Those superb masterpieces of heavy mineral color figure paintings by Chang dai chien created in his prime, with just a few available versions passed down, are rare, elegant, extremely valuable and precious.
In 1943,after Chang Dai-chien came back from Dunhuang where he stayed for nearly 3 years, his strokes and styles of characters changed greatly. His strokes of faces and hair are as fine as silk, and the clothing fold lines as defined as iron thread. His characters show grace and dignity; this is his prime period as he has reached his peak.
Master Chang's friend, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so after 1957 he stopped the fine-line painting.
For authentication, in addition to the critical examination on the specifics like "the poems, calligraphy, painting and seals" as well as the formation of the brush, ink, line and touches borne in the paintings, Dr. Francis Yu even goes further to apply ultraviolet, as a supporting tool in forensic examination, to explore the bottom layer for the truth of the heavy-coloring mineral pigments, whose price goes higher than gold.
A friend of master Chang, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so in 1957 when he accidentally injuried his eye while trying to lift a heavy stone during construction in Brazil, his eyesight vision was never healed and recovered which forced him to abandon his famously known fine-line style painting.
Many experts consider Chang’s “ Literary Gathering ” 〈文會圖〉a masterpiece and the most representative of Chang’s character paintings. Arguably there are no more than 7 known versions of “ Literary Gathering “ during his prime period (1943-1951). Among the handful versions of “ Literary Gathering “, the one gifted to Mr. Shi Hu 楊石湖 dated in June of 1944 is arguably the best.
"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
The renowned Modern Chinese painting artist, Xu Bei-Hong once said " Chang Dai-chien is strikingly talented and remarkably versatile ". Indeed master Chang is internationally known as the top artist in Modern Chinese painting just as Picasso is known as one of the top artist of Western painting.
" Tibetan Girls and Mastiff ", " Two Girls of Tibet and Mongolia " and " Indian Geisha " created in Chang's prime are very rare, exquisite and extraordinary beautiful and also considered a masterpiece.
In 1943, after Chang Dai-chien came back from Dunhuang where he stayed for nearly 3 years, his strokes and styles of characters changed greatly. His strokes of faces and hair are as fine as silk, and the clothing fold lines as defined as iron thread. His characters show grace and dignity; this is his prime period as he has reached his peak.
Many experts worldwide consider Chang's "Literary Gathering" the best representative of his figure paintings. Arguably there are no more than 7 known versions of "Literary Gathering" during his Prime period. The painting "Literary Gathering" in Zhong He Tang's collection was painted in 1944 and gifted to renowned financial scholar, Mr. Stonelake Y. P. Young is arguably the best.
"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
難得一見近八十年前的「盛世期」張大千高士人物超作,觀者🈶️🧧緣!
@感謝😊
@有眼福也😅
@好像許多世界級博物館也見不到如此重彩大型之畫作🖼🧏♂️
@@bobyang3045實事如此🤔
@@bobyang3045奇蹟般的留存下來,公開展現於世。敬佩無比🎊
難得一見如此精細重彩的張大千盛年期高士人物畫作,尤其那幅丈二尺「赤壁賦醉舞通屏圖」可調是大師人物與山水完美無瑕结合的盛年代表巨作,讚美至極🎉🎉🎉
@不看此頻道的許多画作,還真不知道張大師也曾画过精緻重彩的各个类型的不同佳作😮
@感谢貴台的精心報導,展现的画作神靈優美,五百年一大千也😮
@從没見過如此宏觀亮麗的張大千大作😮
@張大千盛年工精重彩的人物畫,稀有珍貴,堪稱一絕👌
@@wenhansu5886不見不知如何之美😮
從研究石濤的画風去鑒判張大千的画作是不夠全面的,張大千二十年代師從曾、李二師,從中吸收了石濤画的精髓,故在三十年代效仿了許多石濤的山水花卉画作,而在四十年代敦煌礼佛歸蜀至八年抗战勝利回京城獲得大批唐宋宮庭舊藏后,他的山水丶花卉以及人物画更上一層樓,画风直追唐宋,人物花竹, 勾勒的线描勁如鐵绕,细如蠢絲,形態端莊高秀,堪稱一绝! 山水金璧輝煌,明丽華美,后期的潑墨潑彩,遂開拓了中国画的新境界,可以說脫胎換骨,全然一新,且沒留下半点石濤的画影。
@Bob👏👏🏼👏🏿😄🎈
@@bobwood2451 🙏😇🥳
@Bob👋🏼👋👋🏾😎
@Bob🤓🉐️㊙️👌
@Bob🌈🎊🎉🎈👌
張大千盛年期所創造的精工重彩的人物画作,稀少珍貴,可稱收藏之
寶貝!
