I LOVE this duet! Yeah, I understand all the reasons why it is always cut, but frankly it’s a better piece musically than a lot of numbers in the opera that always get performed. I bet Francesco Benucci (the bass-baritone who created Figaro and Guglielmo and sang Leporello at the Vienna premiere) had a voice a lot like Luca Pisaroni’s. He’s so great! I saw him sing the Count at Lyric Opera of Chicago a couple of years ago, and he was definitely among the best I’ve ever seen. I’d call him the great Mozart baritone of today.
Здесь Лука звучит отлично. Послушала все отрывки из этой оперы и ещё. Слушала по " Меццо" " Фауста" из Испании, все время казалось, что поет в нос. Странно.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Why this scene is often left out of the opera, is a mystery to me. Its delightful! Marilyn Horne is a great Zerlina!
Don Giovanni...3x/day... The main medicina of old time...
I love how whenever this scene is included the director lets loose an interestingly high quantity of femdom kink
this scene makes me 🔨🥒🚿
So much fun!!
Oh yeah... fun as hell...
@@krowapaulinka4351 this is giving me an opera erection
@@krowapaulinka4351 mmmmmm
I LOVE this duet! Yeah, I understand all the reasons why it is always cut, but frankly it’s a better piece musically than a lot of numbers in the opera that always get performed. I bet Francesco Benucci (the bass-baritone who created Figaro and Guglielmo and sang Leporello at the Vienna premiere) had a voice a lot like Luca Pisaroni’s. He’s so great! I saw him sing the Count at Lyric Opera of Chicago a couple of years ago, and he was definitely among the best I’ve ever seen. I’d call him the great Mozart baritone of today.
Здесь Лука звучит отлично. Послушала все отрывки из этой оперы и ещё. Слушала по " Меццо" " Фауста" из Испании, все время казалось, что поет в нос. Странно.
3:43
Hű de harcias Zerlina!
More suited to Sweeny Todd me thinks I will probably have walked out of this point