I cannot stress how much gratitude I have for you sharing so much of your process. So much of the arts is gatekept because teaching seems to be the biggest moneymaker in lieu of machinery, tech, and ai replacing human craftsmanship. Thank you so much for continuing to create and share with us ~
This video came at the prefect time, just finished bisquing some jars for my end of term exhibition. Thank you for giving such a detailed explanation! Thank you ❤
Beautiful! Thank you for sharing your knowledge to us. The pottery shop where I took a beginners class is a huge fan. It was fun to hear that my mentors also enjoy your content and are deeply inspired by your works.
I didn’t even know they used anything. I really could have used for one of my bowls. The glaze was very runny when fired and my bowl had to pride free. The of course was damaged. Thank you for more knowledge.❤
Perfect timing - I was going to look for a wading recipe as I have an idea that it might help solve a problem piece I want to crystalline glaze - it has a very odd foot and I really can't make a "normal" riser - I'm excited to try it in this weeks firing.
Thank you. It’s alright, very annoying, but only surface level. I was pouring a bucket of glaze with a bad grip and it slipped, and the sharp underside of the plastic rim ripped a lot of skin off - silly mistake as I knew I had a poor hold on it but continued anyway… almost totally healed now.
Thank you for this! I've been wondering about making the cone shaped stilts out of wadding. I may give it a try. Your videos are immensely helpful and I appreciate your generosity!
I'm a hobby potter, and a former professional baker, I got back into baking bread this year and it was hilarious how much kneading dough and wedging clay are the same motion, fell right into the rhythm again after ~20 years of no serious baking practice.
Well, stilts aren’t quite so customisable and don’t work for lids in the same way. They’re great for some pieces if you’re firing in very controlled atmospheres, but I suppose the reason you don’t see them used in wood/salt/soda firings is that they aren’t typically strong enough, (the ones you buy already formed at least). The molten wood ash, of vapourised soda would destroy them after a firing or two, and they’re made from very fine materials, so they’d be tricky to grind away from the pots. So, waddings like this work better, but you can also make your own wadding stilts from wadding like I’ve mixed in this video, I’ve found that before.
Yes! I was going to ask this question after watching some of your other videos. What is it? How does it not stick etc? I tried Googling but the answers weren’t helpful to my brain! Thank you for this.
Like always I learn stuff I didn't know before. I feel like for awhile there I was creating some unwanted glaze results by handling wadding and then touching my glazed pots without washing my hands in-between. Do you worry about this or have any trouble with it?
I don’t worry too much! I always keep a wet sponge and a towel around when packing the kiln, and whenever my fingers get too dusty, or crusted with wadding, I wipe them off so I’m not constantly transferring prints. I tend to do all my wadding a few days before actually packing the kiln, that way all those pots are simply ready to go.
@@floriangadsby Sorry - quick second question... do you bisque fire the wadding trays before you use them with test tiles or straight from green state?
Bonsoir , votre travail est magnifique et c est toujours un plaisir de regarder vos vidéos. Sauriez-vous me dire s il existe un équivalent en france de la brandon powder s il vous plait. Quel est ce produit ? Merci par avance.
I just fire with my lid straight on the pot. No glaze in between them of course. Why do you find the wadding necessary over firing the lid directly on the pot?
Of course! During my apprenticeship in Japan we made waddings stilts/setters that were quite chunky, to use under pots. They can be reused numerous times provided they don’t get too encrusted with glaze.
Hey! I buy it with the iron already mixed into it. Sometimes I sprinkle ilmenite into the stoneware and throw small batches of more speckled work, but I don’t do it too much as it can be quite dramatic. Thanks for watching.
Thank you for the reply! Would you know if it’s possible to achieve the same effect by mixing red iron oxide into my regular white stoneware clay body? I essentially want to test creating. Marbled stoneware, with a mix of regular white stoneware and that same stoneware with high iron content. Is it red iron oxide that gives your clay it’s red flashing?
