"you can sit there for hours, just dreaming away, can't you? And having a nice time ... maybe you get a piece of music out it at the end" -- synth use in a nutshell
I have a few physical sythersizors and they are used for exactly that, fun but I will record the audio output and sample any good bits. I use a DAW for 95% of My music production.
Always the best way to assess one's true priorities and sometimes surprising. I'd grab my Roland AE-30, my humble but mojo-filled Reface CS, and my MPC. I'd be leaving a bunch of irreplaceable gear to burn which would be sad.
I saw Goldfrapp once at a festival and didn't know them that well. It was an incredible show, Alison an incredible performer, but in particular I was just was blown away by the synth sounds (long before I was into synths) - I'd never heard synths sound so enormous and phat - now I know why! Might listen to some now..
They have switched to a midi keyboard and software emulsions of there physical sythersizors they used to use, they say its easier to preform that way but I think they might of lost something by doing that.
I remember the first time I saw them, and I remember feeling the same thing - how phat and huge the sound was. It was so enjoyable. I didn't want it to end!
I was listening back to the Goldfrapp albums recently, knowing now what I do about synthesis they blow my mind at the level of detail and sound design. Beautiful.
I just discovered Goldfrapp recently, heard Alison's voice once and was hooked. Working my way slowly through their catalog, taking a while as some songs I just can't leave for a couple days.
I'm slightly encouraged by the fact Will says he's a "rubbish keyboard player", but can knock out the kind of stuff he's done with Goldfrapp and elsewhere. Even the poppiest Goldfrapp stuff is very richly layered, so you're trying to figure out what's going on.
Korg PS3300! Can't be many of those in the UK, might even be the only one here! Seriously mythical synth. On a Will note, I saw the Moog ensemble some years back and remember a guy at the back making a fabulous sound with some synths I couldn't see. With a Moog modular and all sorts on stage I thought it would be something fancy, so I shouted over the barrier at the end to the guy and he kindly came over; he was playing a little SH-101 and a JX-3P! It did make me chuckle how good those (once) budget Rolands sounded in the midst of the monsters. Anyway, very enjoyable upload, many thanks.
@@alistairsteadman3765 Ah yes, of course! He had three at one point, goodness knows where he found those! I remembered they have one at Church Studios too, which I guess could be the one RDJ sold on Vemia a few years back.
@@alistairsteadman3765 Have just found out that Will's 3300 was one of RDJs. Makes sense that the same few are moving around given there were only 50 odd to start with. And yep, there is indeed a great shot of him sat in front of 3 of those beasts. I once saw a 3200 in a studio, but didn't get to play it. That's as close as I've got thus far.
This video has just one major fail: it ends. I could listen to Will showing us details of his setup for days! What a genius. I think he must be related to Einstein. I mean - I‘m composing for over 25 years, but when he noodles on that gorgeous PS-3300 it sounds like sheer magic. I was wondering why he didn’t show his beloved Two Voice.
wow, well shot and recorded and the content is fantastic. So relaxing, enjoyable and informative. takes me back to the late 70s and early 80s when i had a MiniMoog and a rhodes, and took a quadrophonic music composition course at U of T with Wes Wraggett. tape loops and 2 big ARPs i was 14 at the time. what a blast.
This is a great video. I’ve had the privilege of working in Will’s studio building but not in a musical capacity. He’s a wonderful person and great to talk to. It’s quite an experience to hear a composition come to life after an hour of Will making beeps and noises. The whole building is an Aladdin’s cave of synthesisers and studio kit. The man is a genius.
00:00 roland jupiter 4 06:40 roland space echo 08:06 mini moog and yamaha wx7 wind instrument 14:00 how do you recdord 16:00 edp wasp synth 18:50 korg PS-3300 poly synth 25:00 randomness? 27:00 polymoog 30:00 power supplies 32:00 outro
Great stuff. I'm fully on board with Will's observation that composition is half happy mistakes, and being able and open to capitalise on them when they happen!
It's amazing to see how solid these machines are build with such love and care. Buy a tv these days and you're lucky when it will be working and usefull for 10 years or so. Some of these machines are over 50 years old, but still full of character.
Bahringer has actually done a great job at recreating these vintage synths for a good price, I have there Monopoly and sounds identical to the Vintage Korg.
