что это больше напоминает преодоление скрипичных трудностей и демонстрацию, когда нет Музыки. У Ойстраха и Когана была и осталась Музыка. Это называют "говорящий стиль" - они через скрипку говорили с нами. Сейчас у многих т.н.исполнителей всех конфессий по всему миру не нахожу главного - Музыки, которая через инструмент доходила бы до слушателя. Шум и овации есть, а Музыки нет. Это не предпочтение одних перед другими - это факт и отражение духовной пустоты исполнителей, которые не стали личностями...за редким исключением - последним из великих сейчас однозначно назову Виктора Третьякова. Об этом можно до судорог спорить - это моё мнение. Неслучайно, видать, на июльской фотке 1982 года в Москве Исаака Стерна из всех коллег больше всех привлекал именно Третьяков - их было не разодрать и им было о чём поговорить...я помню эти мгновения. Этот конкурс Чайковского был последним и для Когана - уходили великие...сейчас в начале 21-го века таких не наблюдается.
Super shame to ruin this with commercials. Used to be my favorite. 😔😔😔
Unfortunately the company which owns the footage has put ads on it.
RUclips Premium, so much more quiet and less distracting…
@powerflower6727 call me old fashioned but I think it's cooler to spend my money paying my bills, feeding my family, financing projects in my real life that I love like art and muscle cars, and just choose to walk away from over commercialized content. 🤷♂️🙂
By all respect for the wonderful playing, why do some Russian players look like as if they hate the violin, the music, the playing? This piece has not only intimate lyricism and utmost virtuosity but also lightness, charme, elegance and even humor.
In sowjet union they where only allowed to look like 5:10 ^^
Well... aren't you supposed to listen to the music -not to .... watch it...????
I'm very happy to see a real musician here, not some kind of Disney-like stupid smiling face as is the habit so often nowadays.
Perché? Materialismo. Molto semplice. In Russia potevano suonare interpretando così. Questa nella mia opinione è massimo livello storico però.
@@marcofornaciari3042 Si. Sono d'accordo. Si tratta di un livello altissimo. Molte cose ad amirare. Però tutto il pezzo è leggiero in carattere e c'è abbastanza di umore anche. Per me la sua interpretazione manca un po' questo lato. Nonostante lui suona stupendemente e il virtuosismo è fantastico. Tantissime cose ad amirare...
This guys face makes me so mad idk why
ZzzDayDream nobody cares
lacks generosity?