I always do panos in vertical mode, which results in a wide and tall image. The other critical tip is to remove any polarizers from your lens. In the beginning, I ruined panos when I left a CPL in place. Excellent video, Mark. Great explanation.
It is Wednesday, another video from Mark and another change to learn something. Life is good. OK, the fact that my wife is cooking a steak dinner also helps to make it a great day.
I always shoot my panos in portrait orientation. Gives you more room to work with on an image. I also use a nodal rail which reduces the parallax distortion of panos
Thanks Mark - you just eliminated the intimidating (for me) choices around those tools for doing panos. Now I have no more excuses to avoid the process! 👍
i watched a webinar a while back and the photographer mentioned that she often shoots waterfalls in a panorama to help keep the grandiose perspective of the falls. I happened to have shot the same falls with a very similar composition in the past which really helped me to wrap my head around the technique. I used a wide angle to get the shot and I assume she shot much tighter with a 2 4 or 6 shot pano. Her shot completely showed the true scale of how grand the waterfall truly is, where mine , probably shot between 15-20, really made the falls look kind of small. This was dry falls in Highlands NC which you may know. I'm looking forward to getting back and trying some panos of places ive already shot to compare. As always, thanks for the 411.
How does one effectively stitch a waterfall? Unless you used long exposure, I would think that the moving water between the shots would be quite noticeable without a lot of post-production work.
Awesome as always, Mark! (Please - never apologize for spending time to teach us valuable tips & tricks! You are always worthy of the time we invest in your tutorials!) I haven't done too much with panorama's but this has inspired me! I plan to experiment with this in the coming months (summer is coming!). Many thanks. Loved the tutorial. With love from Atlanta.
6:40 I use camera raw which I think uses the same merge engine, but I actually find perspective works very well for merging images taken with telephoto lenses (starting around 70mm full frame equivalent, and needing a higher focal length the more images I merge)
I take quite often in real estate photography. Initially had a multi level pano head over the focal center for parallax control and compass degrees for overlap, but now, just handhold for speed. Initially started with landscape mode like you did. Now portrait mode only. So much more control of the finish product, with greater sky and foreground, so much more area for cropping that rock position without being limited by the white boundaries limiting the frame. Also, no need to use boundary warp or other stretching due to the excess you have to work with. For framing each shot overlap, while the grid will give you thirds, I find a marker in the viewfinder. What is touching it - example, a tree - move the tree to the edge for the next shot and note what is hitting that marker for the next shot as it is moved to the edge.
Agree 100% with all of this! I also shoot most of my panos hand held, unless it’s a night pano or pre sunrise etc., and as long as you have your spirit level on in the viewfinder it works perfectly 😊
I took a business trip to BC soon after getting my first DSLR. I brought my camera along and thought I'd take a few photos, time permitting. It was winter and I convinced the hotel staff to open the patio for me late in the day, where there was a gorgeous vista. I had experimented with a few panos in Lightroom, but this time around I took 15 (5x3) handheld photos, 24 megapixels each. Lightroom stitched them together wonderfully, and that was about 8 years ago. The final image after overlap and cropping was about 150 megapixels. The picture's nothing to write home about, but the process was very successful and impressive.
Hi Mark, this presentation reminded me of the time when panoramas were created in the darkrooms. Just imagining the transition is overwhelming. Thanks for this post. Have a nice day!
That was brilliant! I've been wanting to give pano stitching a go for a while and this removes some of the fear that I had that it would be a complicated / difficult process. Thanks Mark!
Very interesting. I’ve never done panos before. Now I want to give it a try. Seems to me that you need something large in the background like a mountain for a great image.
Not necessarily, I shoot all sorts of scenes as panos - lakes, countryside etc. - it’s especially good for water reflections such as dramatic cloud texture in a lake or whatever.
