Talán a legjobb szó, amit találok Schiff zongorázásához: a bölcsesség! Ez a végtelen letisztultság,ami játékát megőrzi a legcsekélyebb külsőségtől is! Mennyire őszinte, tisztaság! Igen, ez az, ami utolérhetetlen a játékában!
When a master of the romantics plays a piece from the classical period of music history he takes with him that rubato element that characterizes the romantics. Beautiful interpretation here. Schiff's interpretation of Mendelsshon's "Songs Without Words" has left an indelible mark on the walls of my mind from listening to them for years now, so I'm not surprised at what we have here.
there is also rubato in classical music, in fact the phrase 'rubato' started being used during the 18th century well before mozart started writing music period and mozart was famous for writing in his letters to his sister how much he loved using it. Its a misconception and a problem with 20th century music making that it is convention to play mozart without rubato - conversely enough it is completely out of style to play it without rubato!
@@8figuresof8. I do not mean him being a master of the Romantics by virtue of his repertoire but by virtue of his interpretation of pieces from that period of music history. Again, I made that judgement based on my many years of listening to his interpretation of Mendelssohn's "Songs Without Words" which I mentioned above.
the worlds classical ears had been tuned to the Steinway sound for over 100 years. Now, that Steinway sound is nothing if not full-bodied. And when Boesendoerffer came along it was just as when Lamborghini came along to accompany the Ferraris. A worthy effort , but still, an also -ran. A would-be.
OK I calmed down now Brian. And stood corrected after listening to Sir Andres Schiff giving a master classs to Elena Nefedova playing Buenderstaenze on this oh so fragile little Bosendoerffer with this glasss organ sound, google it , it's a must@@brianbernstein3826
I'm close to having mastered k 476, his last sonata (the first movement) and so i've been investigating performances, primarily for tempo and thinking about the pro's and con's of speed. I feel like many pianists play Mozart so fast a lot gets lost. That's why I appreciate his relatively relaxed tempo in mvt 1 here. It's a fascinating question: finding just the right tempo. Glenn Gould used to mess around with tempos all the time (see his two diff recordings of The Goldberg Variations). But then again, he HUMMED so loudly that it's annoying. But I digress.....
Beautiful playing here, and super-pretty piano, but I've concluded Bosendorfer just isn't for me. When I hear a Steinway, I can hear the metal-wood synergy: some wood timbre (like you get with string instruments, bassoon, oboe etc.) but also the subtlely bell-like brightness of the metal. And this creates all kinds of colors "refracted" in the soundboard. Bosendorfer reminds me of the antique forte-piano, but much more robust. Steinway sounds more modern-urbane (even "machine age"); BD seems more old-world. That may be closer to what Mozart and Bach, earlier, had; but my classical music taste prefers even early-modern era musical culture translated into late 19th century materials aesthetics accentuating the cast iron and brass over the wood, or, rather, the wood and metal in a more balanced partnership.
playing the 2nd repeat in the 1st movement is most likely no mistake because practically no one knows the piece anyways, such that they get more Mozart for the buck. 😂
Going to 2024 NAMM this weekend. I hope to get my hands on a Bosendorfer again....and a Fazioli....and a C. Bechstein...and a Shigeru Kawai. Always feels like being a kid. ❤❤❤ i
Going to 2024 NAMM this weekend. I hope to get my hands on a Bosendorfer again....and a Fazioli....and a C. Bechstein...and a Shigeru Kawai. Always feels like being a kid. ❤❤❤
Talán a legjobb szó, amit találok Schiff zongorázásához: a bölcsesség! Ez a végtelen letisztultság,ami játékát megőrzi a legcsekélyebb külsőségtől is! Mennyire őszinte, tisztaság! Igen, ez az, ami utolérhetetlen a játékában!
That piano sounds really good and very appropriate for Mozart
More gold from András Schiff. Such beauty makes my heart ache and sing at the same time. Thank you, SW.
😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊😊
Maestro, you treat Mozart with the highest respect on the Boesendorfer❤️🌹🧑🎨
omg what a wonderful allegretto! the best version i‘ve ever heard 👏🏻
Fantastic controlled singing across all voices. Beautifully realized. I wish more artists understood at this level.
Nice to see Andras still performing and at the top of his game. Sublime artist.
0:00 Allegro
6:15 Adagio
13:28 Allegretto
Thank you!
Enfin du pur chant mozartien ...Et sur un Bossendörfer, comme quoi... Merci Sir Schiff...!
When a master of the romantics plays a piece from the classical period of music history he takes with him that rubato element that characterizes the romantics. Beautiful interpretation here. Schiff's interpretation of Mendelsshon's "Songs Without Words" has left an indelible mark on the walls of my mind from listening to them for years now, so I'm not surprised at what we have here.
there is also rubato in classical music, in fact the phrase 'rubato' started being used during the 18th century well before mozart started writing music period and mozart was famous for writing in his letters to his sister how much he loved using it. Its a misconception and a problem with 20th century music making that it is convention to play mozart without rubato - conversely enough it is completely out of style to play it without rubato!
@@ethansaltmere thanks for the information ℹ️
Schiff's repertoire is primarily baroque/classical so not quite sure what that you're really know what you're trying to say..
