Make Money Out Of SOUND
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- Опубликовано: 9 июл 2024
- The first of a series of seminars that will enable you to make samples and earn money out of them. A new initiative in partnership with Edinburgh College to see if we can aim big for their music department.
To see the full seminar, to see how to make the wine glass instrument in Kontakt, and grab some study aids become a member for free at thecrowhillcompany.com/ and check out our HUB: thecrowhillcompany.com/hub/ Видеоклипы
1:11 is my new desktop wallpaper.
Wonderful stuff!
Wow Christian, that was incredibubble! If this is what Crow Hill will be bringing, Man we are in for such a fantastic time. those lucky students eh? Music was never like this when I went to school, how lucky we are to have you to show us how sound can be made so beautiful . Much peace and love Gary
Crow Hill is an acronym for Christian Henson! I totally get it! You’re a smart an creative fellow, Mr. Henson! ❤
WELL DONE - Thank you
This is so cool. As a former college sound design teacher, I really see that value students can get of this kind of program.
Indeed
If I had this in college, might have changed to whole trajectory of my professional life - not that I'm complaining, just this was not a really visible field back in the 2000s...I love that it is now!
Living in New Zealand i often miss these. But this one looks like a nice breakfast for me on Saturday!
awesome tutorial!
I would have absolutely loved this when I was in university back in the 2000s... It might have changed my whole career path - I didn't really know anything about this whole side of music and I absolutely love it.
It is so great these students are getting education as well as this awesome workshop/masterclass in this field! Love it so much
Fantastic video, and a marvellous idea for teaching….and yet another reason, never to sell my decades old rack samplers!
Very very cool! Yet another built-in tool in logic that I can start tinkering with!
This was so instructional. Now I've got to try it!
Really excited for this series. I would love it if you went even into how you guys design your own custom gui for instruments!
Incredibly helpful, thanks Christian.
big ups christian i thought id never see you on youtube again the knowledge you've shared is incredible!
incredible stuff, I was thinking of starting with my acoustic piano to get a feel for sampling
I tried it with mine. It was an interesting thing to try.
Wow! What an amazing project!!! 😮🚀🚀🚀
WOW, this was INTERESTING!!! Thank you very ymuch!!
Brilliant!
I hope people will understand now how influential / important you're for the community.I mean this
Wow, nice. Might give that a go.
Awesome!
MERCI
The weird thing with Logic's sampler is that despite the recent reboot with nice gui etc, it's odd that it advertises multisample and zone capability but cannot apply different filters or LFOs to individual samples, just the *entire* instrument... I'd otherwise be into using it inside Logic (especially since it has the Redmatica import tools built in). Maybe in another decade Apple will catch up with what 90s hardware samplers could do 30 years ago... 🤦♂
Back to your best here kidda! X
Quick question, when creating sample instruments to sell, which sampler format is best should it be in kontakt, logic or Halion, ableton or all of them? I’m really impressed with the new Halion 7 but is there a market for that? I know kontakt is the biggest but I find it the most frustrating to get to grips with.
Another great video, learned heaps, thanks a lot, off to find a pot now that can build some cinematic drums from :-)
Hey!
👏👏👏
Hi Christian, have you changed to a Logic workflow?
i think he always used Logic, Chris has definitely sung praises of Logic Sampler as second nature to him along his career.
Howdy, Christian! Do you know if a hi-hat sample library exists with velocity layers and many increments of partially- or half-open hats? The sound of an open hat closing, and a closed hat opening after being struck, and bringing a Stewart Copeland-esque hi-hat palette seem to be unicorns without creating a recording space and auditioning drummers. I understand the economics alone make it not worth the effort.
The old “Larry Seyer Acoustic Drums” was sampled with multiple hit positions on snares, toms, cymbals and hi-hats. The sad part is that it was only released on the Giga format (discontinued more than a decade ago) and, whilst Larry himself tried porting it to Kontakt, he said it didn’t translate well.
Edit: Somehow, my spelling corrector thought I meant "kingsley" instead of "Kontakt".
hey first viewer
hey first commenter
Any other idiots out there keep really still and quiet while he was recording the samples?
Love Spitfire Audio! I've been using them for most of my work for a few years now! Keep up the great work Christian. Great project! Subscribed.
A perfect example of the way in which Ai is programming itself into reality from the future. All media behaviour is now corrupted.
I think it's cynical to try to monetise other people's work, in the end you will realise that
😂 dude thinks the mass-glass industry deserves song writing credits
Can you elaborate on how it's "cynical"? You do realise that you'd have to "monetise other people's work" to make music regardless, paying for musicians etc.
If anything, some of the profit made will likely go to the other people too I am pretty sure.