Great educational video! Thanks! I only miss one important issue. And that is that, i think, to have the shots you merge into one pano should all have the same lighting. So put your camera on manual mode. Thanks again!👍
Great video. Like others, I have used Pano but without understanding some of the differences and options you reviewed. I use it hand held, portrait orientation. It's important to use manual settings to ensure that all the images are exposed the same. I don't bother to fix the focus as, for anything at a distance, it's not going to change from shot to shot. I am jealous of how fast your computer processes these panos. Mine takes forever.
That’s a great point about shooting in manual (vs something like aperture priority) to avoid the exposure changing and giving you banding in the sky - I was surprised he didn’t mention that. And on focus, I’d agree, but if you’ve ever tried doing a pano in a woodland, where some elements are quite close to you, then making sure your depth of field is enough to ensure all elements are in focus becomes really important. I only discovered this by getting it wrong the first time!
Great advice as always! I am a firm believer in never letting the machine/software/AI make decisions for me. At the end of the day, they are just tools, AI or not. Creativity is the fun part! Why on earth would I want to delegate that to a piece of software? Anyway, I totally agree that we should make all the decisions after examining the results.
Excellent video Mark. I also shoot my panos in portrait orientation like the previous commentator. Never mind if you go long in your videos, it's always a pleasure to watch and listen to your expertise. Thank you for a great video. I really do appreciate that you explain the details in your videos, including all the options, as sometimes we might just get used to doing things a certain way and not realise that right in front of us is a button that makes our job so much easier, or improves the quality of our photo. I have learned a great deal from your videos because you put the effort into finding these details for your viewers :)
Thank you, Mark,and thank you, God, for the refresher coarse .going to Kauai in April only taking prime lenses. Will most definitely be taking panoramic ❤ Rees
Hi, Nice video and great use of examples! A few things I’d like to add: .. Sure, the Photomerge option is the best way to start, but CTRL+M is better later on when there’s more familiarity. .. You didn’t mention that the Preview window can resized to fill the screen - very useful with larger panos! .. I have found that the Perspective option is the only one that works when the scene stays in place but *you* move. For example, you’re taking good photos of your wife’s artwork (which I do) and it’s 4-feet long alcohol ink piece. I use a stand for the camera and move the piece across. LR no longer has that single viewing perspective and has to stitch differently.. Thanks, Sean.
Thank you. I have had a lot of problems making a pano with a 24 mm lens with astro picture. Lightroom and photoshop did all sorts of crazy things. This leads on to the question does the focal length have an impact on producing a more realistic pano.
Great tutorial! Another video I can suggest if anyone has questions about panorama settings in Photoshop/Lightroom. Towards the end of the video; I actually checked my 2022 folder and more than 60% of my panoramas were photographed on my 150-600mm lens. I never thought about this at all., Thanks a lot for making me notice - will definetly help me to explore the wide angle pano a little more this year :)
Love your methodical approach of looking carefully at what each option does. Leads to very clear understanding of the why. Had never considered telephoto pano. Going to try that on a city skyline.
Brilliant walkthrough! I really don't enjoy the process LRC does pano. I almost always run that through PS. I feel it makes a lot more realistic outcome. But I'm reall feeling the help from doing pano's, like you demoed. Even just to expand the scene slightly on each side, without having to mount the wideangle lens. It's really fun also having the benefit of getting the extra Mpixels too.
Fantastic video, used to do stitched panoramas many years ago but never kept up with it. Definitely worth revisiting as a way to reinvigorate my photographic journey.
Great introduction video to PANO Mark. If you do another video in the future perhaps add a discussion on using a nodal rail for parallax error. Also a ball head with indexed stops helps keeps your picture spacing consistent.
At about 10:15 , what I’m still missing is a LrC function the automatic crop of the transparent sections can be also done after the merger to dng. The functionality is there, but for some illogical reasons only available in the panorama merge tool but not in develop mode.
