Everyone’s talking about John’s rhythm, but it can’t go unsaid that Paul’s bass is musical perfection. It’s somehow both complex and simple at once; it follows the root notes and also adds little flourishes here and there to keep things interesting. There’s a reason these guys are the best band to have ever lived.
I love your deconstructions, got the notifications alert just to chill while watching your videos whenever you upload. Keep with the content mate, it's incredible
Haha glad I'm not the only one that in spite of loving John's awesome rhythm, also thinks Pauls playing here is outstanding. Nothing super complex or anything, but the feel is just incredible
I had no idea that one diminished chord was even in this song. John plays it under the word “dance.” Wow. Revealing! Music sheets usually just put the 5th there.
This has always been the best Beatles song for me and the most inspiring and important in my life for being part of my life and the Beatles influence in my life had a great effect
Hi, Jane. I feel the same since Aug. 1964 when I bought the 45. Absolutely one of George's finest songs, and the simple words make it so inspiring as a type of love ballad. Not a hard rock song at all, despite the tempo.
That pic of the 4 of them (at 5:46) showing how much fun they are having proves why making music wasn't work for them at all. It was pure joy and excitement to create a new twist on rock 'n roll that was not there. This song is simple in lyrics, but his (George) feelings change dramatically from just having fun at the dance start to falling for her, just as the Fab Four did in changing over the years. The one bad thing on their change from 1963-70 was losing that simplicity and raw excitement for their fans in their emphasis in life and love to a more sedate, with its more complex music. To either a social justice, or worse--explicit drug usage message that should not have been so prominent in the song, or its start to end in a (drug) trip. LSD, as a main drug promoted was dangerous to a person's health, far worse than Cannabis, which never killed anyone in human history!
@@akbarlebowitz8151 They don't look like they are "working" at all. Just playing and having so much fun, while making themselves into multi-millionaires! Who wouldn't want a "job" like that, where it is just having fun, creating musical masterpieces for the world to enjoy in eternity!
What year was this technology available to deconstruct and isolate the various key parts of a song? Any song, not just IHJTDWY? Thanks so much for doing this to one of their most under-rated yet outstanding love ballads!
Ringo follows instructions by performing his accented 'pushes' in the song's introductions, but fails to remember to include them later, such as during the second refrain. He even seems to be fumbling for where these accents go in the conclusion of the song; at first performing it in the fourth measure instead of the fifth, then just stopping in the fifth where he should have put the accent, then finally getting it right by the sixth measure. Usually Ringo is on top of his game but, obviously on this occasion, he wasn't yet familiar enough with the song. And, because this was the last day available for recording before filming started, it was deemed 'good enough'.
These are very clearly intentional decisions here. The second refrain doesn't have the "accents" because it's better without them. The thing about these kind of rhythmical hooks is that they can start to become repetitive and gimmicky if they're overdone. Omitting them the second time around allows the refrain to breathe. Same concept goes for the end of the song, it's all done for the sake of spacing and variety.
@@ronaldtant lt's actually nearly all a John Lennon song. McCartney possibly helped arrange the backup vocal harmonies, that's about it for his contribution to this particular tune.
@@johngerson7335 I was responding to the reference to one of George Harrison,s best early songs by pointing out that it was a Lennon McCartney composition without as you rightly point out that it was indeed Johns composition as was in fact the Majority of the only Lennon McCartney composed album by the Beatles indeed at this point the only Harrison composition recorded was Don’t Bother me from the With the Beatles album ,but hey I can tell from your post that I’m not informing you of anything that you don’t already know ,thanks for your reply.
Everyone’s talking about John’s rhythm, but it can’t go unsaid that Paul’s bass is musical perfection. It’s somehow both complex and simple at once; it follows the root notes and also adds little flourishes here and there to keep things interesting. There’s a reason these guys are the best band to have ever lived.
Without a plectrum
@@ClueSign Au contraire, mon ami!
That bass line is already a melody in itself. Paul was and always will be my favorite bass player
Yep. Very creative along with Ringo using the tom tom in the verse.
Yep. That is incredible and we never caught or did that in my Beatles band in the 70s.
This bassline is SO solid, I’ve never really heard any of it with all the guitars and vocals up front in the mix.
Everything about this song is amazing.
I was especially excited for this song with John’s rocker rhythm. Outstanding work as always!
Always loved John's rhythm on this..,
Love it, love it❤ I learned how to sing harmony listening to the Beatles.
Wow. That floor tom doubling the bass drum!!
I kinda like how you hear the summing from the vocals in the instrumental part.
Nobody talks about how good the drums are
Thanks so much for this.
A RUclipsr once taught how to play like John Lennon: “just play like you’re really pissed off at your guitar.”
