Maurice Ravel (1875-1937) Complete Piano Works by Monique Haas. 🎧 *Find this recording in our Spotify playlist* : spoti.fi/2U5i7uu Click to activate the English subtitles for the presentation (00:00-05:49) 00:00 À la manière de.. Borodine, valse 01:50 Jeux d’eau 07:28 Menuet sur le nom de Haydn 09:36 Menuet Antique 16:03 À la manière de.. Emmanuel Chabrier, paraphrase sur un air de Gounod 18:04 Prélude Miroirs 19:46 I. Noctuelles 25:01 II. Oiseaux Tristes 29:54 III. Une barque sur l’Océan 38:25 IV. Alborada Del Gracioso 45:10 V. Vallée des Cloches Ma Mère l’Oye, 5 pièces enfantines pour piano à 4 mains Deuxième Piano : Ina Marika 51:10 I. Pavane de la Belle au bois dormant Pavane of Sleeping Beauty - Lent 52:43 II. Petit Poucet Little Tom Thumb - Très modéré 55:25 III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the Pagodas - Mouvement de marche 58:36 IV. Les entretiens de la belle et de la bête Conversation of Beauty and the Beast - Mouvement de valse très modéré 1:02:33 V. Le jardin féerique The Fairy Garden - Lent et grave 1:06:00 Pavane pour une infante défunte Le Tombeau de Couperin, suite pour piano 1:13:10 I. Prélude - Vif "à la mémoire du lieutenant Jacques Charlot" 1:16:28 II. Fugue "à la mémoire du sous-lieutenant Jean Cruppi" 1:19:41 III. Forlane "à la mémoire du lieutenant Gabriel Deluc" 1:24:51 IV. Rigaudon "à la mémoire de Pierre et Pascal Gaudin" 1:27:24 V. Menuet "à la mémoire de Jean Dreyfus" 1:31:29 VI. Toccata "à la mémoire du capitaine Joseph de Marliave" Gaspard de la nuit, 3 poèmes pour piano d’après Aloysius Bertrand 1:35:35 I. Ondine - Lent 1:42:24 II. Le Gibet - Très Lent 1:48:31 III. Scarbo - Modéré / Vif Sonatine 1:57:35 I. Modéré 2:02:08 II. Mouvement de menuet 2:05:19 III. Animé Valses nobles et sentimentales 2:09:41 Waltz I - Modéré, très franc 2:11:06 Waltz II - Assez lent, avec une expression intense 2:13:43 Waltz III - Modéré 2:15:01 Waltz IV - Assez animé 2:16:17 Waltz V - Presque lent, dans un sentiment intime 2:17:48 Waltz VI - Vif 2:18:32 Waltz VII - Moins vif 2:21:25 Waltz VIII - Épilogue : Lent Piano : Monique Haas Recorded in 1968, at Paris 🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr 🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2 Listening to her hard-edged interpretation of the Valses nobles et sentimentales, which emphasises rather than moderates the percussive effect of its dissonances, it is easy to understand the shocked reaction of the audience at the work's (anonymous) first performance in 1911. While it might be argued that Haas misses something of the impressionistic poetry of the last of the waltzes - when she errs in dynamic shading in Ravel, it is usually towards the too loud rather than the too soft - in the second of them she is as touchingly expressive, without the least hint of excessive sentiment or exaggerated rubato, as only she can be. There are luminous moments like that in most of her Ravel interpretations. Maurice Ravel PLAYLIST (references recordings) : Maurice Ravel PLAYLIST (references recordings) : ruclips.net/video/Y49PD4HzsU4/видео.html
Monique Haas & Maurice Ravel: a perfect pairing. Madame Monique, your smile lights up the scene: it is like a window open onto the Beauty of the world and the eternal harmony of music.
Couldn't agree more Tom... have loved her for a long time. She has that touch, can separate every note magically in "Jeux d’eau" for instance; doesn't speed everything up either...aren't we lucky listeners. Peace, Bro.from TX.
Wunderschöne Interpretation dieser fein oder perfekt komponierten Klavierwerke in verschiedenen Tempi mit klar artikuliertem Klang des technisch perfekten Klaviers und mit künstlerisch kontrollierter Dynamik. Bestimmt eine der besten Kombinationen des Komponisten und der Pianistin!
For all my life i thought of Pascal Rogé recordings on this pieces as my favourite and definitive ones. But after hearing Monique Haas playing i think this is the best one. How is this not more famous.
Yes, she is brilliant--can separate the notes even on "Jeux d'eau". A magical touch following her own interpretations. She seems to pluck out different notes in the chords for emphasis. So refreshing because it isn't like the others, which we've heard for decades. Pascal Roge surely is a genius. His Satie is tops to these old ears, along with Rienbert De Leeuw, Frank Glazer - Mercifully, none of these professionals speed things up like it's a race...