Great video! I haven't tried using boundary warp with auto-fill like that, I'll have to try it! I've run into this problem many times, where the part I want at the middle bottom is lower than the side photos. I end up either cropping out what I wanted on the bottom, trying to get content-aware fill to work (haven't tried the new photoshop beta generative fill on these), trying to get boundary warp to work, or I crop the photo so I get the middle bottom stuff, but now I've lost the pano. What I do now is I take three rows. The middle row is what I want in the pano. Then a row below that and a row above that. Now when I stitch them together, I don't have to drop out what I wanted in the bottom middle. I usually crop quite a bit because I didn't want all of that extra stuff above and below, but I don't have to do boundary warp, content-aware fill, etc. I now have a photo that has everything I want in it and can just crop out the rest. :)
Another great video Mark, making this subject so interesting. I'm quite a lazy photographer really and despite being curious about panos, I've never bothered to do one before. Your video has changed my view and I'm now looking forward to trying it out.
Another great video, man. I'm jealous of your trip to Norway. It is hopefully on my list of places to shoot in the next few years. Thanks, as always, for taking the time to share your insight.
I switched over to a modified fluid head with a leveling base that Hudson Henry touts on his channel. It works wonderful for shooting panoramas. Multi row and vertical panos are much easier because your always level.
I always do panos in vertical mode, which results in a wide and tall image. The other critical tip is to remove any polarizers from your lens. In the beginning, I ruined panos when I left a CPL in place. Excellent video, Mark. Great explanation.
Yep, Agree, capturing in vertical gives you more cropping options 👍🏻
Same here, otherwise the pano often ends up too long and thin.
What’s the problem with CPL’s? Angle of light?
Yes, the polarization effect won't be uniform across the width of the image.
Thanks for the polarizer info. I did not know that.
It is Wednesday, another video from Mark and another change to learn something. Life is good. OK, the fact that my wife is cooking a steak dinner also helps to make it a great day.
VERY helpful!!! The best PANO presentation I’ve come across for beginners such as myself in pano. Thank you, Mark! ❤
The panning while checking the histogram is a great tip! Good to keep in mind. Thanks for that!
please do a video on HDR pano in Lightroom Classic
I always shoot my panos in portrait orientation. Gives you more room to work with on an image. I also use a nodal rail which reduces the parallax distortion of panos
Thank you for sharing your knowledge. It made it really easy to understand.
Mark, thanks for great demo, do you have an episode on focus stacking?
P.S I hope you enjoyed your Bali trip.
Thanks for the in depth comparison of the Lr tool! The ‘fill edges and places a house in the mountains’ is hilarious 😂
Thanks Mark - you just eliminated the intimidating (for me) choices around those tools for doing panos. Now I have no more excuses to avoid the process! 👍
Excellent video. I’ve shot a lot of panos but never slowed down enough to experiment with each option in such a disciplined way.
Great video...good refresher. Haven't done them in awhile and only in Photoshop. Glad you can stay in Lightroom now.
Great tips, Mark - Thank you!
Great video, thanks for sharing Mark. I haven’t tried panos before but will now give it a go 😊
i watched a webinar a while back and the photographer mentioned that she often shoots waterfalls in a panorama to help keep the grandiose perspective of the falls. I happened to have shot the same falls with a very similar composition in the past which really helped me to wrap my head around the technique. I used a wide angle to get the shot and I assume she shot much tighter with a 2 4 or 6 shot pano. Her shot completely showed the true scale of how grand the waterfall truly is, where mine , probably shot between 15-20, really made the falls look kind of small. This was dry falls in Highlands NC which you may know. I'm looking forward to getting back and trying some panos of places ive already shot to compare.
As always, thanks for the 411.
How does one effectively stitch a waterfall? Unless you used long exposure, I would think that the moving water between the shots would be quite noticeable without a lot of post-production work.
Thanks for the helpful information Mark!👍
Another really interesting video Mark, thanks for sharing.
A very useful and inspiring video; thank you very much Mark!
Nice!
Thanks for a informative video!
Have a good week!
