Honestly, I can only think of two reasons... one is to save ink lol, with the other one being that its easier for the conductor to see who's coming in when and where
You think this weird?! Check out Venetian Games. Or George Crumb 😂. Lutoslawski thought very carefully about structure and how a musical entity existed within the aural space and reflected this in his scores. In composer and some conductor circles it’s not that weird anymore.
Stravinsky wrote his scores like this too. It became a common practice among 20th century composers to skip rests for silent instruments and just omit their bar lines if they weren't "speaking".
On top of the conductor Antoni Wit and the composer Witold Lutosławski, the amount of wit in this piece is addictive.
I couldn’t say the best but I’ve listened to many versions of Pag. Variations and this is by far my favourite.
This is fantastic and a masterpiece. I had completely forgotten about this.
This is one of my favorite discoveries in a while
based Lutosławski
00:00 01.Variation, SCORE
00:21 02.Variation, SCORE
00:35 03.Variation, SCORE
00:49 04.Variation, SCORE
01:08 05.Variation, SCORE
01:25 06.Variation, SCORE
01:45 07.Variation, SCORE
02:04 08.Variation, SCORE
02:22 09.Variation, SCORE
02:41 10.Variation, SCORE
03:00 11.Variation, SCORE
03:20 12.Variation, SCORE
04:53 13.Variation, SCORE
05:12 14.Variation, SCORE
05:32 15.Variation, SCORE
05:52 16.Variation, SCORE
06:10 17.Variation, SCORE
06:28 18.Variation, SCORE
06:48 19.Variation, SCORE
07:11 20.Variation, SCORE
07:31 21.Variation, SCORE
07:43 22.Variation, SCORE
08:17 23.Variation, SCORE
08:39 24.Variation, SCORE
Why are there 24 variatins wtf
@@sneddypie because the theme is caprice no. 24 maybe?
@@mysteriousdonkey1 uh no, the original only has 12 variations
Well isnt this the weirdest score i have ever seen. Why is it written so weirdly?
Honestly, I can only think of two reasons... one is to save ink lol, with the other one being that its easier for the conductor to see who's coming in when and where
You think this weird?! Check out Venetian Games. Or George Crumb 😂. Lutoslawski thought very carefully about structure and how a musical entity existed within the aural space and reflected this in his scores. In composer and some conductor circles it’s not that weird anymore.
Stravinsky wrote his scores like this too. It became a common practice among 20th century composers to skip rests for silent instruments and just omit their bar lines if they weren't "speaking".
Less ink used as well!
Das kunszt qdet fuga