Doug, this one takes me back to the DJM days on Raymond Rd, when you JV and MR worked your magic. I remember the first time I saw you bring a Gibson like this back from the dead and it never ceases to amaze me. Well done, my friend!
I’ve done a few Gibson and Epiphone headstock repairs. But that is just a work of art. Absolutely phenomenal repair. Probably better than it was when it came out of the factory both in terms of finish and strength. Amazing.
Awesome! You'll be the best girlfriend ever! Make sure the old headstock stays with it as well as the work order to validate it's authenticity. Merry Christmas and thank You!
In honor of this scarf joint episode I wore my best scarf while watching the video! I can’t imagine how awful the owner must have felt seeing their guitar in a broken heap. Saving the Gibson logo looked like a real challenge in patience. Another amazing accomplishment! The owner must be really happy! I was in Manchester and came by and browsed the store recently. All the spare parts were amazing!
I found your channel just 4 weeks ago and in time it will grow to maybe hundreds of eager followers making you dollars to retire on,parden my sense of humor
I like the headstock splice more than I like a lot of other things I’ve seen and I saw that on Jerry Rose Instrument Repair, RUclips channel and he did a double splice go on One Direction and then the other direction for mandolin. I just love your jig for cutting that slant on that neck. That is great thanks for sharing it.
I just watched that video. Jerry Rosa is such a nice guy to watch. I almost decided to take a similar approach with this one but changed my mind last minute. I would have approached that repair a little differently though. mainly, I would have saved the face plate to avoid the binding work and would have used the same type of 2k finish as the factory. in the end it did turn out very nicely though.
Doug, it did turn out wonderful . I did the double scarf joint on my mandolin and I’m still fighting with that but I’ve done it. Neck breaks a lot. It seems.
@ usually when you see a neck bra rack at that trust rod area it’s because they dug that area too deep from my experience. At least you’re right give it a little more meat.
I saw this when he started it . Sir your level of skill and dedication is outstanding top marks ( you would have far more then a few nickels for all Gibson headstocks you have returned from the afterlife!)
PATIENCE, EXPERIENCE, and DETAIL. Gotta give it to you. Great job ! On a side note, I thought you would have drilled out the tuner holes earlier in the process ?
I find it easier to buff before the holes are drilled because buffing wheel / compound tends to "rope" or burn the sharp edges of the holes and it tends to abraid the waxy compound from the wheel faster. It also tends to leave a streaky waxy build up thats very annoying. It's smoother ride without holes.
Inspiring work ! 😃👍 How do you go about getting the clear coat even over the new decal? If you build up layers doesn't the finish over decal sit up or mountain the finish? Sanding back through the layers will cut through the decal surface layer wont it ?
Phenomenal repair. Undoubtedly a much sounder and stronger guitar than when it left the factory. I am curious to know if cutting away the trussrod tunnel and then reconstructing it makes the rod any less effective after the repair is complete?
@@dougmaccormack9485 not talking about the neck, talking about the headstock and how the headstock always has the side wings glued on and then carved to make the headstock shaped properly. If you look at the backside of any gibson headstock with a transparent or translucent finish, you will see an extra strip of wood glued on,
@HashiAkitaPuppy OH, your talking about "ears". I believe the factory does that to make more effective use of wood stock. I had a piece wide enough so I having ears was not nessesary.
Maybe when Gibson builds Les Pauls they could sink a couple of graphite strips in that area. The price they get for them should certainly cover the extra work. Another beautiful MacCormack procedure. Nice eyeballin on the truss rod slot guidelines! . . . and in general.
This is an awesome repair, so satisfying to watch. I was wondering how come nobody stamps the serial number on these Gibson repairs though. It should be so much easier then that emblem work I feel like.
