If you like these lessons, definitely check out www.zombieguitar.com/ It is a one-of-a-kind site dedicated to helping guitarists to understand the fretboard and create their own music. You will love it!!
Dude, how is it that I am just recently seeing your vids? What you're putting out is incredibly helpful and is beginning to really open up the neck for me. Another great video and your presentation is spot on. Thank you!
I'm not skill at all in soloing, but I understand all of your information. You're amazing to explain. For me is only to try practicing over and over again. You're excellent to inspire a non-skill player. Tank you very much.
You're an amazing teacher... Best or astleast top 3 on RUclips by far. Have watched tons of vids but wasn't until finding Brian Kelly did everything start to click for me. Thanks!
Just found your channel man. Very valuable lessons or invaluable. Which ever is better lol. U are really good at making this stuff simpler. Alot of teachers, not all, tend to make it more complicated than it should be.
At 6:27, Brian makes an unintended mistake. He says A minor is the relative major of C major. He meant to say that A minor is the relative MINOR of C major. Just in case you hear that and get confused. Nice video, Brian.
I have been struggling and doing this wrong for years - Finally someone explains the whole picture... Thankyou!!! Also appreciate how you didn't just use the pentatonic example.
Thanks mate, that was a great help...this was twisting my brain and I couldn't find anywhere to explain it simply and concisely for a beginner...But you did...So this is going straight into my bookmarks for reference....Cheers again
i dig your videos. nice, clear explanations and you don't go wanking off to impress like a lot of cats. really appreciate the time you put into these. ✊
In answer to your question, you explained the content very clearly. Meshes in with what I've learnt so far for other sources in my quest to break free from the eternal bondage that is open chord playing. Thanks a stack. For reference, I hunted this vid down on your recommendation in the 1st Chord Tone Soloing Series. So glad I occasionally listen - now back to your other vid's
Great explanation man. I can't retain music theory very good, but you're really good at breaking it down. The 3 notes up or down is great to remember, I'm glad I subscribed! Thanks
Love your lessons almost subscribing thanks for your time . Haven't even watched this particular lesson but have learned so much from all your lessons. Thanks again.
That pattern along with every positional pattern of the Major scale will be flavored major or minor Depending on what you tones that we put behind it.. Only because we are altering The intervalic values this is why to understand Major Minor Pentatonic and all the modes we must view the major scale over the entire neck as 1 big huge movable scale.
just when i think i cant do it i see this upload and presto ..move along slowly on the learning curve eh lol..it makes you realise how talented musically these people are. i take my hat off to them. and thankfully they like to help. many thanks . do like your presentations. why dont i see more Les Pauls in these vids ?? mostly Fenders across the board. anyway many thanks .
Thank you Brian, I've been on this major & minor not getting the circle of fifths until today, thanks again for explaining it. Actually it was a technical problem on my part an ID. 10 T error which spells IDIOT.
Hi Bryan, Actually i really wanna thank to you but we are to far to buy u a drink, :-) after a month learning about scale now im start fully understanding. Luckily i am not mesmerize the minor digram but done for major scale. Now im fucking fast solo with minor n major... dear all here are the best lesson i learn in you tube.. you should try.. mesmerise major pattern over the frettboard is more than enough.
Brian I have watched some of your videos and read all the cliff notes there are so many. However I mostly just use tabs to play songs I don’t memorize the notes though what do you suggest I do so I get better at guitar and I suck at playing barre chords.
What people fail to understand is this ... The tones in C Major are in Fact the same in A minor but these common tones are also in fact very different in functionality so from a mapping standpoint its fair to say they are the same but from a musical standpoint we fail to interject "intervalic theory" when this element is introduced into the equaision we begin to see the huge differences and functions of those notes
Agreed 100%. It's all about the intervals.... My point from the other day is that if you are going to say that there are "24 keys", then you would have to say that there were "72 keys" (we are excluding Locrian since it's very difficult to dictate a diminished chord to be the tonal center, otherwise it would be 84). What makes Aeolian so special that it deserves to be called a "key", whereas the other modes do not get that special treatment? If you can't answer that question, then it only makes sense to speak in terms of 12 key signatures.
Great Video, i understood perfectly. i got a question, are there different relative minor/majors for different scales? or does the move up/down 3 trick apply universally?
For each of the 12 key signatures, you can view it from the major perspective or the minor perspective. The relative major/minor concept applies to all 12 key signatures!