Can you use wadding on a coarse bodied clay? I'm firing square edged plates on top of each other to save kiln space. I'm finding that the plates are fusing together during high fire. (They do come apart with a sharp tap, however I'm worried that I will damage them at some point) The clay body is very textured. I'm wondering if the wadding would stick to the coarse clay body?
I cannot stress how much gratitude I have for you sharing so much of your process. So much of the arts is gatekept because teaching seems to be the biggest moneymaker in lieu of machinery, tech, and ai replacing human craftsmanship. Thank you so much for continuing to create and share with us ~
Wonderful demonstration! Thank you so much Florian Gadsby! All the best!😊💕
super helpful, i found a wood kiln near me so i gotta learn all about it before i do my first firing!
also happy easter
This video came at the prefect time, just finished bisquing some jars for my end of term exhibition. Thank you for giving such a detailed explanation! Thank you ❤
Beautiful! Thank you for sharing your knowledge to us. The pottery shop where I took a beginners class is a huge fan. It was fun to hear that my mentors also enjoy your content and are deeply inspired by your works.
this is an incredible video. Not many people actually ever talk about wadding.
Thank you so much, love to hear your voice, so I can watch and listen to your video`s over and over again, so I learn so much from you, 🙏🏻🙏🏻 🇧🇪
I didn’t even know they used anything. I really could have used for one of my bowls. The glaze was very runny when fired and my bowl had to pride free. The of course was damaged. Thank you for more knowledge.❤
Perfect timing - I was going to look for a wading recipe as I have an idea that it might help solve a problem piece I want to crystalline glaze - it has a very odd foot and I really can't make a "normal" riser - I'm excited to try it in this weeks firing.
Happy Easter Florian.
Wonderfully helpful video. I hope your hand is okay, that’s a pretty gnarly gash
Thank you. It’s alright, very annoying, but only surface level. I was pouring a bucket of glaze with a bad grip and it slipped, and the sharp underside of the plastic rim ripped a lot of skin off - silly mistake as I knew I had a poor hold on it but continued anyway… almost totally healed now.
Thank you for this! I've been wondering about making the cone shaped stilts out of wadding. I may give it a try. Your videos are immensely helpful and I appreciate your generosity!
If you add a drop of dish soap to your water it will wet the clay better for the same hydration. Might make the hydrating process less fiddly.
Thank you sooo much for this wonderful tutorial on how to make wadding. 🎉
Bless you for this! I always wondered ?!?!how?!?! Thank you!!
Zircopax is a good substitute for alumina if for some reason it's not available, or whichever one happens to be cheaper.
Awesome video! So much time to make a single item. No wonder they cost a lot more compared to the factory production stuff...
it never ceases to amaze me how much pie crust and pottery have in common.!
I'm a hobby potter, and a former professional baker, I got back into baking bread this year and it was hilarious how much kneading dough and wedging clay are the same motion, fell right into the rhythm again after ~20 years of no serious baking practice.
Thanks, Florian. 😁
Thank you!
This video is perfect
Florian, could you speak to why you prefer wadding over stilts? I would love to hear your thoughts.
Well, stilts aren’t quite so customisable and don’t work for lids in the same way. They’re great for some pieces if you’re firing in very controlled atmospheres, but I suppose the reason you don’t see them used in wood/salt/soda firings is that they aren’t typically strong enough, (the ones you buy already formed at least). The molten wood ash, of vapourised soda would destroy them after a firing or two, and they’re made from very fine materials, so they’d be tricky to grind away from the pots. So, waddings like this work better, but you can also make your own wadding stilts from wadding like I’ve mixed in this video, I’ve found that before.
Thanks You I am learning !!
Thanks a lot, very informative
Yes! I was going to ask this question after watching some of your other videos. What is it? How does it not stick etc? I tried Googling but the answers weren’t helpful to my brain! Thank you for this.
So please you found it useful! Thanks for taking the time to watch, Melanie.
Thankful for all you informative videos!! Thanks in advance ❤
Thanks for sharing!
NICE
Can you coat the wadding with graphite powder to prevent sticking?