Just repaired my Les Paul Pro, almost perpendicular break. I suspect it won't last. Small chunks missing like yours. Filled with matching tint cyanoacrylate and baking soda. Painted a matching simulated wood grain over that, then the lacquer coats. Not noticeable now. What is the black sheet you cover the headstock with? (for when I start over, 🙄). Excellent video.
Hi there first time tuning to your chanel. after seen this video i went to see the PRS previous one ,great work in the wood and the finish !!, question , why you could (would) not save the serial number of the GIBSON as you did in the PRS? was it a matter of cost of labour and time or the guitar was not a particular vintage value instrument? cheers and and have a merry christmas!
The PRS was a very difficult and time consuming repair to do the 2 sided lamination front and back. The guitar is still in the shop so I am going to stamp the serial# as soon as my new wood stamps arrive. The stamps I have now are terrible!
Amazing work, however can I ask were you not tempted to age the finish a little? It looks like a brand new neck on an older body? A little aging would’ve tied it in nicely. Fantastic craftsmanship though!
Amazing work! I have a vintage Ibanez lp copy with the tree of life inlay it needs binding work, refret, and wiring. Do you think it’s worth getting it restored if so how much am I looking at?
Was the original serial number stamped or a decal? I am assuming steamed. I use a set os steel stamps to re-create the number and “Made in U.S.A.” Before the grain filler.
Doug "the wizard luthier" to the rescue .. Just started this video before work this morning. I'm sure it's going to have a very successful ending.... 😊
@@dougmaccormack9485Doug you did amazing! If you ever get quality new stamps I don’t mind bringing by for you to stamp the serial number but for now we will keep the OG serial number safe :)
So there’s no physical bond, only a chemical bond on that headstock repair? (Dowels vs glue) Won’t the string tension cause that to fail in the long run?
I'm not sure what you mean by no physical bond. On a molecular level, glue does create a physical bond when used properly in a nice clean joint with adequate surface area. Under right conditions its stronger than the wood itself.
@@dougmaccormack9485 I assume @daddymidwest4111 means there's no additional wood to extend the bond further than the scarf joint. My question is, what wood glue did you use? I see you adding some red tint just after the 25 minute mark. Is this a standard PVA glue, or something better? I'd be concerned about creep (gradual deformation of plastics under tension) causing the joint to open up. In the past I've used hide glue and urea formaldehyde (aka Cascamite), neither of which are prone to creep.
I used Tightbond original which is widely used amongst by luthiers here in the states. I've been using it for years to reglue bridges which is the ultimate test.
I can appreciate that, it’s just seems that the reenforcement brought about from dowels or biscuits would create a more secure repair. Please don’t take my question as doubt in your abilities, you’re clearly a fine luthier, I’m simply attempting to improve upon my understanding of headstock repairs.
@@dougmaccormack9485 Thank you. Titebond is available in the UK, but until recently was not well known. Their UK website has a page titled "Guitar glues". If the original type is good enough for bridges, it sounds like a good bet!
The customer keeps the old headstock with the guitar as well documentation. In the meantime I've ordered a nice set of stamps and I'll stamp them in then respray/buff. The ones I have are terrible quality.
In all the years of Gibson's existence, you'd think by now they would have figured out that slab-sawn neck timbers are highly prone to breaking at the headstock, especially with that huge, hollowed out truss rod cavity, right in the weakest spot. The grain structure should be vertical through the neck, NOT horizontal. That configuration makes the headstock area far less prone to breakage. And truss rod access should be at the end of the fingerboard, NOT at the headstock. That should be an elementary design feature. I guess they figure the Gibson break-away headstock is a feature, not a glitch; and maybe even a haloed tradition of Gibson guitars. I'm actually kind of surprised they haven't patented this innate flaw. Repair guys see so many broken Gibson headstocks, it's bread-and-butter work for them. I wonder if Gibson will EVER get a clue how to make strong, resilient guitar necks.