Hi Brian, great video as always. I do have an issue and maybe you can help. What brought me to your video was I am trying to find answers in regards to using the minor pentatonic scale pattern for the relative pair. Everywhere I looked at on the web and you tube states that they use the same notes and that is not true for example A minor and F# minor pentatonic uses completely different notes. Am uses: A C D E G and F#m uses: F# A B C# E. What I am I missing in regards to this concept? The information that I was reading stated this was a fast way for a new guitarist to breakout out the box by using the same pattern for both The major and the relative minor scale. They pretty much cover how to find the relative minor the same way you did in your video so that concept I totally understand. I get how A Major and F# minor both have the same notes in them. However I am totally confuse about the pentatonic part.
Hey Blaze...A major pentatonic and F# minor pentatonic do share the same notes. A major pentatonic: A B C# E F# F# minor pentatonic: F# A B C# E You wrote the notes out for A minor pentatonic, which is a different key signature altogether... A minor pentatonic: A C D E G You were mixing up A minor pentatonic with A major pentatonic!
Brian, thanks for the reply. I think maybe the source material is throwing me off. It definitely states “The easiest thing to do is to convert your minor pentatonic scale into a major pentatonic scale by moving it down 3 frets. It allows you to play in both minor and major keys using just one scale.” pattern,” and it provides a picture of the minor pentatonic shape. Which is the 1-4, 1-3, 1-3, 1-3, 1-4, 1-4, pattern. Do you any videos explaining this here on “ You tube” or the website (which I am a proud member of😄)? As always I appreciate your time and effort.
I really like your teaching. I checked out your website and thinking of getting full access to everything. What I want to know is what order to I go by when watching/learning all the lessons? Is it already in order? Again thanks for teaching and sharing info!
Hey Nate, thanks for checking out my lessons and taking interest in my website. If you signed up as a member I would suggest that you work through the first 10 sections of the main outline in order. After that though, there is no particular order to things. You would just pick and choose topics that you want to learn about, and simply click whichever ones you wanted to work on. Lots of the free lessons on the site also have "members only" content that appears once you are logged in. This is to help you reinforce and practice whatever the lesson topic is. Additionally, I am always available to answer questions for you via the contact form on the site. My primary goal is to make sure that anyone who intends to learn this stuff really gets it and understands the concepts!
Hi Brian, thank you for sharing you thoughts with us. Great work!!! But, to me, the minor sounded a little "off key", as you where using Am/G/D. To me you should have used the A dorian mode, (because of the F# in the DMajor), or just made the progression Am/G/Dm... Cheers from Portugal!!
You are 100% right. I remember back when I made this video that I was just thinking "Mary Jane's Last Dance", so that's why I used those chords. But, ya technically the Am - D (i - IV) combination is what yields the Dorian mode.
Yes, everything is exactly the same. The actual notes don't move anywhere. The only difference between major and minor is the location of the "tonal center" note 😀
Hello Brian, Just started watching your videos recently. I am an intermediate guitar player, and know some things but feel like I would like to now put it all together a bit better. So what I would really like to know what order should we be watching your videos in? I don't mind at all if it covers things that I already know. What should we do first, second, third, etc. For instance should we learn the five pentatonic shapes first, then modes, then relative major minor, etc. Or, should we start with the major scale, minor scale, circle of fifths? Am just having a little difficulty putting it all together. I feel like I'm almost there, but need to know where to build the foundation, and add layer upon layer on top of it. Cheers and thanks, Jack
Oh, delved a little deeper into the actual site, not just random videos that I've viewed on RUclips. I am going through the mini course and see the overall course outline. It looks very good, and very reasonably priced. I will be treating myself to this as a Christmas present to myself. I really like your method of teaching, it is clear, concise, and fully agree that the best way of learning is to do it yourself.
@@jackglacken9808 hey sorry for the late reply. I was going to tell you to go check out the website since the lessons are much more organized than here on RUclips. Also, you mentioned that you were considering signing up for the improv vault on the site...I figured I should let you know that I'm having a 50% off black friday sale. After today, the price will go back to normal. I appreciate you checking out my lessons/site. If you have any questions, feel free to ask!
I get what you’re saying in this video but what I don’t understand is when you say minor are you referring to the harmonic minor or the Minor pentatonic? Thanks in advance. Great tutorials.