@@HOLLASOUNDS I agree to that. People test the Behringer gear vs the original analog gear. But can you hear the difference in a mix? I don't think so. Even two identical analog machines do not sound the same. So price and qualitywise Behringer nailed it ;-)
@@kostradamus5739 Well you could say the same for software emulsions apart from that any digital or Software will sound the same every time but no two Analog sythersizors will be identical. I dont have a Korg Monopoly but have watched youtubers who have both in the video and they all say the Korg and Bahringer Monopoly are pretty much identical.
The Wasp, Mini Moog, Monopoly and several other vintage synths have been replicated very well by Bahringer and you can buy sevraul of them for the same price as a single vintage one.
Felt Mountain? Which songs do you mean? To me it is more Black Cherry rather in my ears: i hear Train, Crystalline Green, Twist, Strict Machine in an instant..
I’ve met Will a number of times at gigs, before, after, once sitting outside a venue in Cambridge & he’s always such a sweet guy with time to chat & interested to hear what you think. That comment about mistakes is so true, fingering a chord & getting one finger in the wrong place & thinking “hey, wait a minute…” Great film.
The 8 minute mark is exactly Keith Emerson's sound from the late 70's early 80's, love it. As for the PS-3300, I think I'm lost in its awesomeness. I'm just imagining all these intense emotional movie moments that thing was built for.
The Jupite r4 is one of my bucket list synths. Such a beautiful instrument. For me, VSTs, emulations and clones will never be a substitute for big ol' wood and steel analog synthesizers. I have a couple JUNOs but one day I hope to have a Jupiter-4 or ProMars in the studio.
I love the English. Their idioms and phrases and ways of expressing things are always fascinating to me. I got a feeling I could listen to this guy for hours.
10:18 I can honestly say I dont think I have ever seen a mini Moog or any sythersizor being played with a electrictronic wind instrument, Im fascinated by it, what an intresting concept.
Great video Will. Nice to see you after 44 years or so - we were at school together (BGS). Only recently realised you were with Goldfrapp. Also enjoyed your piece with Charles Hazlewood on Sky Arts recently. Your analog noodling in this video has inspired me to get my Juno 6 out of the loft! And maybe the JX8P as well.
He comes across like he really knows his stuff and synths and seems very humble and intelligent.That Korg is so amazing. I also loved that Bach mini moog stuff....it never gets boring does it. Makes me want to learn a wind instrument and get a Moog.That keyboard is cool on the Wasp.....what a curious instrument it was. Yes I agree with have to fiddle around with things and see what comes out. You have to say I don’t know. Completely!
Wow, I'm amazed at how well the moog works with the midi wind. That's sounds like an MPE controller. Vielen Dank Will ❤🔥und Sound on Sound für das Interview.
Old analog consoles also rely on their power supplies. I have a big 'ol heavy custom power supply for my Trident Series 80B console and the 2 together sound awesome. All of your timbres remind me of orchestral color choices but your colors are from those synths. You have the woodwinds square waveish sounding instrument, the sawtoothy stringy instrument, etc... Pretty cool pallet choices.
i definitely need a breath controller after seeing this. reminds me of dr mix using breath to do sax vst sounds, sounded absolutely amazing & realistic
I think i would be just like this man someday. Its like seeing yourself in s future and calm down - none of nowadays experiments can get me out of mind. Im gonna be okay.
Great use of wx7 with the minimoog via the kenton pro solo. The patch is set up similarly to a moog taurus-y sound, with the one oscillator set for modulation. Will made it sing so well. Most people - inc myself- who use a mini, tend to play riffs and runs within the range as that's what is in front of you, so to speak. The jumps using the wind controller sounded sweet and 'airy' , for want of a better phrase. A wonderful sound. I think the wasp (maybe that particular one), is used on a lot of tracks on Black Cherry. The PS3300 I've never knowingly heard (it might have been on some vangelis works from the late 70s, but i can't place it) and Will made it sound lush, and creamy. Even the polymoog sounded good. Thank you for sharing 👍
Would be really good to have an interview with David Morley, as hes very much like Will: lots of old analogue gear and really into his sound design. And I really like his music as well as Wills!