@@dougmaccormack9485 Doug, you performed a masterful repair on this particular Les Paul. So glad to see that this guitar will live on, thanks to your expertise! I can see you've had a LOT of practice. When I got into lutherie 25 years ago, my shop partner was running a busy guitar repair business in Seattle; and broken Gibson necks were one of the most common repair jobs that came in--sometimes three or four per month. I remember one of them was a Trini Lopez signature hollow body electric that had the headstock broken and repaired THREE TIMES! My friend and I both built our original instruments also, and the extensive repair history guided us into designing these kinds of flaws OUT of our instruments. Just because design flaws in old guitars have become "traditional" doesn't mean they should be continued! Lutherie is an evolving art form, and there are always ways to make guitars better!
Hi Doug, I've subscribed to your channel with the PRS video. I'm about to unsubscribe just to be able to subscribe again with this one ! Unbelievable work done here !
I just bought my first Les Paul last night. Now I understand, the headstock design is really terrible. What I can’t understand why manufacturers wouldn’t just dial back the angle (fender ish ) so that the guitar could at least rest flat on its back
Easily the best headstock repair video I've seen. Incredible work!
Wow, thanks!
AMAZING ,looks like Paul Kossoffs 1959 Lp with same repair!
A TRUE Craftsman Sir ..
Well Done
Thanks for the kind words!
Wow absolutely amazing work in 40yrs of guitar by far best headstock repair i have ever seen
Glad you liked it!
Doug, this one takes me back to the DJM days on Raymond Rd, when you JV and MR worked your magic. I remember the first time I saw you bring a Gibson like this back from the dead and it never ceases to amaze me. Well done, my friend!
Just randomly saw your channel! You repaired the headstock of my Gibson Ec-185 around 8 years ago I still play it every day!
That’s really cool to hear. I’m glad it’s still going strong.
Great work Doug! Awesome color matching and the preservation of the pearl logo is amazing 🎉
Thank Scotty! I enjoy watching your work as well!
I’ve done a few Gibson and Epiphone headstock repairs. But that is just a work of art. Absolutely phenomenal repair. Probably better than it was when it came out of the factory both in terms of finish and strength. Amazing.
Thank you David, you do nice work too!
@ thank you 👍
We just love to see scarf-work, and that was excellent! It was awesome how you routed a nest for the original Gibson logo.
It’s one of the more time consuming parts but it’s worth it for the final result.
@ Oh, it surely was worth it! It looked perfect.
Thank you so much for fixing it! It looks beautiful and my boyfriend is going to be so surprised.
Awesome! You'll be the best girlfriend ever! Make sure the old headstock stays with it as well as the work order to validate it's authenticity. Merry Christmas and thank You!
How did he like it?
@@dougmaccormack9485he LOVED it! He is so impressed and happy. Thank you!
Wow, that is some seriously fine work, Doug. You never cease to amaze me. Thanks for sharing.
Thanks for your support Mark!
I've watched 100s of repairs, and this definitely up there with the top! You're an artist with your tools!! Thanks for sharing!!
Wow! Glad you liked it.
World class repair from Doug ❤
Thanks C#!
I worship your craftsmanship, Doug. And enjoyed every second of your Dave Meniketti meets Zakk Wylde tribute at the end 😉
Thank you! 🤘
One of your very best yet Doug. Thank you for sharing. Nick B from the UK
My pleasure
In honor of this scarf joint episode I wore my best scarf while watching the video!
I can’t imagine how awful the owner must have felt seeing their guitar in a broken heap. Saving the Gibson logo looked like a real challenge in patience. Another amazing accomplishment! The owner must be really happy!
I was in Manchester and came by and browsed the store recently. All the spare parts were amazing!
Sorry I missed you!
@@dougmaccormack9485 You looked very busy!😃
Whatever they are paying you, Doug. It isn't enough. It's a pleasure to watch you work on that guitar. Regards from the UK.
Thank you Harry!
That is the best neck repair I’ve ever seen it’s perfect!!!!
