Tribulation - Hour of the Wolf (OFFICIAL VIDEO)
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- Опубликовано: 17 дек 2020
- Buy here: www.metalblade.com/tribulation
Tribulation commented: "The Hour Of The Wolf is upon us! Feast your eyes on this, the second single off our upcoming album..."
Tribulation entered Linus Björklund's Studio Ryssviken in April and exited (informally) nearly two months later. The group - guitarists Adam Zaars and Jonathan Hultén, Johannes Andersson (vocals/bass), and Oscar Leander (drums) - used the first 10 days of their studio time to rehearse. Once the bone-oil had sufficiently run its course, the group and co-producer Jamie Elton started to hammer into the rudiments of the recording process. Elton, who also serves as Tribulation's soundman and is a long-time friend, took the reins from Martin Ehrencrona, who helmed the 2018 Down Below sessions. Together, they crafted a well-appointed production, one that's luxuriously grim and auricularly inviting. Where the Gloom Becomes Sound was then given to Grammy-nominated producer Tom Dalgety (Ghost, Rammstein) to mix at Psalm Studios. Once the mixing was finished - Dalgety would send over versions from his studio in Wales - Tribulation re-enlisted Magnus Lindberg at Redmount Studios in Stockholm to master.
The band's resulting fifth full-length indisputably elevates the Swedes to the highest echelons. The source of their glinting darkness: a yawning, bottomless rift deep within. "We immersed ourselves in the world of myth and magic," says Zaars. "With a specific focus on elemental magic, and the elements, in general, from both the Western and Indian esoteric traditions, not the Buddhist four elements but the five elements. Myth and magic are obviously not something new in the world of Tribulation, but it got a bit more specific on this album. We just present it from a slightly different perspective."
"Where the Gloom Becomes Sound" isn't representative of monumental change, but rather the accrual of ambition over time in conjunction with continued exposure to and profound experiments with crossroads devilry. Being their most expressive and inventive album to-date, where it will take them is only to greatness and with reverence.
"Where the Gloom Becomes Sound" track-listing
1. In Remembrance
2. Hour of the Wolf
3. Leviathans
4. Dirge of a Dying Soul
5. Lethe
6. Daughter of the Djinn
7. Elementals
8. Inanna
9. Funeral Pyre
10. The Wilderness
#tribulation #hourofthewolf #wherethegloombecomessound 
Видеоклипы
This is such a relaxed song. 😊🖤
👊😍😈😈😈
True man ☺️
This gives me heavy Blue Öyster Cult vibes, and smells like charred wood. Delicious.
love this sound, walking alone in the rain...
Remember when Katatonia use to sound like this, full circle my friends, sounds of yesteryear, avant-garde is a comin back
That's kinda what I was thinking
They never sounded like this. But I guess the vocals are similar.... Katatonia are still great but I worry they'll fall into a rut unless their next album shakes things up. They need to do what PL did on Plague Within
"avant-garde is a comin back" man you don't understand how funny that sentence is
I love Johannes voice and what this band is capable of but where is the band? Adam, Oscar, and Joseph - need to be seen. With all the change, get us, the fans, involved in learning and understanding the new chemistry. We miss you Jonathan but we understand change is inevitable. Let us the fans see the change.
Hell yeah! This song and video kill it!! Tribulation has returned! I didn’t know how they could get darker than Down Below, but they did. So stoked for 1/29/2021.
Every day is a new experience. A song and video like this can make any day an excellent experience.
Appreciated the understandable lyrics..
Yay, my first time hearing a song from Tribulation. I like it. :)
This band somehow fully replaced Ghost B.C. for me. awesome stuff
This is the song the Van Helsing movie needed.
This is Amazing !!! Masterpiece !!! Need more of this Sound 🤘🤘🤘
The perfect way to end friday❤️
Amazing!!!
Masterpiece!!!!!
Gloom is everywhere
awesome 🤘
Great as usual
I love this song
Master Disasterpiece. 🤘🏻🤘🏻
Great Song!
Super chill
Great Song!!!!!!
Really good music bro. It is very melodic and pleasant to listen to 🤘
WOW !
Excellent vid. Good sound . It works.
Hail Thee Eternal Heavy!!! 🔥
💯
this is like fields of nephilim.....
🖤🤘🔥
100% YES YES YES , GOOD MUSIC 😊 I LIKE IT.