Bob Williams from analogue systems once offered me a Korg PS (possibly a 3200?) in part exchange for my AKS but much as the Korg was tempting I decided to keep the EMS. As a fellow owner of a JP4 I'm with you on how much fun it is. Nice for doing Kraftwerk or Vince Clarke impressions!
It was like being a kid in a sweetshop. All the wonderful things but just out of reach on high shelves. Hoping one day I could reach them and sample the elusive flavours and textures, but ultimately never achieving it.
![Eminem - Fuel (feat. JID) [Official Lyric Video]](http://i.ytimg.com/vi/t5H_CewqpKA/mqdefault.jpg)
"you can sit there for hours, just dreaming away, can't you? And having a nice time ... maybe you get a piece of music out it at the end" -- synth use in a nutshell
men would literally rather build a wall of synth than go to a therapist
@@blimolhm2790 had that thought today (about myself of course) to me it seemed like a positive
I have a few physical sythersizors and they are used for exactly that, fun but I will record the audio output and sample any good bits. I use a DAW for 95% of My music production.
@@blimolhm2790 You say that like it's a bad thing ... ?
Whoever recorded the interview & instruments needs to get a raise.
Love Will's comment: "The Minimoog is the first to go out the building in a fire..." Classic!
Just having got a Prophet 10 and an OB-X8 on the way, I would happily give myself the double hernia dragging all 3 out during a fire.
Always the best way to assess one's true priorities and sometimes surprising. I'd grab my Roland AE-30, my humble but mojo-filled Reface CS, and my MPC. I'd be leaving a bunch of irreplaceable gear to burn which would be sad.
I would grab my Lexicon 480L
My Gosh, that Jupiter 4 melody, melancholy overload. Will sure is a magician. 😍😍
I saw Goldfrapp once at a festival and didn't know them that well. It was an incredible show, Alison an incredible performer, but in particular I was just was blown away by the synth sounds (long before I was into synths) - I'd never heard synths sound so enormous and phat - now I know why! Might listen to some now..
They have switched to a midi keyboard and software emulsions of there physical sythersizors they used to use, they say its easier to preform that way but I think they might of lost something by doing that.
I remember the first time I saw them, and I remember feeling the same thing - how phat and huge the sound was. It was so enjoyable. I didn't want it to end!
I was listening back to the Goldfrapp albums recently, knowing now what I do about synthesis they blow my mind at the level of detail and sound design. Beautiful.
His arrangements are so detailed and the sound design is amazing . That’s why they are one of my favorites for sure
They are still going and still doing live shows.
Check out the horns crescendo outro on Florence + The Machine’s ‘How Big, How Blue, How Beautiful’. Will scored that too!
I just discovered Goldfrapp recently, heard Alison's voice once and was hooked. Working my way slowly through their catalog, taking a while as some songs I just can't leave for a couple days.
They blow my mind, he makes sounds I can't fathom yet. Allison is amazing as well
“You can be forensic about your dreaming”. Love that sentence 🎶🪐
You honestly do feel like you're in the presence of a master. Can listen to him talk about synths for hours
I'm slightly encouraged by the fact Will says he's a "rubbish keyboard player", but can knock out the kind of stuff he's done with Goldfrapp and elsewhere. Even the poppiest Goldfrapp stuff is very richly layered, so you're trying to figure out what's going on.
Korg PS3300! Can't be many of those in the UK, might even be the only one here! Seriously mythical synth.
On a Will note, I saw the Moog ensemble some years back and remember a guy at the back making a fabulous sound with some synths I couldn't see. With a Moog modular and all sorts on stage I thought it would be something fancy, so I shouted over the barrier at the end to the guy and he kindly came over; he was playing a little SH-101 and a JX-3P! It did make me chuckle how good those (once) budget Rolands sounded in the midst of the monsters.
Anyway, very enjoyable upload, many thanks.
Aphex Twin has a couple and a buddy of mine has one in storage still I think but yes, hen’s teeth!
@@alistairsteadman3765 Ah yes, of course! He had three at one point, goodness knows where he found those!
I remembered they have one at Church Studios too, which I guess could be the one RDJ sold on Vemia a few years back.
@@AlexBallMusic yes, I think you’re right with 3. There’s a photo isn’t there with him sitting on the floor surrounded by them?
@@AlexBallMusic yes, one listed at Church Studios 👍🏻
@@alistairsteadman3765 Have just found out that Will's 3300 was one of RDJs. Makes sense that the same few are moving around given there were only 50 odd to start with.