Thanks man!
Holy eff, next level does not come close. Wholly insane level. I am blown away!
Wow! Thanks Neal! Glad you liked it and thanks for the sub!
@@dougmaccormack9485 welcome! I say it like it is Doug! :)
Beautifully done, such a satisfying video!
Thank you so much!
Good evening Doug, I just opened my iPad and saw this clip, now I’m not going back to sleep because this will give me nightmares Lol.
I feel that! It's a challenge for sure.
Masterful work! Looks and sounds fantastic. Thanks for posting.
I'm glad you enjoyed it!
A very enjoyable reconstruct!❤
Very satisfying repair to do.
Impressive, really nice work Doug. The color match is pretty close, I really enjoy your videos, thanks.
Appreciate it! Glad you enjoyed the video!
Unbelievable work, you do just amazing.I don't know if I would have the patience for that.God bless you
God bless Fred and Merry Christmas!
Wowza…!
Amazing…!!
Outstanding work Sir…!!!
Thank you! Cheers!
Beautiful job. Looks like you have did this a few times. And it looks perfect. Kind of matches my Gretsch scarf joint. 👍
Thanks! I've done a few, but it's always a bit of a learning curve!
Amazing work!
Thanks!
I found your channel just 4 weeks ago and in time it will grow to maybe hundreds of eager followers making you dollars to retire on,parden my sense of humor
Thanks for subscribing! I appreciate you!
Bravo! great work and top notch playing
Thank you!
Великолепная гитара. Отличный ремонт и музицирование. Вы очень хороший мастер своего дела.
Удачных ремонтов Вам.
Большое спасибо
I like the headstock splice more than I like a lot of other things I’ve seen and I saw that on Jerry Rose Instrument Repair, RUclips channel and he did a double splice go on One Direction and then the other direction for mandolin.
I just love your jig for cutting that slant on that neck. That is great thanks for sharing it.
I just watched that video. Jerry Rosa is such a nice guy to watch. I almost decided to take a similar approach with this one but changed my mind last minute. I would have approached that repair a little differently though. mainly, I would have saved the face plate to avoid the binding work and would have used the same type of 2k finish as the factory. in the end it did turn out very nicely though.
Doug, it did turn out wonderful . I did the double scarf joint on my mandolin and I’m still fighting with that but I’ve done it. Neck breaks a lot. It seems.
@davidsims1329 I think it was a good choice to use a smaller traditional truss rod in addition to extra meat in that area under the nut.
@ usually when you see a neck bra rack at that trust rod area it’s because they dug that area too deep from my experience. At least you’re right give it a little more meat.
Beautiful work
Thank you so much 😀
Excellent work.
Thank you so much 😀! Happy Holidays!
Craftsmanship and nerves of steel. ☮️
...Or just a lot of nerve! LOL!
Really nice work
Many many thanks!
Great job Doug!
Thanks!
I saw this when he started it . Sir your level of skill and dedication is outstanding top marks ( you would have far more then a few nickels for all Gibson headstocks you have returned from the afterlife!)
Your my #1 Brett! Thanks for the support!
Nice splice!
Thanks Mars!
Great job!
Thank you! Cheers!
PATIENCE, EXPERIENCE, and DETAIL. Gotta give it to you. Great job ! On a side note, I thought you would have drilled out the tuner holes earlier in the process ?
I find it easier to buff before the holes are drilled because buffing wheel / compound tends to "rope" or burn the sharp edges of the holes and it tends to abraid the waxy compound from the wheel faster. It also tends to leave a streaky waxy build up thats very annoying. It's smoother ride without holes.
Can't wait to watch this video
👍
Beautiful work. Gibson Electric Guitars, supporting repairmen for almost 100 years. That's job security.
Amen to that!
That's great work. Thanks!
Your most welcome Jim!
Wizardry. No other word. Actually a better and cooler instrument than when it left the factory.
