I see this Completion as an experiment, and one with a coherent result. I like how the progression at 8:16 sounds in 31edo, although this my not be very Bachian. I can see borrowings from Trede and Göncz, am I right? If you want to further improve your completion, you should elongate the free counterpoint in the episodes in between the subjects! Furthermore, I think the first theme should stay in it's original form, unless it is contrupunctually inevitable to dot it (as Bach did it, but this should stay an exception). Greetings from Germany!
Thank you ! 😀I set up a well-tempered version too: ruclips.net/video/_GVCRLGsyhQ/видео.html There're no intentional borrowings (but from Bach, of course); I knew Göncz version, though. As to the structure of the piece, I partially stuck at Indra Hughes' arumentations, yielding a rather short completion: researchspace.auckland.ac.nz/handle/2292/392 🙂Hwever, I was able to complete a 4-part mirrored entry using the four themes. Danke schön ! 🙂PS Bonustrack: einige meiner Lieblingsorte in Brandenburg und Berlin: ruclips.net/video/VD0t72d_BvA/видео.html
@@ClaudiMeneghin Oh, so I am sorry to suppose borrowings! The parts seemed so familiar to me, but then you can feel honoured :D This theory sounds interesting, and I read Butler's work on this and Wolff's partially too. But I also read a book by Thomas Daniel "Bachs unvollendete Quadrupelfuge aus "Die Kunst der Fuge": Studie und Vervollständigung", which I found very convincing (but I don't believe there to be an english translation). According to him, the fugue must be much longer. Nice Video from Berlin! I will be going to Berlin next weekend! (and maybe listen to Waltraud Meier sing for almost her last time)
Molt bon treball, una pena que no siga més llarg. Apart jo hauria usat un altre final propi en ves de reciclar el del sext o sèptim contrapunt em preix que era.
😊 En el futur potser n'escriuré un de més llarg; per a aquest treball, però, m'havia basat en les argumentacions sobre la llargada del paper residu en el manuscrit, i, a més, en uns càlculs numeròlogics, essencialment els de la tesi d'en Hughes: Indra Nicholas Martindale Hughes, Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080, Auckland, University of Auckland, 2006
8:00 is when the completion begins
The Out Of Tune 😂
But, this is awesome and I love it 👍🏿
Thank you 🙂You might prefer this well-tempered version: ruclips.net/video/hGCX1rHAXQs/видео.html
Anyone played this completion of yours on an organ yet? I like it a lot, reminds me of Lionel Rogg's completion.
Thanks a lot 🙂! As far as I know, nobody has played it yet in fact...
woah that was awesome
Great mastery! Bravo Claudi!
Thank you so much 😃
Very nice
I knew you had something big in the works for a couple weeks before.
😉 Thank you so much...
I see this Completion as an experiment, and one with a coherent result. I like how the progression at 8:16 sounds in 31edo, although this my not be very Bachian.
I can see borrowings from Trede and Göncz, am I right?
If you want to further improve your completion, you should elongate the free counterpoint in the episodes in between the subjects! Furthermore, I think the first theme should stay in it's original form, unless it is contrupunctually inevitable to dot it (as Bach did it, but this should stay an exception).
Greetings from Germany!
Thank you ! 😀I set up a well-tempered version too: ruclips.net/video/_GVCRLGsyhQ/видео.html
There're no intentional borrowings (but from Bach, of course); I knew Göncz version, though.
As to the structure of the piece, I partially stuck at Indra Hughes' arumentations, yielding a rather short completion: researchspace.auckland.ac.nz/handle/2292/392 🙂Hwever, I was able to complete a 4-part mirrored entry using the four themes. Danke schön ! 🙂PS Bonustrack: einige meiner Lieblingsorte in Brandenburg und Berlin: ruclips.net/video/VD0t72d_BvA/видео.html
@@ClaudiMeneghin Oh, so I am sorry to suppose borrowings! The parts seemed so familiar to me, but then you can feel honoured :D
This theory sounds interesting, and I read Butler's work on this and Wolff's partially too. But I also read a book by Thomas Daniel "Bachs unvollendete Quadrupelfuge aus "Die Kunst der Fuge": Studie und Vervollständigung", which I found very convincing (but I don't believe there to be an english translation). According to him, the fugue must be much longer.
Nice Video from Berlin! I will be going to Berlin next weekend! (and maybe listen to Waltraud Meier sing for almost her last time)
Why is it not notated in the oroginal key, d-minor?
Well, I'm realising right now I didn't set any key signature... so I guess it wasn't any intentional decision either 🙂
Molt bon treball, una pena que no siga més llarg. Apart jo hauria usat un altre final propi en ves de reciclar el del sext o sèptim contrapunt em preix que era.
😊 En el futur potser n'escriuré un de més llarg; per a aquest treball, però, m'havia basat en les argumentacions sobre la llargada del paper residu en el manuscrit, i, a més, en uns càlculs numeròlogics, essencialment els de la tesi d'en Hughes:
Indra Nicholas Martindale Hughes, Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue BWV 1080, Auckland, University of Auckland, 2006
@@ClaudiMeneghin Hm, sona curiós.
Algo parecido hizo Tudor Savenau.
First!