In this video I'm referring to the "diatonic scale", which would be called the natural minor scale when viewed from the minor perspective and the major scale when viewed from the major perspective. The concept works exactly the same way for the major and minor pentatonic scales...same exact scale and notes, but just a different tonal center. Make sense?
i just view all of that as c major or all just a minor what is the purpose or knowing relative major or minor as opposed to just viewing it all as one scale in c
@@gimpyjwilliams exactly. And that is also the difference between "C major" (aka C Ionian) and "A minor" (aka A Aeolian). That is the answer to your initial question 😀
@@zombieguitar yea but when you play the relative minor in the key of c major you are not changing the tonal aspect of the scale its still c major scale , all you are doing is thinking of the a minor scale pattern on the fretboard am i right? that is different than using a different modal scale over the same chords............... sorry i will quit i am not trying to be a jerk lol
@@gimpyjwilliams to be honest this video is like 5 years old. I don't even remember what I used as the "demos" in it. I have much newer videos that explain modes much better...same with the various different "scale patterns". You can play the exact same "pattern" over an A minor chord looped over and over...it becomes the sound of A Aeolian. Play the same exact "pattern" over a C major chord looped over and over...the sound is then C Ionian. I have plenty of newer modes videos, but all mode discussions aside (since this video here isn't intended to be a "modes" lesson)...this video here would be a MUCH better explanation of the relative major/minor concept: www.zombieguitar.com/the-3-most-common-ways-to-visualize-the-diatonic-scale-across-the-neck/
I still don't understand, what is the point of having minors at all? if the minor scale and the major scale are all the same notes just in a different order then aren't you ALWAYS playing in a major key anyways? If someone says play a 1-3-5 in D or they say play a 5-7-2 in G... aren't they playing the exact same thing in the exact same key? I'm super confused.
Of the 7 chords found in the key, whichever one is dictated to be the tonal center...determines the "mode". The major key sound is Ionian, which is centered around the I chord. The "minor key" sound is Aeolian, which centers around the vi chord. Each chord has an associated mode 😁
Brian, No biggie, and not totally relevant to your training session, but the third chord of "Louie Louie" would be a G minor, not a G major. Just sayin ....
If you like these lessons, definitely check out www.zombieguitar.com/
It is a one-of-a-kind site dedicated to helping guitarists to understand the fretboard and create their own music. You will love it!!
Dude, how is it that I am just recently seeing your vids? What you're putting out is incredibly helpful and is beginning to really open up the neck for me. Another great video and your presentation is spot on. Thank you!
Hey glad to hear you're finding these lessons helpful. Thanks for checking them out!
Hi Mr Kelly, Great lesson. I'm 70 years old,you need to smile more. I know
life is serious business, but even the president smiles once in a while.
This chanel is very informative. I don't even play guitar, but i think i've learned more about music theory here, than almost anywhere else.
I'm not skill at all in soloing, but I understand all of your information. You're amazing to explain. For me is only to try practicing over and over again. You're excellent to inspire a non-skill player. Tank you very much.
You're an amazing teacher... Best or astleast top 3 on RUclips by far. Have watched tons of vids but wasn't until finding Brian Kelly did everything start to click for me. Thanks!
This is great! 20 years of playing tabs and now, finally, learning some theory. Thank you!
The best relative minor lesson on the Tube and love how practical it was. Easy to understand and to apply to the guitar. Thank you.
Just found your channel man. Very valuable lessons or invaluable. Which ever is better lol. U are really good at making this stuff simpler. Alot of teachers, not all, tend to make it more complicated than it should be.
Holy.. fucking.. shit... This is GENIUS man!
At 6:27, Brian makes an unintended mistake. He says A minor is the relative major of C major. He meant to say that A minor is the relative MINOR of C major. Just in case you hear that and get confused. Nice video, Brian.
Ugh I wouldn't even watch this entire video. This thing is so old!! Much better videos on this same topic on the channel 😁
another great lesson.things are finally making sense.thanks so much.
Being a guitarist beginner this is a big help for me in my learning thank you for sharing this video
Very important lesson thanks so much. The three parts helped me a lot.
Wow awesome teaching, all of your lessons are cleaer and easy to understand!!! Your one of the best out there!!! Salutations from Montreal Quebec!!!;)
One of the best practical/theory teacher on u tube.
I have been struggling and doing this wrong for years - Finally someone explains the whole picture... Thankyou!!!
Also appreciate how you didn't just use the pentatonic example.
Another fantastic lesson Brian, thank you so much for sharing this with us. You are the best teacher.
