La BAYADERE ballet Mariinsky theatre Maria Khoreva & Vladimir Shklyarov Adagio part 2

Adagio from La Bayadere
La Bayadere is one of the most popular ballets in the classical legacy. It is a story of love told through demure dance duets and pantomime dialogues, large-scale corps de ballet ensembles and the striking dances of the soloists. A colourful and vast canvas, woven together using highly complex choreographic language, La Bayadere is a test of professionalism, the sparkle of the ballerina and the male principal and the acting abilities of the performers. Marius Petipa created this production in 1877 for the gala performance of the virtuoso ballerina Yekaterina Vazem in an attempt to showcase the talent of his favourite ballerina as fully as possible and which would be worthy of the setting. Petipa laid out his dance poem based on a plot about the love between a noble Indian warrior and a temple dancer. The exotic flavour was to be a keystone of the spectacle, while the melodramatic story of a love deceived, typical for the theatre in the middle of the 19th century, was simple in terms of its literary exposition; in its choreographic revelations Petipa filled it with depth, nuances and generalisations. The structure of the production was moulded by the brilliant flair of the choreographer who knew how to blend together the necessary proportions of the grand divertissement of a palace celebration and the piercing emotion of the abandoned heroine's tragic monologue, the tense emotionality of the pantomime depiction of worldly events and the aloofness of classical dance in the Kingdom of Shades. With the passing of time this structure was altered. In the 20th century La Bayadère "lost weight" by dropping an entire act - the rationalsim of the Soviet view of the world rejected the use of simple-hearted props to depict retribution for breaking an oath, and along with the final destruction of the palace the ballet also lost its dramatic and dance dénouement. The realities of 19th century theatre that remained in the ballet, plush tigers and elephants on wheels look touchingly amusing today, but their modest specific details set off the timeless harmony of the act of the Shades, Petipa's bewitching masterpiece in which his genius was as never before close to absolute perfection.
Olga Makarova
PERFORMERS
Conductor: Valery Ovsyanikov
Nikia: Maria Khoreva
Gamzatti: Nadezhda Batoeva
Solor: Vladimir Shklyarov
The Golden Idol: David Zaleyev
Trio of Shades: Vlada Borodulina, Maria Shirinkina, May Nagahisa
CREDITS
Music by Ludwig Minkus
Choreography by Marius Petipa (1877)
Revised choreography by Vladimir Ponomarev and Vakhtang Chabukiani (1941)
with dances by Konstantin Sergeyev and Nikolai Zubkovsky
Libretto by Marius Petipa and Sergei Khudekov
Set design by Mikhail Shishliannikov after
(set designs by Adolf Kvapp, Konstantin Ivanov, Pyotr Lambin and Orest Allegri)
Costumes by Yevgeny Ponomarev
Lighting Design by Mikhail Shishliannikov
www.mariinsky.ru/en/playbill/...
ABOUT THE PRODUCTION
Premiere: 23 January 1877, Bolshoi Theatre, St Petersburg
Premiere of Vladimir Ponomarev and Vakhtang Chabukiani´s version: 10 February 1941, Kirov Theatre of Opera and Ballet (Mariinsky), Leningrad
Running time 2 hours 55 minutes
The performance has two intervals
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en.wikipedia.org/wiki/Maria_K...
www.mariinsky.ru/en/company/b...
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[@francess9656]

I really love being able to see into your life at Mariinsky and before at Vaganova academy

[@IntelliBoost]

Such an elegant form of art and performance from Maria Khoreva. I wish one day our national media broadcasts more ballet performances, including performances from Russia as it was in the past.

[@ahones2255]

Stunning, so graceful, those perfect lines! What an accomplished artist you are, Maria. And thank you for making the effort to use the English language so that we can all learn about Russian life, especially at the Mariinsky Theatre and the Vaganova Academy as Frances S writes below. You should be appointed cultural ambassador of Russia for opening with your videos this beautiful window to such a fascinating country. Bravo!

[@lenasophie5455]

Wow Maria! Im so amazed by you! I can’t believe how young you are and you’re dancing like you have 20 years of experience. Bayadere is so difficult and you dance Nikiya so so beautifully and flawlessly !! I can’t wait to see where your journey is going! You have a big fan in me and I will continue to support you ☺️

[@learajkovic]

masha you are so mesmerizing! thank you for your channel, it is truly a gift ❤️

[@user-hh2jr9me2r]

Прекрасно!!! Браво!!! 💝🥰💐👏👏👏👏👏👏👏👏👏

[@megumisato431]

What a beautiful performance it is ！

[@Velvetwings9]

I’d love to see a video where you show us your pointe shoes, pointe shoe hacks, how you prepare them, break them in.. ect :)

[@zsofiastrbka2030]

wow! You are such an amazing dancer!

[@takumihoitsuka5670]

Enchanting 🤍🤍🤍 congratulations❤️🌹

[@jeremyc1731]

The carrying and flip, elegant and wild. Bravo 👏 👏

[@Mayu94n]

Sooo beautiful!!!

[@agr1323]

So lovely! Brava!

[@helazemni1683]

💞SOOOOOOO BEAUTIFUL 💞

[@carmencarmen4274]

Maria, how beautiful amazing you are! You are really gifted from God.

[@yolco2]

Gracias 👋👋👋👋👋👋👋

[@andrearomanofitaly4115]

0:51 he risked to put Maria over another ballerina