Hola. El guitarrista es Antonio MárqueZ, y no nació en 1963, y además creo que tampoco en Sevilla, sino en Cádiz. Fue profesor mío de guitarra en Huelva hace unos 25 años
Muchas gracias. Lamentablemente, no puedo encontrar ninguna información sobre él en Internet. Este era alguien más: Antonio Márquez (Antonio García Santillana) - bailaor (Sevilla, 24 de mayo de 1963)
I have always love flamenco - the dance, the music, the facial expression... so much raw emotions, passion and so erotic, and have wanted to know what the singing is about. I was delighted to find this one with English subtitles, but was somewhat surprised to find it's to do with a drill and drillers, early riser...a mine in Spain, though later there's an explosion. Maybe I did not get the deeper meaning from the translation. P.S. My first impression was it could do with a few castanet punctuation here and there, but I have limited knowledge of Flamenco, and perhaps this particular style does not require castanets.
Cante jondo (deep song) is the hardcore of flamenco singing and deals with themes of death, anguish, despair, or religious sentiments. Songs about love, happiness can be found in the alegrías, bulerías and tangos. Castanets are not used in flamenco dancing as the rhythmic accompaniment is produced by stomping the feet.
@@betapicts Thank you. As I have mentioned in my previous reply, I have no knowledge of flamenco - I just love to watch and listen and feel moved by flamenco. I am particularly fond of Antonio Gades, but as he had some influence of ballet and other media, perhaps you may not regard him as pure? To me, his pairing with Cristina Hoyos was divine. You said: "Castanets are not used in flamenco dancing", but I have seen Siguiriyas with prominent castanets. Please note that in my previous comment, re castanet, I said "punctuation", and NOT "rhythmic accompaniment". I recently watched a flamenco performance using Abeniz's Asturias, and in my opinion, the dancer spoiled the music by using castanets as rhythmic accompaniment, while in another performance by a different dancer, she used castanets as punctuation and that worked well.
@@AKLHWO - Sorry. I did not say "Castanets are not used in flamenco dancing" (that would be very stupid don't you think?) but I said : "Castanets are not used in flamenco dancing as the rhythmic accompaniment is produced by stomping the feet." Please name a RUclips video that contradicts this opinion, I'm curious...
@@betapicts I think there's misunderstanding on both sides. However, there is one thing in common - we both love flamenco, and flamenco speaks to people who may not even know much about Spanish culture.
Ella fui mi maestra en la fundación Cristina herren. Aunque su baile es precioso, esa mujer fue horrible con los alumnos… insultándos además racista. No la quiero para nada
Hermosa bailarina 🌘💙 🎼🎶
que bailaora y que palo bonito....eso vale la pena
Hola. El guitarrista es Antonio MárqueZ, y no nació en 1963, y además creo que tampoco en Sevilla, sino en Cádiz. Fue profesor mío de guitarra en Huelva hace unos 25 años
Muchas gracias. Lamentablemente, no puedo encontrar ninguna información sobre él en Internet. Este era alguien más:
Antonio Márquez (Antonio García Santillana) - bailaor (Sevilla, 24 de mayo de 1963)
✨ - 🙏
03:10 ...what ?
"...what?" what?
@@betapicts Haha! What an excellent reply! I think Juda Ludas' "what?" refers to the cat(?) running across upstage just after 03:10.
I have always love flamenco - the dance, the music, the facial expression... so much raw emotions, passion and so erotic, and have wanted to know what the singing is about. I was delighted to find this one with English subtitles, but was somewhat surprised to find it's to do with a drill and drillers, early riser...a mine in Spain, though later there's an explosion. Maybe I did not get the deeper meaning from the translation. P.S. My first impression was it could do with a few castanet punctuation here and there, but I have limited knowledge of Flamenco, and perhaps this particular style does not require castanets.
Cante jondo (deep song) is the hardcore of flamenco singing and deals with themes of death, anguish, despair, or religious sentiments. Songs about love, happiness can be found in the alegrías, bulerías and tangos.
Castanets are not used in flamenco dancing as the rhythmic accompaniment is produced by stomping the feet.
@@betapicts Thank you. As I have mentioned in my previous reply, I have no knowledge of flamenco - I just love to watch and listen and feel moved by flamenco. I am particularly fond of Antonio Gades, but as he had some influence of ballet and other media, perhaps you may not regard him as pure? To me, his pairing with Cristina Hoyos was divine. You said: "Castanets are not used in flamenco dancing", but I have seen Siguiriyas with prominent castanets. Please note that in my previous comment, re castanet, I said "punctuation", and NOT "rhythmic accompaniment". I recently watched a flamenco performance using Abeniz's Asturias, and in my opinion, the dancer spoiled the music by using castanets as rhythmic accompaniment, while in another performance by a different dancer, she used castanets as punctuation and that worked well.
@@AKLHWO - Sorry. I did not say "Castanets are not used in flamenco dancing" (that would be very stupid don't you think?) but I said : "Castanets are not used in flamenco dancing as the rhythmic accompaniment is produced by stomping the feet." Please name a RUclips video that contradicts this opinion, I'm curious...
@@betapicts I think there's misunderstanding on both sides. However, there is one thing in common - we both love flamenco, and flamenco speaks to people who may not even know much about Spanish culture.
@@AKLHWO Thank you for your amiable and sagacious response. Indeed our accents may differ.
Ella fui mi maestra en la fundación Cristina herren. Aunque su baile es precioso, esa mujer fue horrible con los alumnos… insultándos además racista. No la quiero para nada