And yep, there is indeed a great shot of him sat in front of 3 of those beasts. I once saw a 3200 in a studio, but didn't get to play it. That's as close as I've got thus far.
Fascinating guy. Always loved Goldfrapp and guess I knew there was a genius at the controls...but first time I've seen/heard/listened to him...wow
She’s writing/producing too tho
@@HoShIfox19 ofc...they make amazing music together...but she has a bit of a higher profile :-)
@@TheSlowBallBoy If I remember correctly Alison has some kind of degree in synths from art college and Will is amateur.. synthesizerist?
@@LuDux Neither are amateurs. Both fantastic pro musicians/songwriters/producers
Goldfrapp are still doing live performances today, they mostly use a midi keyboard and software these days.
Twenty years following this chap's work... with bloody good reason. Alison is his perfect foil... batshit crazy and beautiful.
This video has just one major fail: it ends. I could listen to Will showing us details of his setup for days! What a genius. I think he must be related to Einstein. I mean - I‘m composing for over 25 years, but when he noodles on that gorgeous PS-3300 it sounds like sheer magic. I was wondering why he didn’t show his beloved Two Voice.
If youve been composing for 25 years and think that was sheer magic idk.. appreciste the positive enthusiasm tho
You want to check out Junkie XL’s synth set up, it’ll blow your mind
WX7 to Minimoog -- BRILLIANT! Why hadn't I thought of that? Thanks so much for this video, Will Gregory and SOS.
wow, well shot and recorded and the content is fantastic. So relaxing, enjoyable and informative. takes me back to the late 70s and early 80s when i had a MiniMoog and a rhodes, and took a quadrophonic music composition course at U of T with Wes Wraggett. tape loops and 2 big ARPs i was 14 at the time. what a blast.
This is a great video.
I’ve had the privilege of working in Will’s studio building but not in a musical capacity. He’s a wonderful person and great to talk to. It’s quite an experience to hear a composition come to life after an hour of Will making beeps and noises. The whole building is an Aladdin’s cave of synthesisers and studio kit. The man is a genius.
00:00 roland jupiter 4
06:40 roland space echo
08:06 mini moog and yamaha wx7 wind instrument
14:00 how do you recdord
16:00 edp wasp synth
18:50 korg PS-3300 poly synth
25:00 randomness?
27:00 polymoog
30:00 power supplies
32:00 outro
Great stuff. I'm fully on board with Will's observation that composition is half happy mistakes, and being able and open to capitalise on them when they happen!
It's amazing to see how solid these machines are build with such love and care. Buy a tv these days and you're lucky when it will be working and usefull for 10 years or so.
Some of these machines are over 50 years old, but still full of character.
Bahringer has actually done a great job at recreating these vintage synths for a good price, I have there Monopoly and sounds identical to the Vintage Korg.
@@HOLLASOUNDS I agree to that. People test the Behringer gear vs the original analog gear. But can you hear the difference in a mix? I don't think so. Even two identical analog machines do not sound the same. So price and qualitywise Behringer nailed it ;-)
@@kostradamus5739 Well you could say the same for software emulsions apart from that any digital or Software will sound the same every time but no two Analog sythersizors will be identical. I dont have a Korg Monopoly but have watched youtubers who have both in the video and they all say the Korg and Bahringer Monopoly are pretty much identical.
@@HOLLASOUNDS right...but above the soft-synths i prever the hands-on synths to work with. This is much more intuitive
Nothing like watching Will rock that WX7. Amazing.
Listening to people who have grown old together like those synthesizers is the most rewarding of all. Thanks. S
Gregory is a legend. His composition and production has given me untold joy over the years. Will, you are brilliant. Thank you.
If feel the exact same way mate!!
What a feeling for rich sounds ... in the sense of dreaming away in arpeggiated synthscapes, he's like the Captain Nemo of synthesizers.
The Wasp, Mini Moog, Monopoly and several other vintage synths have been replicated very well by Bahringer and you can buy sevraul of them for the same price as a single vintage one.
Will is like the cool/mad uncle that we all should have
SOS, this is what makes you brilliant. Artistry and moments are difficult to describe. You nailed it here. Thank you.
