Mr. Truchi: bravo for your dazzling technique. Even on a violin this tempo would be really too high. It is not possible to hear all the notes and understand, what you are telling. Why don't you try to imagine your interpretation with "one ear in the audiance"?
because you can't hear most of the piece, half of it it sounds like a rather muted percussion section. I'm not saying he isn't an amazing cellist, of course not, just this is not written for the cello and this is why
Ca fait longtemps que je cherchais une version digne de ce nom au violoncelle ! Bravo à l'artiste, magnifique !
Bravo, Mr. Truchi! You played with the original tempo for the violin!
Bravo Benjamin tu déchires ! Superbe version ! Bises
Benjamin, your playing is virtuosic and full of personality! Wonderful performance!
Yeah!! La classe Benjamin. Bravo!
Gosh, I thought Gilles was fast! This guy is a rocket, but the pianist brings the piece to life.
Grande classe !
so cool !!
Bravo!
La Classe Ben!!
Il faut que tu fasses une version de la Danse des Elfes si jamais t'as le temps ;-)
Is this sped up or is this just the Japanese performing standard?
Japanese standard
Cellist does have a brillant technique, but why on earth playing this piece so fast ? Rendition by Valentin Radutiu sounds quite better to my ears
This isn't so fast...
I can barely hear you. USE FORTÉ. FORTÉ I SAID NOT PIANO
Lamentablemente no hay buen audio, el piano domina cuando debería acompañar al violoncello.
Эркек экенсинго куйо бала молодец талантына таазим☺️👍
What a horrible piece to be adapted by a Cello.. can’t hear half the notes and doesn’t help that the piano notes cover the cello sounds
It could be the acoustics of the hall and/or the recording, not how it sounds in person.
@@elaines5750 nah this song is optimal on the violin, I've heard many versions and it doesn't do the piece justice.
If we violinists had thumb position... just imagine...
Mr. Truchi: bravo for your dazzling technique. Even on a violin this tempo would be really too high. It is not possible to hear all the notes and understand, what you are telling. Why don't you try to imagine your interpretation with "one ear in the audiance"?
then I think you are deaf :)
this is why it was written for the violin and not the cello......perfect example!
ikr!
Susan Susans
explain?!
because you can't hear most of the piece, half of it it sounds like a rather muted percussion section. I'm not saying he isn't an amazing cellist, of course not, just this is not written for the cello and this is why
Well, there are many examples of where this piece sounds brilliant on the cello. One example: ruclips.net/video/2IWUJpZwpeQ/видео.html
@@susansusans3713 karen