Thanks mate, that was a great help...this was twisting my brain and I couldn't find anywhere to explain it simply and concisely for a beginner...But you did...So this is going straight into my bookmarks for reference....Cheers again
Nice one thx👍 I especially like when you tie it in how I can use it musically
So much high value information here, so clearly explained! Suddenly the fretboard looks inviting, not daunting! Brian, thank you :)
i dig your videos. nice, clear explanations and you don't go wanking off to impress like a lot of cats. really appreciate the time you put into these. ✊
This was just great man! Thank you!
Best lesson!
In answer to your question, you explained the content very clearly. Meshes in with what I've learnt so far for other sources in my quest to break free from the eternal bondage that is open chord playing. Thanks a stack. For reference, I hunted this vid down on your recommendation in the 1st Chord Tone Soloing Series. So glad I occasionally listen - now back to your other vid's
Hey thanks for checking out my lessons! You might like this mini course that I made too: www.zombieguitar.com/mini-course/
Great explanation & example of its application. Thanks for that!
Thank you so much for sharing your skills.
Light Bulb! Your videos are packed with good stuff!
Great explanation man. I can't retain music theory very good, but you're really good at breaking it down. The 3 notes up or down is great to remember, I'm glad I subscribed! Thanks
I love your 'classic' vids bro ... Someday I hope to know half as much.
Thanks for sharing your hard work ❤️
Rock on Brian 😎
Thanks man! I hate watching these old vids though...I'm so awkward in them 🤣🤣🤣
Excellent. Now I am freed from the boxed patterns. Thank you :)
Thank You for breaking down the concept.
Great lesson dude. Nice Ink.
Love your lessons almost subscribing thanks for your time . Haven't even watched this particular lesson but have learned so much from all your lessons. Thanks again.
Another great lesson clearing up some confusion. I like your hat btw!
That helped me a lot. Thank You!!
mind blow. Thanks man!! I was looking for that for so long. Great lesson and great video. Its very clear when you talk. Good job!
Cool man! Understanding things now. Thanks!
Brilliant lesson ... thanks!!!
You are the greatest.
Dude. You are an amazing teacher. 🤘
Thanks man!
Great lesson of difficult theory
Excellent. Thanks!
That pattern along with every positional pattern of the Major scale will be flavored major or minor Depending on what you tones that we put behind it.. Only because we are altering The intervalic values this is why to understand Major Minor Pentatonic and all the modes we must view the major scale over the entire neck as 1 big huge movable scale.
Yup exactly. That's why I refer to it as the "diatonic scale" rather than major or minor.
You clearly explained this. Thank you.
Always great
I watched tons of video ..but in 11.00 min i get "AHA" moment..thanks a lot man..
Great lesson 👍
just when i think i cant do it i see this upload and presto ..move along slowly on the learning curve eh lol..it makes you realise how talented musically these people are. i take my hat off to them. and thankfully they like to help. many thanks . do like your presentations. why dont i see more Les Pauls in these vids ?? mostly Fenders across the board. anyway many thanks .
Thank you Brian, I've been on this major & minor not getting the circle of fifths until today, thanks again for explaining it. Actually it was a technical problem on my part an ID. 10 T error which spells IDIOT.
Awesome explanation. Thank you
Thank you sooooooo much it has been a great help, Mike UK
Thank you 🙏
Thanks so much! That really helps a lot.
excellent explanation thank you it really helped...
guy laurent You’re welcome! Thanks for watching!
thanks again man great video sorry too many beers again
Brian what city are you in? East> I'm in Chicago. I can't believe what I learned from you in the last 3 hours. THANK YOU DUDE!
DJAS hey glad that you are finding these lessons helpful! I'm from Philadelphia. Thanks for checkin out my vids!
Thank you !!!!!!!...it really helped
Thank you very much. I know some theory because of you.
Nice one
Hi Bryan,
Actually i really wanna thank to you but we are to far to buy u a drink, :-) after a month learning about scale now im start fully understanding. Luckily i am not mesmerize the minor digram but done for major scale. Now im fucking fast solo with minor n major...
dear all here are the best lesson i learn in you tube.. you should try.. mesmerise major pattern over the frettboard is more than enough.
Brian I have watched some of your videos and read all the cliff notes there are so many. However I mostly just use tabs to play songs I don’t memorize the notes though what do you suggest I do so I get better at guitar and I suck at playing barre chords.
wowww,.. greatttt lesson
What people fail to understand is this ... The tones in C Major are in Fact the same in A minor but these common tones are also in fact very different in functionality so from a mapping standpoint its fair to say they are the same but from a musical standpoint we fail to interject "intervalic theory" when this element is introduced into the equaision we begin to see the huge differences and functions of those notes
Agreed 100%. It's all about the intervals....
