When you rubbing the plate, you often change the holding position. There are several vibrating modes with different nodal lines. If you tighten the plate at a nodle line, you strenghten the vibrating mode that belongs to that line. Don't you think it could affect the result?
It may be imprecateing but I am not a big fan of mode measuring. To me, it does not have any relevance where you hold the plate. Just be sure to hold it in the same spot when listening to the pitch-differences.
Maybe I missed something. In part 26 at around 6:10 min, the pitch is higher on the inside so wood was taken out on the inside. But here at around 1:40, the pitch is higher on the outside why then not wood to be scrapped on the outside but inside ?
I think you have to listen again to the tap tones. They are higher when I TAP from the outside which tells that material has to be taken away on the inside.
@@westerlundsviolinverkstada9892 You lost me here. I get that you've balanced the front and have moved onto working the back but I'm with Hao Tu in that don't understand why tapping the front and having it higher means you remove more from the inside. Is it because you have 'moved on' to the inside? In other words, in all previous videos, you have removed wood from the higher pitched places. Why is wood now being removed from the opposite side? Is there some difference in scratch tones vs tap tones?
@@nicktalon4934 Hi Nick! Rubbing tells about the same side and (hard) tapping tells about the opposite side. This means that when I tap from the outside, it tells the same thing as when I rub at the inside.
@@westerlundsviolinverkstada9892 Wow, thanks for the quick reply. That totally explains it. I somehow missed that. I think I was hearing what I expected to hear. I've been working my way through your video series and I love your approach. My plan is to apply it to my first build. It makes so much sense. It makes me want to call you a wood whisperer.
Really grateful!
When you rubbing the plate, you often change the holding position. There are several vibrating modes with different nodal lines. If you tighten the plate at a nodle line, you strenghten the vibrating mode that belongs to that line. Don't you think it could affect the result?
It may be imprecateing but I am not a big fan of mode measuring. To me, it does not have any relevance where you hold the plate. Just be sure to hold it in the same spot when listening to the pitch-differences.
Maybe I missed something. In part 26 at around 6:10 min, the pitch is higher on the inside so wood was taken out on the inside. But here at around 1:40, the pitch is higher on the outside why then not wood to be scrapped on the outside but inside ?
I think you have to listen again to the tap tones. They are higher when I TAP from the outside which tells that material has to be taken away on the inside.
@@westerlundsviolinverkstada9892 You lost me here. I get that you've balanced the front and have moved onto working the back but I'm with Hao Tu in that don't understand why tapping the front and having it higher means you remove more from the inside. Is it because you have 'moved on' to the inside? In other words, in all previous videos, you have removed wood from the higher pitched places. Why is wood now being removed from the opposite side? Is there some difference in scratch tones vs tap tones?
@@nicktalon4934 Hi Nick! Rubbing tells about the same side and (hard) tapping tells about the opposite side. This means that when I tap from the outside, it tells the same thing as when I rub at the inside.
@@westerlundsviolinverkstada9892 Wow, thanks for the quick reply. That totally explains it. I somehow missed that. I think I was hearing what I expected to hear. I've been working my way through your video series and I love your approach. My plan is to apply it to my first build. It makes so much sense. It makes me want to call you a wood whisperer.