Wow, I just immensely enjoyed the NYC ballet MOVES in this Duo at their first visit to the Fisher center at Bard College with Peter Martins present, talking about Robbins and Balanchine.
I'm glad Peter kept Kay on. And having her co-chair the School of American Ballet. That's perfect! I remember how Stephanie Selby talked about her in A VERY YOUNG DANCER--her whole experience, getting an autographed pair of her toe shoes right after the performance. Now as we all know... When dancers are too old to dance (at least professionally), they should have something else to do. When the hoofer can't hoof anymore... All of Balanchine's ballerinas should have a job at NYCB... Including Eddie Villella. Why did he have to up and go to Miami? I wish Peter himself had stayed. The man's soul seemed to belong to the City Ballet...
I would love to know exactly what he said when Lincoln kershein offered him a ballet company in new York . What were the words from the man of few words, then? Compelling.
Projections is a strong, feeling ????? Well,. I made the world ddr wall, not the stages That's me,. Dancing is fun, so ballet no, I went to Martha Month, left after 2 week's That's my, discipline,.
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Peter Martins is so good with Kay Mazzo. More humble and appealing than in other interviews. These two dancers danced fabulously with one another.
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Soooo wonderful this!! The humor, the intelligence, the wisdom, and what I truly love: DON'T COUNT!! Yeah, LIVE that music!!!
So interesting to hear the dancers in conversation with a musician, shedding light on Balanchine’s multi-disciplinary approach.
Wow, I just immensely enjoyed the NYC ballet MOVES in this Duo at their first visit to the Fisher center at Bard College with Peter Martins present, talking about Robbins and Balanchine.
Most inspiring. How fascinating that Balanchine did not count through the music.
I'm glad Peter kept Kay on. And having her co-chair the School of American Ballet. That's perfect! I remember how Stephanie Selby talked about her in A VERY YOUNG DANCER--her whole experience, getting an autographed pair of her toe shoes right after the performance.
Now as we all know... When dancers are too old to dance (at least professionally), they should have something else to do. When the hoofer can't hoof anymore...
All of Balanchine's ballerinas should have a job at NYCB... Including Eddie Villella. Why did he have to up and go to Miami?
I wish Peter himself had stayed. The man's soul seemed to belong to the City Ballet...
So fascinating.
Stravinky's Duo Concertant Dancers: Kay Mazzo & Peter Martins Violin: Cees Van Schaik Piano: Gordon Boelzner
ruclips.net/video/dgd4-3hWuX8/видео.html
I would love to know exactly what he said when Lincoln kershein offered him a ballet company in new York . What were the words from the man of few words, then? Compelling.
Projections is a strong, feeling ?????
Well,. I made the world ddr wall, not the stages
That's me,. Dancing is fun, so ballet no, I went to Martha Month, left after 2 week's
That's my, discipline,.