@@8figuresof8. I do not mean him being a master of the Romantics by virtue of his repertoire but by virtue of his interpretation of pieces from that period of music history. Again, I made that judgement based on my many years of listening to his interpretation of Mendelssohn's "Songs Without Words" which I mentioned above.
@@ethansaltmere thanks for this.
Слушать Андраша Шиффа - Великое Счастье в моей жизни!
Я очень многому учусь у Гения - Пианиста-
МУЗЫКАНТА!! СПАСИБО!!!🎉❤
Bellissimo : tempo giusto ! Eloquio chiaro e luminoso.
Played this way it‘s easy to follow from beginning to end.
Sublime. And what a beautiful instrument too. Thanks for uploading.
Everything about this is so beautiful...
Including the Bösendorfer!
The instrument is his own, I believe.
So good! Thanks for sharing!
I am going to see him here in Spain on june. I hope that his recent fall injury is healing so he feels better and we don’t miss his concert here!
He recovered already and is now playing in Europe. I'm seeing him in June in London as well. So good luck to both of us!
I will see him in Madrid in June, too!
He can’t be in Spain,London and Madrid at the same time
@@maxshen2607bro🤦🏻♂️
BRAVO 👏👏👏👏👏🌺💐✌️♥️🇬🇪
Sempre splendide e di gran classe le esecuzioni del Maestro Schiff! ❤❤
This sonata is very sentimental to me. I played this sonata in my earlier undergraduate days for my speech class demonstration.
This a wonderful present to me today,thanks❤❤❤
Beautiful!!
Hoy lo escucharemos ésta noche en el Colón..Bs As..
The best interpretation 😊
Beautiful
Very beautiful and I am playing this piece
😅😊
perfect!
Suberbement bien joué, sublime ! ❤
素晴らしい!❤❤❤❤❤❤
本当に美しいです。憧れます。
So goooooooood
The place ist called Kirche Saanen, not Saaten. Never mind. Schiff's piano playing is wonderful!
Divine
🎉🎉🎉🎉🎉🎉❤❤❤❤❤❤❤ this is amazing
Schiff ist👍👍wie immer!
the worlds classical ears had been tuned to the Steinway sound for over 100 years. Now, that Steinway sound is nothing if not full-bodied. And when Boesendoerffer came along it was just as when Lamborghini came along to accompany the Ferraris. A worthy effort , but still, an also -ran. A would-be.
Huh? Bosendorfer is great, steinway is great. Fazioli is great. Let’s enjoy all these great instruments
OK I calmed down now Brian. And stood corrected after listening to Sir Andres Schiff giving a master classs to Elena Nefedova playing Buenderstaenze on this oh so fragile little Bosendoerffer with this glasss organ
sound, google it , it's a must@@brianbernstein3826
❤
-And YOU are a wannabe music expert ,
Sorry !!!
See you at NAMM on Sunday. CAN'T WAIT to see the Bosendorfers and Bechsteins again.
What a gorgeous piano body. I like them much more than the typical black ones.
I'm close to having mastered k 476, his last sonata (the first movement) and so i've been investigating performances, primarily for tempo and thinking about the pro's and con's of speed. I feel like many pianists play Mozart so fast a lot gets lost. That's why I appreciate his relatively relaxed tempo in mvt 1 here. It's a fascinating question: finding just the right tempo. Glenn Gould used to mess around with tempos all the time (see his two diff recordings of The Goldberg Variations). But then again, he HUMMED so loudly that it's annoying. But I digress.....
👏🏻👏🏻👏🏻👏🏻👏🏻
👍👍👍👍🙏
at unexpected momentts he accelerates or decelerates, in the allegro. It's fine with me because he'll do it for a reason.
Beautiful playing here, and super-pretty piano, but I've concluded Bosendorfer just isn't for me. When I hear a Steinway, I can hear the metal-wood synergy: some wood timbre (like you get with string instruments, bassoon, oboe etc.) but also the subtlely bell-like brightness of the metal. And this creates all kinds of colors "refracted" in the soundboard. Bosendorfer reminds me of the antique forte-piano, but much more robust. Steinway sounds more modern-urbane (even "machine age"); BD seems more old-world. That may be closer to what Mozart and Bach, earlier, had; but my classical music taste prefers even early-modern era musical culture translated into late 19th century materials aesthetics accentuating the cast iron and brass over the wood, or, rather, the wood and metal in a more balanced partnership.
I’m partial to Steinways as well, but if I had the money I’d buy one of each! Both are phenomenal.
And i suppose you think lang lang is 😂
Alap semmi szikra 00
playing the 2nd repeat in the 1st movement is most likely no mistake because practically no one knows the piece anyways, such that they get more Mozart for the buck. 😂
似非巨匠
Going to 2024 NAMM this weekend. I hope to get my hands on a Bosendorfer again....and a Fazioli....and a C. Bechstein...and a Shigeru Kawai. Always feels like being a kid. ❤❤❤ i
Going to 2024 NAMM this weekend. I hope to get my hands on a Bosendorfer again....and a Fazioli....and a C. Bechstein...and a Shigeru Kawai. Always feels like being a kid. ❤❤❤