Madame Haas, toujours égale à elle-même, *parfaite* d'intériorité, de sensibilité, d'humanité ; des tempi réfléchis ; des nuances, sans exagération... et un sourire tellement sympathique ! :-) Merci pour ce merveilleux partage.
Музыка Равеля беззаботна, в этом ее очарование, она помогает забыть проблемы и погрузиться в мир счастья, это великолепно чувствует и передаёт в интерпретации Хаас. Душа отдыхает слушая эту запись. Спасибо.
Truly magnificent. And fascinating to compare Haas's Ravel with those of another magnificent French pianist, Samson Francois, with his very expressive Ravel interpretations. Two supreme masters of Ravel!!!
"Right now, there are people all over the world who are just like you. They're either lonely, they're missing somebody, they're depressed, they're hurt, they're scarred from the past, they're having personal issues no one knows about, they have secrets you wouldn't believe. They wish, they dream and they hope. And right now, they are sitting here reading these words, and I'm writing this for you so you don't feel alone anymore. Always remember, don't be depressed about the past, don't worry about the future, and just focus on today. If today's not so great don't worry! Tomorrow's a new chance. If you are reading this, be sure to share this around to make others feel better. Have a nice day!"
Beautiful recording. Many thanks!! I had to turn off the news since it's so so terrible as to what's happening in Afghanistan. Ravel's music is so lovely and relaxing and I'm able to clear my mind a little. Music does absolutely soothe the soul. Thanks you again. Sandra
Listening to her hard-edged interpretation of the Valses nobles et sentimentales, which emphasises rather than moderates the percussive effect of its dissonances, it is easy to understand the shocked reaction of the audience at the work's (anonymous) first performance in 1911. While it might be argued that Haas misses something of the impressionistic poetry of the last of the waltzes - when she errs in dynamic shading in Ravel, it is usually towards the too loud rather than the too soft - in the second of them she is as touchingly expressive, without the least hint of excessive sentiment or exaggerated rubato, as only she can be. There are luminous moments like that in most of her Ravel interpretations. Click to activate the English subtitles for the complete presentation (00:00-05:49)
Jai l'intégrale Debussy en vinyls et je préfère ses études â Pollini plus que parfait trop parfait donc froid ; je connais - bien Ravel mais ca me rappelle quil faut écouter . Pianiste annees 60 je ne me suis jamais lassé d'écouter .
I have only recently got into Ravel, and really love his compositions, I also love Debussy (CD for me) and Fauré. French composers and style are definitely my favourite, Alain. Monique captures that French spirit with elegance in these recordings.
@@andyfield7397 Debussy is difficult to understand , for a young there are the young Debussy wirh pieces easy in second " Pour le piano ' ar the end only at the end "Étampes- Preludes " studies are more easy mostly
Great composers like Ravel, Shostakovich many great pianists great filmmakers and writers great science women and men even great wars and dictators 20th century was all about greatness Unfortunately we live in time of BTS Taylor swift Kardashians and all plastic figures media made
Maurice Ravel (1875-1937) Complete Piano Works by Monique Haas.
🎧 *Find this recording in our Spotify playlist* : spoti.fi/2U5i7uu
Click to activate the English subtitles for the presentation (00:00-05:49)
00:00 À la manière de.. Borodine, valse
01:50 Jeux d’eau
07:28 Menuet sur le nom de Haydn
09:36 Menuet Antique
16:03 À la manière de.. Emmanuel Chabrier, paraphrase sur un air de Gounod
18:04 Prélude
Miroirs
19:46 I. Noctuelles
25:01 II. Oiseaux Tristes
29:54 III. Une barque sur l’Océan
38:25 IV. Alborada Del Gracioso
45:10 V. Vallée des Cloches
Ma Mère l’Oye, 5 pièces enfantines pour piano à 4 mains
Deuxième Piano : Ina Marika
51:10 I. Pavane de la Belle au bois dormant
Pavane of Sleeping Beauty - Lent
52:43 II. Petit Poucet
Little Tom Thumb - Très modéré
55:25 III. Laideronnette, impératrice des pagodes
Little Ugly Girl, Empress of the Pagodas - Mouvement de marche
58:36 IV. Les entretiens de la belle et de la bête
Conversation of Beauty and the Beast - Mouvement de valse très modéré
1:02:33 V. Le jardin féerique
The Fairy Garden - Lent et grave
1:06:00 Pavane pour une infante défunte
