RUclips has a habit of dredging up any old content that vaguely represents the viewers actual interests, You get to know what will most likely disappoint if you click on it, the same old content that has just been created by other content creators giving the same advice. Not so in this case. Great pacing and clearly articulated, worthy of a subscribe for sure. Thanks Evan.
Another great vid, I like how you concisely explained the essentials very well in the start and have more in-depth examples later. This time for me the concise explanation was all I needed but nonetheless I think examples can also really help people that are in similar situations to those examples.
This was a really great tutorial. I've always wanted to learn colouring but I was fumbling in the dark and usually resorted to throwing a lut on my footage and hoping for the best. I just graded an interview with this tutorial and I'm really pleased with the outcome. Thanks!
Many thanks Evan. You made these tools very understandable. And at the end, your explanation regarding "where to place a HSL nodes" is cristal clear. Since all my rush are taken in Log, I had trouble to master these powerful tools. I never had such a easy to remember "tuto".
Yup you just opened my eyes to a better option... I've been using qualifier for a while and sometimes it's great but most times i had hard time nailing it but this definitely helped work my current project... thanks..subscription is a must
I can't explain to you how much you made my life easier. If you were a waitress I'd leave you a $100 tip and my number. You're a beautiful human being and I'm so happy right now. Thank you!
Evan for the log example why not begin with a CST that transforms from Log to the large color space of DWGI, do your HSL adjustments and then feed that into a CST to take the image from DWGI to Rec 709, gamma 2.4? In my mind this way you're doing your HSL adjustments while still in the large color space then going to the Rec 709 color space? Taking this one step further, unless you or someone else more knowledgeable than me (a low bar!) told me why not, if working on a clip level, my node order would be: CST (log to DWGI), Noise reduction, Exposure, Color Balance, Contrast and lastly CST (DWGI to Rec 709,gamma 2.4). Make sense?
Hey there, great question. What you're describing is a manually color managed workflow via nodes, and you can absolutely work that way if that's what you prefer. Even if you perform your hue vs curves within the DWG Intermediate color space, they will still be less responsive than if you use them in a Rec.709 colorspace. In this case, you may need to do large brushstrokes within DWG and then another fine-tuned curve after your Rec.709 colorspace conversion. I would recommend doing some testing on your own and compare the two workflows by using gallery stills to see if it actually makes a difference on the footage you're working with. I always recommend this, as you could simply be overcomplicating it when the results would be just as good working within Rec.709 Gamma 2.4 without all the extra fluff. I would do noise reduction at the very beginning, before everything else. That way you can even cache the NR node and get smooth playback the rest of your project. Everything else in your node order sounds like it would work well. The only thing I would add is if you wanted to add a look or creative node, I'd probably add that either right before or right after your 709 conversion, depending on how you want it to look.
How did you change your UI layout so the selected clip is taking up 1/4 of your screen like that on the top left corner? Sorry for such a simple question but can't seem to find a simple answer anywhere without people recommending to just get another monitor
Phew, this is a long one! Cheers to you if you watched all the way through, there's some great tips throughout. Let me know if you have any questions.
Exactly what i been searching days and days for... Simple , cut and dry, not boring and very on point... CLASSIC 🔥🔥🔥🔥 GREAT JOB 👍🏽
RUclips has a habit of dredging up any old content that vaguely represents the viewers actual interests, You get to know what will most likely disappoint if you click on it, the same old content that has just been created by other content creators giving the same advice.
Not so in this case. Great pacing and clearly articulated, worthy of a subscribe for sure. Thanks Evan.
Saved this video to my "Davinci lessons playlist". Great quality content! Thank you!
Wow, Hsl is unlocked 🎉 amazing tutorial.
Another great vid, I like how you concisely explained the essentials very well in the start and have more in-depth examples later. This time for me the concise explanation was all I needed but nonetheless I think examples can also really help people that are in similar situations to those examples.
This was a really great tutorial. I've always wanted to learn colouring but I was fumbling in the dark and usually resorted to throwing a lut on my footage and hoping for the best. I just graded an interview with this tutorial and I'm really pleased with the outcome. Thanks!
Awesome! Glad it was helpful.
