Do you plan to rerelease any of this, or perhaps unreleased material from D-Generation? Great music by the way, really feels like the sound of the future rushing in. Us who crossed paths with his work will never forget the k-punk.
@@JamesBarrett23 I agree that publishing is not just about capitol, I just can't see how you could justify a re-release when the life and demise of this project has already been dragged through such a system once, and now a great deal of meaning in the work exists as the result of that. As much as I would like to hold this record to, I can't see why its not already significant enough lying to rot on youtube?
@@jamiekeegan2709 on RUclips owned by Google. The vassal relationship to culture. They own it and we are permitted access in exchange for our commodified identity.
@@JamesBarrett23 I really sympathise with your attempt to educate or archive here, though at this moment I'd say regardless of the invisible power structures both youtube and hyper dub records sit within, the actual undertaking of distribution was done is initially with great intention for strategic means inside the wider umbrella project of the Ccru. As much as it pains me to admit the fact this project was uploaded (although in fairness a lovely tribute) is already doing enough damage to the cause.
We miss you, Mark :(
Probably not heard this in nearly 20 years. Good times in the studio, buddy. Think about you a lot.
Do you plan to rerelease any of this, or perhaps unreleased material from D-Generation? Great music by the way, really feels like the sound of the future rushing in.
Us who crossed paths with his work will never forget the k-punk.
The Condition of Muzak and Rotting Hill sound like they could have been released last week
Where my lecture heads at????
Damn! This is the background music behind Mark Fisher's readings. Awesome! Thanks for sharing this!
1 - 73-93 0:00
2 - Shattered Windscreen 5:55
3 - The Condition Of Muzak 10:30
4 - Rotting Hill 15:37
Normally don't listen to dance music but this is honestly really well done. Glad the Mark Fisher connection got me to listen to it.
RIP Mark Fisher
i go on your way prof...
im not going to lie, if i had to choose one favorite ep of mine it’d probably be this one. its so rude. thank you so much for uploading❗️
Damn based music and based politics
Searched the attic for hours found it in the middle of a abba sleeve ffs.
increible
Thanks for sharing this.
K-punk not dead!!
Jerry Cornelius
💜
This should get a re-release
business ontology really has permeated music, probably shouldn't aye
@@jamiekeegan2709 Publishing something is not just about business. I don't think this would ever make money. But as a cultural artefact it has value.
@@JamesBarrett23 I agree that publishing is not just about capitol, I just can't see how you could justify a re-release when the life and demise of this project has already been dragged through such a system once, and now a great deal of meaning in the work exists as the result of that. As much as I would like to hold this record to, I can't see why its not already significant enough lying to rot on youtube?
@@jamiekeegan2709 on RUclips owned by Google. The vassal relationship to culture. They own it and we are permitted access in exchange for our commodified identity.
@@JamesBarrett23 I really sympathise with your attempt to educate or archive here, though at this moment I'd say regardless of the invisible power structures both youtube and hyper dub records sit within, the actual undertaking of distribution was done is initially with great intention for strategic means inside the wider umbrella project of the Ccru. As much as it pains me to admit the fact this project was uploaded (although in fairness a lovely tribute) is already doing enough damage to the cause.
remember january 13th
Kinda fire tho ngl
El legado De Mark Fisher es abismal.
Totalmente una figura inmarcesible
Mark Fisher y K-Punk es una pieza fundamental en la (oc)cultura del pensamiento de este siglo!
k-punk be like