Its comforting to see someone credible in electronic music with the same hair as me
The moment he played the Wasp, had a flash back of Felt Mountain. That album had Wasp all over it, it seems!
Felt Mountain? Which songs do you mean?
To me it is more Black Cherry rather in my ears: i hear Train, Crystalline Green, Twist, Strict Machine in an instant..
@@zebonaut, I hear it scattered around the album itself, on various songs, but could easily be other more advanced and reliable synths uses.
My gosh, I didn't think I would want to keep watching this video. I've seen synths and studios...
And then he started playing. Wow 🤯
Merci beaucoup for this moment of pure synthetic happiness.
We need more of these kinds of videos on RUclips. I could watch studio tour/synth talks all night long.
This mini doc is top quality, thank you for creating and sharing it.
I’ve met Will a number of times at gigs, before, after, once sitting outside a venue in Cambridge & he’s always such a sweet guy with time to chat & interested to hear what you think. That comment about mistakes is so true, fingering a chord & getting one finger in the wrong place & thinking “hey, wait a minute…” Great film.
The 8 minute mark is exactly Keith Emerson's sound from the late 70's early 80's, love it. As for the PS-3300, I think I'm lost in its awesomeness. I'm just imagining all these intense emotional movie moments that thing was built for.
Wow! Love this. I used to make circuit boards for my Dad's Fourier (waveform) synthesisers. So interesting to see this.
The Jupite r4 is one of my bucket list synths. Such a beautiful instrument. For me, VSTs, emulations and clones will never be a substitute for big ol' wood and steel analog synthesizers. I have a couple JUNOs but one day I hope to have a Jupiter-4 or ProMars in the studio.
Now I see why Goldfrapp music is so interesting! :)
What a wonderful person and what a collection of treasures...
A PS3300... Wow. Just seeing one, even unplugged is a rare thing, so hearing one played...
Thank you for the video
The more Will input there is there the more it is the Goldfrapp i love.
Never heard a Wasp sound that good. Heavy.
A gentleman and an absolute joy to watch.
I love the English. Their idioms and phrases and ways of expressing things are always fascinating to me. I got a feeling I could listen to this guy for hours.
EPIC! Hanging out with Will and his kids 🙏🏼😎🤙🏼
This Korg sounds crazy! love the sound of it! full of emotions! when you play a chord on it, It means something!
He has so much practical knowledge. This was wonderful.
What a nice chap! down to earth and straight forward also great talent!
10:18 I can honestly say I dont think I have ever seen a mini Moog or any sythersizor being played with a electrictronic wind instrument, Im fascinated by it, what an intresting concept.
Therea a latin guy who plays an ARP2600 with a wind controller and it's even more interesting than this!
Great video Will. Nice to see you after 44 years or so - we were at school together (BGS). Only recently realised you were with Goldfrapp. Also enjoyed your piece with Charles Hazlewood on Sky Arts recently. Your analog noodling in this video has inspired me to get my Juno 6 out of the loft! And maybe the JX8P as well.
He comes across like he really knows his stuff and synths and seems very humble and intelligent.That Korg is so amazing. I also loved that Bach mini moog stuff....it never gets boring does it. Makes me want to learn a wind instrument and get a Moog.That keyboard is cool on the Wasp.....what a curious instrument it was. Yes I agree with have to fiddle around with things and see what comes out. You have to say I don’t know. Completely!
Wow, I'm amazed at how well the moog works with the midi wind. That's sounds like an MPE controller. Vielen Dank Will ❤🔥und Sound on Sound für das Interview.
Thanks for this. I’m a huge Goldfrapp fan, and a huge Will Gregory fan. His writing and arrangements are really awesome!! Very underrated
This is wonderful, many thanks to Will for sharing, and for SOS for doing this interview.
Thanks for this video! I enjoyed it a lot. It's always great to see and hear passionate people talk!
11:11 "And also i'm not very good at playing the keyboard"
cries in incompetence
Old analog consoles also rely on their power supplies. I have a big 'ol heavy custom power supply for my Trident Series 80B console and the 2 together sound awesome. All of your timbres remind me of orchestral color choices but your colors are from those synths. You have the woodwinds square waveish sounding instrument, the sawtoothy stringy instrument, etc... Pretty cool pallet choices.