My point from the other day is that if you are going to say that there are "24 keys", then you would have to say that there were "72 keys" (we are excluding Locrian since it's very difficult to dictate a diminished chord to be the tonal center, otherwise it would be 84).
What makes Aeolian so special that it deserves to be called a "key", whereas the other modes do not get that special treatment?
If you can't answer that question, then it only makes sense to speak in terms of 12 key signatures.
hey thanks bud
You're a natural born teacher.
Thanks! Comments like that keep me moving forward!
agreed.
You voice sounds like Adam Sandler. Good video.
Great Video, i understood perfectly. i got a question, are there different relative minor/majors for different scales? or does the move up/down 3 trick apply universally?
For each of the 12 key signatures, you can view it from the major perspective or the minor perspective. The relative major/minor concept applies to all 12 key signatures!
Hi Brian, great video as always. I do have an issue and maybe you can help. What brought me to your video was I am trying to find answers in regards to using the minor pentatonic scale pattern for the relative pair. Everywhere I looked at on the web and you tube states that they use the same notes and that is not true for example A minor and F# minor pentatonic uses completely different notes. Am uses: A C D E G and F#m uses: F# A B C# E. What I am I missing in regards to this concept? The information that I was reading stated this was a fast way for a new guitarist to breakout out the box by using the same pattern for both The major and the relative minor scale. They pretty much cover how to find the relative minor the same way you did in your video so that concept I totally understand. I get how A Major and F# minor both have the same notes in them. However I am totally confuse about the pentatonic part.
Hey Blaze...A major pentatonic and F# minor pentatonic do share the same notes.
A major pentatonic:
A B C# E F#
F# minor pentatonic:
F# A B C# E
You wrote the notes out for A minor pentatonic, which is a different key signature altogether...
A minor pentatonic:
A C D E G
You were mixing up A minor pentatonic with A major pentatonic!
Brian, thanks for the reply. I think maybe the source material is throwing me off. It definitely states “The easiest thing to do is to convert your minor pentatonic scale into a major pentatonic scale by moving it down 3 frets. It allows you to play in both minor and major keys using just one scale.” pattern,” and it provides a picture of the minor pentatonic shape. Which is the 1-4, 1-3, 1-3, 1-3, 1-4, 1-4, pattern. Do you any videos explaining this here on “ You tube” or the website (which I am a proud member of😄)? As always I appreciate your time and effort.
@@blazemoyer this is what you need 😁 www.zombieguitar.com/blog/solo-like-a-pro-without-music-theory-layer-1
Thank you or your time.
glad i found you. and you look like kevin sheridan.
Superb
Спасибо Брайан!Хоть на английском но Всё правильно и понятно.
I really like your teaching. I checked out your website and thinking of getting full access to everything. What I want to know is what order to I go by when watching/learning all the lessons? Is it already in order? Again thanks for teaching and sharing info!
Hey Nate, thanks for checking out my lessons and taking interest in my website. If you signed up as a member I would suggest that you work through the first 10 sections of the main outline in order. After that though, there is no particular order to things. You would just pick and choose topics that you want to learn about, and simply click whichever ones you wanted to work on. Lots of the free lessons on the site also have "members only" content that appears once you are logged in. This is to help you reinforce and practice whatever the lesson topic is. Additionally, I am always available to answer questions for you via the contact form on the site. My primary goal is to make sure that anyone who intends to learn this stuff really gets it and understands the concepts!
Hi Brian, thank you for sharing you thoughts with us. Great work!!!
But, to me, the minor sounded a little "off key", as you where using Am/G/D. To me you should have used the A dorian mode, (because of the F# in the DMajor), or just made the progression Am/G/Dm...
Cheers from Portugal!!
You are 100% right. I remember back when I made this video that I was just thinking "Mary Jane's Last Dance", so that's why I used those chords. But, ya technically the Am - D (i - IV) combination is what yields the Dorian mode.
So... Are the intervals the same too.. just starting in a different place?
Yes, everything is exactly the same. The actual notes don't move anywhere. The only difference between major and minor is the location of the "tonal center" note 😀
Brian, how can you tell if a song is written in a major key or its relative minor?
Hello Brian,
Just started watching your videos recently. I am an intermediate guitar player, and know some things but feel like I would like to now put it all together a bit better. So what I would really like to know what order should we be watching your videos in? I don't mind at all if it covers things that I already know. What should we do first, second, third, etc. For instance should we learn the five pentatonic shapes first, then modes, then relative major minor, etc. Or, should we start with the major scale, minor scale, circle of fifths? Am just having a little difficulty putting it all together. I feel like I'm almost there, but need to know where to build the foundation, and add layer upon layer on top of it.