👌😌
👌
👌🎅😊
😇👌😃
👌🙂✌️
No matter whether one likes him or not, no one can deny that Chang Dai-chien was not only a master of modern times but also a master of all times.
@Henry👏👏🏼🤙😇
@Henry👏🏼👏👏🏻👌👌🏼👍🏼
@@bobwood2451 🙏🥳🙂
@@alicetsang2742 🙏🥳🙂
@Henry👌🏻👌👌🏽🙂🥳
難得一見能在海外同時聚集並出版展覽張大千盛年期(1943-1951)高士人物巨作。
難得可貴! 可敬可佩!
張大千盛世期人物代表作《文會圖》、《高逸圖》、《夢會圖》、《西園雅集圖》以及山水人物花木结合的巨作《赤壁賦醉舞通屏圖》等等二、三十餘幀聚集於西方展示,可謂難能可貴。張大千四十年代初敦煌探索歸蜀后,閞啓了近十年(盛年期)的第一繪畫高峰,其人物白描的線條非常圆勁,吸收了唐人吴道子、宋人李公麟的白描技法,用筆純熟,功力深厚,近五百年來無人可比肩並起!
據于士傑考察:張大千從40年代敦煌禮佛歸蜀後至50年代遠洋遷移南美阿根廷曼多薩(Mendoza) 十餘年間(1943-1953), 可謂大師人物畫的高峰期。
👌🕺💃👍
👏👏👏
👏👏👏
Beauty and Beast? To be or not to be? 🤔 Seeing is Believing 🙄 I have seen these gorgeous paintings 🌺and they are timeless and masterpiece indeed 🥳
@Henry🦍🈴️💃🏻🎊
@Henry👌👁️👁️🉐🐂
@Henry👏🏼👏😎🎊🎊🎊
@Henry👌🏻👌👌🏼👏🎊
@Henry👁🥳🤙
張大千曰: 吾畫一落筆可成,但題署必窮神盡氣為之,如題不稱,則畫毁也!
故此凡是他心目中滿意的精彩佳作之畫詩題識,必會題寫他的最佳書法,鑒賞報導中的畫作書法應是他的得意之作。
@Shawn 👏👏🏼👌🥳
@Shawn👌🏻😀🤙
@@bobwood2451 🙏🥳🎆
@@bobyang3045 🙏🥳🙏
@Shawn👏🏼👏🏻👏👌🎈
张大千曰:「 要鉴定真画假画,不只要看笔触等,更重要的是看气韵。真画有一股真气,像是对你说话,当然,这是要对书画鉴赏达到某种程度后才能听见这种语言的。然而近现代的画,因为他用的纸和印章到现在都还有,所以只能去看它的气韵和神气,由作品的气韵和神气去鉴別其真假」。華夏电视台借以张大千仙逝35周年,播出中和堂精選珍藏的张大千《盛年期》高士人物重彩画作十六帧与世人一起聚焦欣赏,実为赞許慶贺!🧏🏻♀️🙏👏🏼
@臧文英👏🏽👏🏼👏👌😇
@臧文英🤙👌👏🙂🎉
@臧文英🌈🉐㊙️👍
@臧文英👌👍🏼🐂華夏电视👍🏼👍🏽🙂
@臧文英👌👌🏽👌🏿🤙🥳
張大千四十年代初敦煌探索歸蜀后,閞啓了近十年(盛年期)的第一繪畫高峰,其人物白描的線條非常圆勁,吸收了唐人吴道子、宋人李公麟的白描技法,用筆純熟,功力深厚,近五百年來無人可比肩並起!
善言善語!阿彌陀佛!