No magic- just years of trial and error
Fabulous, very inspirational
Thanks! Glad you liked it.
Great job
Thanks Mike!
Inspiring work ! 😃👍
How do you go about getting the clear coat even over the new decal? If you build up layers doesn't the finish over decal sit up or mountain the finish? Sanding back through the layers will cut through the decal surface layer wont it ?
The trick is to spray many coats. You'll see a plateau at first but it's thick enough to prevent going through to the decal.
Excellent Sir
Many many thanks
Spectacular. You sir are no mere mortal.
Thank you, your too kind! I'm just a guy who likes to fix guitars!
Phenomenal repair. Undoubtedly a much sounder and stronger guitar than when it left the factory. I am curious to know if cutting away the trussrod tunnel and then reconstructing it makes the rod any less effective after the repair is complete?
it works perfectly normal!
Very good repair, though I'm curious why you went with a one piece headstock instead of the laminated 'wings" which would be the original way?
During the 70's they did the 3 piece neck thing. This newer model has a 1 solid piece neck.
@@dougmaccormack9485 not talking about the neck, talking about the headstock and how the headstock always has the side wings glued on and then carved to make the headstock shaped properly. If you look at the backside of any gibson headstock with a transparent or translucent finish, you will see an extra strip of wood glued on,
@HashiAkitaPuppy OH, your talking about "ears". I believe the factory does that to make more effective use of wood stock. I had a piece wide enough so I having ears was not nessesary.
Fabulous work... But what about the serial number?
I just ordered some new quality 4mm & 6mm stamps from Owden
Maybe when Gibson builds Les Pauls they could sink a couple of graphite strips in that area. The price they get for them should certainly cover the extra work. Another beautiful MacCormack procedure. Nice eyeballin on the truss rod slot guidelines! . . . and in general.
Thanks Ed!
This is an awesome repair, so satisfying to watch. I was wondering how come nobody stamps the serial number on these Gibson repairs though. It should be so much easier then that emblem work I feel like.
I just ordered a set of nice stamps so it's likely this one will get stamped in a few weeks.
@dougmaccormack9485 that's awesome. Looking forward to see more videos like this.
Just repaired my Les Paul Pro, almost perpendicular break. I suspect it won't last. Small chunks missing like yours. Filled with matching tint cyanoacrylate and baking soda. Painted a matching simulated wood grain over that, then the lacquer coats. Not noticeable now.
What is the black sheet you cover the headstock with? (for when I start over, 🙄).
Excellent video.
I used blank blank sheet but you can get overlays pre inlayed here: www.crazyparts.de/overlays-inlays/headstock-inlays--logos/
That's art!!
Thank you. This work keeps my creative juices flowing for sure!
Fantastic job, but what about the serial number?
I just ordered some new quality 4mm & 6mm stamps from Owden
Better than new!
A little stronger I think
Your are a Master.
Thank you very much Scott! Happy holidays! Thanks for the sub!
@@dougmaccormack9485 You too Sir. Tell Seth I said Hi. And keep warm.
Hi there first time tuning to your chanel. after seen this video i went to see the PRS previous one ,great work in the wood and the finish !!, question , why you could (would) not save the serial number of the GIBSON as you did in the PRS? was it a matter of cost of labour and time or the guitar was not a particular vintage value instrument? cheers and and have a merry christmas!
The PRS was a very difficult and time consuming repair to do the 2 sided lamination front and back. The guitar is still in the shop so I am going to stamp the serial# as soon as my new wood stamps arrive. The stamps I have now are terrible!
Amazing work, however can I ask were you not tempted to age the finish a little? It looks like a brand new neck on an older body? A little aging would’ve tied it in nicely.
Fantastic craftsmanship though!
Maybe just maybe they'll have the rest done as well.
Out standing work Doug ,I imagine that cost a little bit to fix but im sure the customer will be very happy,Are you in the States or in Canada?
