Thanks for your comment. I’m trying to use the secondary dominant which F# chord gives rise to the feeling. Adding little flavour / create tension to chord progressions by using F# chord (III). F# chord as a secondary dominant to D Key (V/vi). Various chord progression can be used. I would like to try another chord progression/ different ideas in this time. Maybe it’s sound not good as original.😢 The diatonic chord progression for entire song should be： D A Bm G or D F#m Bm G Also, chord progression with bass line : D A/C# Bm G
Thanks for your comment. I’m trying to use the secondary dominant which Adding little flavour / create tension to chord progressions by using F# chord (III). Maybe it’s sound not good as original. The diatonic chord progression for entire song should be： D A Bm G or D A/C# Bm G
I think Tom isn't playing the actual chords in the video if you're basing it on his hand position. As strange as that sounds. It's D, D/C#, B5, G5.
I‘m not playing the same chord/position as original song in this cover. Thank you for your reminder 😊The original chord progression : D, D/C# ,Bm,G.
the secondary dominant chord is wrong.
Thanks for your comment. I’m trying to use the secondary dominant which F# chord gives rise to the feeling. Adding little flavour / create tension to chord progressions by using F# chord (III). F# chord as a secondary dominant to D Key (V/vi).
Various chord progression can be used. I would like to try another chord progression/ different ideas in this time. Maybe it’s sound not good as original.😢
The diatonic chord progression for entire song should be：
D A Bm G or D F#m Bm G
Also, chord progression with bass line : D A/C# Bm G
The F# chord is wrong
Thanks for your comment. I’m trying to use the secondary dominant which Adding little flavour / create tension to chord progressions by using F# chord (III). Maybe it’s sound not good as original.
The diatonic chord progression for entire song should be：
D A Bm G or D A/C# Bm G