張大千〈盛年期〉臨摹的敦煌壁画,「不是原作,勝似原作」,而他的「再摹画作又勝似臨摹」°
Those superb masterpieces of heavy mineral color figure paintings by Chang dai chien created in his prime, with just a few available versions passed down, are rare, elegant, extremely valuable and precious.
👏👏👏
👌🙂👌
👍😀👌
張大千若非高手,怎能把紅、綠重色對比運用得如此隨意又雅麗,大師之輩!
大師與畫匠之別!
五百年一大千!👏👏👏
@何成勛👌🌹🍀💃🙆♂️💎
@@songsampark1939 🌺🌿👀👌
@何成勛👏👏👏🤙
報導中有展示一幅八尺横幅六高士《赤壁賦醉舞通屏圖》是描述蘇東坡豁達超然的格性和瀟灑脱俗的內心世界,達到了「詩、書、畫、印」四絶完美结合神完氣足的意象表現,以及畫家自我要求的「大、亮、曲」藝術之最高境界, 可謂彌足
珍貴。
👏👏👏
👏👏👏
👌👨🦳🎊
👌🍀👏
👌🌲👏
張大千自四十年代初敦煌禮佛之後,他的人物線條及造型等為之丕變,其工筆畫的人物高士,相貌講究神態,鬢鬚線描细如蠢絲,而衣紋的勾勒更有勁如鐵線、神完氣足。故之,人物形態端莊高秀,堪稱一絕,達到他創作的鼎盛時期。
👏🧝♂️👌
👌👳♂️👏
👏👨🦳😄
👍☺️👏
👌👴😇
徐悲鴻生前最愛張大千畫,常與友人曰:
"張大千,五百年第一人也。"
鳴呼,大千之画美矣!安得大千有孫悟空之法,散其髯為三千大千,或無量數大千,.……
民國二十五年夏 徐悲鴻
@@meeiwei76 中國近現代畫家第一人也!👌
@季大盛👏他的繪畫筆墨線條功力己追唐宋各大名家,稱讚他一千年一大千也不為過!😊
@@songsampark1939 ,👏🙆♂️👏🏻
@@meeiwei76 @張大千重彩工细的画作真美也 🥳!
展覽其中一幅張大千《撥阮圖》源自五代邱文播《停琴聼阮圖》之一幕。描述魏、晉時期竹林七賢之一阮咸,阮自娛娛人的景象。畫中傳神的造型,獨特的白描線條加上典雅的墨彩反映出阮咸閒淡平靜的內心世界和瀟灑脱俗的性格,是一幅值得推廣的佳作。
@郭太英👌🎊🎉🎈🐯
@@meimeei1638 👏👏🏼👏🏻👌
@ 郭太英👌🏻😇👍
@@meimeei1638 🥳🙂🪙
@郭大英👌👏🎊
據于士傑考察:張大千從40年代敦煌禮佛歸蜀後至50年代遠洋遷移南美阿根廷曼多薩(Mendoza) 十餘年間(1943-1953), 可謂大師人物畫的
高峰期。
🥳🎉🎊👏
@@henrywarden8680 👏👏🏼👏🏻👌🏽
@@henrywarden8680 🧚♂️👀🥳
@@henrywarden8680 😼😇👌
@東山居士👏🏿👏🏽👏🏻👌🎊
据于士傑研究:張大千甲申年(1944)贈與楊石湖《文會圖》裡主人的面貌即為石湖先生,而乙酉年(1945)《文會圖》的主人面貌為張大千本人也。正如張大千所言:「我画的主人是有格性的。」
@Alice Tsang 👌 細節隱藏在人物的臉面裡!👀🌹😎
@@alicetsang2742 👌👁👁🤡🔬🤫
@@alicetsang2742 👏🏼👏🏿👏👀㊙️👁👁㊙️
@@alicetsang2742 👌👀👉🧝🏻♀️🙂
@@alicetsang2742 👌🏽👌🏿👌🥳
據悉張家傳說:張大千臨盆前夕,母親曾友貞在張大千臨盆前夕曾作夢,夢見一長髯老者持一銅盤走近身旁,曾氏望去盤中有一黑物,仔細觀看竟是一小黑猿,而忽驚醒,不久后即生大千師,故傳有「黑猿轉世」之說。
在台灣有一位記者曾與張大千一同去泡湯,親👀看到他身上一片片黑毛,活躍在浴室裡洗澡,活像個黑猿轉世之Ape man.
