SUPERBOOTH 2024: Doctron - IMC Saturation Module

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  • Опубликовано: 10 дек 2024

Комментарии • 24

  • @DivKid
    @DivKid 6 месяцев назад +2

    I got a great demo of this at the show, the sheer amount of gain reduction without sounding overall pumping and silly was pretty astonishing.

  • @all-range-mode
    @all-range-mode 6 месяцев назад +5

    Stimming is such a great guy and this sounds like it really lifts a mix! Carl cox uses one live

  • @AboveTheTrees00
    @AboveTheTrees00 6 месяцев назад +4

    big fan of Stimming real pro knows wtf is up. I highly recommend his new video course well worth the money especially if it's on sale.

  • @thomasyon4332
    @thomasyon4332 6 месяцев назад +3

    Please, Stimming as a Sonictalk guest one day.. Also, Great product for scene heros!

  • @JackNance22
    @JackNance22 6 месяцев назад +1

    Very cool. I like to add a touch of compression before hitting transformers as well, so I can saturate them as hard as I can without distorting them.

  • @Yawsounds
    @Yawsounds Месяц назад

    This is awesome

  • @p.enzovoort8929
    @p.enzovoort8929 6 месяцев назад

    Maybe it’s possible to make a simpler one with only access to the drive and threshold parameters, and the other parameters fixed in a setting that works on most dance music, without the EQ.

  • @tobiaswinkler6971
    @tobiaswinkler6971 6 месяцев назад

    Take my money

  • @kevindewinter8235
    @kevindewinter8235 6 месяцев назад

    The 500 series makes more sence. The Carbon version for live sets is just weird. Ever fiddelt with small Knobs in a club? Let the sound engineer fix it. Selling at Thomann with boutique prices.. using a Perkons drumcomputer but the master module needs to be mini.. Adding metering is a good idea.

  • @smalltown2223
    @smalltown2223 6 месяцев назад

    Whoopy do.

  • @Hirsbrochannel
    @Hirsbrochannel 6 месяцев назад

    "for those who dont have a computer..." what? 😵‍💫 look interesting

  • @spenzasequenza
    @spenzasequenza 6 месяцев назад

    1.2 LUFS is absolutely not much at all. Plus: the most audible thing about the demo was the distortion it introduced. This is a brilliant studio tool, for controlled environments. But in live situations, it's an absolute train wreck... as a solo live act, you'd need to hire another person just to constantly monitor IMC and adjust the drive/threshold to keep that distortion in check. This is the exact opposite of "set-and-forget" I don't understand, why they keep marketing it as a live mastering tool.

    • @MStimming
      @MStimming 6 месяцев назад +2

      well, using it live for a couple of years now I can assure its pretty much a set and forget weapon - given you do your homework beforehand. once its dialed in correctly there's no need to monitor it. and the 1.2 LUfs is a realistic number for most circumstances, of course it can be up to 2-2.5. its not possible to reach digital loudness (but it will keep the signal intact instead, pretty much always)

  • @xfghffhfg
    @xfghffhfg 6 месяцев назад +2

    This guy has no idea what he is talking about,
    but since he is a "producer" i guess he doesn't have to..

    • @Timbrrrdoodle
      @Timbrrrdoodle 6 месяцев назад +3

      Please explain why he “has no idea what he is talking about”

    • @billybartcody3591
      @billybartcody3591 6 месяцев назад

      @jamaharon why don't you show us what you know, jacka$$

    • @minimal3734
      @minimal3734 6 месяцев назад

      Sure, boss.

    • @lovecouch7451
      @lovecouch7451 6 месяцев назад +2

      It’s a trap, don’t respond

    • @Timbrrrdoodle
      @Timbrrrdoodle 6 месяцев назад +1

      @@lovecouch7451 thank you General Ackbar