Happy to hear things never heard before hiding in plain sight. The wonderful tiny reverb of vocal tract.
I love your deconstructions, got the notifications alert just to chill while watching your videos whenever you upload.
Keep with the content mate, it's incredible
Haha glad I'm not the only one that in spite of loving John's awesome rhythm, also thinks Pauls playing here is outstanding. Nothing super complex or anything, but the feel is just incredible
I had no idea that one diminished chord was even in this song. John plays it under the word “dance.” Wow. Revealing! Music sheets usually just put the 5th there.
I don't think it's a diminished chord, sounds like G augmented to me.
@@ajidamarjati correct, it is augmented
Yes, it's a B7#5 (B7 Augmented)
George had good back up singers. another great song
This has always been the best Beatles song for me and the most inspiring and important in my life for being part of my life and the Beatles influence in my life had a great effect
Hi, Jane. I feel the same since Aug. 1964 when I bought the 45. Absolutely one of George's finest songs, and the simple words make it so inspiring as a type of love ballad. Not a hard rock song at all, despite the tempo.
@@freeguy77 Yes, that's a fact!
@@freeguy77 Yep. I wore this song out on the record player age 14 in 74.
@@govinda102000 I wore it out at 12. :)
perfect george voice
That pic of the 4 of them (at 5:46) showing how much fun they are having proves why making music wasn't work for them at all. It was pure joy and excitement to create a new twist on rock 'n roll that was not there. This song is simple in lyrics, but his (George) feelings change dramatically from just having fun at the dance start to falling for her, just as the Fab Four did in changing over the years. The one bad thing on their change from 1963-70 was losing that simplicity and raw excitement for their fans in their emphasis in life and love to a more sedate, with its more complex music. To either a social justice, or worse--explicit drug usage message that should not have been so prominent in the song, or its start to end in a (drug) trip. LSD, as a main drug promoted was dangerous to a person's health, far worse than Cannabis, which never killed anyone in human history!
That's a colorized scene from "A Hard Day's Night" film when they mime the song for a rehearsal.
@@akbarlebowitz8151 They don't look like they are "working" at all. Just playing and having so much fun, while making themselves into multi-millionaires! Who wouldn't want a "job" like that, where it is just having fun, creating musical masterpieces for the world to enjoy in eternity!
Je ne sais pas comment l'expliquer mais l'accord à 4:17 me fait quelque de particulier, il est là où bon moment où bon endroit, c'est magique
What year was this technology available to deconstruct and isolate the various key parts of a song? Any song, not just IHJTDWY? Thanks so much for doing this to one of their most under-rated yet outstanding love ballads!
very cool. Thanks! 😎
love it, great job..!!!
From what little I can hear of George's guitar, it sounds like he might be using a volume pedal like on Yes It Is.
Ringo follows instructions by performing his accented 'pushes' in the song's introductions, but fails to remember to include them later, such as during the second refrain. He even seems to be fumbling for where these accents go in the conclusion of the song; at first performing it in the fourth measure instead of the fifth, then just stopping in the fifth where he should have put the accent, then finally getting it right by the sixth measure. Usually Ringo is on top of his game but, obviously on this occasion, he wasn't yet familiar enough with the song. And, because this was the last day available for recording before filming started, it was deemed 'good enough'.
These are very clearly intentional decisions here. The second refrain doesn't have the "accents" because it's better without them. The thing about these kind of rhythmical hooks is that they can start to become repetitive and gimmicky if they're overdone. Omitting them the second time around allows the refrain to breathe. Same concept goes for the end of the song, it's all done for the sake of spacing and variety.
Proof that Ringo was a human metronome.
He still is. He’s still alive.
One of George Harrison's best early songs
It’s a Lennon McCartney song written for him for the Hard Days Night Film and album .
@@ronaldtant lt's actually nearly all a John Lennon song. McCartney possibly helped arrange the backup vocal harmonies, that's about it for his contribution to this particular tune.
@@johngerson7335 I was responding to the reference to one of George Harrison,s best early songs by pointing out that it was a Lennon McCartney composition without as you rightly point out that it was indeed Johns composition as was in fact the Majority of the only Lennon McCartney composed album by the Beatles indeed at this point the only Harrison composition recorded was Don’t Bother me from the With the Beatles album ,but hey I can tell from your post that I’m not informing you of anything that you don’t already know ,thanks for your reply.
What a band
🤩👍
What ai did you use?
Demucs Model B over on mvsep.com
La Esposa de Amigo dijo que gane porque me robaron mi Título de mi Pontiac Sunfire
Copyright?
RUclips didn't take any isolation from this one down if that's what you meant
Shhhh !
What app are you using to isolate the tracks? (Moises, maybe?)
That opening chord sounds like two guitars playing at the same time, one is playing the higher chord and one the lower