🤘🏿👻👻👻👻👻👻👻👻👻👻🤘🏿 Mocarny fantastyczny potężny po prostu super
@@CRISTIAN-ei4lw tak jest super 💯⚡💣😄💥👍🔥👻
Listening carefully. I could feel like original “Ghost” had something to do with the writing or production and Martin Persner playing the guitar track, but it definitely has that “Good Ghost days” feel. I should clarify a little; not saying Martin played guitar on this, saying it reminded me of his work in the old Ghost days!!! 🤘🏻🤘🏻
Nope, they do know each other but the band (and Joseph Tholl) are the sole writers, minus whatever flavor Linus & Jamie threw in while producing. Jonathan wrote most of this album, apparently.
🖤🖤🖤🖤🖤
Got this late 90s Amorphis feel, love it, not sure about harsh vocals in this particular song, but music is spot on indeed! Cheers
Nice gift for the Holidays...🤘😈💪☠💀
Nice
I hit "like" before I heard it, because I just knew...
Cool 👌💀
I think it's another beautiful song by Tribulation.
Вот! Музыка! Люблю!
good
Now! Kiss!
Как всегда супер, отличная завораживающая музыка
согласен
Sounds like something that would have been on Elegy by Amorphis
SOLD!!!
Tribulation Sound, make no mistake.
Jonathan's song
I saw these dudes gut a dog on stage at the Oriental Theater in Denver.
A real dog? If so that's fucked..and they should be gutted
Seen it on century media
Wait, why have both century media and metalblade released the same music video?
Apparently, Metal Blade is their North American label and Century Media is their label for the rest of the world
@@Malkav65 ooh, interesting
anyone else think this was a powerwolf tribute at first?
What’s the status on Whitechapel, Metal blade?👀
Oxuet
😎😎😎🇦🇱🇦🇱🇦🇱🇦🇱🤣🤣
After 4 albums i believe it's time for the least good one.
We should expect that.
It's not a bad song but Tribulation have only masterpieces. So that's a no from me.
You buggin...
I aint into metal so much. I wonder why is he angry? Something bad happened?
What's so angry? It's so peaceful
You clearly have an issue with recognizing human emotions. There is no anger here at all.
*rant time*
Okay, I lost my hope after this one. Tribulation has been on the list of my favourites bands for years. "The Formulas of Death" had a significant impact on my music taste. But this... With all due respect, this is just sloppy-written. Chord structure is just simply boring, repetetive, alongside the drums. The song is lacking all those gothic-romantic subtleties we had before. The song is not breathing in and out, where's the flow? After Jonathan's leave you can clearly see he was the creative core of the band.
Waiting for hate from all those who disagree. A constructive debate also appreciated.
OFFICIAL BIO
Where the Gloom Becomes Sound was primarily composed by guitarist Jonathan Hultén, who was also writing for and celebrating the release of his solo album, Chants from Another Place. The well of his Tribulation inspiration ran deep. From singer-songwriter Roky Erickson and vintage Morbid Angel to the NWOBHM and Swedish folk music, Hultén found bewitchment in his own personal belfry, extrapolating on the tenets of death, resurrection, and whatever resides between. Indeed, the primal pulse and shimmering dissonance to “Elementals,” the ingenious and diabolical swash of “Hour of the Wolf,” and the princely necromancy of “Leviathans” are but several of Hultén’s advances on Tribulation’s prior malisons. To further his offering to the Other and that which lies Beyond, the song-master designed a variety of sonic enhancements, like those heard on “Leviathans,” “Funeral Pyre,” “Dirge of a Dying Soul,” and “Hour of the Wolf.” The promaja our elders had always warned us about, but we delighted in regardless, is imbued throughout Where the Gloom Becomes Sound.
“Jonathan did the bulk of the songwriting on this album,” Zaars says. “And he mostly works alone. On ‘In Remembrance,’ we had the help of Robert Pehrsson (Death Breath) and Joseph Tholl (VOJD) when we got stuck, and that was really helpful. [I will say] small details can really enhance a song like ‘Hour of the Wolf,’ and I think in that case, it really did! The ‘theremin sound’ on ‘Funeral Pyre’ is actually a guitar, and it’s something we’ve thought about having many times before, but I guess never really did. We always imagined a saw, which could happen in the future, but this time we managed to do it with a guitar. Of course, the reason being that it has a really haunted vibe to it.”
