Siamak Aghaei demonstrates the santur

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  • Опубликовано: 8 фев 2025
  • Siamak Aghaei semonstrates the Iranian santur for composers; recorded in 2009 at the Atlas Academy, Amsterdam.
    Interviewed by composer Kiawasch SahebNassagh
    Camera/pre-editing Nelleke Koop
    Sound Kasper Koudenburg
    Finalization Caio Amon
    Supervision Joël Bons
    www.atlasensemble.nl
    AtlasEnsemble

Комментарии • 26

  • @paulpuljic6025
    @paulpuljic6025 2 года назад +1

    I have one of these on order...can't wait! I love how you demonstrate effects, harmonics, rhythm and bridge positioning. Excellent demonstration...thank you!

  • @ayyoubgian
    @ayyoubgian 11 месяцев назад

    thank you dear siamak

  • @pchiare
    @pchiare 11 лет назад +1

    Thank you so much Siamak! That is amazing, and beautiful!

  • @sonidosdeamerica
    @sonidosdeamerica 12 лет назад

    excelente material, gracias por ponerlo a disposicion de todos. Es muy necesario tener este tipo de explicacion acerca de la ejecución, interpretacion y escalas de la musica persa en el santur. Gracias. //
    Excellent material, thanks for making it available to everyone. It is very necessary to have this kind of explanation about the performance, interpretation and Persian music scales in the santur. Thank you.

  • @mahinshahidi2307
    @mahinshahidi2307 Месяц назад

    Excellent ❤❤❤

  • @Notes-de-l-autre-monde
    @Notes-de-l-autre-monde 14 лет назад

    By far the most interesting video about santur for beginer, thank you very much for show how tunes and for exercise with mezrab

  • @abadaniam
    @abadaniam 12 лет назад +4

    NO ONE CAN PLAY SANTOUR LIKE IRANIAN PLAYERS. BEAUTIFULL.

  • @binarsalah4307
    @binarsalah4307 12 лет назад +1

    great man it is amazinggggg........

  • @aminvosoghi902
    @aminvosoghi902 4 года назад +1

    کلمات برای وصف زیبایی و قدرت مچ سیامک جان جوابگو نیست فوق العاده بود

  • @sepand13
    @sepand13 12 лет назад

    wow....,merci

  • @SoyalicSinan
    @SoyalicSinan 6 лет назад

    "One right two left" 06:24 Incredible

  • @tuofanadam5556
    @tuofanadam5556 6 лет назад

    استادم عشقم بینظیری

  • @kimolos
    @kimolos 12 лет назад +1

    grand scool

  • @samankiel5565
    @samankiel5565 9 лет назад +1

    BRAVO Tank yo

  • @Democrazia_Moderna
    @Democrazia_Moderna 12 лет назад +2

    کاری زیبا ،از سیامک آقایی ، سبک مضراب از استاد مجید کیانی ،، ( نظر شخصی من )

  • @Notes-de-l-autre-monde
    @Notes-de-l-autre-monde 13 лет назад +1

    @GOLSHANCLUB silly , you don't understand my words .

  • @Gelgorbeni
    @Gelgorbeni 8 лет назад

    her beji

  • @amirtalk
    @amirtalk 8 лет назад

    سبک مضراب بدون نمد برای زینگ سنتور

  • @wow1371
    @wow1371 4 года назад

    What is it with these videos about santur from Western institutes with players doing stuff that would never fly in Iran or in the tradition.
    Santur is not plucked, ever!
    We have Qanon for that.
    We seriously discourage bridge manipulation.
    We DO NOT call e and f spare bridges as they are tuned at different tones.
    The vibrato technic demonstrated would get any student tossed out of a maestro's class because of the amount of damage and risk it can and will put on strings and instrument itself.
    The worst though would have to be the performance at the start.
    The tuning is all over the place.
    But at least that seems to be fixed later on

  • @Malangsufi
    @Malangsufi 14 лет назад

    nice but with few notes was out of place

    • @moham_bm6009
      @moham_bm6009 6 лет назад +1

      Malang Sufi no friend that was correct because some iranian pieces has no ryhthm .they first play music without ryhthm then music becomes ryhthmic

    • @davoodazmoodeh1878
      @davoodazmoodeh1878 6 лет назад

      Malang Sufi سلام استاد سیامک آقای من نوکرتم خیلی دوست داشتم شمابزرگواررا از نزدیک ببینم آرزوم بود ولی نشد

    • @liamp1379
      @liamp1379 5 лет назад

      Those a quarter notes. Those are supposed to be there

    • @wow1371
      @wow1371 4 года назад

      @@liamp1379 no there was actual tune miss there.
      Either a tune miss or a very uncharacteristic landing on notes that should not be the landing notes in a dialog