Carmina Burana Score Analysis at 77K subs
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- Опубликовано: 25 май 2024
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I hope you reach 77k soon. I'd love to see this series.
These series are very important
This channel is one of the most valuable out there regarding orchestration and music analysis. It helps you understand the building blocks of a composition which is the foundation for composers and orchestrators!!!
I will say that your channel is the most important thing on the internet for me. I've watched every video you've made many times over. Your early videos over 10 years ago are what got me to switch from pop and rock song-writing to orchestral composition and your score analysis videos and championing of score reading convinced me to learn to read scores at a time when I could not even read basic music notation. I can now compose virtuosic orchestral music (almost) at the level of my biggest influences and read a full transposed score at a glance. My point in all this is that while you may not have as many views as you would like the work you do has an immensely positive impact on the people who do watch. Thank you.
What a terrific comment! It just goes to show how RUclips and internet resources can change lives. They certainly have changed mine - and it's great to hear from someone who's really doing something with their art. You're hugely welcome.
New viewer and subscriber here. I just came across the first analysis you've just posted of Carmina Burana on my YT recommendations and absolutely loved it. I would be so grateful to see you continuing this series. Thank you sir!
I'm so glad you liked it! I'm totally impatient to start in on these videos! Hope I don't have to wait too long to start releasing them, I'm so excited about it.
Would love to see the series come to life. I've sung it both as a kid in the "ragazzi", then later as a tenor, and it was one of the pieces that really got me interested in classical music. O Fortuna is fun of course but there's so much more cool stuff in there as well. I'll watch the whole series!
Great to hear! Every time I talk about this series, people tell me about a concert they just saw, or how they played or sang in a performance, or that it's one of their favourite works. It's in my DNA as well.
Hopefully 77k will happen soon, it'd be a shame not to have this massive series of lectures happen! Honestly, there are 2 groups of videos that people interested in orchestration should watch, in my opinion: the orchestration challenge evaluations and the orchestration analysis series. With the first group of videos, people can learn from you giving feedback to the entrants on what to or what not to do when arranging a piece of piano music. With the second, people will be guided (by an expert in orchestration aka Thomas) through some of the great works in the repertoire such as The rite of spring, the planets and Symphonie Fantastique just to name a few. However, it's not just orchestrators that you're attracting with these kinds of videos Thomas, you're attracting casual music lovers like myself, who always look forward to the next series of lectures or the next round of evaluations.
Thanks so much for your support and enthusiasm, Jonathan! I was thinking about you all during the concoction of this latest series, and I'm so glad it hits the spot. Your perspective on my content is well-taken and exactly what I'm trying to achieve here on the channel.
@@OrchestrationOnline I only know the O Fortuna out of the entire piece, so, the other songs will be a first listen for me when they end up getting released. I was thinking that you were going to do a mahler symphony, at first. Carmina Burana, to me, came out of left field, so how did Orff learn from Fantastique?
I hope to see this analysis soon! My high school band played excerpts of the wind band version of Carmina Burana arranged by John Krance. As a budding musician, I would love to understand the 24 movement work in full, specifically Orff’s MASSIVE percussion section and how that influences the vocals. Can’t wait and love your videos!
I have to admit, I tend to watch these videos long after the fact. Just because they're so detailed and high quality, I have to be in precisely the right headspace to watch them, or otherwise I've wasted my time. But I'm very much looking forward to this series. Carmina Burana is such a fantastic cycle.
Fair enough! And I know that the numbers slowly tick up on these series, as the word gets around.
Just hit that subscribe button. I really hope you do get to the 77,000-subscriber mark, because your content really is phenomenal and Carmina Burana has so much to dive into besides the opening and closing O Fortuna. Greetings from Otautahi 👋
Kia ora, Oscar! Thanks a bunch for subbing and for your very kind words about my resources. 🙂
Thank you for everything!!!!
You are so welcome! I'm glad to hear from you.
I shared to my Facebook page.
Thank you so much, Christopher, that's very helpful!
Would love to see it, I’m performing it in a few weeks!!
Oh fantastic! I probably won't have any videos rolling until July maybe, but have a great concert!
Hey Thomas, when you started your education and career in your early 20s we’re you able to score read fluently or was that something that took years of practice. Will I be at a disadvantaged by not being a fluent score reading since I’m going to school for scoring
Hi Will! I was a pretty experienced score-reader, but nowhere near my current capacity, not to mention level of ear-training. Don't feel like you're behind the curve - there will be plenty of time to catch up with your training over the next few years.
@@OrchestrationOnlinethanks for the response. Also in your professional opinion is it bad to start and stop when score reading to figure out and break down, or is it important to keep strict tempo and flow?
@@willbrooksy478 Every way of studying a score is good. Break down pages, or sight-sing them aloud, or read them along to the music - it all helps. It just depends on which skill set you're trying to build. Try to memorise a short excerpt of music mentally, so you can play it back in your mind and hear all the colours and nuances. THEN pick up the score and read along to your internal soundtrack. That's a great way of build both your internal ear and your capacity for musical memory.