The title, Where the Gloom Becomes Sound, was inspired by German darkwave artists Sopor Aeternus & the Ensemble of Shadows. The line, ‘...down, further down, where the gloom becomes sound, on the cell where your love might be found...’ has enchanted Tribulation for several years, and it finally felt appropriate musically, lyrically, and conceptually to pay homage to one of their favorite artists. That’s only part of the Devil’s puzzle, however. Musically and lyrically, they invoked the pancha bhoota-or, five elements-but for those interested the wisps of night and incense burning there’s other frightful and arcane themes at play. From “In Remembrance” and “Dirge of a Dying Soul” to “Inanna” and “The Wilderness,” Tribulation slip effortlessly into death, out of otherworldly forces, and effortlessly invoke the darkly sublime. Where the Gloom Becomes Sound is a paean to the supernatural-the unspeakable things that bump after twilight.
“The same can be said about the lyrical content,” says Zaars. “Myth and magic and, for some reason, the five elements. The inspiration to the song ‘Inanna’ is obvious, but there are more mythical topics explored, and I suppose the interested listeners will have to figure that out on their own.”
Tribulation entered Linus Björklund’s Studio Ryssviken on April 20th and exited (informally) nearly two months later. The group-Zaars, Hultén, Johannes Andersson (vocals/bass), and Oscar Leander (drums)-used the first 10 days of their studio time to rehearse. Once the bone-oil had sufficiently run its course, the group and co-producer Jamie Elton started to hammer into the rudiments of the recording process. Elton, who also serves as Tribulation’s soundman and is a long-time friend, took the reins from Martin Ehrencrona, who helmed the Down Below sessions. Together, they crafted a well-appointed production, one that’s luxuriously grim and auricularly inviting. Where the Gloom Becomes Sound was then given to Grammy-nominated producer Tom Dalgety (Ghost, Rammstein) to mix at Psalm Studios. Once the mixing was finished-Dalgety would send over versions from his studio in Wales-Tribulation re-enlisted Magnus Lindberg at Redmount Studios in Stockholm to master.
“We’ve always moved in one way or another, and we wanted to try something new this time around as well,” Zaars says. “Ironically, it’s the first time we recorded an album where we had windows in the studio. We wanted a studio where we could have the drums up for the entire session if we wanted to change anything, and that was one of the reasons we ended up at Studio Ryssviken. As for Jamie, I’ve known him since the early 2000s. We have a similar love and passion for heavy metal. He’s really fantastic to work with and just hang out with, and if you’re spending two months in a studio, you need someone like that. He acted like someone who we could bounce ideas off both lyrically and musically, and he was also the one keeping everything running, keeping us in check, making sure we did what was necessary. He has great knowledge about sound, and his meticulous work really helped give Tom an easy start.”
Things evolve. Time blows by. Creatures of the night become deadlier. Where the Gloom Becomes Sound isn’t representative of monumental change, but rather the accrual of ambition over time in conjunction with continued exposure to and profound experiments with crossroads devilry. The Swedes’ new full-length is their most expressive and inventive to date. Where it will take them is only to greatness and with reverence. Down, furtherest down… indeed!
I agree mosty, even though it is not a 'bad' song it is still some kind of boring, specially after several times playing - but this tendency to the songs already manifested on their last record. I discovered them when 'children of the night' was released and while I'm also a fan of the earlier albums + Stench, 'children' was just the perfect mix of death/black/goth and a teaspoon of mainstream - just listen to melancholia, such a masterpiece.. after that things got washed down unfortunately.
Pretty sure though, like the last one, there will still be some more interesting and maybe heavy songs on the new record.
Good song, but why wolf, wolf it's just animal you're human, (IMHO) I think people who
associates themself like animals are super stupid)
Symbolism, my friend.
@Panos Georgopoulos like you? It's (MHO) so calm down)))
Boring,
thats all I can say
That singer is the worst part of such a great band. I keep trying to get into them, but the vocals just let the side down
De gustibus non est disputandum, for me these vocals are just fine. However, somehow through plenty of time, that I spent listening to music, I managed to leave the non-liked vocals out of focus. There are actually many bands whose music I love, although I'm not particularly keen of vocals.
at least his vocals match his outfit
Well, I guess that's kinda the point, isn't it?
@@lukaszp8246 it looks good 👍
This was great till he opened his mouth, ruined it, great music though