New Hampshire USA
I like the power hand file
more fun when you speed it up!
Better than new
Hopefully!
Amazing work! I have a vintage Ibanez lp copy with the tree of life inlay it needs binding work, refret, and wiring. Do you think it’s worth getting it restored if so how much am I looking at?
Is it one of the LP style ones with a bolt on neck? It probably is worth it. I'd have to see it though before commiting to $.
@ yes!
@@FlipGuitarist80They're kind of cool so mabe it's worth investigated for sure.
@ Maxon pickups, I don’t know how they sound like but I heard they’re good upon research, body looks to be pancaked
Was the original serial number stamped or a decal? I am assuming steamed. I use a set os steel stamps to re-create the number and “Made in U.S.A.” Before the grain filler.
I just ordered some new quality 4mm & 6mm stamps from Owden
Impressive!
Thank you sir!
That was a ton of labor. I'd be interested to know what percentage of the value of a new LP this repair cost. I'd guess 25-30%.
20%
I was scratching my head with the Gibson logo, then you turned it into an inlay... brilliant. Out of curiosity, what are you using on your wheels?
www.menzerna.com/industrial-polishing/polishing-agent/solid-compounds , jescarmusic.com/products/jescar-buffing-wheel-14-x-3-x-34-bleached-domet-flannel?pr_prod_strat=e5_desc&pr_rec_id=f0496e84f&pr_rec_pid=8340725432622&pr_ref_pid=8340725367086&pr_seq=uniform
Doug "the wizard luthier" to the rescue ..
Just started this video before work this morning. I'm sure it's going to have a very successful ending....
😊
It did! No magic though- just years of repeatition and mistakes
What type of wood does Gibson use for their neck/headstock?
Most are mahogany. Maple now and then.
Incredible work! Thanks!
Thank you too!
What about the serial number at the headstock?
My wood stamps are aweful so I ordered some nice ones. In the meantime the customer has validating documents and the original headstock.
Why didn't you stamp the serial number on the back of the headstock Mr professional?
I do have some stamps but they are terrible. Maybe Santa will bring me some nice ones. The original headstock will be kept with the guitar though.
@@dougmaccormack9485Doug you did amazing! If you ever get quality new stamps I don’t mind bringing by for you to stamp the serial number but for now we will keep the OG serial number safe :)
@@maekalahmacleod529 I did already order a nice set. The ones I have are terrible and don't line up properly.
very nice work👍 but that has to cost more than its worth
Gibson Les Paul's are worth over a couple grand these days.
@ i know which to me is crazy considering there so may nice guitars out there for$500 or less and the headstock wont break off or less likley to ✌️
Amazing work, thank you for sharing Master, we're not worthy. It sure is a noisy shop, those Gorillas do go on 🤣
In most cases my editing software can remove background noise and talking but it removes ALL THE TALKING including me!
Perfect!
Thank you!
Sounds like a Gibson LP! =)
Classic growl :)
Teach me, Master.
I will! Keep watching! Thanks for the sub!
👍👍🍺. Amazing job
Thanks 👍
👍👍👍👍👍
👍
Impressive
Thanks!
So there’s no physical bond, only a chemical bond on that headstock repair? (Dowels vs glue) Won’t the string tension cause that to fail in the long run?
I'm not sure what you mean by no physical bond. On a molecular level, glue does create a physical bond when used properly in a nice clean joint with adequate surface area. Under right conditions its stronger than the wood itself.
@@dougmaccormack9485 I assume @daddymidwest4111 means there's no additional wood to extend the bond further than the scarf joint. My question is, what wood glue did you use? I see you adding some red tint just after the 25 minute mark. Is this a standard PVA glue, or something better? I'd be concerned about creep (gradual deformation of plastics under tension) causing the joint to open up. In the past I've used hide glue and urea formaldehyde (aka Cascamite), neither of which are prone to creep.