Le Tombeau de Couperin, suite pour piano
1:13:10 I. Prélude - Vif "à la mémoire du lieutenant Jacques Charlot"
1:16:28 II. Fugue "à la mémoire du sous-lieutenant Jean Cruppi"
1:19:41 III. Forlane "à la mémoire du lieutenant Gabriel Deluc"
1:24:51 IV. Rigaudon "à la mémoire de Pierre et Pascal Gaudin"
1:27:24 V. Menuet "à la mémoire de Jean Dreyfus"
1:31:29 VI. Toccata "à la mémoire du capitaine Joseph de Marliave"
Gaspard de la nuit, 3 poèmes pour piano d’après Aloysius Bertrand
1:35:35 I. Ondine - Lent
1:42:24 II. Le Gibet - Très Lent
1:48:31 III. Scarbo - Modéré / Vif
Sonatine
1:57:35 I. Modéré
2:02:08 II. Mouvement de menuet
2:05:19 III. Animé
Valses nobles et sentimentales
2:09:41 Waltz I - Modéré, très franc
2:11:06 Waltz II - Assez lent, avec une expression intense
2:13:43 Waltz III - Modéré
2:15:01 Waltz IV - Assez animé
2:16:17 Waltz V - Presque lent, dans un sentiment intime
2:17:48 Waltz VI - Vif
2:18:32 Waltz VII - Moins vif
2:21:25 Waltz VIII - Épilogue : Lent
Piano : Monique Haas
Recorded in 1968, at Paris
🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2
Listening to her hard-edged interpretation of the Valses nobles et sentimentales, which emphasises rather than moderates the percussive effect of its dissonances, it is easy to understand the shocked reaction of the audience at the work's (anonymous) first performance in 1911. While it might be argued that Haas misses something of the impressionistic poetry of the last of the waltzes - when she errs in dynamic shading in Ravel, it is usually towards the too loud rather than the too soft - in the second of them she is as touchingly expressive, without the least hint of excessive sentiment or exaggerated rubato, as only she can be. There are luminous moments like that in most of her Ravel interpretations.
Maurice Ravel PLAYLIST (references recordings) : Maurice Ravel PLAYLIST (references recordings) : ruclips.net/video/Y49PD4HzsU4/видео.html
I'm glad Ravel didn't live through the occupation. I know someone who did. Ghastly. Such a gentle soul, 💕Ravel
Monique Haas & Maurice Ravel: a perfect pairing. Madame Monique, your smile lights up the scene: it is like a window open onto the Beauty of the world and the eternal harmony of music.
One of the best interpretators of Ravel. Such clarity, such grace... Thanks for this upload!
Couldn't agree more Tom... have loved her for a long time. She has that touch, can separate every note magically in "Jeux d’eau" for instance; doesn't speed everything up either...aren't we lucky listeners. Peace, Bro.from TX.
J’adore cette interprétation de Monique Haas ! 🥰🥰🤍🤍
Wunderschöne Interpretation dieser fein oder perfekt komponierten Klavierwerke in verschiedenen Tempi mit klar artikuliertem Klang des technisch perfekten Klaviers und mit künstlerisch kontrollierter Dynamik. Bestimmt eine der besten Kombinationen des Komponisten und der Pianistin!
For all my life i thought of Pascal Rogé recordings on this pieces as my favourite and definitive ones. But after hearing Monique Haas playing i think this is the best one. How is this not more famous.
Apres son prix Long Thibault Pascal Roger a immédiatement enregistré les Concertos de St Saens mais je préfère Jean Philippe Collard a P Roge
Yes, she is brilliant--can separate the notes even on "Jeux d'eau". A magical touch following her own interpretations. She seems to pluck out different notes in the chords for emphasis. So refreshing because it isn't like the others, which we've heard for decades. Pascal Roge surely is a genius. His Satie is tops to these old ears, along with Rienbert De Leeuw, Frank Glazer - Mercifully, none of these professionals speed things up like it's a race...
Madame Haas, toujours égale à elle-même, *parfaite* d'intériorité, de sensibilité, d'humanité ; des tempi réfléchis ; des nuances, sans exagération... et un sourire tellement sympathique ! :-) Merci pour ce merveilleux partage.
Quelle justesse ! Quel equilibre ! Dans cette interpretation meme les pieces de Ravel que j'aimais le moins me procurent un grand plaisir
Quelle interprétation magnifique, quel plaisir d'écouter !! Merci
:-)
Ça fait plaisir d'écouter 2h ou plus de classique sans publicité ! 😉
Merci !
Cela ne dépend pas de nous mais tant mieux :)
Et bien merci quand-même ! 😆
Музыка Равеля беззаботна, в этом ее очарование, она помогает забыть проблемы и погрузиться в мир счастья, это великолепно чувствует и передаёт в интерпретации Хаас. Душа отдыхает слушая эту запись. Спасибо.