@鳯大董👏🈶️趣的傳聞故事!😊🦍
@@鳳大董 👏🦍🤭
@@鳳大董 👏👏👏😀
@@鳳大董 🤦♀️😀👏🏿👌🏽
In 1943,after Chang Dai-chien came back from Dunhuang where he stayed for nearly 3 years, his strokes and styles of characters changed greatly. His strokes of faces and hair are as fine as silk, and the clothing fold lines as defined as iron thread. His characters show grace and dignity; this is his prime period as he has reached his peak.
Master Chang's friend, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so after 1957 he stopped the fine-line painting.
👏🌺🌸💐👍
👏👏👏
👌😁🤙
👌👌👌
報覽其中有-幅老松红衣高士圖可為大千先生敦煌歸蜀中后三年所創作,它以唐人筆法仿製唐孫位《高逸圖》,畫中直松運筆如曲鉄,高士衣服敷色如鼎彝,真神品也!
@陳玉人潔@🌈☄️💫🙂
@@alvinyu9076 👏👏👏🙂
@@alvinyu9076 👏☺️👌
@陳玉潔👌👁👏
@陳玉潔👏👌🙂
For authentication, in addition to the critical examination on the specifics like "the poems, calligraphy, painting and seals" as well as the formation of the brush, ink, line and touches borne in the paintings, Dr. Francis Yu even goes further to apply ultraviolet, as a supporting tool in forensic examination, to explore the bottom layer for the truth of the heavy-coloring mineral pigments, whose price goes higher than gold.
@Henry👍🏼👍🏻👍😃
@Henry🌈🎉🎊🎈
@Henry👋👋🏼👋🏾🐱
@Henry👌🏻👌🏽👌🥳
@Henry🥳🎉🎈
A friend of master Chang, a well known scholar and Chinese painter, Mr. Zhi-Liu Xie once praised him saying "Chang is so well-versed in Dunhuang painting style he is truly a disciple of the Tang!". Unfortunately, his eyesight was later affected by his diabetes so in 1957 when he accidentally injuried his eye while trying to lift a heavy stone during construction in Brazil, his eyesight vision was never healed and recovered which forced him to abandon his famously known fine-line style painting.
@東山居士👏🏼👏🏻👏🥳
@@臧文英 👌🏻👏👏🏼👏🏻
@東山居士😇🥳👌
@東山居士👌💃🏻🪆
@@臧文英 😇🤭👌
張大千認為作画要明白物理,体会物情,观察物情,這才算到了微妙的境界。画人物要识得穷通夭壽,画仕女要识得幽娴贞静、妖娆艳冶。画山水要识得南北节物,画。
👏👌🥳
@@henrywarden8680 🎊🎉🎈
@李沛君👌🎉🎊🎈
@@meimeei1638 👏👏🏼👏🏻👌
@@bobwood2451 👌🏽👌🏿👌😇
張大千畫說:「畫人物最重要的是精神。形態是指整個身體,精神是內心的表露。」
@吴玉山👏🏼🙆♂️👁️💃👌
@@alicetsang2742 🤭🥳👏
@吳玉山💯😸👏
@吳玉山👏👏👏🤙
@@henrywarden8680 👌😀👏
張大千曾對他的大風堂弟子說:"畫面上的題字,也是很重要的。若字寫得不好,就會影響整個畫面,所以畫家還得好好練字。"
這為鑒定張大千真跡字畫提供了重要的
考量因素。
張大千四十年代初敦煌探索歸蜀后,閞啓了近十年(盛年期)的第一繪畫高峰,其人物白描的線條非常圆勁,吸收了唐人吴道子、宋人李公麟的白描技法,用筆純熟,功力深厚,近五百年來無人可比肩並起!
張大千盛年期人物白描線條
筆墨功力,五百年來第一人也!