Like always I learn stuff I didn't know before. I feel like for awhile there I was creating some unwanted glaze results by handling wadding and then touching my glazed pots without washing my hands in-between. Do you worry about this or have any trouble with it?
I don’t worry too much! I always keep a wet sponge and a towel around when packing the kiln, and whenever my fingers get too dusty, or crusted with wadding, I wipe them off so I’m not constantly transferring prints. I tend to do all my wadding a few days before actually packing the kiln, that way all those pots are simply ready to go.
Hey! Can you make a video on all the clay bodies you use?
Sure! But there aren’t many. I tend to use one main stoneware, es80 at the moment, and a variety of porcelains, like Audrey Blackman.
I have been looking for a long handled scoop like you are using. Can I ask where you got it from? Thanks for another great video
Such a useful video - thank you. Quick question - can you use the test tile saucer things multiple times? Ie can this wadding be fired multiple times?
Yes! I’ve used them dozens of times.
@@floriangadsby Great!!! Thanks for the reply - I'll definitely be creating those trays for glaze tests!
@@floriangadsby Sorry - quick second question... do you bisque fire the wadding trays before you use them with test tiles or straight from green state?
@@David-uv7hz I fire them green, just don’t go too quickly.
@@floriangadsby Perfect! Thanks for your help - appreciated.
Bonsoir , votre travail est magnifique et c est toujours un plaisir de regarder vos vidéos. Sauriez-vous me dire s il existe un équivalent en france de la brandon powder s il vous plait. Quel est ce produit ? Merci par avance.
I just fire with my lid straight on the pot. No glaze in between them of course. Why do you find the wadding necessary over firing the lid directly on the pot?
Thanks for this video. Can I use wadding in an electric kiln firing, cone 5-6?
Of course! It works for all temperatures.
Do you think wadding could be molded and fired into kiln stilts? Also, what is the cone rating before decomposition/deformation?
Of course! During my apprenticeship in Japan we made waddings stilts/setters that were quite chunky, to use under pots. They can be reused numerous times provided they don’t get too encrusted with glaze.
Can i make crucible this way.
have you ever tried to make anything out of wadding? like a bowl or mug?
I haven’t! But a little wadding bowl might be nice. It’s a bit rough but it flashes nicely, like singed on toast.
Hi Florian! Do you add the iron into the stoneware clay you use yourself? Or do you buy the stoneware already with the iron mixed in? Thank you!
Hey! I buy it with the iron already mixed into it. Sometimes I sprinkle ilmenite into the stoneware and throw small batches of more speckled work, but I don’t do it too much as it can be quite dramatic. Thanks for watching.
Thank you for the reply! Would you know if it’s possible to achieve the same effect by mixing red iron oxide into my regular white stoneware clay body? I essentially want to test creating. Marbled stoneware, with a mix of regular white stoneware and that same stoneware with high iron content. Is it red iron oxide that gives your clay it’s red flashing?
If you are not glazing the rim of the pot and the inside of the lid, why are you adding wadding?
The iron rich clay, fired in reduction, will stick to itself when left unglazed.
@@floriangadsby Got it. I typically fire oxidation but about to start reduction, so good to know!!
❤❤❤
Thank you Florian, that was very informative and entertaining. Happy Easter
I was told that Chinese or Japanese potter sometime add ash or flour/starch into their wadding recipe.
Rat poison too, if they get eaten off the pots.
Kind of make sense, because cat is kind of "no no" in these kind of workspace.
Oh no what happened to the back of your hand??
Just a wee gash caused by a big glaze bucket - it had almost healed now!
I hope your hand is okay :(
You talk too much
Excellent tutorial. Thank you.
Can you use wadding on a coarse bodied clay?
I'm firing square edged plates on top of each other to save kiln space.
I'm finding that the plates are fusing together during high fire. (They do come apart with a sharp tap, however I'm worried that I will damage them at some point)
The clay body is very textured. I'm wondering if the wadding would stick to the coarse clay body?