Awesome as always, Mark! (Please - never apologize for spending time to teach us valuable tips & tricks! You are always worthy of the time we invest in your tutorials!) I haven't done too much with panorama's but this has inspired me! I plan to experiment with this in the coming months (summer is coming!). Many thanks. Loved the tutorial. With love from Atlanta.
Superb vid, Mark. The most thorough tutorial on processing panos I've seen -- and I've seen a lot over the years!
6:40 I use camera raw which I think uses the same merge engine, but I actually find perspective works very well for merging images taken with telephoto lenses (starting around 70mm full frame equivalent, and needing a higher focal length the more images I merge)
Interesting! I will try that 😊
Thanks, Mark. It's a very good instructional video.
Wonderful mark it was really fantastic to learn from a master
Thanks for showing examples of the different options in Lightroom. Very instructive.
I take quite often in real estate photography. Initially had a multi level pano head over the focal center for parallax control and compass degrees for overlap, but now, just handhold for speed. Initially started with landscape mode like you did. Now portrait mode only. So much more control of the finish product, with greater sky and foreground, so much more area for cropping that rock position without being limited by the white boundaries limiting the frame. Also, no need to use boundary warp or other stretching due to the excess you have to work with. For framing each shot overlap, while the grid will give you thirds, I find a marker in the viewfinder. What is touching it - example, a tree - move the tree to the edge for the next shot and note what is hitting that marker for the next shot as it is moved to the edge.
Agree 100% with all of this! I also shoot most of my panos hand held, unless it’s a night pano or pre sunrise etc., and as long as you have your spirit level on in the viewfinder it works perfectly 😊
Great effort and excellent video. You made it so simple to produce such a high quality image.
Liked the video and subscribed.
Great video Mark, I was just thinking of trying my hand at panos now I know how to go about it thanks!
Very helpful. Thank you. I have had a few messed up skies in a panorama by forgetting to take off the polarising filter!
I took a business trip to BC soon after getting my first DSLR. I brought my camera along and thought I'd take a few photos, time permitting. It was winter and I convinced the hotel staff to open the patio for me late in the day, where there was a gorgeous vista. I had experimented with a few panos in Lightroom, but this time around I took 15 (5x3) handheld photos, 24 megapixels each. Lightroom stitched them together wonderfully, and that was about 8 years ago. The final image after overlap and cropping was about 150 megapixels. The picture's nothing to write home about, but the process was very successful and impressive.
Hi Mark, this presentation reminded me of the time when panoramas were created in the darkrooms. Just imagining the transition is overwhelming. Thanks for this post. Have a nice day!
Just what I needed to learn. Thanks so much for an excellent tutorial that is straightforward and concise.
Good video. I also like to use the warp and content aware tools in Photoshop. That way you do not have to crop so heavy.
That was brilliant! I've been wanting to give pano stitching a go for a while and this removes some of the fear that I had that it would be a complicated / difficult process. Thanks Mark!
Very interesting. I’ve never done panos before. Now I want to give it a try. Seems to me that you need something large in the background like a mountain for a great image.
Not necessarily, I shoot all sorts of scenes as panos - lakes, countryside etc. - it’s especially good for water reflections such as dramatic cloud texture in a lake or whatever.
This was so cool to watch! Thank you! I regret not knowing this when I lived in Washington. I need to go back! 😂 Excellent video sir!
I love your content brother! You have helped me out a lot.
Thanks Mark, finally I think that I can tackle a pano. I’m now looking forward to it.
Interesting! I have always used the prespective option for the landscape. I shall try the other two options from now on
Great video, I do pano’s quite a lot & found this really useful, thanks.
Excellent, Mark! Many thanks!
Thanks!
Thanks mate!
Thanks so much!!! That means a lot🙏
Thanks for all the information on panos-- a lot of things I did not know!! Great video!!
Great educational video! Thanks!
I only miss one important issue. And that is that, i think, to have the shots you merge into one pano should all have the same lighting. So put your camera on manual mode.
