Why It’s So Hard To Land A Company Contract | Auditions Pt. 2

Audition season is often a maze of uncertainty, especially when it comes to ballet company auditions.
In this part two, we’re focusing on the unique challenges dancers face while navigating the world of company auditions and how these hurdles can feel like barriers to entry.
From steep application fees and limited spots to unclear selection processes and networking pressures, we’ll take a closer look at what makes company auditions so daunting.
Are these auditions truly about finding the best talent, or is the process influenced by external factors like finances and connections?
Let us know what you think in the comments.
Thank you for watching!
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Podcast: @BalletWise on Spotify
Website: www.balletwise.com
Music created by Kyle Peterson for BalletWise
Produced by Christina Duffy

[@cynthiajordan4974]

Yup. All of my dance jobs, as a dancer and now as a teacher, came through contacts in the dance world. Through people who already knew me. I did not show well in auditions, but through regular class attendance and then in performance, got more opportunities to work.

[@stephenqshafer3774]

Grim reality. As the grandparent of an aspirant I always like you closing words " Keep dancing and be the best person you can be"

[@markdavidburger]

Thank you, Michael, for producing your excellent videos!
The field of architecture has much the same climate for getting a job. This is true whether you’re looking for a teaching position, a job in a firm, or for finding a commission. Your astute advice is applicable to more than just ballet - which is why I so enjoy your videos.

[@xuefensun1117]

So basically it's impossible?