這可為鑒定大千先生人物畫
指標之一。
善言善語!阿彌陀佛!
張大千盛年期白描人物、雙鉤花竹筆墨功力已可與吳道子、李公麟唐宋二大家相媲美, 足以證實張大千盛年期工细重彩的人物花鳥画美也!
😷🔬👏👌
🙂👌👏
創作-幅具有大師級入木三分之筆力,龍威虎震之書法,線條表現人體五官造型之柔和、力度與精準性,正確的重金屬製作塗色法等以及最終是否達到大師級所要求的"大、亮、曲與美"的最高境界,
談何容易!
那是大師與畫匠之别也!!
展覽示範《赤壁賦醉舞通屏圖》可為張大千
盛年期罕見之人物與山水完美結合
代表巨作!!!
👌
👏👏👏
👏😊👌
👌🤙👏
👌👏👌
张大千常言:绘画中,人物、动物最难。我初学画時,就是从人物着手画起,后来才改学山水……。
张大千喜爱在人物画里隐含收画者的容貌与衣着特质。
👏👌🙂
👌
👍😁
👌🧔🏻😃
張大千論畫人物,分別為釋道、先賢、宮闈、
隱逸、仕女、嬰兒。這些部門,工筆寫意都可以。
@潘明文 👌🤙👏
@@shawnlin6596 👀🧸👶🧕💃👳♂️🤦♀️🙆
@潘明文👌👏👏👏
@潘明文👏👌🤗
@潘明文👌👏🙂
Many experts consider Chang’s “ Literary Gathering ” 〈文會圖〉a masterpiece and the most representative of Chang’s character paintings. Arguably there are no more than 7 known versions of “ Literary Gathering “ during his prime period (1943-1951). Among the handful versions of “ Literary Gathering “, the one gifted to Mr. Shi Hu 楊石湖 dated in June of 1944 is arguably the best.
"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
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Chang dai-chien's re-creation Buddha paintings in his prime (1943-1948) are rare, precious and extremely impressive to observe.
The renowned Modern Chinese painting artist, Xu Bei-Hong once said " Chang Dai-chien is strikingly talented and remarkably versatile ". Indeed master Chang is internationally known as the top artist in Modern Chinese painting just as Picasso is known as one of the top artist of Western painting.
" Tibetan Girls and Mastiff ", " Two Girls of Tibet and Mongolia " and " Indian Geisha " created in Chang's prime are very rare, exquisite and extraordinary beautiful and also considered a masterpiece.
In 1943, after Chang Dai-chien came back from Dunhuang where he stayed for nearly 3 years, his strokes and styles of characters changed greatly. His strokes of faces and hair are as fine as silk, and the clothing fold lines as defined as iron thread. His characters show grace and dignity; this is his prime period as he has reached his peak.
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1983年4月2日张大千病逝于台北荣兑医院,病因是多年心血管疾病引起的而不是被毒死的.
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Many experts worldwide consider Chang's "Literary Gathering" the best representative of his figure paintings. Arguably there are no more than 7 known versions of "Literary Gathering" during his Prime period. The painting "Literary Gathering" in Zhong He Tang's collection was painted in 1944 and gifted to renowned financial scholar, Mr. Stonelake Y. P. Young is arguably the best.
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"Free-Spirited Dance by Scholars Reminiscing the Battle of Red Cliffs", "Literary Gathering", and "Elegant Gathering scene in the West Garden" are representative of Chang Dai-chien's masterpiece figure paintings created at his prime period in the 40's , as they are majestic, grandiose, sophisticated, and refined. They are masterpieces because they represent the perfect balance between aesthetics and philosophy, visual art and study of art, as well as inward feelings and outward objects.
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Indeed, Literacy Gathering and others painted in his 40's are truly masterpieces.🎉🥳👏
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@Shawn Lin👏👏🏽👏🏼👌
張大千談《畫人物》曰:古人畫人物,多數以漁、樵、耕、讀四種人為對象,這是象徵士大夫歸隱后的清高生活,不是以這四種 (職業) 為謀生道路。后人不知此意,多畫得愁眉苦臉,大有靠此為生,孜孜為利的樣子,全無精神寄托之意,豈不可笑!
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