When he was playing the ps3300 I couldn’t get Queens, who wants to live forever, out my head. Beautiful instrument.
This is amazing and music talk, I can 100% relate to the random improvisation process hoping something good will come out of it.
I feel nothing but admiration for this guy! Keep up the great work!
i definitely need a breath controller after seeing this. reminds me of dr mix using breath to do sax vst sounds, sounded absolutely amazing & realistic
Those instruments should make a comeback to music and songs. They sound so much better than all those computer generated plastic sound..
oh wow he's right in there at 2:47 with some gorgeous arpeggio phrasings. Sure the synth is lovely but it's about the choice of notes..
Completely agree about getting that one sound into a track.
Wow, an almost fully working Polymoog... Great interview
I think i would be just like this man someday. Its like seeing yourself in s future and calm down - none of nowadays experiments can get me out of mind. Im gonna be okay.
Great use of wx7 with the minimoog via the kenton pro solo. The patch is set up similarly to a moog taurus-y sound, with the one oscillator set for modulation. Will made it sing so well.
Most people - inc myself- who use a mini, tend to play riffs and runs within the range as that's what is in front of you, so to speak. The jumps using the wind controller sounded sweet and 'airy' , for want of a better phrase. A wonderful sound.
I think the wasp (maybe that particular one), is used on a lot of tracks on Black Cherry. The PS3300 I've never knowingly heard (it might have been on some vangelis works from the late 70s, but i can't place it) and Will made it sound lush, and creamy. Even the polymoog sounded good.
Thank you for sharing 👍
Would be really good to have an interview with David Morley, as hes very much like Will: lots of old analogue gear and really into his sound design. And I really like his music as well as Wills!
LOVED THIS! Thank you so much for making this. ❤
More of this, fantastic
Great talk and teaching!
What a fantastic video. Will is a total genius.
I can watch this video many times.
The sounds produced by the PS-3300 cured my anxiety for a moment.
JP4 sounds lovely... much different to the Junos that came later... I think I might even prefer it to the JP8.
"...when we have a guest synth in here", love that
delightful and informative. thank you!
i had a pretty authentic sounding vst version of the wasp it was a lot of fun to use. i forget who made it now but it was good.
I think it was 32 bit didn’t migrate to 64 😏
@@ronrobins3513 yes i used it with bridge in ableton (which also at the time the wasp emulator came out didnt support 32bit after going 64 haha).
Excellent in every way! 👌🤓👍
The „John Carpenter Stuff“ was done by Dan Wyman at Sound Arts in L.A.
Absolute inspiration!
raw and flawless
will is a legend !
Brilliant film, many thanks.
love this so much! that moog via WX7 is incredible
And it's already got more than enough velocity steps.
An amazingly cool guy who can do more than just play keys.
Great interview, thanks.
Brilliant, the breath controller is a great bit of kit
Howarth & Carpenter were Sequential heavy with the bulk of the film work. I'm sure a few early Roland pieces showed up more towards the mid 80's.
Carpenter: Prophet 5, 10, VS, but also two ARP Avatars, an ARP sequencer and a Linn Drum, plus two Furman RV-1 springs and a Tapco desk.
Bob Williams from analogue systems once offered me a Korg PS (possibly a 3200?) in part exchange for my AKS but much as the Korg was tempting I decided to keep the EMS. As a fellow owner of a JP4 I'm with you on how much fun it is. Nice for doing Kraftwerk or Vince Clarke impressions!
Such a great interview and so insightful to a band I love. Thanks!
Brilliant video!!!!! Loved it.
This is really nice. Thank you.
Thank-you Mr G for giving my sub a workout! These are beautiful sounds.
10:22 "it does make one play a bit muzaky" .. *does a sweet flourish*
So many nice synths! Will seems very nice too!
The wind control YEAH!
Polymoog looks and sounds interesting!
thanks to this gentlman to share his wise experience
None of my music is planned beforehand , it’s an evolution of a basic jam or a sound that I like or something I’ve sampled
Guilty as well.🙋
It was like being a kid in a sweetshop.
All the wonderful things but just out of reach on high shelves. Hoping one day I could reach them and sample the elusive flavours and textures, but ultimately never achieving it.
Thank you! Great master of great gear, great experience!
Wasp looks like fun. Make that ishh wabble lol ima use that one when turning up the music.