Truly magnificent. And fascinating to compare Haas's Ravel with those of another magnificent French pianist, Samson Francois, with his very expressive Ravel interpretations. Two supreme masters of Ravel!!!
"Right now, there are people all over the world who are just like you. They're either lonely, they're missing somebody, they're depressed, they're hurt, they're scarred from the past, they're having personal issues no one knows about, they have secrets you wouldn't believe. They wish, they dream and they hope. And right now, they are sitting here reading these words, and I'm writing this for you so you don't feel alone anymore. Always remember, don't be depressed about the past, don't worry about the future, and just focus on today. If today's not so great don't worry! Tomorrow's a new chance. If you are reading this, be sure to share this around to make others feel better. Have a nice day!"
That's really beautiful, thank you for that. Thank God for music, what would we do without it?
she's great, so conversational and interrogatory
Beautiful recording. Many thanks!! I had to turn off the news since it's so so terrible as to what's happening in Afghanistan. Ravel's music is so lovely and relaxing and I'm able to clear my mind a little. Music does absolutely soothe the soul. Thanks you again.
Sandra
:)
Listening to her hard-edged interpretation of the Valses nobles et sentimentales, which emphasises rather than moderates the percussive effect of its dissonances, it is easy to understand the shocked reaction of the audience at the work's (anonymous) first performance in 1911. While it might be argued that Haas misses something of the impressionistic poetry of the last of the waltzes - when she errs in dynamic shading in Ravel, it is usually towards the too loud rather than the too soft - in the second of them she is as touchingly expressive, without the least hint of excessive sentiment or exaggerated rubato, as only she can be. There are luminous moments like that in most of her Ravel interpretations. Click to activate the English subtitles for the complete presentation (00:00-05:49)
8
Thanks so much friends from Classical Music for sharing such outstanding performances of superb composers.
You're welcome
Divine music. Sublime interpretation. The pianist plays from the heart. Her touch is magical.
Magnifique , intégralement merveilleux , merci
I love Ravel, and I really love this recording. I will keep my eyes open for more Monique Haas performances. Thanks so much.
Hey, didn't I bump into you in Paris, ca 1925? You and Hem?!
Qué maravilla de interpretación! Nunca había escuchado a Ravel de esta forma, casi transparente
Que Belle is La Mere Oie
Merci beaucoup.
💐💐💐
Thank you for your comments :)
Thank you.
♥️💐♥️ Brava, Monique!
Очень хорошая, задушевная, теплая по семейному, уютная музыка. Необычайно легкое исполнение, как дуновение цветка, как порхание мотылька.
Grazie.
magnifique pianiste ! oubliee ou a tout le moins meconnue sauf pour ceux qui aime ravel et son oeuvre pour piano !
Elle fut professeur au Conservatoire de Paris
She was the best in that repertoire
Peace and love in the world✌
Extraordinary
This is just too good
Jai l'intégrale Debussy en vinyls et je préfère ses études â Pollini plus que parfait trop parfait donc froid ; je connais - bien Ravel mais ca me rappelle quil faut écouter . Pianiste annees 60 je ne me suis jamais lassé d'écouter .
I have only recently got into Ravel, and really love his compositions, I also love Debussy (CD for me) and Fauré. French composers and style are definitely my favourite, Alain.
Monique captures that French spirit with elegance in these recordings.
@@andyfield7397 Debussy is difficult to understand , for a young there are the young Debussy wirh pieces easy in second " Pour le piano ' ar the end only at the end "Étampes- Preludes " studies are more easy mostly
@@alainspiteri502 Beautiful to listen to though, when played by a talented artist like this.
maravillosa
Her 'Ravel' is divine, i think.
How I love La Mere Oi. I looked up " Poucet" our Thubalina. He must have loved children
Lots of pianists have attempted to record all of Ravel handful of piano works.
¿¡how can tunes i've listened to for decades have all this new stuff!?
ok, so, ¿who's playing the harp at 35:06? 17,353,498 stars
Great composers like Ravel, Shostakovich many great pianists great filmmakers and writers great science women and men even great wars and dictators
20th century was all about greatness
Unfortunately we live in time of BTS Taylor swift Kardashians and all plastic figures media made
Only C P E Bach has composed the highest number of solo keyboard works and a complete recording was made on the 300th anniversary of his birth.
Drink a glass of wine when the white sage is in full bloom
We must look into the eyes of an old female pianist!
,
Is it my mistake or its Pavane pour une infante défunte missing.
1:06:00
Thanks for the link, much appreciated.
Marvellous. I think I prefer her take over Françious’. Next stop: Debussy.
#️⃣1️⃣🎼🎶♥️🌹
Brown Daniel Clark Gary Thompson Carol
oh… fang… like dracula…
Thank You.