Many thanks Evan. You made these tools very understandable. And at the end, your explanation regarding "where to place a HSL nodes" is cristal clear. Since all my rush are taken in Log, I had trouble to master these powerful tools. I never had such a easy to remember "tuto".
Happy to hear it!
This was very educational and well done. Thank you
This was super helpful and very well put-together, thank you!!
Wonderful tutorial on the HSL Curves! Thanks a lot!
Glad you enjoyed it!
This is one of those save for later and keep coming back for more kinda vids. You rock for making this.
hahaha thanks man, hope to see you back soon!
Thank you! I've started using those tools, but didn't utilize all that's available. I will now. Thanks again!
Absolutely
Wow man I love your way of teaching. Thank you for taking the time to make these 🙏🏼
Thanks! Glad you like them. Happy to help
Thank you for taking the time to explain. it was very helpful!
Great explanation on a complex subject.
Glad you liked it
This was OUTSTANDING!!!!!! Thank you!!!
Super great Tutorial, thank you. Finally I can achieve in DaVinci what I was able to in Lightroom easily
Love the HSL Tools
Thanks, your tutorials are very helpful. Greetings from Misiones, Argentina 🤓👋
Happy to hear, thanks for the comment
Yup you just opened my eyes to a better option... I've been using qualifier for a while and sometimes it's great but most times i had hard time nailing it but this definitely helped work my current project... thanks..subscription is a must
Yes, always try the hue vs curves before any qualifier for much cleaner results. Glad it was helpful!
Good job in this tutorial. Simple and practical, usefull
Glad you liked it
Badass video buddy, thank a lot, cheers from Venezuela. 👍🏻👏🏻
Thanks for the comment, glad you enjoyed!
Very helpful video. Thank you! You explained everything perfectly.
this made my day! thanks so much
Oh no, I've learned something :D Thank you!
That was brilliant thanks!
Excellent presentation! I liked and subscribed 😊 But what if you wanted to remove the jacket, how would you do that?
Subscribed after 1 second!
Thank you!
very good content, as always ! thanks !
Victor
Great to know. Thanks for sharing it.✌️
You bet!
I can't explain to you how much you made my life easier. If you were a waitress I'd leave you a $100 tip and my number. You're a beautiful human being and I'm so happy right now. Thank you!
These are my favorite type of comments! Happy to help, this is why I do it!
very useful.Thanks
Evan for the log example why not begin with a CST that transforms from Log to the large color space of DWGI, do your HSL adjustments and then feed that into a CST to take the image from DWGI to Rec 709, gamma 2.4? In my mind this way you're doing your HSL adjustments while still in the large color space then going to the Rec 709 color space? Taking this one step further, unless you or someone else more knowledgeable than me (a low bar!) told me why not, if working on a clip level, my node order would be: CST (log to DWGI), Noise reduction, Exposure, Color Balance, Contrast and lastly CST (DWGI to Rec 709,gamma 2.4). Make sense?
Hey there, great question. What you're describing is a manually color managed workflow via nodes, and you can absolutely work that way if that's what you prefer. Even if you perform your hue vs curves within the DWG Intermediate color space, they will still be less responsive than if you use them in a Rec.709 colorspace. In this case, you may need to do large brushstrokes within DWG and then another fine-tuned curve after your Rec.709 colorspace conversion. I would recommend doing some testing on your own and compare the two workflows by using gallery stills to see if it actually makes a difference on the footage you're working with. I always recommend this, as you could simply be overcomplicating it when the results would be just as good working within Rec.709 Gamma 2.4 without all the extra fluff.
I would do noise reduction at the very beginning, before everything else. That way you can even cache the NR node and get smooth playback the rest of your project. Everything else in your node order sounds like it would work well. The only thing I would add is if you wanted to add a look or creative node, I'd probably add that either right before or right after your 709 conversion, depending on how you want it to look.
Thanks
How did you change your UI layout so the selected clip is taking up 1/4 of your screen like that on the top left corner? Sorry for such a simple question but can't seem to find a simple answer anywhere without people recommending to just get another monitor
Turn off “Clips” and “Timeline” by clicking their icons on the top. It does depend on screen resolution, but that should help
This guy is good
Haha thank you 😉
This is a GREAT Explanation and pure Value! Thanks! #newsub
Thanks for the comment!
Super informative!
This is a great tutorial! Thanks for the work.
Glad it was helpful!