I used Tightbond original which is widely used amongst by luthiers here in the states. I've been using it for years to reglue bridges which is the ultimate test.
I can appreciate that, it’s just seems that the reenforcement brought about from dowels or biscuits would create a more secure repair. Please don’t take my question as doubt in your abilities, you’re clearly a fine luthier, I’m simply attempting to improve upon my understanding of headstock repairs.
@@dougmaccormack9485 Thank you. Titebond is available in the UK, but until recently was not well known. Their UK website has a page titled "Guitar glues". If the original type is good enough for bridges, it sounds like a good bet!
What about the serial number?
The customer keeps the old headstock with the guitar as well documentation. In the meantime I've ordered a nice set of stamps and I'll stamp them in then respray/buff. The ones I have are terrible quality.
“Fell down the stairs “ the evidence would suggest that it was pushed!
LOL!
awesome
mon ami
In all the years of Gibson's existence, you'd think by now they would have figured out that slab-sawn neck timbers are highly prone to breaking at the headstock, especially with that huge, hollowed out truss rod cavity, right in the weakest spot. The grain structure should be vertical through the neck, NOT horizontal. That configuration makes the headstock area far less prone to breakage. And truss rod access should be at the end of the fingerboard, NOT at the headstock. That should be an elementary design feature. I guess they figure the Gibson break-away headstock is a feature, not a glitch; and maybe even a haloed tradition of Gibson guitars. I'm actually kind of surprised they haven't patented this innate flaw. Repair guys see so many broken Gibson headstocks, it's bread-and-butter work for them. I wonder if Gibson will EVER get a clue how to make strong, resilient guitar necks.
Too bad their customer base doesnt want, or care about a modern guitar. It has to be how it was done in the 50s.
I agree, it's a design flaw that's been around for decades.
@@dougmaccormack9485 Doug, you performed a masterful repair on this particular Les Paul. So glad to see that this guitar will live on, thanks to your expertise! I can see you've had a LOT of practice. When I got into lutherie 25 years ago, my shop partner was running a busy guitar repair business in Seattle; and broken Gibson necks were one of the most common repair jobs that came in--sometimes three or four per month. I remember one of them was a Trini Lopez signature hollow body electric that had the headstock broken and repaired THREE TIMES! My friend and I both built our original instruments also, and the extensive repair history guided us into designing these kinds of flaws OUT of our instruments. Just because design flaws in old guitars have become "traditional" doesn't mean they should be continued! Lutherie is an evolving art form, and there are always ways to make guitars better!
Genius x
Clever maybe but not a genius! LOL!
Gibson innovation in guitar building has not changed over the years. WHY not just make a headless Les Paul guitar !?!!? LOL
THEY EXIST although not actual Gibsons
With those tuners it break again in the next fall.
Maybe, maybe not. I did leave a little extra meat at the transistion and payed attention to how the grain ran.
Hi Doug, I've subscribed to your channel with the PRS video. I'm about to unsubscribe just to be able to subscribe again with this one ! Unbelievable work done here !
Lol! Awesome, thank you!
Damn!
Goomer! Thanks!
This must have cost the owner a lot of money.
About 500
@@dougmaccormack9485 way too cheap, couple thousand would be more like it
Hello boys and germs?
I meant to quote Milton Berle but got it backwards 🤦♂️
🤯Wow!🤯
🤜🤛🫶
Fist bump back! Blow it up!
I just bought my first Les Paul last night. Now I understand, the headstock design is really terrible. What I can’t understand why manufacturers wouldn’t just dial back the angle (fender ish ) so that the guitar could at least rest flat on its back
I agree, that headstock angle is a recipe for disaster! It keeps me in buisness though!
@ Godspeed brother
It's not worth fixing.
Gibson guitars are junk.
Maybe so but it keeps me in buisness!
you nailed it Dude !! great work and video.
Thanks, Glad you liked it!!