Cheers and thanks,
Jack
Oh, delved a little deeper into the actual site, not just random videos that I've viewed on RUclips. I am going through the mini course and see the overall course outline. It looks very good, and very reasonably priced. I will be treating myself to this as a Christmas present to myself. I really like your method of teaching, it is clear, concise, and fully agree that the best way of learning is to do it yourself.
@@jackglacken9808 hey sorry for the late reply. I was going to tell you to go check out the website since the lessons are much more organized than here on RUclips. Also, you mentioned that you were considering signing up for the improv vault on the site...I figured I should let you know that I'm having a 50% off black friday sale. After today, the price will go back to normal. I appreciate you checking out my lessons/site. If you have any questions, feel free to ask!
@@zombieguitar no worries, am going to miss the sale, but wiil sign up next week. At $59 its still worth it.
🎸🤘🏽🤘🏽🔥
I get what you’re saying in this video but what I don’t understand is when you say minor are you referring to the harmonic minor or the Minor pentatonic? Thanks in advance. Great tutorials.
In this video I'm referring to the "diatonic scale", which would be called the natural minor scale when viewed from the minor perspective and the major scale when viewed from the major perspective. The concept works exactly the same way for the major and minor pentatonic scales...same exact scale and notes, but just a different tonal center. Make sense?
Brian Kelly nope I just wanted to know if it was pentatonic or harmonic..
@@willster7272 neither...it's the diatonic scale that I'm talking about here
Very well explained Brian... i totally get this mate, just got to practice mixing those tonic notes... thanks
What is your website where I can sign up for lessons?
www.zombieguitar.com 😁
Main takeaway: You have to earn the keys to the Lamborghini.
🤣🤣🤣
i just view all of that as c major or all just a minor what is the purpose or knowing relative major or minor as opposed to just viewing it all as one scale in c
Better yet, just think about it as the "diatonic scale"... major, minor, any of the 7 modes...it's all just the diatonic scale!
@@zombieguitar except when you use a different mode you are changing the sound completely
@@gimpyjwilliams exactly. And that is also the difference between "C major" (aka C Ionian) and "A minor" (aka A Aeolian). That is the answer to your initial question 😀
@@zombieguitar yea but when you play the relative minor in the key of c major you are not changing the tonal aspect of the scale its still c major scale , all you are doing is thinking of the a minor scale pattern on the fretboard am i right? that is different than using a different modal scale over the same chords............... sorry i will quit i am not trying to be a jerk lol
@@gimpyjwilliams to be honest this video is like 5 years old. I don't even remember what I used as the "demos" in it. I have much newer videos that explain modes much better...same with the various different "scale patterns". You can play the exact same "pattern" over an A minor chord looped over and over...it becomes the sound of A Aeolian. Play the same exact "pattern" over a C major chord looped over and over...the sound is then C Ionian.
I have plenty of newer modes videos, but all mode discussions aside (since this video here isn't intended to be a "modes" lesson)...this video here would be a MUCH better explanation of the relative major/minor concept: www.zombieguitar.com/the-3-most-common-ways-to-visualize-the-diatonic-scale-across-the-neck/
I still don't understand, what is the point of having minors at all? if the minor scale and the major scale are all the same notes just in a different order then aren't you ALWAYS playing in a major key anyways? If someone says play a 1-3-5 in D or they say play a 5-7-2 in G... aren't they playing the exact same thing in the exact same key? I'm super confused.
Of the 7 chords found in the key, whichever one is dictated to be the tonal center...determines the "mode". The major key sound is Ionian, which is centered around the I chord. The "minor key" sound is Aeolian, which centers around the vi chord. Each chord has an associated mode 😁
Me I see Dorian mode in a minor?
Aeolian walks into a bar .... the bartender says "Sorry, we don't serve minors here"
🤣🤣🤣 I always love a good music theory nerd joke!
Over the age of 10, backwards hat looks.....well.
You wish you looked as good as me
Dopeness \,,/
Man, you look worried...
I was worried that this comment would come
@@zombieguitar Sorry. I apologize.
Brian, No biggie, and not totally relevant to your training session, but the third chord of "Louie Louie" would be a G minor, not a G major. Just sayin ....
Haha did I mention louie louie in this video? It's been a while?
stop repeating your self -_ -