Thanks again!👍
Once again another great video. Thank you
I can solve that Rubik’s cube for you mate 😂
I’m looking forward to experimenting with my tilt shift lens to create some panoramas.
Love the idea of a zoom pano great tutorial Mark.
Thank you for such an excellent, comprehensive tutorial!
Great video. Like others, I have used Pano but without understanding some of the differences and options you reviewed. I use it hand held, portrait orientation. It's important to use manual settings to ensure that all the images are exposed the same. I don't bother to fix the focus as, for anything at a distance, it's not going to change from shot to shot. I am jealous of how fast your computer processes these panos. Mine takes forever.
That’s a great point about shooting in manual (vs something like aperture priority) to avoid the exposure changing and giving you banding in the sky - I was surprised he didn’t mention that. And on focus, I’d agree, but if you’ve ever tried doing a pano in a woodland, where some elements are quite close to you, then making sure your depth of field is enough to ensure all elements are in focus becomes really important. I only discovered this by getting it wrong the first time!
Thanks Mark! This is a great technique I will add to my work flow as I am learning LRC!
Great advice as always! I am a firm believer in never letting the machine/software/AI make decisions for me. At the end of the day, they are just tools, AI or not. Creativity is the fun part! Why on earth would I want to delegate that to a piece of software? Anyway, I totally agree that we should make all the decisions after examining the results.
I never realised how easy it is. I do them handheld and stitch together in lightroom. It takes practice but fun and rewarding when it comes out right.
Mark, Great content, very helpful and educational. Many thanks and as always, keep snapping!
Thanks for your tips. I never saw the slider among the options, it's really useful. Maybe it's not in my LR version. Greetings from Spain.
Great video, very useful & informative, thank you. 👍
Good stuff. I always shoot my panos as a series of vertical (portrait) images so that I have plenty of top/bottom room to play with when cropping.
Same here 😊
Excellent! Looking forward to trying.
Awesome info, I have been holding off on panos just because of not knowing what to do with them really. I will be trying it out soon.
Mark, I would watch a 3hr video if you made it. You're knowledgeable is invaluable!
A great tutorial Mark👍🏻
Awesome video Mark! Great info and a very helpful intro to stitching pano images. Thanks!
Very interesting video.. thank you for the good information about pano.
Great video. Your clear and succinct explanations make me want to go out and try this. Kudos
Thanks mate, really enjoyed it! Time is not a matter as long as we learn something!👍🏼
"Create Stack" is also a good option to select. A good way to keep the original files and the resulting pano organized.
Excellent video Mark. I also shoot my panos in portrait orientation like the previous commentator. Never mind if you go long in your videos, it's always a pleasure to watch and listen to your expertise. Thank you for a great video. I really do appreciate that you explain the details in your videos, including all the options, as sometimes we might just get used to doing things a certain way and not realise that right in front of us is a button that makes our job so much easier, or improves the quality of our photo. I have learned a great deal from your videos because you put the effort into finding these details for your viewers :)
This was done very well. Thank you!
I've played around with the pano feature, but this explains a lot!! Thanks for another great video!!
Great video, thank you. Very interesting the idea of using a telephoto lens for panoramas.
Thank you, Mark,and thank you, God, for the refresher coarse .going to Kauai in April only taking prime lenses. Will most definitely be taking panoramic ❤ Rees
Hi,
Nice video and great use of examples! A few things I’d like to add:
.. Sure, the Photomerge option is the best way to start, but CTRL+M is better later on when there’s more familiarity.
.. You didn’t mention that the Preview window can resized to fill the screen - very useful with larger panos!
.. I have found that the Perspective option is the only one that works when the scene stays in place but *you* move. For example, you’re taking good photos of your wife’s artwork (which I do) and it’s 4-feet long alcohol ink piece. I use a stand for the camera and move the piece across. LR no longer has that single viewing perspective and has to stitch differently..
Thanks, Sean.
Thank you. I have had a lot of problems making a pano with a 24 mm lens with astro picture. Lightroom and photoshop did all sorts of crazy things. This leads on to the question does the focal length have an impact on producing a more realistic pano.
Great tutorial! Another video I can suggest if anyone has questions about panorama settings in Photoshop/Lightroom. Towards the end of the video; I actually checked my 2022 folder and more than 60% of my panoramas were photographed on my 150-600mm lens. I never thought about this at all., Thanks a lot for making me notice - will definetly help me to explore the wide angle pano a little more this year :)
Thank you for the information!
That zoomed in shot is awesome .. like others have said, I do 2 shot vertical panos often due to the dumb IG Portrait thing
Excellent video indeed. ❤❤
Love your methodical approach of looking carefully at what each option does. Leads to very clear understanding of the why.
Had never considered telephoto pano. Going to try that on a city skyline.
Great video, Mark, thanks. You really covered the options and the (potential) pitfalls.
Fantastic video Mark and very good tips on working on Panoramas in Lightroom.
Good session learnt alot👍
Appreciated the comment about the importance of the histogram in your pano setup. Kind of a “duh!” moment for me… thanks for teaching me that!
Well done Mark, The video is a Beauty Mate... 🙃AU
Brilliant walkthrough! I really don't enjoy the process LRC does pano. I almost always run that through PS. I feel it makes a lot more realistic outcome. But I'm reall feeling the help from doing pano's, like you demoed. Even just to expand the scene slightly on each side, without having to mount the wideangle lens. It's really fun also having the benefit of getting the extra Mpixels too.
Fantastic video, used to do stitched panoramas many years ago but never kept up with it.
Definitely worth revisiting as a way to reinvigorate my photographic journey.
I love stitched panos - definitely worth getting back into it!
Thank you! You teach well.
Thank you for the video. This really helped.
Great introduction video to PANO Mark. If you do another video in the future perhaps add a discussion on using a nodal rail for parallax error. Also a ball head with indexed stops helps keeps your picture spacing consistent.
Really clear examples Mark. Thanks!
At about 10:15 , what I’m still missing is a LrC function the automatic crop of the transparent sections can be also done after the merger to dng. The functionality is there, but for some illogical reasons only available in the panorama merge tool but not in develop mode.
Great video! I haven't tried using boundary warp with auto-fill like that, I'll have to try it! I've run into this problem many times, where the part I want at the middle bottom is lower than the side photos. I end up either cropping out what I wanted on the bottom, trying to get content-aware fill to work (haven't tried the new photoshop beta generative fill on these), trying to get boundary warp to work, or I crop the photo so I get the middle bottom stuff, but now I've lost the pano. What I do now is I take three rows. The middle row is what I want in the pano. Then a row below that and a row above that. Now when I stitch them together, I don't have to drop out what I wanted in the bottom middle. I usually crop quite a bit because I didn't want all of that extra stuff above and below, but I don't have to do boundary warp, content-aware fill, etc. I now have a photo that has everything I want in it and can just crop out the rest. :)
Another great video Mark, making this subject so interesting. I'm quite a lazy photographer really and despite being curious about panos, I've never bothered to do one before. Your video has changed my view and I'm now looking forward to trying it out.
Another great video, man. I'm jealous of your trip to Norway. It is hopefully on my list of places to shoot in the next few years. Thanks, as always, for taking the time to share your insight.
Thank you Mark, very helpful! Hey what tool do you use to capture your screen while showing Lightroom in this video?
Extraordinarily well done! 👍👍👍
fantastic video as always, Mark! I like to take panoramas holding the camera vertically and add more photos so it will be a wilder image
I switched over to a modified fluid head with a leveling base that Hudson Henry touts on his channel. It works wonderful for shooting panoramas. Multi row and vertical panos are much easier because your always level.
Good post, Mark
Mark, another thorough and very informative video. You really are an extra tool in my photography toolbox! Thank you